Plato: Early Socratic Dialogues

This paper examines whether Socrates provides his interlocutors with good reasons to seek knowledge of what virtue is, reasons that they are in a position to appreciate. I argue that in the Laches he does provide such reasons, but they are not the reasons that are most commonly identified as Socratic. Socrates thinks his interlocutors should be motivated not by the idea that virtue is knowledge nor by the idea that knowledge is good for its own sake, but rather by (...) the idea that knowledge is needed to recognize what to aim at. His argument reaches the potentially life-altering conclusion that we should all seek knowledge of what virtue is. It is powerful precisely because it relies on uncontroversial premises that his interlocutors could be expected to accept. In laying out this argument, I distinguish different ways in which someone could count as a teacher of virtue. At the end of the article, I situate the argument within the debate about whether virtue is teachable. (shrink)

A provocative close reading revealing a radical, proto-phenomenological Socrates.

The essays in this collection, though ranging in their keys from the teacherly to the scholarly, are united by their search for the deepest questions Plato gives us. The title essay on the Republic is a paradigm case, exploring with a mix of speculative daring and Socratic pleasure in aporia the ring structure of the dialogue, the emergent perspective of a "knowing soul," dianoetic eikasia, and the implicit presence of the One and the Dyad in the metaphysical figures of the (...) central books. See also, especially, the two essays on the Phaedo's legacy of questions and the Minotaurs that threaten it. (shrink)

Written by Plato as an act of homage to Socrates, these dialogues attempt to define bravery, discuss the relationship between philosophy and politics, and include a debate on poetic inspiration.

Following R. E. Allen I argue, against the view of Gregory Vlastos that the Socrates of Plato's early dialogues was exclusively a moral philosopher, that there is a metaphysics, an early version of the theory of Forms, in the Euthyphro and other early dialogues. I respond to several of Vlastos's objections to this view.

This book is a rereading of Plato's early dialogues from the point of view of the characters with whom Socrates engages in debate. Socrates' interlocutors are generally acknowledged to play important dialectical and dramatic roles, but no previous book has focused mainly on them. Existing studies are thoroughly dismissive of the interlocutors and reduce them to the status of mere mouthpieces for views which are hopelessly confused or demonstrably false. This book takes interlocutors seriously and treats them as genuine intellectual (...) opponents whose views are often more defensible than commentators have standardly thought. The author's purpose is not to summarise their positions or the arguments of the dialogues in which they appear, much less to produce a series of biographical sketches, but to investigate the phenomenology of philosophical disputation as it manifests itself in the early dialogues. (shrink)

While the early Platonic dialogues have often been explored and appreciated for their ethical content, this is the first book devoted solely to the epistemology of Plato's early dialogues. Author Hugh H. Benson argues that the characteristic features of these dialogues- -Socrates' method of questions and answers, his fascination with definition, his professions of ignorance, and his thesis that virtue is knowledge- -are decidedly epistemological. In this thoughtful study, Benson uncovers the model of knowledge that underlies these distinctively Socratic views. (...) What emerges is unfamiliar, yet closer to a contemporary conception of scientific understanding than ordinary knowledge. (shrink)

I describe an aporetic structure found in certain dialogues and explain the structure by showing how it serves, better than expository writing, the pedagogical goal of avoiding giving readers a false sense of knowledge in producing understanding of a philosophical account.

For years now the “Tübingen School”, represented above all by Konrad Gaiser and Hans Krämer, has had an important position, philologically and philosophically speaking, in current research on Plato. Its richly documented and constantly sophisticated “New Image of Plato” has resulted in a “para-digm-change” in Plato-interpretation as well as developing many of its aspects. It revises the basic attitude, which can be traced back to Schleiermacher, that Plato’s published dialogues are the one authentic source for any adequate and complete comprehension (...) of Platonic thought. By contrast it is especially Krämer and Gaiser who in numerous publications have energetically—and to great effect—drawn attention to what have since Aristotle come to be known as the “unwritten doctrines” and—taking up and modifying specific intentions of L. Robin, J. Stenzel, P. Wilpert and others—attempted to present them not only as a necessary supplement to the dialogues of Plato but even more as the systematically conceived centre, the “essential” in Platonic thought. This hermeneutical maxim has made it possible to reconstruct the basic features of a principles-theory for Plato which not only constitutes the systematic fundament of the Platonic dialogues but has become decisive for the basic conceptual and ontological structure of Neoplatonism and the philosophical systems which are connected with it materially and historically speaking. This has not meant suppressing the dialogues or demoting them to a “quarry” for the real-authentic: thanks to the principles-theory and the theorems connected with it, much which used to have to appear as a break, as something enigmatic or giving rise to discrepancy or aporia, can now be understood in a more thorough way, a way which is more intense in terms of argumentation and even more complex in terms of substance, without that which Plato considered it impossible to say being laid bare in a dull abstraction. Thomas Alexander Szlezák’s book testifies to the degree to which taking seriously those doctrines of Plato which he himself was very “serious” about can be productive—precisely for a new interpretation of the dialogues themselves. Amidst the virtually endless deluge of publications on Plato, a deluge which continues to swell to worrying proportions because of superfluous repetition, Szlezák’s book stands out very strikingly through the originality of its perspective, through the consistent realization of a basic idea which is highly instructive for the subject-matter at hand and through the thoroughness of its examination of competing and above all of opposing ideas which are—with greater or lesser reason—sceptical as regards the new Plato paradigm. Plato’s criticism—discussed in great detail by Szlezák—of the written communicating of philosophical thought becomes for him the key to the question as to the relationship of the oral pursuit of philosophy and the written presentation of the living dialogue. In accordance with Platonic writing-critique it is very much intrinsic to the philosophical logos that it can defend itself, can help itself, that it is in a position productively to continue the questions which are placed in it and which it is asked and in so doing refer to “timiotera”, to “all that is more valuable”, i.e. more extensively justified; not only must these “timiotera” not be explicitly stated, but they ought consciously to be held back, to be omitted and reserved for conversations with real friends who are capable of understanding a higher problem-level. Books, thus also dialogues published in written form, are not inherently able to do this: they “are constantly saying the same thing” and remind one at times of “the prolonged din of cymbals”. It follows from this that “he who has knowledge”, he who has knowledge of “timiotera” and has a sensible attitude towards them, “Plato” the author of philosophical book-dialogues, quite consciously and consistently omits the “problems which are especially to do with principle”. (shrink)

Review of Socrates, Philosophy in Plato's Early Dialogues, by Gerasimos X. Santas.

It is said that when Socrates is made to ask questions like "What is the pious and what the impious?", "What is courage?", or "What is the beautiful?", he is asking for the definition of a universal. For the "average" Greek of his time, however, this is a radically new question about a radically new sort of object, and Socrates’ interlocutors do not understand it. They usually answer it as if it were a different, if related, question: they tend to (...) provide concrete instances of the universal in question rather than a definition, however inadequate, of the universal itself. Socrates always tries, but does not always succeed, to make himself clear: Meno, for example, is supposed never to get the point. (shrink)

Approaching Plato is a comprehensive research guide to all (fifteen) of Plato’s early and middle dialogues. Each of the dialogues is covered with a short outline, a detailed outline (including some Greek text), and an interpretive essay. Also included (among other things) is an essay distinguishing Plato’s idea of eudaimonia from our contemporary notion of happiness and brief descriptions of the dialogues’ main characters.