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  1. Det Andre Spillet.Øyvind Aase - 2005 - Nordic Journal of Aesthetics 17 (31).
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  2. Antoine Caron's Massacre Paintings.Jean Adhémar - 1949 - Journal of the Warburg and Courtauld Institutes 12:199-200.
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  3. French Sixteenth Century Genre Paintings.Jean Adhémar - 1945 - Journal of the Warburg and Courtauld Institutes 8:191-195.
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  4. Privation is Like a Face.Giorgio Agamben - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
  5. Heidegger's Van Gogh.Lars-Olof Åhlberg - 1992 - Nordic Journal of Aesthetics 5 (8).
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  6. On Foreclosure and Fresh Cherries.Teodor Ajder - 2013 - Art Inquiry. Recherches Sur les Arts 15:89-106.
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  7. Photographing a Fact?Virgil Aldrich - 1989 - American Philosophical Quarterly 26 (1):81 - 84.
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  8. Manet Manette.Wayne V. Andersen - 2004 - Common Knowledge 10 (1):162-163.
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  9. André Bazin.Dudley Andrew - 1978 - Journal of Aesthetics and Art Criticism 37 (2):241-243.
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  10. Il Pensiero Simbolico Nella Prima Età Moderna.Annarita Angelini & Pierre Caye (eds.) - 2007 - Leo S. Olschki Editore.
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  11. Symbolism in Art.Sidney Arnold - 1958 - Journal of Aesthetics and Art Criticism 16 (4):532-533.
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  12. Art Beyond Representation: The Performative Power of the Image.K. Bantinaki - 2006 - British Journal of Aesthetics 46 (2):213-216.
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  13. A Reply to Dr. Harrison.G. H. Bantock - 1970 - Journal of Aesthetic Education 4 (3):55.
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  14. Intrinsically Scarce Goods.Rachel Barney & Michael J. Green - 2006 - The Proceedings of the Twenty-First World Congress of Philosophy 2:189-192.
    The Paleolithic paintings and drawings found on cave walls at sites in France and Spain, such as Lascaux, Altamira and Vallon-Pont-D'Arc, have profound effects on those who see them. In addition to their historical interest, they are prized for their aesthetic and spiritual qualities, which have had an important influence on modern art. But the caves are small and the paintings are fragile. Access to them has been sharply limited: some caves have been closed to protect the paintings from the (...)
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  15. Unifying the Curriculum with an Art Exhibition:.Terry Michael Barrett - 2003 - Journal of Aesthetic Education 37 (3):21-40.
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  16. Unifying the Curriculum with an Art Exhibition: In the American Grain.Terry Michael Barrett - 2003 - Journal of Aesthetic Education 37 (3):21-40.
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  17. Art and Pornography.Christopher Bartel - 2014 - British Journal of Aesthetics 54 (4):510-512.
  18. Purpose and Admiration a Lay Study of the Visual Arts.Joseph Edwin Barton - 1932 - Christophers.
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  19. Pictorial Nominalism: On Marcel Duchamp's Passage From Painting to the Readymade.George H. Bauer & Thierry de Duve - 1993 - Substance 22 (2/3):350.
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  20. Shadows and Enlightenment.Michael Baxandall & E. H. Gombrich - 1996 - Journal of Aesthetics and Art Criticism 54 (2):200-201.
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  21. Into the Body of Another: Strange Couplings and Unnatural Alliances of "Harlequin Coat".Burcu Baykan - 2015 - In Matthew Causey Emma Meehan (ed.), Through the Virtual, Toward the Real: The Performing Subject in the Space of Technology. Palgrave-Macmillan. pp. 17-33.
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  22. Becoming-Other: Ontology and Aesthetics in the Critical Theory of Gilles Deleuze.Burcu Baykan - 2014 - In DAKAM LIT CRI '14/ III. Literary Criticism Conference: World Literature and LIterary Criticism Proceedings Book. DAKAM Publishing. pp. 55-60.
  23. Seeing Paintings.Errol Bedford & R. M. Meager - 1966 - Aristotelian Society Supplementary Volume 40 (1):47-84.
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  24. Seeing Is Believing: An Introduction to Visual Communication.Arthur Asa Berger - 1991 - Journal of Aesthetics and Art Criticism 49 (1):101-102.
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  25. The Case of the Shepherd and the Mountain.Marco Bertamini - 2003 - Rivista di Estetica 43 (24):23-26.
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  26. The Ancient Faults of the Other: Religion and Images at the Heart of an Unfinished Dispute.Maria Bettetini - 2014 - Rivista di Estetica 56:141-162.
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  27. Shadows of Cruelty.Charlie Blake & Frida Beckman - 2010 - Angelaki 15 (1):1-12.
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  28. Cockroaches, or Worlds as Images.Nathalie Blanc - 2007 - Contemporary Aesthetics 5.
