Plato: Crito

A reply to Melissa Lane's "Antianarchia: interpreting political thought in Plato" In these comments I focus on how to think of antianarchia as an element of Plato's political thought, and in doing so raise some methodological questions about how to read Plato’s dialogues, focusing on what is involved in attributing views to Plato in general.

This book is a quest for the real Plato, forever hiding behind the veil of drama. The quest, as the subtitle indicates, is Cartesian in that it looks for Plato independently of the prevailing paradigms on where we are supposed to find him. The result of the quest is a complete pedagogical platform on Plato. This does not mean that the book leaves nothing out, covering all the dialogues and all the themes, but that it provides the full intellectual apparatus (...) for doing just that. It consists of two parts. The first is a general orientation in three chapters, one each pertaining to the life, thought, and works of Plato. The second is a dialogic companion covering the four dialogues built around the last days of Socrates, with a separate chapter devoted to each: Euthyphro, Apology, Crito, and Phaedo. (shrink)

Crito was written in response to popular slanders concerning Socrates' failure to escape from prison, and accompanying misgivings within the Socratic circle. Plato responds by asking his audience to disregard the slander of the mob and obey the moral expert instead. But he also responds by creating an image of Socrates and his friends widely at odds with the popular slander; by implying that Socrates' critics were themselves guilty of some of the behaviour they charged against Socrates; by pointing out (...) that Socrates had no viable alternative to death; and, in partial contradiction to all this, by rejecting the popular morality which saw Socrates' abandonment and death as signs of failure. In the rhetorical climax of the composition, Plato shows that Socrates chose to die rather than victimize or offend the laws of the city, which he represents as sentient beings. The weaknesses that have been perceived in the arguments of the Athenian Laws are not fatal to the composition, because it aims not at a convincing demonstration, but at providing a portrait of Socrates' own overwhelming conviction of the rightness of his decision. (shrink)

This paper examines Crito’s motives for wanting to help Socrates escape, and Socrates’ rhetorical strategy for handling Crito’s concerns, particularly Crito’s fear of the many. It concludes that Socrates’ admitted concern for his reputation provides the only adequate explanation for his obedience to the court, an explanation which does not rely on his explicit arguments for obligation, but which helps explain why he is concerned to come to the law’s defence. Joining others in suggesting that Socrates’ case for obligation be (...) taken as rhetoric, the examination of the text reveals that not only are Socrates’ arguments too problematic to be an adequate defence of obligation, but these same arguments point to a criticism of punitive law that makes it unlikely that Socrates is philosophically invested in the defence he offers to Crito. (shrink)

On the question of civil disobedience the Crito seems out of step with what Socrates says on the matter in other dialogues. This paper argues that Socrates does not abandon his earlier preference for philosophy over the law by choosing to stay and die, but rather, it is because of his preference for philosophy and the philosophic way of life that he ends up not escaping. This paper reaches its conclusion by showing that the argument of the Laws is unpersuasive (...) to Socrates because the Laws are unjust. (shrink)

If Platonic dialogues are dramas, then Socrates' interlocutors can be understood in their full humanity rather than foils for Socrates. This essay examines Crito, not as he appears in the dialogue named after him, but in the Euthydemus, where he reveals himself to a much greater degree. Here Crito is revealed as a successful businessman, a lover of money, who also has protective feelings about his son Critobolus. The physical frailty is a cause of concern. By understanding Crito in these (...) terms, it is possible to discern how the passion of envy governs much the way Crito responds to events. One also discovers that Crito does not always say what he means, but has a tendency to only reveal his own vulnerabilities after he has learned of the vulnerabilities of those with whom he is conversing, in this case, Socrates. But Crito is not entirely selfish. As a father, and as a friend of Socrates, he is also driven by a desire to be philanthropic. The nature of Crito's philanthropy is made manifest in the way he chastises Socrates for admitting, in public, that he does not necessarily believe in the gods of the city. Crito understands the consequences for Socrates of such an admission. Finally, Crito, the lover of money, also has an understanding of what philosophy is: something that can be owned. It is more like what an ideology is than the Socratic quest for wisdom. This analysis prepares one for a return to Plato's Crito, and to a consideration of the relationship of the Socratic life to politics and money-making. (shrink)

In comparison to the speech of the Laws, the dialectic between Crito and Socrates at the beginning of the Crito has received little attention. In this paper I argue that it contains an important philosophical message. It illustrates that the many's failure to follow Socrates' principles, like his principle of non-retaliation, is due to the intrinsic fragility of true beliefs. Though the many can understand Socrates' values and may accept his principles if he argues with them long enough, they may (...) fail to hold on to his principles when confronted with the difficulties of life. Crito's failure to deliberate Socratically at the beginning of the Crito exemplifies the many's predicament. (shrink)

