Plato: Causation

This article concerns the so-called irrigation system in the Timaeus’ biology (77a-81e), which replenishes our body’s tissues with resources from food delivered as blood. I argue that this system functions mainly by the natural like-to-like motion of the elements and that the circulation of blood is an important case study of Plato’s physics. We are forced to revise the view that the elements attract their like. Instead, similar elements merely tend to coalesce with each other in virtue of their tactile (...) features as the atomists describe. The notion of attraction is replaced with this notion of mere coalescence. I begin by outlining how blood is made from food. I then argue that an understanding of health and disease compels us to read Plato as if he were an atomist and to abandon the popular scholarly interpretations according to which the elements attract each other. (shrink)

Balthasar impiega in tutta la sua Trilogia fattori fondamentali del pensiero di Platone: il bello, l’eros e l’analogia entis che chiama “Selbstbewegung” ignorando completamente la dottrina dei principi primi che la Scuola di Tübingen ha ricostruito grazie alle testimonianze dei suoi allievi nell’Accademia antica. Per parte sua, la Scuola di Tübingen esclude sistematicamente dall’indagine l’eros e la definizione di psychè del Fedro come “ciò che si muove sempre” e “muove sé stesso”. Non si occupa affatto del bello, perché lo assimila (...) senz’altro all’idea del bene. Propongo perciò una ricerca più filologica in cui espongo il Platone di Balthasar e quello della Scuola di Tübingen e una parte più storico-sistematica in cui delineo il divenire dell’estetica drammatica. Infine, propongo una soluzione del paradosso che ho identificato. La presenza di Platone nell’opera di Balthasar non è stata ancora riconosciuta. Solo due saggi ne parlano, ma sono problematici: in realtà si tratterebbe di Plotino, che sarebbe il vero compimento della filosofia greca. Non viene però preso in considerazione il fatto che Balthasar critica Plotino. (shrink)

At Phaedo 105c, Socrates introduces a type of explanation (αἰτία) he describes as “clever.” Rather than explaining a body’s hotness in terms of the body’s participation in the Form Hot, for example, the clever αἰτία attributes a body’s hotness to the presence of fire in the body. Traditional interpretations argue that the clever αἰτία accounts for the interaction between fire and the body in terms of logical entailment relationships among the Forms. On this view, fire makes bodies hot because fire (...) participates in the Form Fire and the Form Fire entails the Form Hot. In Part One of this paper, Jelinek shows that this traditional interpretation yields problematic results. In Part Two, Jelinek considers the possibility that the clever αἰτία is a hybrid explanation that invokes both Forms and particulars as irreducible sources of explanation. Though an explanation that invokes particulars as explanatory modes may seem at odds with Plato’s Form-based metaphysics, Jelinek shows that this kind of explanation can be plausibly attributed to him. This novel interpretation of the clever αἰτία attributes to Plato a more complex and nuanced understanding of explanation than previously thought. (shrink)

In Metaphysics A 6, Aristotle claims that Plato only recognises formal and material causes. Yet, in various dialogues, Plato seems to use and distinguish efficient and final causes too. Consequently, Harold Cherniss accuses Aristotle of being an unfair, forgetful, or careless reader of Plato. Since then, scholars have tried to defend Aristotle’s exegetical skills. I offer textual evidence and arguments to show that their efforts still fall short of the desired goal. I argue, instead, that we can reject Cherniss’ assertation (...) by re-examining Aristotle’s exegetical and methodological assumptions. (shrink)

As Socrates recounts his search for causes (aitiai) in the Phaedo, he identifies the following as genuine causes: intelligence (nous), seeming best, choice of the best, and the forms. I argue that these causes should be understood as norms prescribing the conditions their effects must meet if those effects are to be produced. Thus, my account both explains what Socrates’ causes are and the way in which they cause what they cause.

There are only two places in which Plato explicitly offers a critique of the sort of theory of forms presented in the Phaedo and Republic: at the beginning of the Parmenides and in the argument against the Friends of the Forms in the Sophist. An accurate account of the argument against the Friends, therefore, is crucial to a proper understanding of Plato’s metaphysics. How the argument against the Friends ought to be construed and what it aims to accomplish, however, are (...) matters of considerable controversy. My aim in this article is twofold. First, I show that the two readings of the argument against the Friends that dominate the contemporary literature – the “Cambridge Change” reading and the “Becoming-is-Being” reading – lack sufficient textual support. Second, I offer an alternative reading of the argument against the Friends that better explains both the text of 248a4–249d5 and the role the argument plays within the Stranger’s wider project of demonstrating that non-being is. My thesis is that the Stranger’s argument against the Friends seeks to demonstrate that the forms must be both at rest and moved, where “moved” has the sense of “affected.” To participate in a form is to be affected by that form. I argue that since, according to the Stranger, every form participates in some other forms, every form is “moved” in the sense that it is affected by the forms in which it participates. Likewise, I argue that every form is at rest in the sense that its unique nature remains unaffected by the other forms in which it participates. (shrink)

Many assume that Plato's Form of the Good is a final cause. This might be true if one assumes an Aristotelian definition of final cause; however, I argue that if one adopts Plato's conception of final causation as evidenced in the Phaedo and Timaeus, the claim that the Form of the Good is a final cause for Plato is untenable.