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  29. François Lissarrague: The Aesthetics of the Greek Banquet: Images of Wine and Ritual (Un Flot d'Images). Translated by Andrew Szegedy-Maszak. Pp. Vii + 150; Frontispiece, 111 Illustrations. Princeton University Press, 1990 (First Published in French, 1987). $24.95. [REVIEW]John Boardman - 1992 - The Classical Review 42 (01):224-225.
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  30. Cedric G. Boulter and Kurt T. Luckner: Corpus Vasorum Antiquorum, United States of America, Fascicule 17: The Toledo Museum of Art, Fascicule 1. Pp. Xii + 55; 13 Figures, 60 Plates. Toledo: Museum of Art, 1976. Cloth, DM. 84. [REVIEW]John Boardman - 1978 - The Classical Review 28 (01):188-189.
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  31. The Sculptural Opaque.Yve-Alain Bois, Kimball Lockhart & Douglas Crimp - 1981 - Substance 10 (2):23.
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  32. Fenomenologia Dell'istituzionale. Does to Institutionalize Something Mean, in Fact, to Document It?Petar Bojani - 2012 - Rivista di Estetica 50 (1):37-52.
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  33. Art, War and Counter-Images.Mikkel Bolt - 2013 - Nordic Journal of Aesthetics 44:91-108.
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  34. The Heritage of Symbolism.C. M. Bowra - 1945 - Journal of Aesthetics and Art Criticism 3 (11):106-106.
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  35. The Role of Luck in Originality and Creativity.Peg Zeglin Brand - 2015 - Journal of Aesthetics and Art Criticism 73 (1):31-55.
    In this article I explore the concept of originality from several viewpoints. Within the world of printmaking, I show that while print dealers may draw attention to originality in order to enhance economic value, artists emphasize the aesthetic value of a work based on the freedom to express artistic intent and to experiment with techniques of the medium. Within the worlds of philosophy and to some extent, psychology, “originality” has been misleadingly tied to the notions of “creativity” and “genius,” thereby (...)
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  36. Studies in the Problem of NormsGeorge P. Adams J. Loewenberg Stephen C. Pepper.A. P. Brogan - 1927 - International Journal of Ethics 37 (3):314-317.
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  37. Sculptural Thinking.Donald Brook - 1963 - British Journal of Aesthetics 3 (4):353.
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  38. Paradoxes of Pitch Space.Candace Brower - 2008 - Music Analysis 27 (1):51-106.
    Parallels between the mathematics of tiling, which describes geometries of visual space, and neo-Riemannian theory, which describes geometries of musical space, make it possible to show that certain paradoxes featured in the visual artworks of M. C. Escher also appear in the pitch space modelled by the neo-Riemannian Tonnetz . This article makes these paradoxes visually apparent by constructing an embodied model of triadic pitch space in accordance with principles drawn from the mathematics of tiling, on the one hand, and (...)
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  39. Deconstruction and the Visual Arts: Art, Media, Architecture.Peter Brunette & David Wills (eds.) - 1993 - Cambridge University Press.
    Deconstruction and the Visual Arts brings together a series of new essays by scholars of aesthetics, art history and criticism, film, television and architecture. Working with the ideas of French philosopher Jacques Derrida, the essays explore the full range of his analyses. They are modelled on the variety of critical approaches that he has encouraged, from critiques of the foundations of our thinking and disciplinary demarcation, to creative and experimental readings of visual 'texts'. Representing some of the most innovative thinking (...)
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  40. The Left in American Comics: Rethinking the Visual Vernacular. [REVIEW]Paul Buhle - 2007 - Science and Society 71 (3):348 - 356.
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  41. Icons and Images of the Sixties.Nicolas Calas & Elena Calas - 1972 - Journal of Aesthetics and Art Criticism 31 (1):133-134.
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  42. Poussin's Paintings: A Study in Art-Historical Methodology.David Carrier - 1995 - Journal of Aesthetics and Art Criticism 53 (3):326-328.
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  43. Contemporary Ink Paintings.Curtis L. Carter - unknown
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  44. "The Loom of Art": Germain Bazin. [REVIEW]F. P. Chambers - 1963 - British Journal of Aesthetics 3 (3):277.
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  45. Hyman on Naturalism and the Ram Jug.T. S. Champlin - 1994 - British Journal of Aesthetics 34 (2):146-150.
  46. Famous Paintings.G. K. Chesterton - 1997 - The Chesterton Review 23 (1/2):21-25.
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  47. Exposure to Better and Poorer Art.Irvin L. Child - 1968 - Journal of Aesthetic Education 2 (1):111.
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  48. El Greco. Christianus - 1962 - Augustinianum 2 (2):460-460.
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  49. ""A Pedagogy of Two Ways of Seeing: A Confrontation of" Word and Image" in My Name is Red.Feride Cicekoglu - 2003 - Journal of Aesthetic Education 37 (3):1-20.
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  50. A Pedagogy of Two Ways of Seeing: A Confrontation of "Word and Image" In.Feride Çiçekoglu - 2003 - Journal of Aesthetic Education 37 (3).
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1 — 50 / 3210