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  1. Socratic Heterodoxy? Ontological Commitment in the Hippias Major.Sean Driscoll - 2024 - Phronesis 69 (1):1-30.
    The question of ontological commitment in Plato’s Hippias Major has been important in disputes over the dialogue’s place in the corpus, its meaning, and its authenticity. But this question seems to have been settled—the Hippias Major is not committed to the ‘forms.’ Such an ontological conclusion has been vigorously defended, but its defenses rest on a problematic meta-ontological framework. This paper suggests a more adequate framework and brings more evidence to the evaluation of the question of ontological commitment in the (...)
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  2. Acerca do belo no Hípias Maior de Platão.Beatriz Saar - 2023 - Dissertation, Universidade Federal Do Rio de Janeiro
    O objetivo deste estudo é propor um modelo explicativo ao problema da beleza desenvolvido no diálogo Hípias Maior de Platão. É um lugar-comum entre os estudiosos defender o senso aporético do diálogo, ressaltando como todas as hipóteses formuladas são descartadas pelos interlocutores, tese que é geralmente endossada pela afirmação final de que as coisas belas são difíceis (304e8). No entanto, no epicentro deste emaranhado de hipóteses, algumas conclusões importantes surgem e serão, conforme se espera demonstrar, fortemente incorporadas em outros lugares (...)
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  3. As três definições de Hípias no Hípias Maior de Platão.Renato Semaniuc Valvassori - 2021 - Em Curso 8:1-9.
  4. Plato: Hippias Major.Lucas Angioni - 2019 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 26:1-51.
    Trata-se de tradução do Hípias Maior de Platão para o Português, com algumas notas de elucidação e justificação das opções.
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  5. On the Difficulty of Beautiful Things.Travis Mulroy - 2019 - Ancient Philosophy 39 (1):43-67.
  6. Gadamer and the Lessons of Arithmetic in Plato’s Hippias Major.John V. Garner - 2017 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 9 (1):105-136.
    In the 'Hippias Major' Socrates uses a counter-example to oppose Hippias‘s view that parts and wholes always have a "continuous" nature. Socrates argues, for example, that even-numbered groups might be made of parts with the opposite character, i.e. odd. As Gadamer has shown, Socrates often uses such examples as a model for understanding language and definitions: numbers and definitions both draw disparate elements into a sum-whole differing from the parts. In this paper I follow Gadamer‘s suggestion that we should focus (...)
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  7. The Moral and Literary Character of Hippias in Plato's Hippias Major.Franco V. Trivigno - 2016 - Oxford Studies in Ancient Philosophy 50:31-65.
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  8. Socrates Talks to Himself in Plato’s Hippias Major.Sandra Peterson - 2015 - Philosophical Inquiry 39 (3-4):80-104.
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  9. What is the Question in the Hippias Major?Paul Woodruff - 2015 - Philosophical Inquiry 39 (3-4):73-79.
    The joy he took in Plato’s early dialogues was contagious. Gregory Vlastos introduced me to philosophy when I was nineteen and his example inspired me to continue on the road to scholarship. He loved Socrates and was fascinated by this controversial dialogue, the Hippias Major, which became the subject of my fi rst book. For Vlastos, Plato’s Socrates was a fi gure of almost biblical importance, an example of a life well lived in search of wisdom. Although he was an (...)
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  10. Knowing and Wanting in the Hippias Minor.Panos Dimas - 2014 - Philosophical Inquiry 38 (3-4):106-118.
  11. Remissão sintomática e qualidade de vida em pacientes com depressão maior tratados com antidepressivo: um estudo prospectivo.Danielle Soares Bio, Érika Leonardo de Souza & Ricardo Alberto Moreno - 2011 - Revista Aletheia 34:151-162.
    Este estudo teve como objetivo estimar a Qualidade de Vida (QV) em pacientes com transtorno depressivo maior antes e após tratamento antidepressivo eficaz. Participaram do estudo 26 indivíduos (18 a 65 anos) com episódio agudo de Transtorno Depressivo Maior, segundo critérios do DSM-IV. A duração do..
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  12. Socrates and the Sophists: Plato's Protagoras, Euthydemus, Hippias major and Cratylus. Plato & Joe Sachs - 2011 - Newburyport, MA: Focus Publishing/ R. Pullins Co.. Edited by Joe Sachs & Plato.
