Plato: Demiurge

I develop an account of the role that biology plays in the Timaeus’ view of nous and other aspects of cognitive life. I begin by outlining the biology of human cognition. I then argue that these biological views shine an important light on different aspects of the soul. I then argue that the human body is particularly friendly to nous, paying special attention to the heart and the liver. I next consider the ways that the body fails to protect our (...) nous. I conclude by comparing human nous with the cognition of non-humans. (shrink)

This article concerns the so-called irrigation system in the Timaeus' biology (77a–81e), which replenishes our body’s tissues with resources from food delivered as blood. I argue that this system functions mainly by the natural like-to-like motion of the elements and that the circulation of blood is an important case study of Plato’s physics. We are forced to revise the view that the elements attract their like. Instead, similar elements merely tend to coalesce with each other in virtue of their tactile (...) features as the atomists describe. The notion of attraction is replaced with this notion of mere coalescence. I begin by outlining how blood is made from food. I then argue that an understanding of health and disease compels us to read Plato as if he were an atomist and to abandon the popular scholarly interpretations according to which the elements attract each other. (shrink)

Scientific observation has led to the discovery of recurring patterns in nature. Symmetry is the property of an object showing regularity in parts on a plane or around an axis. There are several types of symmetries observed in the natural world and the most common are mirror symmetry, radial symmetry, and translational symmetry. Symmetries can be continuous or discrete. A discrete symmetry is a symmetry that describes non-continuous changes in an object. A continuous symmetry is a repetition of an object (...) an infinite number of times. A consequence of continuous symmetry is the existence of conservation laws. A natural system with discrete and continuous symmetries displays several physical properties, such as the existence of long-range order. Geometric shapes exhibit symmetry as mirror reflections of each other. Symmetry in nature has been a model of beauty since the beginning of civilization. Since the earliest times, nature itself has manifestly been a model, evincing regularity in sundry forms and occurrences–from minerals and plants to the anatomy of living beings, to the regularly recurring stellar constellations. For Ancient Greek philosophers, proportion, symmetry, and harmony, were the basics to determine whether something is beautiful or not. Ancient Greek philosophers were known for bringing logic and rational thinking to phenomena that were previously explained by mythology and Gods. They observed the natural world around them and used their knowledge to answer questions about the proportion in observable objects and the origin of Earth. The Greek words _summetria_ and _summetros_ appear frequently in the Timaeus, defined as parts with each other and with the whole. Plato has a very rough concept of symmetry, and when he uses “beauty” to characterize the so-called Platonic Solids in the Timaeus, he seems to be emphasizing their regularity and indirectly their symmetry. Plato believes the four elements (earth, air, fire, water) have been constructed by the Demiurge, or a divine craftsman who appoints order in an otherwise chaotic universe. Minerals are representative examples of beauty, order, and symmetry in inorganic materials. Well-formed minerals (crystals) are a collection of equivalent faces related by symmetry. The goal of this paper is to relate the perspective of symmetry in ancient Greek philosophy with the modern scientific evidence of the geometric description of crystal structures. The five Platonic solids are ideal models of geometrical patterns that occur throughout the world of minerals. In this paper, minerals serve as a model of connecting the symmetry theory in Plato’s philosophy and modern advances in mineralogy. (shrink)

This book sheds new light on Plato's cosmology in relation to Greek religion by examining the contested distinction between the traditional and cosmic gods. A close reading of the later dialogues shows that the two families of gods are routinely deployed to organise and structure Plato's accounts of the origins of the universe and of humanity and its social institutions, and to illuminate the moral and political ideals of philosophical utopias. Vilius Bartninkas argues that the presence of the two kinds (...) of gods creates a dynamic, yet productive, tension in Plato's thinking which is unmistakable and which is not resolved until the works of his students. Thus the book closes by exploring how the cosmological and religious ideas of Plato's later dialogues resurfaced in the Early Academy and how the debates initiated there ultimately led to the collapse of this theological distinction. (shrink)