Plato's Crito is not a treatise on obedience to the law, but a dialogue whose interpretation is not determined by its surface meaning. The initial dream is not mere ornamentation; rather it points to the range of possibilities in Socrates' situation. The speeches of the Laws, with which the dialogue closes, are not intended to be philosophically cogent, since they are inconsistent with the principles laid out in the preceding conversation between Socrates and Crito. The arguments of the Laws are (...) rather directed towards Crito, Socrates' decent and unphilosophic friend. (shrink)

In Socrates Dissatisfied, Weiss argues against the prevailing view that the personified Laws in the latter part of the Crito are Socrates' spokesmen. She reveals and explores many indications that Socrates and the Laws are, both in style and in substance, adversaries. Deft, provocative, and compelling, with new translations providing groundbreaking interpretations of key passages, Socrates Dissatisfied challenges the standard conception of the history of political thought.

Considerable scholarship over the last dozen years has greatly increased our understanding of Apology and Crito. However, the knottiest problem between these dialogues--the frequently noted apparent contradiction between Apology 29c-30c and Crito 51b-c, between Socrates’ pledge to disobey a court order to give up philosophy and his argument that legal authority absolutely obligates a citizen to obedience--is far from being resolved. In the end I argue that this contradiction is unresolved, despite numerous ingenious attempts to eliminate it, because it is (...) rooted in deep inconsistencies in Socrates’ principles and character. In the course of reaching a conclusion that most scholars have striven to avoid I review and dispute the major strategies on resolving the contradiction: that it is only apparent, because one of the views is not Socrates’ or a sophisticated analysis of the rhetorical purposes of the dialogues eliminates any contradiction. (shrink)

Plato is the most important philosopher in the history of Western philosophy. This guidebook introduces and examines his three dialogues that deal with the death of Socrates: Euthphryo , Apology and Crito . These dialogues are widely regarded as the closest exposition of Socrates' ideas. Plato and the Trial of Socrates introduces and assesses: * Plato's life and the background to the three dialogues * The ideas and text in the three dialogues * Plato's continuing importance to philosophy Plato and (...) the Trial of Socrates will be ideal for anyone coming to Plato or the three dialogues for the first time. (shrink)

A two-fold study, on the one hand of the thought-provoking mimesis by which Plato gives his hearer an occasion for self-knowledge and self-transcendence and of the typical sequential structure, an appropriation of the trajectory of the poem of Parmenides, by which Plato orders the drama of inquiry, and on the other hand a commentary on the Crito that aims to show concretely how these elements — mimesis and Parmenidean structure — work together to give the dialogues their exceptional elicitative power.

These new translations of the Defence of Socrates, the Euthyphro, and the Crito present Plato's remarkable dramatizations of the momentous events surrounding the trial of Socrates in 399 BC, on charges of irreligion and corrupting the young. They form a dramatic and thematic sequence, raising fundamental questions about the basis of moral, religious, legal, and political obligation. The introduction provides a stimulating philosophical and historical analysis of these texts, complemented by useful explanatory notes and an index of names.

Socrates does not use the Laws' Speech in the Crito principally to persuade Crito to accept his coming execution. It is used instead to persuade Crito to examine and work on his inadequate view of justice. Crito's view of justice fails to coordinate one's duties to friends and those to the law. The Laws' Speech accomplishes this persuasive goal by accompanying Crito?s earlier speech. Both start from the same view of justice, one that Crito accepts, but reach opposing conclusions. Crito (...) cannot judge between the two appealing speeches. His understanding of justice is too confused for him to decide well how to help Socrates. His need to explain what happened the morning he visited Socrates will prompt him and others to examine this indeterminate view of justice. Socrates foregoes direct refutation because Crito will not abide that usual way of interrogation. Engaging in short question-and-answer conversation is not the only way to bring a person to aporia and the intention to examine oneself. Socrates does not here undermine his assertions in the Apology about his ignorance, lack of interest in teaching, constant philosophizing, and his belief that what he does is question, examine, and test those he talks to. (shrink)

A close reading of the Crito, with a focus on irony in Socrates' speech by the Laws and on the way this allows Socrates to chart a mean course between Crito's self-destructive resistance to the rule of Athenian law and Socrates' own philosophical reservations about its ethical limitations.