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  1. El debate sobre Plato und die Dichter y su inscripción en el contexto de Alemania Nacional-Socialista: una discusión con lecturas de la teoría política.Facundo Bey - 2019 - Ekstasis: Revista de Hermenéutica y Fenomenologí 8 (1):138-163.
    Hans-Georg Gadamer, en su conferencia Plato und die Dichter (1934), desarrolló una investigación fenomenológica excepcional de filosofía ético-política de Platón y del lugar que el arte ocupa en ella. En mediados de la década de 1990, la escritora mexicana Teresa Orozco publicó una serie de escritos en los cuales acusa a Gadamer de haberse colocado, a través de la exhibición y publicación de este trabajo, a servicio del nacional-socialismo. Este artículo busca discutir los argumentos presentados por Orozco y otros autores, (...)
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  2. Plato and the Problem of Poikilia.Jonathan Fine - forthcoming - Classical Quarterly.
    This paper shows how, in the Republic, Plato contests a prominent conception of beauty as ‘fascinating variety’ (poikilia). Drawing on tensions in the concept, Plato associates poikilia with harmful sensory pleasure to redirect admiration toward the non-sensible nature of beauty. This is to put the aesthetics of poikilia in its place, in service of a distinctly philosophical pursuit of beauty. Yet Plato does not deny the beauty of poikilia, not even in imitative poetry. Rather, his critique lays bare a problem (...)
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  3. On Poietic Remembering and Forgetting: Hermeneutic Recollection and Diotima’s Historico-Hermeneutic Leanings.Cynthia R. Nielsen - 2018 - Symposium 22 (2):107-134.
    Like human existence itself, our enduring legacies—whether poetic, ethical, political, or philosophical—continually unfold and require recurrent communal engagement and (re)enactment. In other words, an ongoing performance of significant works must occur, and this task requires the collective human activity of re-membering or gathering-together-again. In the Symposium, Diotima provides an account of human pursuits of immortality through the creation of artifacts, including laws, poems, and philosophical discourses that resonates with Gadamer’s account of our engagement with artworks and texts. This essay explores (...)
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  4. The Origins of Western IdeasThe Nature of Love: Plato to Luther. [REVIEW]John C. Moore & Irving Singer - 1968 - Journal of the History of Ideas 29 (1):141.
  5. Sorcerer Love: A Reading of Plato's Symposium, Diotima's Speech.Luce Irigaray & Eleanor H. Kuykendall - 1988 - Hypatia 3 (3):32-44.
    "Sorcerer Love" is the name that Luce Irigaray gives to the demonic function of love as presented in Plato's Symposium. She argues that Socrates there attributes two incompatible positions to Diotima, who in any case is not present at the banquet. The first is that love is a mid-point or intermediary between lovers which also teaches immortality. The second is that love is a means to the end and duty of procreation, and thus is a mere means to immortality through (...)
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  6. Apprendre À L’'Ge Adulte : Entre Imitation Et émancipationLearning: Between Imitation and Emancipation'.Henri Vieille-Grosjean & Gabriel Di Patrizio - 2015 - Revue Phronesis 4 (1):40.
  7. 29. The Fire and the Sun: Why Plato Banished the Artists.Iris Murdoch - 2016 - In Bernard Williams (ed.), Essays and Reviews: 1959-2002. Princeton University Press. pp. 142-145.
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  8. The Fire and the Sun Why Plato Banished the Artists : Based Upon the Romanes Lecture 1976.Iris Murdoch - 1990
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  9. Plato's Quarrel with Poetry: Simonides.H. S. Thayer - 1975 - Journal of the History of Ideas 36 (1):3.
  10. The Literary Inspiration of Botticelli, Pallas and a Centaur.Eleanor Ferguson Rambo - 1923 - Classical World: A Quarterly Journal on Antiquity 17:117-118.
  11. The Ancient Quarrel Between Poetry and Philosophy by Thomas Gould. [REVIEW]Victoria Larson - 1993 - Classical World: A Quarterly Journal on Antiquity 86:237-238.
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  12. Plato and the Poets.John A. Mourant - 1950 - The Thomist 13:249.
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  13. The Aesthetic Element in Morality. [REVIEW]Rudolf Eucken - 1892 - Ancient Philosophy (Misc) 3:650.
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  14. Truth's Harmony in Plato's Musical Cosmos.Douglas V. Henry - 1996 - Dissertation, Vanderbilt University
    Plato provocatively characterizes truth $$ in terms of harmony $$ at various points throughout his dialogues. While limited attention has been directed toward the role of musical concepts in Plato's general cosmology, not any attention has been directed toward how musical concepts function in relation to Plato's characterization of truth. In fact, this issue has had little occasion for consideration. Almost every contemporary translator empties terms such as $\grave\alpha\rho\mu o\nu\acute\iota\alpha,$ when co-incidental with $\acute\alpha\lambda\acute\eta\theta\varepsilon\iota\alpha,$ of their musical content. As a consequence, (...)