I argue that Plato thinks that a sunaition is a mere tool used by a soul (or by the cosmic nous) to promote an intended outcome. In the first section, I develop the connection between sunaitia and Plato’s teleology. In the second section, I argue that sunaitia belong to Plato’s theory of the soul as a self-mover: specifically, they are those things that are set in motion by the soul in the service of some goal. I also argue against several (...) popular and long-standing interpretations, namely, that sunaitia correspond to Aristotle’s idea of hypothetical necessity, that sunaitia are the ‘how’ in an explanation (whereas the true cause is the ‘why’), and that Plato’s causal views should be read through Aristotle’s fourfold schema. I conclude the article by surveying the history of sunaitia after Plato’s usage. (shrink)

In this article, I make the case for the continued relevance of Plato’s Timaeus. I begin by sketching Allan Bloom’s picture of the natural sciences today in The Closing of the American Mind, according to which the natural sciences are, objectionably, increasingly specialized and have ejected humans qua humans from their purview. I argue that Plato’s Timaeus, despite the falsity of virtually all of its scientific claims, provides a model for how we can pursue scientific questions in a comprehensive way (...) that stresses their connections to other disciplines, including the humanities, and that puts humanity qua humanity back in the picture. I then argue that being led by Plato’s philosophy to return humanity conceptually to the natural world can improve our thinking regarding climate change and other important environmental crises. (shrink)

The aim of this paper is to provide a new reading of Plato’s precosmos (Ti. 52d2–53c3). More specifically, I shall argue that the precosmos is populated by bodies deriving from random complexes of properties, and that this is the effect of the Receptacle’s full precosmic participation in the Paradigm. This will turn out to be consistent with a robust notion of ‘precosmic generation’ and will reveal why Plato may have sought to refer to this otherwise puzzling scenario: representing the precosmos (...) in this way allows Plato to effectively justify why the Demiurge is responsible only for the goodness and perfection of the universe, and why it is properly the best possible cause. (shrink)

This article concerns the place of Plato’s eschatology in his philosophy. I argue that the theory of reincarnation appeals to Plato due to its power to explain how non-human animals came to be. Further, the outlines of this theory are entailed by other commitments, such as that embodiment disrupts psychic functioning, that virtue is always rewarded and vice punished, and that the soul is immortal. I conclude by arguing that Plato develops a view of reincarnation as the chief tool that (...) the gods have to ensure that virtue is victorious over vice throughout the whole cosmos. (shrink)

I argue that, according to Plato, the body is the sole cause of psychic disorders. This view is expressed at Timaeus 86b in an ambiguous sentence that has been widely misunderstood by translators and commentators. The goal of this article is to offer a new understanding of Plato’s text and view. In the first section, I argue that although the body is the result of the gods’ best efforts, their sub-optimal materials meant that the soul is constantly vulnerable to the (...) body’s influences. In the second section, I argue that every psychic disorder is a disruption of the motions of the inner psychic circles by the body; moreover, I defend my translation of 86b. In the final section, I argue that the goal of education is to restore the circles to their original orbits, and I disarm a possible objection that bad education is also a cause of psychic disorder. (shrink)

Analogies between the human and the cosmos run throughout Plato’s Timaeus. Timaeus claims that the cosmos came to be as mind’s “persuasion of necessity.” This paper argues that an anthropological equivalent to this “persuasion” can be found in Timaeus’ suggestive account of the human liver. Mediating between intellect and desire, the organ shows the problem of mind and necessity reflected in the human soul.

In this paper, I examine what is for Plato and all those who follow in his footsteps the ne plus ultra of cognition, namely, intuition (nous or noēsis). This is the paradigm of cognition, meaning that all forms of human (and even animal) cognition are inferior manifestations of this. Intuition is mental seeing, analogous to physical seeing. Among embodied souls, it is seeing a unity of some sort manifested in some diversity or plurality. Thus, someone who sees that the Morning (...) Star is the Evening Star, or that S at t1 is identical with S at t2, or that f = ma, etc., sees the unity ‘behind’ the diversity. The disembodied intellect that is the Demiurge (or, for Aristotle, the Unmoved Mover) sees paradigmatically the diversity of all intelligible being as a unity. Because mental seeing or intuition is paradigmatic for all cognition, cognition is essentially a unificatory process. Plato's method of collection and division displays both this process and its reverse. In the light of this core doctrine, I examine some of the insights that Platonists, especially Plotinus and Proclus, arrived at regarding a host of issues, including the nature of the first principle of all and the nature of normativity. (shrink)