    This is an English translation of four of Plato’s dialogue (Protagoras, Euthydemus, Hippias Major, and Cratylus) that explores the topic of sophistry and philosophy, a key concept at the source of Western thought. Includes notes and an introductory essay. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato’s immediate audience.
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  13. (1 other version)Dialectic and Disagreement in the Hippias Major. Lee - 2010 - Oxford Studies in Ancient Philosophy 38:1-35.
    There are two different approaches to the Hippias Major. The first emphasises its conformity to a pattern, with the aim of uncovering a single argumentative structure common to several ‘Socratic’ dialogues. The second approach emphasises elements specific to the Hippias Major, including dramatic features such as character, with the aim of finding the best reading of the dialogue taken individually. I make use of the second approach to show that a careful reading of the dialogue by itself does not support (...)
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  14. The Hippias Major and Aesthetics.Christopher Raymond - 2009 - Literature & Aesthetics 19 (1):32-50.
  15. Hippias of Elis.N. S. Melissidis - 2008 - Philosophical Inquiry 30 (1-2):39-48.
  16. Teoría de la definición en el Hipias mayor de Platón.Simón Noriega-Olmos - 2007 - Mérida: Editorial Venezolana.
  17. Beauty and Truth: Plato's Greater Hippias and Aristotle's Poetics, Audio Cd. Plato - 2007 - Agora Publications.
    “Beauty is truth, truth beauty, –that is allYe know on earth, and all ye need to know”.Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that "beauty makes all beautiful things beautiful," but when Socrates presses him to say precisely what he means, (...)
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  18. "Hippias Major" 301b2-c2: Plato's Critique of a Corporeal Conception of Forms and of the Form-Participant Relation.David Wolfsdorf - 2006 - Apeiron 39 (3):221-256.
  19. Hippias major, version 1.0: Software for post-colonial, multicultural technology systems.Gene Fendt - 2003 - Journal of Philosophy of Education 37 (1):89–99.
    The first half of Plato’s Hippias Major exhibits the interfacing of the first teacher (Socrates) with the first version of a post-colonial, multi-cultural information technology system (Hippias). In this interface the purposes, results, and values of two contradictory types of operating system for educational servicing units are exhibited to, and can be discovered by, anyone who is not an information technologist.
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  20. Beauty and the Beast: Two Commentaries on the Contest Between Ancient Philosophy and Modern Sophistry as Fought by Socrates and Hippias Privately and Publicly in Plato's "Hippias Major" and "Hippias Minor".Michelle Carpenter - 2002 - Dissertation, Duquesne University
    Neither of Plato's Hippias dialogues has received much attention as a whole. The significant early portions of both are largely ignored, and when treated at all, given brief consideration. One purpose of this dissertation, is to use all that Plato provides, including the openings of the dialogues, to construct a richer, more comprehensive, understanding of the Hippias Major and the Hippias Minor than previously available. ;Though each of the two dialogues may be understood independently, it seems probable that Plato chose (...)
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  21. Hippias.Author unknown - 2001 - Internet Encyclopedia of Philosophy.
  22. Socrates Talks to Himself in Plato’s Hippias Major.Halsten Olsen - 2000 - Ancient Philosophy 20 (2):265-287.
  23. Hippias Major: An Interpretation. [REVIEW]Michael J. O'Brien - 1993 - The Classical Review 43 (1):185-186.
  24. Cause and Definition in Plato's Hippias Major.Thomas A. Blackson - 1992 - Philosophical Inquiry 14 (3-4):1-11.
  25. Hippias Major: an interpretation.Ivor Ludlam - 1991 - Stuttgart: F. Steiner.
    This strange dialogue becomes intelligible when Socrates is treated as a model of the good man who appears to the Many to be bad talking with a Hippias who is a model of the bad man who appears to the Many to be good. The good and apparently good are dramatized through these models. The good is revealed to be the fitting, while the fine/beautiful (kalon) is revealed to be the apparently fitting (hence the many confusions between the two concepts). (...)
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  26. (1 other version)Toward a re-reading of'ippia maggiore'by Plato.Mt Liminta - 1987 - Rivista di Filosofia Neo-Scolastica 79 (1):53-66.