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  15. Plato on Beauty, Wisdom and the Arts.Julius Moravscik & Philip Temko - 1984 - Mind 93 (370):296-296.
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  16. "Plato on Beauty, Wisdom and the Arts", Edited by J. Moravcsik and P. Temko. [REVIEW]W. Charlton - 1984 - Mind 93:296.
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  17. Ti to Kalliston.Chrestos I. Karouzos - 1957 - [S.N.].
  18. By Uniting It Stands: Poetry And Myth In Platos Republic.Andreas Avgousti - 2012 - Polis 29:21-41.
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  19. Writing Law. [REVIEW]Robin Osborne - 1997 - The Classical Review 47 (1):87-88.
  20. Julius Moravscik and Philip Temko, Eds., Plato on Beauty, Wisdom, and the Arts Reviewed By.Jeff Mitscherling - 1984 - Philosophy in Review 4 (5):206-209.
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  21. Poetry, Philosophy and Truth: Seeking Aletheia in Plato.Joanne B. Waugh - 2001 - In Konstantine Boudouris (ed.), Greek Philosophy and Epistemology. International Association for Greek Philosophy. pp. 188--203.
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  22. Plato on Mimesis.P. Woodruff - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 521--23.
  23. The Aesthetics of Mimesis. Ancients Texts and Modern Problems. [REVIEW]Dimitri El Murr & S. Halliwell - 2002 - Journal of Hellenic Studies 124 (215):219-220.
  24. Lying and Poetry From Homer to Pindar: Falsehood and Deception in Archaic Greek Poetics. [REVIEW]Penelope Murray & L. H. Pratt - 1996 - Journal of Hellenic Studies 116:187-187.
  25. Plato and Aristotle on Poetry. [REVIEW]S. Halliwell & G. F. Else - 1989 - Journal of Hellenic Studies 109:232-233.
  26. Interaction in Poetic Imagery with Special Reference to Early Greek Poetry. [REVIEW]W. B. Stanford & M. S. Silk - 1976 - Journal of Hellenic Studies 96:194-195.
  27. The Treatment of Odours in the Poetry of Antiquity. [REVIEW]C. J. Rowe & S. Lija - 1974 - Journal of Hellenic Studies 94:206-207.
  28. Poetry and Criticism Before Plato.K. J. Dover & R. Harriott - 1970 - Journal of Hellenic Studies 90:230-231.
  29. Theocritus' Coan Pastorals: A Poetry Book. [REVIEW]Giuseppe Giangrande & G. Lawall - 1968 - Journal of Hellenic Studies 88:170-173.
  30. Nature in Greek Poetry.T. B. L. W. & G. Soutar - 1941 - Journal of Hellenic Studies 61:42.
  31. The Fire and the Sun: Why Plato Banished the Artists.Rosamond Kent Sprague - 1977 - Philosophical Books 18 (3):105-106.
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  32. The Man-Eating Horses of Diomedes in Poetry and Painting.Donna C. Kurtz - 1975 - Journal of Hellenic Studies 95:171-172.
  33. The Earliest Narrative Poetry of Rome.Ethel Mary Steuart - 1921 - Classical Quarterly 15 (1):31-37.
    Despite the discredit into which the once famous theory of Niebuhr has long sincefallen, it is beginning to appear, both to historians and to students of literature, that Epic poetry was in full process of evolution at Rome before Livius Andronicus was inspired to translate the Odyssey. There is, indeed, ample evidence to warrant such a belief; our authorities may most conveniently be considered in two main divisions. The first calls for no more than the barest mention, for it is (...)
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  34. Plato and Freud. [REVIEW]Donald C. Abel - 1992 - Ancient Philosophy 12 (1):193-196.
  35. (A.S.) Mason "Plato" (Ancient Philosophies). Durham: Acumen, 2010. Pp. Viii + 224. £50. 9781844651733 (Hbk). £14.99. 9781844651740 (Pbk).(J.D.G.) Evans "A Plato Primer". Durham: Acumen, 2010. Pp. Ix + 163. £45. 9781844652273 (Hbk). £12.99. 9781844652280 (Pbk). [REVIEW]Frisbee Sheffield - 2011 - Journal of Hellenic Studies 131:265-267.
  36. The Image of a Second Sun: Plato on Poetry, Rhetoric, and the Technē of Mimēsis. By Jeff Mitscherling.Robin Waterfield - 2011 - Heythrop Journal 52 (6):1034-1035.