Plato’s Timaeus reveals a cosmos governed by Necessity and Intellect; commentators have debated the relationship between them. Non-literalists hold that the demiurge, having carte blanche in taming Necessity, is omnipotent. But this omnipotence, alongside the attributes of benevolence and omniscience, creates problems when non-literalists address the problem of evil. We take the demiurge rather as limited by Necessity. This position is supported by episodes within the text, and by its larger consonance with Plato’s philosophy of evil and responsibility. By recognizing (...) the analogy between man and demiurge, the literal reading provides a moral component that its non-literal counterpart lacks. (shrink)

The form of the Good in Plato’s Phaedo and Republic seems, by our standards, to do too much: it is presented as the metaphysical princi­ple, the epistemological principle and the principle of ethics. Yet this seemingly chimerical object makes good sense in the broader context of Plato’s philosophical project. He sought certain knowledge of neces­sary truths (in sharp contrast to the contingent truth of modern science). Thus, to be knowable the cosmos must be informed by timeless princi­ples; and this leads (...) to teleology and the Good. The form of the Good, it is argued, is what makes the world knowable insofar as it is knowable. This interpretation plugs a significant gap in the scholarship on the Good and draws attention to a deep connection between Plato’s episte­mology and his teleological understanding of the cosmos. (shrink)

At Tm. 47e, Timaeus steps back from his discussion of what came about through noûs and turns toward an account of what came about through anankê. Broadie, 2012, Nature and Divinity in Plato’s Timaeus, sketches out two routes for the interpretation of this ‘new beginning.’ The ‘metaphysical’ approach uses perceptibles qua imitations of intelligibles in order to glimpse the intelligibles (just as we look at our reflection in a mirror in order to view ourselves). The ‘cosmological’ reading assumes we use (...) the perceptible part of the cosmos in order to come to know the entire cosmos. Broadie openly favors the cosmological reading for understanding the Timeaus as a whole. However, she confines its utility to the Timaeus and does not recommend it for other dialogues. I use Broadie’s ‘cosmological reading’ to better understand what Plato distinguishes as anankê in his second beginning. This sets the stage for my argument that Broadie’s cosmological reading is a promising means for understanding the metaphysics and epistemology of the Forms. By making some comparisons to Sophist (251c–256a), I show that a refined understanding of anankê in the second beginning of the Timaeus clarifies what Plato thinks is involved in coming to know a Form. I argue that a close look at what was available to the Demiurge for cosmic creation by means of noûs yields three distinct ways in which his construction of the cosmos was limited by anankê. Clarifying these three ways in which anankê operates shows that the Demiurge’s manipulation of the foundational elements yields a perceptible world that brings out some potential relationships among Forms while suppressing others. In particular, the Demiurge’s geometricization of the elements leads him to make compromises concerning how Forms can combine in the Receptacle. These choices produce nomological relationships among the Forms with respect to where they can overlap in the Receptacle. This produces the law-like and reliable, but unnecessary, behavior of the perceptible world. I argue that our understanding of these limitations and their translation into where the Receptacle can partake in more than one Form simultaneously, figures importantly in the estimating the potential for human knowledge of the Forms. I question the use of ‘necessity’ as a translation for ‘anankê’ in the Timaeus. (shrink)

I defend, against its more recent critics, a literal, factual, and consistent interpretation of Timaeus’ creation of the cosmos and time. My main purpose is to clarify the assumptions under which a literal interpretation of Timaeus’ cosmology becomes philosophically attractive. I propose five exegetical principles that guide my interpretation. Unlike previous literalists, I argue that assuming a “pre-cosmic time” is a mistake. Instead, I challenge the exegetical assumptions scholars impose on the text and argue that for Timaeus, a mere succession (...) of events and the relations derived from it (before, after, simultaneous with) imply no time, given the narrow definition of the term used in the dialogue. For Timaeus, I explain, time is measurable, regular, and dependent on the motion of the celestial bodies. A mere succession of events like the one needed to understand the creation story and the pre-cosmos requires none of these elements. Readers of Plato erroneously assume that a succession of events implies time, but that is to impose a conception of time absent in the text. The chapter offers a detailed reconstruction of the pre-cosmic stage under a literalist interpretation and argues how it is compatible with the immutable relationship between the Demiurge and the cosmos. -/- This is an open access chapter distributed under the terms of the CC BY-NC 4.0 license. chapter 4. (shrink)

