This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories

395 found
Order:
1 — 50 / 395
Material to categorize
  1. Principal Doctrines of Epicurus.Irfan Ajvazi - manuscript
    Epicurean philosophy, as Epicurus's teachings became known, was used as the basis for how the community lived and worked. At the time, founding a school and teaching a community of students was the main way philosophical ideas were developed and transmitted. Greek philosopher Aristotle (384–322 BCE), for instance, founded a school in Athens called the Lyceum. Epicurus and his disciples believed either there were no gods or, if there were, the gods were so remote from humans that they were not (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  2. Logic and Music in Plato's Phaedo.Dominic Bailey - 2005 - Phronesis 50 (2):95-115.
  3. Play and Moral Education in the Choruses of Plato’s Laws.Antoine Pageau-St-Hilaire - forthcoming - Apeiron: A Journal for Ancient Philosophy and Science.
    Among the educative games of Plato’s Cretan city, choral performances have a prominent role. This paper examines the function of play (παιδιά) in the choral education in virtue in Plato’s Laws. I reconstruct the notion of play as it is elaborated throughout this dialogue, and then show how it contributes to solving the problem of virtue acquisition in the Athenian’s account of moral education through songs and dances. I argue that play in the Laws is best understood an imitative activity (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  4. Plato and the Dangerous Pleasures of Poikilia.Jonathan Fine - 2021 - Classical Quarterly 71 (1):152-169.
    A significant strand of the ethical psychology, aesthetics and politics of Plato's Republic revolves around the concept of poikilia, ‘fascinating variety’. Plato uses the concept to caution against harmful appetitive pleasures purveyed by democracy and such artistic or cultural practices as mimetic poetry. His aim, this article shows, is to contest a prominent conceptual connection between poikilia and beauty (kallos, to kalon). Exploiting tensions in the archaic and classical Greek concept, Plato associates poikilia with dangerous pleasures to redirect admiration toward (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  5. Plato Und Die Dichter.Harold Cherniss & H. G. Gadamer - 1936 - American Journal of Philology 57 (2):229.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark   2 citations  
  6. A History of Esthetics.George Boas, Katharine Everett Gilbert & Helmut Kuhn - 1941 - American Journal of Philology 62 (1):126.
  7. Philosophy and Literature in Plato - (H.) Fossheim, (V.) Songe-Møller, (K.) Ågotnes (Edd.) Philosophy as Drama. Plato's Thinking Through Dialogue. Pp. XIV + 247. London and New York: Bloomsbury Academic, 2019. Cased, £85, Us$114. Isbn: 978-1-350-08249-6. [REVIEW]Rasmus Sevelsted - 2020 - The Classical Review 70 (2):340-342.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  8. Plato and Tragedy - (R.S.) Liebert Tragic Pleasure From Homer to Plato. Pp. X + 218. Cambridge: Cambridge University Press, 2017. Cased, £78.99, Us$105. Isbn: 978-1-107-18444-2. [REVIEW]Pierre Destrée - 2020 - The Classical Review 70 (2):337-339.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  9. How Plato and Hegel Integrate the Sciences, the Arts, Religion, and Philosophy.Robert M. Wallace - 2019 - Hegel Jahrbuch 2019 (1):391-402.
    Plato was among the first to give prominence to the apparent conflicts between philosophy, religion, and the arts, conflicts that are still alive in modern cultures. Philosophers often challenge the legitimacy of religion, in various ways; philosophy as an advocate of ethics challenges the arts as lacking a moral compass; and advocates of the arts and religion stage counterattacks against these challenges. However, Plato wasn’t only a critic of religion and the arts. He had his own preferred version of religion, (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  10. One Man Show: Poetics and Presence in the Iliad and Odyssey.Katherine L. Kretler - 2017 - Washington, DC, USA: Center for Hellenic Studies / Harvard University Press.
    This book plumbs the virtues of the Homeric poems as scripts for solo performance. Despite academic focus on orality and on composition in performance, we have yet to fully appreciate the Iliad and Odyssey as the sophisticated scripts that they are. What is lost in the journey from the stage to the page? -/- Readers may be readily impressed by the vividness of the poems, but they may miss out on the strange presence or uncanniness that the performer evoked in (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  11. El debate sobre Plato und die Dichter y su inscripción en el contexto de Alemania Nacional-Socialista: una discusión con lecturas de la teoría política.Facundo Bey - 2019 - Ekstasis: Revista de Hermenéutica y Fenomenologí 8 (1):138-163.
    Hans-Georg Gadamer, en su conferencia Plato und die Dichter (1934), desarrolló una investigación fenomenológica excepcional de filosofía ético-política de Platón y del lugar que el arte ocupa en ella. En mediados de la década de 1990, la escritora mexicana Teresa Orozco publicó una serie de escritos en los cuales acusa a Gadamer de haberse colocado, a través de la exhibición y publicación de este trabajo, a servicio del nacional-socialismo. Este artículo busca discutir los argumentos presentados por Orozco y otros autores, (...)