  37. Plato and the Arts Julius Moravcsik, Philip Temko (Edd.): Plato on Beauty, Wisdom and the Arts. (American Philosophical Quarterly Library of Philosophy.) Pp. X+150. Totowa, New Jersey: Rowan & Littlefield, 1982. $27.50. [REVIEW]John Glucker - 1987 - The Classical Review 37 (02):210-213.
  38. Deceptive Readings: Poetry and its Value Reconsidered.Sitta von Reden - 1995 - Classical Quarterly 45 (01):30-.
    In his analysis of the social and economic conditions of intellectual activity in ancient Greece, Gentili argues that the value of poetry underwent a notable change in the late archaic period. Poetry came to be produced within a contractual relationship between patrons and poets, it became a commercial good available to the one who could pay for it and its value was expressed no longer by honouring the poet but by paying for his product. At the time of Solon and (...)
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  39. Perspectives in Aesthetics, Plato to Camus.Peyton E. Richter - 1967 - New York: Odyssey Press.
  40. Philosophy of Art and Aesthetics, From Plato to Wittgenstein.Frank A. Tillman - 1969 - New York: Harper & Row.
  41. Book Review: Literature Against Philosophy, Plato to Derrida: A Defense of Poetry. [REVIEW]Mark Edmundson - 1996 - Philosophy and Literature 20 (2).
  42. Collingwood and Greek Aesthetics.Stanley H. Rosen - 1959 - Phronesis 4 (2):135-148.
  43. The Aesthetic Character of Form. Review of "Provocative Form in Plato, Kant, Nietzsche (and Others)" by Bernard Freydberg. [REVIEW]Eric Sanday - 2003 - Research in Phenomenology 33 (1):328-334.
  44. Rhetoric, Drama and Truth in Plato's "Symposium".Anne Sheppard - 2008 - International Journal of the Platonic Tradition 2 (1):28-40.
    This paper draws attention to the Symposium's concern with epideictic rhetoric. It argues that in the Symposium, as in the Gorgias and the Phaedrus, a contrast is drawn between true and false rhetoric. The paper also discusses the dialogue's relationship to drama. Whereas both epideictic rhetoric and drama were directed to a mass audience, the speeches in the Symposium are delivered to a small, select group. The discussion focuses on the style of the speeches delivered by Aristophanes, Agathon, Socrates and (...)
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  45. Plato and Pater: Fin-de-Siécle Aesthetics.I. C. Small - 1972 - British Journal of Aesthetics 12 (4):369-383.
  46. Plato and the Poets.James O. Urmson - 1982 - In J. M. E. Moravcsik & Philip Temko (eds.), Mind. Rowman & Littlefield. pp. 195-199.
Plato: Beauty
  1. The Guise of the Beautiful: Symposium 204d Ff.Jonathan Fine - forthcoming - Phronesis:1-24.
    A crux of Plato’s Symposium is how beauty relates to the good. Diotima distinguishes beauty from the good, I show, to explain how erotic pursuits are characteristically ambivalent and opaque. Human beings pursue beauty without knowing why or thinking it good; yet they are rational, if aiming at happiness. Central to this reconstruction is a passage widely taken to show that beauty either coincides with the good or demands disinterested admiration. It shows rather that what one loves as beautiful does (...)
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  2. The Carpenter as a Philosopher Artist: A Critique of Plato's Theory of Mimesis.Ilemobayo John Omogunwa - 2018 - Philosophy Pathways 222 (1).
    Plato’s theory of mimesis is expressed clearly and mainly in Plato’s Republic where he refers to his philosophy of Ideas in his definition of art, by arguing that all arts are imitative in nature. Reality according to him lies with the Idea, and the Form one confronts in this tangible world is a copy of that universal everlasting Idea. He poses that a carpenter’s chair is the result of the idea of chair in his mind, the created chair is once (...)
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  3. Two Passions in Plato’s Symposium: Diotima’s To Kalon as a Reorientation of Imperialistic Erōs.Mateo Duque - 2019 - In Heather L. Reid & Tony Leyh (eds.), Looking at Beauty to Kalon in Western Greece: Selected Essays from the 2018 Symposium on the Heritage of Western Greece. Sioux City, IA, USA: Parnassos Press – Fonte Aretusa. pp. 95-110.
    In this essay, I propose a reading of two contrasting passions, two kinds of erōs, in the "Symposium." On the one hand, there is the imperialistic desire for conquering and possessing that Alcibiades represents; and on the other hand, there is the productive love of immortal wisdom that Diotima represents. It’s not just what Alcibiades says in the Symposium, but also what he symbolizes. Alcibiades gives a speech in honor of Socrates and of his unrequited love for him, but even (...)
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  4. Il Problema Della Bellezza—Autenticità E Significato Dell' Ippia Maggiore di Platone. [REVIEW]Pamela M. Huby - 1978 - The Classical Review 28 (1):168-169.
1 — 50 / 362