Numenio appartiene all’ambito degli interpreti medioplatonici dei dialoghi di Platone; nel Medioplatonismo, infatti, si diffuse la tendenza a interpretare la filosofia di Platone come in chiave sistematica. Il dialogo più rilevante per questa operazione esegetica nel Medioplatonismo fu certamente il Timeo. In questo contributo intendo concentrarmi sull’interpretazione delle pagine 28a-29a del Timeo da parte di Numenio di Apamea ed esaminarne l’esegesi alla luce della sua prospettiva onto-teologica. Nel Timeo, l’utilizzo del verbo βλέπω ha la funzione di descrivere il fatto che (...) il demiurgo è contemplativo nei confronti del paradigma intelligibile. In Numenio, invece, l’associazione del verbo βλέπω al demiurgo è volta a mostrare il ruolo di mediatore che il secondo dio svolge tra il primo principio e la materia. In questo modo si mostrerà come i passi del Timeo vengano interpretati da Numenio alla luce della sua metafisica dualista. (shrink)

I argue that Plato believes that the soul must be both the principle of motion and the subject of cognition because it moves things specifically by means of its thoughts. I begin by arguing that the soul moves things by means of such acts as examination and deliberation, and that this view is developed in response to Anaxagoras. I then argue that every kind of soul enjoys a kind of cognition, with even plant souls having a form of Aristotelian discrimination (...) (krisis), and that there is therefore no completely unintelligent, evil soul in the cosmos that can explain disorderly motions; as a result, the soul is not the principle of all motion but only motion in the cosmos after it has been ordered by the Demiurge. (shrink)

Plato wonders why a good God might allow the existence of evil. This problem is especially pertinent to his dialogue Timaeus, in which Plato describes the creation of the cosmos by a benevolent divine craftsman called the Demiurge. A justification for why God allows evil to exist is called a theodicy. Readers of the Timaeus have interpreted the theodicy of this dialogue in many ways. After showing the shortcomings of some common interpretations, I offer a largely original interpretation of the (...) theodicy of the Timaeus. I claim that in the Timaeus evil is caused by conflict between souls, and this conflict is something that the good (but not omnipotent) Demiurge could not avoid. However, I think that Plato’s Demiurge may have made the best of this imperfect situation by placing souls in a cycle of reincarnation that functions as a rehabilitative punishment, and thereby ordering the cosmos for their redemption. (shrink)

Dans son dialogue Sur le Bien (19 F = fr. 11 dP), Numénius écrit que le dieu qui est « deuxième et troisième est un ». Par là, il désigne un dieu considéré selon deux aspects qui correspondent à la double orientation de son attention. Dans le second, il est tourné vers le monde et joue le rôle de démiurge. Selon la plupart des chercheurs, ce démiurge serait à identifier à l’âme du monde que les fragments parvenus du dialogue ne (...) mentionnent pas. L’article montre que cette interprétation ne rend peut-être pas compte du propos de Numénius. Il indique les raisons théoriques et polémiques expliquant qu’en réalité, même si le démiurge a la fonction de l’âme du monde, Numénius ne l’identifie pas avec celle-ci. Il veut définir les principes qu’il identifie à l’être, conçu comme incorporel. Le mouvement intrinsèque à l’âme et l’immanence qui la caractérise, d’après la tradition platonicienne que suit Numénius et la tradition stoïcienne à laquelle il s’oppose, interdisent de donner à cette âme le statut de pur intelligible – le lui accorder serait précisément céder à l’immanentisme et au corporalisme stoïciens. Enfin, il n’est pas davantage utile de reconnaître dans le second aspect du deuxième dieu, un moment nommé « troisième dieu » dans le dialogue, le troisième dieu que Numénius aurait identifié au monde d’après le témoignage de Proclus (29 T = fr. 21 dP). Ce troisième dieu-là peut réellement correspondre au monde dont Platon fait un dieu, à condition que ce monde soit considéré comme le produit du seul intellect, ordre (κόσμος) qui comporte certes une âme, et même un intellect en elle, mais qui n’est réduit ni à l’une ni à l’autre. (shrink)