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  27. The Beautiful and the Genuine.''.Charles H. Kahn - 1985 - Oxford Studies in Ancient Philosophy 3:261-87.
  28. Plato: Hippias major.Lynne Ballew - 1984 - Journal of the History of Philosophy 22 (2):229-231.
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  29. Plato: Hippias Major. [REVIEW]Edward J. Erler - 1984 - Modern Schoolman 62 (1):68-69.
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  30. Plato: Hippias Major.G. L. Huxley - 1984 - Philosophical Studies (Dublin) 30:306-308.
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  31. (1 other version)Paul Woodruff, Plato: Hippias Major Reviewed by.John Malcolm - 1983 - Philosophy in Review 3 (6):313-315.
  32. (1 other version)Paul Woodruff, Plato: Hippias Major. [REVIEW]John Malcolm - 1983 - Philosophy in Review 3:313-315.
  33. (1 other version)The Continuity Theory of Reality in Plato's Hippias Major.Michael L. Morgan - 1983 - Journal of the History of Philosophy 21 (2):133-158.
  34. Il problema della bellezza—Autenticità e significato dell' Ippia Maggiore di Platone. [REVIEW]Pamela M. Huby - 1978 - The Classical Review 28 (1):168-169.
  35. Socrates and ontology: The evidence of the Hippias major.Paul Woodruff - 1978 - Phronesis 23 (2):101-117.
  36. Plato's early aesthetics: The hippias major.David Sider - 1977 - Journal of Aesthetics and Art Criticism 35 (4):465-470.
  37. Two Studies in Socratic Dialectic: The "Euthyphro" and the "Hippias Major.".Paul Bestor Woodruff - 1973 - Dissertation, Princeton University
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  38. The Ontology of Plato's 'Hippias Major.'.Henry Andrew Teloh - 1972 - Dissertation, The University of Wisconsin - Madison
  39. On the Place of the Hippias Major in the development of Plato’s thought.John Malcolm - 1968 - Archiv für Geschichte der Philosophie 50 (3):189-195.
  40. Plato's Greater Hippias.Robert G. Hoerber - 1964 - Phronesis 9 (2):143 - 155.
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  41. Hippias major: Untersuchungen zur Echtheitsfrage des Dialogs.Hans-Jürgen Horn - 1964 - [Köln] ;:
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  42. The Hippias Maior Defended. [REVIEW]D. Tarrant - 1955 - The Classical Review 5 (1):52-53.
  43. (1 other version)The Hippias Major- The Hippias Major, attributed to Plato. With Introductory Essay and Commentary by Dorothy Tarrant, M.A. Pp.lxxxiv +104. Cambridge: University Press, 1928. 12s. 6d. net. [REVIEW]W. R. M. Lamb - 1928 - The Classical Review 42 (06):222-223.
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  44. Plato with an English Translation. VI: Cratylus, Parmenides, Greater Hippias, Lesser Hippias. By H. N. Fowler. Pp. viii + 480. W. Heinemann (Loeb), 1926. [REVIEW]H. Box - 1927 - The Classical Review 41 (05):198-.
  45. The Authorship of the Hippias Maior.Dorothy Tarrant - 1927 - Classical Quarterly 21 (2):82-87.
    In his article in a recent issue of the Classical Quarterly Mr. G. M. A.Grube attempts to vindicate the authenticity of the Hippias Maior, concentrating his attention upon an article by me as ‘embodying most of the objections of earlier scholars’ against the genuineness of the dialogue. I believe that I am still ‘the latest exponent,’ in any detail, of this view; but I may claim at least some good company in the heresy, and to the names already cited by (...)
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  46. Notes on the Hippias Maior.G. M. A. Grube - 1926 - The Classical Review 40 (06):188-189.
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  47. On the Authenticity of the Hippias Maior.G. M. A. Grube - 1926 - Classical Quarterly 20 (3-4):134-.
    Grote's powerful defence of Thrasyllus' canon should have taught us at least not to reject lightly any dialogue which, like the Hippias Maior, is there classed as genuine. The burden of proof lies with those who attack our dialogue. Raeder, Ritter, and Apelt consider it to be genuine, while Ast, Jowett, Horneffer, and Röllig declare against it, as also Gomperz, Zeller, and Lutoslawski.
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