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  12. An Aesthetic Theory in Four Dimensions.Robert Elliott Allinson - 2019 - Dialogue and Universalism 29 (2):53-64.
    The purpose of this article is to synthesize four major elements of aesthetic experience that have previously appeared isolated whenever an attempt at conceptualization is made. These four elements are: Immanuel Kant’s disinterested pleasure, Robin G. Collingwood’s emotional expressionism, the present writer’s redemptive emotional experience, and, lastly, Plato’s concept of Beauty. By taking these four abstracted elements as the bedrock for genuine aesthetic experience, this article aims to clarify the proper role of art as distinct from philosophy and intellectualization. Rather (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  13. Platon Et l'Art Do Son Temps. By P. Schuhl. Pp. 123. Paris: F. Alcan, 1933. 20 Fr.T. D. - 1934 - Journal of Hellenic Studies 54 (2):226-226.
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  14. Janaway Images of Excellence. Plato's Critique of the Arts. Oxford UP, 1995. Pp. X + 226. £30. 0198240074.J. J. Pollitt - 1997 - Journal of Hellenic Studies 117:226-227.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  15. Keuls Plato and Greek Painting. Leiden: Brill. 1978. Pp. Xv + 154, 4 Plates , 2 Text Figs. Fl. 54.Norman Gulley - 1980 - Journal of Hellenic Studies 100:223-224.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  16. James A. Arieti: Interpreting Plato: The Dialogues as Drama. Pp. X+270. Savage, Maryland: Rowman & Littlefield, 1991. $46.25. [REVIEW]G. B. Kerferd - 1992 - The Classical Review 42 (2):455-456.
  17. On Poietic Remembering and Forgetting: Hermeneutic Recollection and Diotima’s Historico-Hermeneutic Leanings.Cynthia R. Nielsen - 2018 - Symposium 22 (2):107-134.
    Like human existence itself, our enduring legacies—whether poetic, ethical, political, or philosophical—continually unfold and require recurrent communal engagement and (re)enactment. In other words, an ongoing performance of significant works must occur, and this task requires the collective human activity of re-membering or gathering-together-again. In the Symposium, Diotima provides an account of human pursuits of immortality through the creation of artifacts, including laws, poems, and philosophical discourses that resonates with Gadamer’s account of our engagement with artworks and texts. This essay explores (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  18. Is Good Tragedy Possible? The Argument of Plato's Gorgias 502b-503b.Franco V. Trivigno - 2011 - Oxford Studies in Ancient Philosophy 41:115-138.
  19. Republic 10 and the Role of the Audience in Art.Verity Harte - 2010 - Oxford Studies in Ancient Philosophy 38:69-96.
  20. Vicaire Platon: Critique Littéraire. [Thèse.] Paris: C. Klincksieck. 1960. Pp. V + 448. NFr. 36.H. C. Baldry - 1962 - Journal of Hellenic Studies 82:180-181.
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  21. Der Mimesisbegriff in der Griechischen Antike: Neubetrachtung Eines Umstrittenen Begriffes Als Ansatz Zu Einer Neuen Interpretation der Platonischen Kunstauffassung. [REVIEW]Stephen Halliwell - 1995 - The Classical Review 45 (1):176-177.
  22. Philosophical Essays Presented to John Watson. [REVIEW]R. Hackforth - 1925 - The Classical Review 39 (1-2):26-27.
  23. The Origins of Western IdeasThe Nature of Love: Plato to Luther. [REVIEW]John C. Moore & Irving Singer - 1968 - Journal of the History of Ideas 29 (1):141.
  24. Sorcerer Love: A Reading of Plato's Symposium, Diotima's Speech.Luce Irigaray & Eleanor H. Kuykendall - 1988 - Hypatia 3 (3):32-44.
    “Sorcerer Love” is the name that Luce Irigaray gives to the demonic function of love as presented in Plato's Symposium. She argues that Socrates there attributes two incompatible positions to Diotima, who in any case is not present at the banquet. The first is that love is a mid-point or intermediary between lovers which also teaches immortality. The second is that love is a means to the end and duty of procreation, and thus is a mere means to immortality through (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  25. Apprendre À L’'Ge Adulte : Entre Imitation Et émancipationLearning: Between Imitation and Emancipation'.Henri Vieille-Grosjean & Gabriel Di Patrizio - 2015 - Revue Phronesis 4 (1):40.
  26. 29. The Fire and the Sun: Why Plato Banished the Artists.Iris Murdoch - 2016 - In Bernard Williams (ed.), Essays and Reviews: 1959-2002. Princeton University Press. pp. 142-145.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark   2 citations  
  27. The Fire and the Sun Why Plato Banished the Artists : Based Upon the Romanes Lecture 1976.Iris Murdoch - 1990
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  28. Plato's Quarrel with Poetry: Simonides.H. S. Thayer - 1975 - Journal of the History of Ideas 36 (1):3.