Le démiurge de Platon et l'atome primitif de Lemaître sont deux intuitions inédites, artifices théoriques d'astronomie anti-observationnelle. La genèse de ces artifices remonte à la thématisation présocratique de l'unité cosmique. Platon institutionnalise les Formes intelligibles et platonise les présocratiques. Lemaître, contemporain d'Einstein, est tributaire d'une unité cosmique marquée par la gravitation relativiste, qui disqualifie le système classique ayant, en son temps, déclassé les substances et le mouvement aristotéliciens. La théorisation montre comment Platon fait du démiurge le concept axial de son (...) astronomie géométrique. L'univers est conforme aux normes mathématiques. La perspective dynamique de Lemaître émerge contre le modèle stationnaire d'Einstein/De Sitter, aristotélicien en son fond. Au bout, deux configurations apparaissent : sphérique et homogène, l'univers de Platon repose sur le triangle. L'« âme du monde » en assure la dynamique. D'interprétation quantique, la singularité cosmique de Lemaître développe le modèle d'un univers issu de l'explosion (big bang) d'un atome primitif : l'isotope du neutron. (shrink)

Burnet's text at Pl. Ti. 55c7–d6 is at least questionable, and opting for a different reading at 55d5 would shed light on an intriguing argumentative aspect of Plato's cosmological account: God confirms the metaphysical reasons why there is just one perfect world.

There are different meanings of the word “God” that have been used by philosophers throughout the history of philosophy, such as theism, pantheism, panentheism, deism, and etc. The subject of this paper is the concept of “God” in Plato’s philosophy. Considering Plato’s different treatises that have the most theological material, it can be said that he has not meant a single concept of this word. In The Republic, given the characteristics that have been attributed to God, like simplicity, transcendental, it (...) seems that his conception of God is close to theism. In Phaedo, since Plato does not give any role to the gods, it seems that we are encountered a Plato without God. In Timaeus, we encounter two candidates, Demiurge and the world’s soul. Some philosophers consider Demiurge as a myth and the world’s soul as Plato’s God. According to this view, Plato can be regarded as the source of inspiration for the Pannanteists. In contrast, some other believe that the world’s soul here is a myth and Demiurge is Plato’s God. This viewpoint is closer to ​​theism. In the Laws, since Plato mentions some attributes to God, such as three absolutes, the origin of moral obligation, and etc. His conception here is very close to theism. On the other hand, the “first self-moved Mover” presents a panentheistic conception of God. His various treatises also provide evidence in favor of the unknown God of the Negative Theology. Thus, there are various conceptions of God in Plato’s philosophy. (shrink)

Donald J. Zeyl begins the historical section of the book by tracing divine causation throughout classical Greek philosophy. Some of the Pre-Socratics held to a single god as the source of rational order or change. These views suggested that the cosmos may be explained teleologically. Plato takes up that suggested promise in his Phaedo and finds it wanting. Instead, he looks to Forms as (formal) causes of natural processes. This direction of inquiry leads him to postulate, in the Republic, the (...) Form of the Good as the “unhypothetical (causal) first principle.” In Plato’s later writings, most notably in the Timaeus, Plato presents a full-blown teleological account of both the universe at large and the varieties of living things that inhabit the earth. The agent that brings about the conformity of the world to the Forms is the divine Demiurge. -/- Aristotle inherits from Plato the belief that processes in the natural world are to be understood teleologically. These processes are explained by the nature (or form) of the organism itself. Aristotle’s world has no beginning and thus has no place for an original efficient cause to get the world started. Aristotle’s “Unmoved Mover” plays no causal role in the processes of the natural world, all of which are exhaustively explained in terms of Aristotle’s well-known theory of the “four causes.” Nevertheless, the Unmoved Mover is a final cause. -/- After Aristotle, only the Stoics offered an account of divine causal agency. As pantheists, the Stoics identified the world with a divine rational principle they named the Logos. All events, natural and social, are completely determined by Reason, so the Stoics were strict determinists, both in their natural philosophy and in their social and ethical thought. (shrink)