The Euthyphro is generally considered one of Plato’s early dialogues. According to the developmental approach to reading the dialogues, when writing the Euthyphro Plato had not yet developed the sort of elaborate “theory of forms ” that we see presented in the middle dialogues and further refined in the late dialogues. This essay calls the developmental account into question by showing how key elements from the theory of forms that appear in the late dialogues, particularly in the Statesman, are already (...) operative in the Euthyphro. When one identifies the way in which each of Euthyphro ’s definitions of piety fails in light of Socrates’s arguments, one already finds the conception of form that Plato presents in the middle and late dialogues. (shrink)

In the Timaeus, Plato makes a distinction between reason and necessity. This distinction is often accounted for as a distinction between two types of causation: purpose oriented causation and mechanistic causation. While reason is associated with the soul and taken to bring about its effects with the good and the beautiful as the end, necessity is understood in terms of a set of natural laws pertaining to material things. In this paper I shall suggest that there are reasons to reconsider (...) the latter part of this account and argue for a non-mechanistic understanding of necessity. I will first outline how the notion of necessity is introduced in the dialogue. I will then show how a mechanistic account of necessity fails to capture Plato’s purpose of treating it as a causal factor; and, finally, argue that this purpose is better understood as an attempt, on Plato’s part, to account for the causal origin of disorder and irrationality, an origin articulated in terms of a pre-cosmic situation and the notoriously difficult notion of the third kind. (shrink)

Since Stalbaum’s 1838 translation revived interest in Plato’s Timaeus, commentators have tended to bracket the discourse on Necessity, reading it as either mythical or mystical. This essay offers an interpretation of Necessity that is also an assertion of its importance for understanding the philosophically important conception of chora-space found therein. Beginning with throwing ourselves back into the Presocratic milieu, I examine what remains of Presocratic notions of kreon and ananke (necessity) in order to move forward a more robust interpretation of (...) the discourse on Necessity and chora-space. (shrink)

Theophrastus' treatise "Metaphysics" contains a compact and critical reconstruction of unsolved systematic problems of classical Greek philosophy. It is primarily about fundamental problems of ontology and natural philosophy, such as the question of the interdependence of principles and perceptible phenomena or the plausibility of teleology as a methodical principle of the explanation of nature. The aim of the critical Greek-German edition (with introduction and commentary) is to make visible the systematic significance of Theophrastus' critique of metaphysics.

Plato's Timaeus is one of the most influential and challenging works of ancient philosophy to have come down to us. Sarah Broadie's rich and compelling study proposes new interpretations of major elements of the Timaeus, including the separate Demiurge, the cosmic 'beginning', the 'second mixing', the Receptacle and the Atlantis story. Broadie shows how Plato deploys the mythic themes of the Timaeus to convey fundamental philosophical insights and examines the profoundly differing methods of interpretation which have been brought to bear (...) on the work. Her book is for everyone interested in Ancient Greek philosophy, cosmology and mythology, whether classicists, philosophers, historians of ideas or historians of science. It offers new findings to scholars familiar with the material, but it is also a clear and reliable resource for anyone coming to it for the first time. (shrink)

Plato scholars such as Matthias Baltes (1940-2003) and Luc Brisson have defended the thesis that Plato‘s Idea of the Good is on the one hand beyond being (epekeina tês ousias) in dignity and power, but is nevertheless not transcendent over being. The article gives first (I.), an introduction into the status questionis. Second (II.), it delivers the most important arguments for the thesis of Baltes and Brisson. Third (III.), it gives two counterarguments against the thesis. Fourth (IV), it deals with (...) the translation of L. Brisson "Apollon, quelle merveilleuse emphase" of 509c1-2. Fifth (V.), it concludes with some general questions concerning the deflationist interpetation of Plato‘s Republic, 509b9-10. (shrink)