  29. Plato and the Poets.John A. Mourant - 1950 - The Thomist 13:249.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  30. The Aesthetic Element in Morality. [REVIEW]Rudolf Eucken - 1892 - Ancient Philosophy (Misc) 3:650.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  31. Truth's Harmony in Plato's Musical Cosmos.Douglas V. Henry - 1996 - Dissertation, Vanderbilt University
    Plato provocatively characterizes truth $$ in terms of harmony $$ at various points throughout his dialogues. While limited attention has been directed toward the role of musical concepts in Plato's general cosmology, not any attention has been directed toward how musical concepts function in relation to Plato's characterization of truth. In fact, this issue has had little occasion for consideration. Almost every contemporary translator empties terms such as $\grave\alpha\rho\mu o\nu\acute\iota\alpha,$ when co-incidental with $\acute\alpha\lambda\acute\eta\theta\varepsilon\iota\alpha,$ of their musical content. As a consequence, (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  32. Plato on Beauty, Wisdom and the Arts.Julius Moravscik & Philip Temko - 1984 - Mind 93 (370):296-296.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  33. "Plato on Beauty, Wisdom and the Arts", Edited by J. Moravcsik and P. Temko. [REVIEW]W. Charlton - 1984 - Mind 93:296.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  34. Ti to Kalliston.Chrestos I. Karouzos - 1957 - [S.N.].
  35. By Uniting It Stands: Poetry And Myth In Platos Republic.Andreas Avgousti - 2012 - Polis 29:21-41.
    Remove from this list  
     
    Export citation  
     
    Bookmark   2 citations  
  36. Writing Law. [REVIEW]Robin Osborne - 1997 - The Classical Review 47 (1):87-88.
  37. Julius Moravscik and Philip Temko, Eds., Plato on Beauty, Wisdom, and the Arts Reviewed By.Jeff Mitscherling - 1984 - Philosophy in Review 4 (5):206-209.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  38. Poetry, Philosophy and Truth: Seeking Aletheia in Plato.Joanne B. Waugh - 2001 - In Konstantine Boudouris (ed.), Greek Philosophy and Epistemology. International Association for Greek Philosophy. pp. 188--203.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  39. Plato on Mimesis.P. Woodruff - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 521--23.
  40. The Aesthetics of Mimesis. Ancients Texts and Modern Problems. [REVIEW]Dimitri El Murr & S. Halliwell - 2002 - Journal of Hellenic Studies 124 (215):219-220.
  41. Lying and Poetry From Homer to Pindar: Falsehood and Deception in Archaic Greek Poetics. [REVIEW]Penelope Murray & L. H. Pratt - 1996 - Journal of Hellenic Studies 116:187-187.
  42. Plato and Aristotle on Poetry. [REVIEW]S. Halliwell & G. F. Else - 1989 - Journal of Hellenic Studies 109:232-233.
  43. Interaction in Poetic Imagery with Special Reference to Early Greek Poetry. [REVIEW]W. B. Stanford & M. S. Silk - 1976 - Journal of Hellenic Studies 96:194-195.
  44. The Treatment of Odours in the Poetry of Antiquity. [REVIEW]C. J. Rowe & S. Lija - 1974 - Journal of Hellenic Studies 94:206-207.
  45. Poetry and Criticism Before Plato.K. J. Dover & R. Harriott - 1970 - Journal of Hellenic Studies 90:230-231.
  46. Theocritus' Coan Pastorals: A Poetry Book. [REVIEW]Giuseppe Giangrande & G. Lawall - 1968 - Journal of Hellenic Studies 88:170-173.
  47. Nature in Greek Poetry.T. B. L. W. & G. Soutar - 1941 - Journal of Hellenic Studies 61:42.
  48. The Fire and the Sun: Why Plato Banished the Artists.Rosamond Kent Sprague - 1977 - Philosophical Books 18 (3):105-106.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  49. The Man-Eating Horses of Diomedes in Poetry and Painting.Donna C. Kurtz - 1975 - Journal of Hellenic Studies 95:171-172.
  50. The Earliest Narrative Poetry of Rome.Ethel Mary Steuart - 1921 - Classical Quarterly 15 (1):31-37.
    Despite the discredit into which the once famous theory of Niebuhr has long sincefallen, it is beginning to appear, both to historians and to students of literature, that Epic poetry was in full process of evolution at Rome before Livius Andronicus was inspired to translate the Odyssey. There is, indeed, ample evidence to warrant such a belief; our authorities may most conveniently be considered in two main divisions. The first calls for no more than the barest mention, for it is (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
1 — 50 / 395