A teleological explanation is an explanation in terms of an end or a purpose. So saying that ‘X came about for the sake of Y’ is a teleological account of X. It is a striking feature of ancient Greek philosophy that many thinkers accepted that the world should be explained in this way. However, before Aristotle, teleological explanations of the cosmos were generally based on the idea that it had been created by a divine intelligence. If an intelligent power made (...) the world, then it makes sense that it did so with a purpose in mind, so grasping this purpose will help us understand the world. This is the pattern of teleological explanation that we find in the Presocratics and in Plato. However, with Aristotle teleology underwent a change: instead of thinking that the ends were explanatory because a mind had sought to bring them about, Aristotle took the ends to operate in natural beings independently of the efforts of any creative intelligence. Indeed, he thought that his predecessors had failed to understand what was distinctive of nature, namely, that its ends work from the inside of natural beings themselves. (shrink)

Chez les interprètes récents du Timée de Platon, le terme « téléologie », inventé au xviiie siècle, a pris une place déterminante. Mais l’usage de ce terme trahit une interprétation aristotélicienne de la figure du démiurge qu’il s’agit d’assimiler au premier moteur, dans le contexte de la cause finale. On s’interrogera ici sur l’origine de ce terme, et sur la pertinence de son usage pour comprendre le rôle que joue le démiurge dans le Timée.

A far-reaching reinterpretation of Plato’s Timaeus and its engagement with time, eternity, body, and soul that in its original French edition profoundly influenced Derrida The Tomb of the Artisan God provides a radical rereading of Timaeus, Plato’s metaphysical text on time, eternity, and the relationship between soul and body. First published in French in 1995, the original edition of Serge Margel’s book included an extensive introductory essay by Jacques Derrida, who drew on Margel’s insights in developing his own concepts of (...) time, the promise, the world, and khōra. Now available in English with a new preface by Margel, this engagement with Platonic thought proceeds from two questions that span the history of philosophy: What is time? What is the body? Margel’s twinned interrogation centers around Plato’s concept of the demiurge (divine artisan or craftsman): its body, its anthropomorphic attributes, its productive capacities and regulatory functions in the ordering/organization/assembling of the world. He posits that this paradoxical figure is not merely a cosmological metaphor for the living body but also the site of its destruction, dissolution, and disappearance. Torn between the finite and the infinite, being and becoming, the concept of demiurge also poses metaphysical questions about time, time before time, and the end of time. The ontological status of the demiurge’s body, Margel argues, would become increasingly decisive in the history of philosophy, particularly in Christianity and the dogma of incarnation. (shrink)

The present paper focuses on some aspects of the Neoplatonist literary-metaphysical theory, which has clearly been expressed in the anony­mous Prolegomena to Plato’s philosophy and further confirmed in Proclus’ exegesis of the Timaeus. Thus, this contribution, examines and compares several passages from the Prolegomena and from Proclus’ Commentary on the Timaeus with a view to showing that it is legiti­mate to speak of a certain cosmogony of the Platonic dialogue that is analogous to that of the macrocosm. Moreover, the analogy (...) between macrocosm and microcosm makes it possible to further investigate the similarity between the λόγος-ζῷον of the Demiurge and that of Timaeus, on the one hand, and the reality which the λόγος expresses, on the other. This similarity turns out to be both structural/morphological and content-related/semantic. Thus, by combining the natural and theo­logical science, the analysis of the “generation” of the macrocosm and microcosm brings out the strongly analogical nature of Plato’s dialogues, which is particularly visible in the Timaeus. (shrink)

The Timaeus is difficult, and Murdoch has two strands of thought about it. On the one hand she thinks it a defence of Forms, and on the other hand she thinks it is an allegory on the inspiration and limitations of the artist, or creative literary writer. Arguing that the two strands get in each other’s way, and that one is mistaken, I will defend and expand on ‘Plato’s portrait of the artist’.