In the _Phaedo Socrates says that as a young man he thought it a great thing to know the causes of things; but finding existing accounts unsatisfying, he fell back on a method of his own, hypothesizing that Forms are causes. I argue that part of what this hypothesis says is that certain phenomena--the ones for which it postulates Forms as causes--are the result of processes whose object was to produce them. I then use this conclusion to explain how Socrates' (...) discussion of causality in the _Phaedo might be supposed to contribute to his final argument for immortality. (shrink)

Dans le Timée, l'hypothèse de la khó̱ra, qu'il faut se garder d'identifier avec la húle̱ aristotélicienne, permet de rendre compte du fait que les choses sensibles sont radicalement différentes de leur modèle intelligible. Or, la constitution mathématique des éléments à partir de la khó̱ra mène à la contradiction suivante : dans l'univers platonicien, il faut tenir compte à la fois du continu qui doit caractériser la khó̱ra, et du discontinu qu'instaurent inéluctablement les polyèdres réguliers auxquels sont associés les éléments. La (...) physique platonicienne n'est donc ni un atomisme, comme celui proposé par Leucippe et Démocrite, ni une physique du continu, comme celle admise par Parménide et Zénon. In the Timaeus, the hypothesis of khó̱ra, which we must refrain from identifying with Aristotelian húle̱, enables us to account for the fact that sensible things are radically different from their intelligible model. Yet the mathematical constitution of the elements from khó̱ra leads to the following contradiction : in the Platonic universe, we must take into account both the continuity that must characterize khó̱ra and the discontinuity inevitably introduced by the regular polyhedra with which the elements are associated. Platonic physics is thus neither an atomism, like that proposed by Leucippus and Democritus, nor a physics of continuity, like that held by Parmenides and Zeno. (shrink)

This paper examines Plato's ideas on cause-effect relations in the "Phaedo." It maintains that he sees causes as things (not events, states of affairs or the like), with any information as to how that thing brings about the effect relegated to a strictly secondary status. This is argued to make good sense, so long as we recognise that aition means the "thing responsible" and exploit legal analogies in order to understand what this amounts to. Furthermore, provided that we do not (...) pre-suppose that we already know what can and what cannot count as a cause, Plato proves to have an attractive case for his principle that all causation is a matter of like causing like. Once we appreciate this, we are a little closer to understanding his more idiosyncratic principle, which although puzzling is ubiquitous in his writings and often invoked as a premise in key arguments, that opposites cannot cause opposites. The last part of the paper turns to formal causes, defending Plato's advocacy of them, and examining their role in the "Parmenides'" Third Man Argument. The main proposal is that Plato's conception of Forms as causes opens the door to a better version of that argument's "Non-identity" premise than those currently available. (shrink)

In Republic VI 508e-9b Plato has Socrates claim that the Good is the cause (αίτίαν) of truth and knowledge as well as the very being of the Forms. Consequently, as causes must be distinct from and superior to their effects, the Good is neither truth nor knowledge nor even being, but exceeds them all in beauty (509a), as well as in honour and power (509b). No other passage in Plato has had a more intoxicating effect on its readers. To take (...) just one example, James Adam was moved to quote St. Paul when he remarked about this passage that, 'it is highly characteristic of Plato's whole attitude that he finds the true keystone of the Universe — the ultimate fountain from which both Knowledge and Existence flow — in no cold and colourless ontological abstraction, like Being, but in that for which "all creation groans and labours". (shrink)

Gregory Vlastos has argued that Aristotle and other commentators on the Phaedo have mistakenly interpreted Plato’s Forms to be efficient causes. While Vlastos is correct that the Forms by themselves are not efficient causes, because of his neo-Kantianism he has misunderstood the close connection between the Forms and the explanation of change, including teleological change. This paper explores the connection in Plato’s Phaedo between the Forms, the nature of change, and efficient causality, and argues that Aristotle’s remarks are not as (...) misplaced as Vlastos claims. (shrink)

(1) anything that fs does so because it participates in the f itself. (2) it is impossible that: a form phi fs because phi participates in phi. (3) the f itself fs. These are inconsistent all right, but (1) is not a doctrine of the theory of forms, and (2) is neither reasonable nor held by plato! but the tma does not involve any of these three. Rather, the tma is aimed at (4) anything that fs does so (a) because (...) it participates in the f itself and (b) because the f itself fs. And the tma uses only simple inference rules of the logic of 'because'–no suppressed premises. I also discuss causal regress arguments generally. (shrink)

The theory of forms makes a very poor theory of universals. It-or at least the "phaedo's" version of it-makes excellent sense as a theory of the elemental stuffs from which everything is made. This is shown by a detailed examination of all that this "phaedo" has to say about forms.