Proposes an innovative rethinking of Aristotle’s work as a system that integrates his theology with his doctrine of reproduction and life. In this deep rethinking of Aristotle’s work, Abraham P. Bos argues that scholarship on Aristotle’s philosophy has erred since antiquity in denying the connection between his theology and his doctrine of reproduction and life in the earthly sphere. Beginning with an analysis of God’s role in the Aristotelian system, Bos explores how this relates to other elements of his philosophy, (...) especially to his theory of reproduction. The argument he develops is that in talking about the cosmos, Aristotle rejected Plato’s metaphor of artisanal production by a divine Demiurge in favor of a biotic metaphor based on the transmission of life in reproduction, in which pneuma—not breath as it is often interpreted but the life-bearing spirit in animals and plants—plays a key and sustaining role as the vital principle in all that lives. In making this case, he defends the authenticity of the treatises De Mundo and De Spiritu as Aristotle’s, and demonstrates Aristotle’s works as a unified system that sharply and comprehensively refutes Plato’s, and in particular replaces Plato’s doctrine of the soul with a theory in which the soul is clearly distinguished from the intellect. “Bos offers a fresh, interesting, and important perspective. His interpretation will be very controversial, but if he is right, the standard Anglo-American interpretation of Aristotle will have to change radically.” — Malcolm Wilson, author of Structure and Method in Aristotle’s Meteorologica: A More Disorderly Nature. (shrink)

In this paper I propose a reconstruction of the onto-cosmological perspective of Plato’s Timaeus and suggest an interpretation of it in the light of some contemporary approaches to ontology and logic, i.e. “ontological sequentialism” and “fuzzy logic”, attempting to use the categories and language of present-day ontology and logic to examine from a different point of view some aspects of the Timaeus onto-cosmology and of its logical scaffolding.

Plato tries to explain the becoming of the cosmos by referring to the concepts of order and disorder. Scholars have usually focused on the relationship between the cosmos and the demiurge that Plato puts forward to explain the reasonable development. Along these lines, scholarship has examined the providential role played by both the demiurge and the soul of the world. Yet, an interesting prob­lem still remains open: what exactly is the function of disorder? What is the sense of the concept (...) of a perfectly established order if we do not know the manner in which it is achieved, since we have no understand­ing of the conditions that make it possible? Pursuing this line of thought, one may point to a providential role of the disorder given the balance of forces that operates in Plato’s cosmic becoming. (shrink)

In Plato, ‘Becoming like God’ constitutes the telos of the philosophical life. Our ‘likeness to God’ is rooted in the relationship of the divine paradeigma to its image established in the generation of the Cosmos. This relationship makes knowledge and virtue possible, and informs Plato’s theory of education. Related concepts preexist in Judeo-Christian and other traditions and continue to inform our thought on moral and ethical issues, particularly as regards our understanding of what it means to be human. From the (...) idea of ‘likeness to God’, emerges the tradition of philosophical mysticism which has its roots in Plotinus, whose aim is union of the individual soul with its ultimate principle (henosis, unio mystica). The task of realizing virtue in daily life appears opposed to assimilation to the divine, because the latter requires a stripping away of finite determinations, and preoccupation with particular things, in order that we may escape from the multiplicity of sensible and even intelligible reality. This article considers the opposition between ‘worldly’ and ‘otherworldly’ virtue, as well as previously neglected aspects of ‘likeness to God’ and ‘becoming like God’ in Plato and Plotinus, and explores their continued relevance for pedagogical theory and practice today. (shrink)

Plato’s demiurge makes a series of questionable decisions in creating the world. Most notoriously, he endeavors to replicate, to the extent possible, some of the features that his model possesses just insofar as it is a Form. This has provoked the colorful complaint that the demiurge is as raving mad as a general contractor who constructs a house of vellum to better realize the architect’s vellum plans (Keyt 1971). The present paper considers the sanity of the demiurge’s reasoning in light (...) of Timaeus 32c5-33b1, where he invokes considerations of wholeness, completeness, uniqueness, and eternality in deciding to build the body of the world from all of each of the simple bodies. Since the passage makes no appeal to the demiurge’s intelligible model, one can mine it for indications of the value that the demiurge takes those features to have independent of mimetic goals. I argue that, for Plato, those features are intrinsically good-making and, thus, that it is not only appropriate for them to characterize Forms qua Forms but also that it is appropriate for the demiurge to aim at replicating them, to the extent possible, in his creation. In particular, I argue that the demiurge’s success in instilling a circumscribed version of each feature in his creation helps to qualify it as a genuine being despite the fact that it comes to be. (shrink)

La figure complexe et même contradictoire du démiurge dans le Timée de Platon a suscité plusieurs interprétations de l’Antiquité jusqu’à nos jours, même si habituellement le démiurge est considéré comme un intellect : intellect de l’âme du monde, activité productrice des Formes, Premier Moteur, divinité réalisant un plan déterminée comme le dieu de la Genèse, instrument du Bien. Le débat se poursuit, mais il est important d’insister sur l’originalité du Timée : c’est la première cosmologie dans l’Antiquité, qui fait intervenir (...) un dieu qui travaille, et qui utilise les mathématiques comme instrument par excellent de la mise en ordre du sensible. (shrink)

Contrairement à la majorité des interprètes du Timée de Platon, nous ne croyons pas que la figure du démiurge représente réellement une cause productrice. Ce type de causalité, explicitement attribué au νοῦς dans le Phédon, ne peut, selon nous, être associé qu’à l’activité de l’âme du monde et des dieux de la tradition. Le démiurge joue un autre rôle. Représentant le meilleur des êtres intelligibles éternels (37a), un dieu éternel (34a), le démiurge ne peut, à ce titre, être un principe (...) de mouvement, puisque l’intelligible, selon Platon, n’exerce qu’une causalité paradigmatique. La figure du démiurge est, en fait, la représentation mythique de la causalité paradigmatique. Le démiurge représente, plus précisément, à titre de « fabricant » de l’espèce des dieux, la forme intelligible du dieu. Certaines caractéristiques du démiurge (sa corporéité, ses pensées et son activité productrice) sont indissociables de l’analogie employée pour représenter la dépendance des dieux à l’égard des formes intelligibles : le travail artisanal. Le démiurge, en tant que cause productrice, n’a pas de valeur ontologique réelle. Néanmoins, ce qu’il représente, la forme intelligible du dieu, constitue, selon Platon, la cause qui fonde l’immortalité de l’univers et des dieux de la tradition, une cause qui permet ainsi au νοῦς de ces divinités d’exercer leur causalité productrice. (shrink)

_ Source: _Volume 61, Issue 1, pp 43 - 59 Contemporary debate on Plato’s cosmogony often assumes that the ‘literal’ reading of the _Timaeus_ yields an account of creation, while the view that the cosmos always existed is non-literal. In antiquity, Taurus has been seen as a forerunner of the ‘non-literal’ interpretation. This paper shows, on the contrary, that Taurus’ argument for the sempiternity of the cosmos is a literalist one, relying on a strict linguistic analysis of _Timaeus_ 28b6-8.

In this paper, I examine three significant periods of the cosmological argument which exemplify the importance of contestation: first, Plato’s and Aristotle’s formulation of it, second, Philoponus’ own reactions and influence, third, the contemporary state of such discourses. Contestation has an inestimable role in philosophical development and reflection, as will be demonstrated through the examination of such periods.

By comparing the role of harmony in Eryximachus’ discourse with other Platonic passages, especially from the Timaeus, this article aims to provide textual evidence concerning Plato’s conception of cosmological medicine as “harmonic techne”. The comparison with other dialogues will enable us to demonstrate how Eryximachus’ thesis is consistent with Plato’s cosmology — a cosmology which cannot be reduced to a physical conception of reality but represents the expression of a dialectical, and erotic cosmos, characterized by the agreement of parts. Arguably, (...) Eryximachus’ discourse is expression of the Platonic tendency to translate onto the philosophical plane the implications of a model peri physeos. Harmonic techne is thus always linked to the theme of moral responsibility: the philosopher is also doctor, musician and demiurges in his harmonizing activity. The speech of Eryximachus can be approached as a Platonic step which is fundamental for establishing the need for a “medicine” to cure disorder, with a view to obtaining a cosmos ordered according to the harmonic principle. (shrink)