Plato: Parmenides

Parmenides and Plato include both a metaphysical transcendence and a return to phusis. The two thinkers share the theme, not only of immortal being, but another, which I call the mortal journey. Plato and Parmenides dialogue with each other not only about issues of epistemology, but also about other crucial issues: mortality, living in the physical world of change, and longings of the soul . Their pervasive entanglement with phusis marks an important return to mortality, providing a new beginning for (...) post-metaphysical thinking. Here I invoke radical individuality: each life is a unique trajectory from birth to death. Parmenides' protagonist and Plato's Socrates are such unsubsumable singulars. ;Human beings desire a transcendence of mortality, but they can attain it only in logos. Phusis demands that each individual return to their mortal fate, their death as a singular being. Mythic narrative, precisely what critics have had problems with in Parmenides and Plato!, best articulates this paradoxical, two-fold journey of transcendence and return . ;Parmenides call mortals "two-headed." This dissertation presents a new philosophical hermeneutic for understanding all the fragments of Parmenides' poem "Peri Phuseos" , by returning the logical ontology to its context within the poem, between the proem and the cosmology. Typically the proem and the cosmology are dismissed as a so-called literary device and outmoded science, respectively. The narrative structure of the journey holds together all these elements in a richer philosophy. ;Parmenides attempts a radical synthesis of metaphysics of unchanging being and mortal phusis. Impelled by desire but achieved only through logos, the kouros enters the immortal realm of the goddess, where he hears a logos of immortal being. The third part of the poem, a cosmology, marks a return to the mortal cosmos. ;"Return" cures metaphysical transcendence, and Plato follows Parmenides in this. The Phaedrus is Plato's most Parmenidean dialogue. Socrates' mortality, preserved through dialogue, deconstructs the immortal forms in favor of a return to the world of phenomena. Socratic self-knowledge is erotic and radically individual, not merely noetic. ;Parmenides and Plato draw inevitably mortal phusis and immortal logos into dialogue. (shrink)

In this paper, I address the way in which Plato’s Sophist rethinks his lifelong dialogue with Heraclitus. Plato uses a concept of logos in this dialogue that is much more Heraclitean than his earlier concept of the logos. I argue that he employs this concept in order to resolve those problems with his earlier theory of ideas that he had brought to light in the Parmenides. I argue that the concept of the dialectic that the Stranger develops rejects, rather than (...) continues, the idea reached at the end of the Theatetus that knowledge has to be grounded in a nous aneu logou (a non-logical, divine intellect) even while the Stranger appropriates the concerns that lead to his conclusion. Ultimately, I suggest that my differentiation of the later Plato’s appropriation of the tradition from Aristotle’s appropriation of that tradition is closely related to the re-thinking of the full sense of logos in the later Heidegger on Heraclitus and on Parmenides. I end by suggesting that the question that Plato and Heraclitus pose to us is to ask what such a divine logos tells about human ways of knowing. (shrink)

An interpretation of the “Parmenides” is proposed in base to the Plato’s “unwritten doctrines”. The greek author demonstrates in this dialogue that with the One only is impossible to think (hypothesis I), and this is why a principle of difference is required; that with the ontological conception of this difference neither, because contradictory conclusions would be followed (hypothesis II); and that without the One isimpossible to think, too (hypothesis III). These conclusions suggest the reader that the One is necessary to (...) think, but another or other principles must be searched to stablish a dialectic. Plato confirms this way the parenetic character of his dialogues respecting at the same time the selfconstrained taboo of the “unwritten doctrines” (he doesn’t mention the undefinite dyad). To come to these conclusions the author ofthis paper proposes a plan of the second part of this work, that divides it in three hypothesis, not in eight, like is usual today, and analyzes the categories that sustain the argumentatives subdivisions of each one of the hypotheses: the structure of all the hypotheses is the same. All this in critical discussion with the actual bibliography about the topics. (shrink)

The paper will study an unpublished 1930–31 seminar where Heidegger reads Plato’s Parmenides, showing that in spite of his much-criticized habit of dismissing Plato as the progenitor of “idealist” metaphysics, Heidegger was quite aware of the radical potential of his later dialogues. Through a temporal account of the notion of oneness (to hen), the Parmenides attempts to reconcile the plurality of beings with the unity of Being. In Heidegger’s reading, the dialogue culminates in the notion of the “instant” (to exaiphnēs, (...) Augenblick)—a high point in the entire metaphysical tradition—where the temporal plurality of presence and un-presence converges into a unified disclosure. (shrink)

In Plato's Parmenides , Socrates proposes a 'Day' analogy to express one possible model of part/whole relations. His analogy is swiftly rejected and replaced with another analogy, that of the 'Sail'. In this paper, it is argued that there is a profound difference between these two analogies and that the 'Day' represents a distinct way to think about part/whole relations. This way of thinking, I argue, is the standard way of thinking in East Asian Buddhism. Plato's 'Day' analogy can then (...) be used to illuminate the meaning of an opaque but very important concept in East Asian Buddhism: li , which in this paper is developed as a modal concept of 'Wholeness'. (shrink)

Can we make sense of the dogma of Parmenides' poem, that only being is? The prospect that Parmenides presents a perplexity, rather than a solution, forms the central hypothesis of this dissertation. Plato's Socrates seems to have understood this, and we, too, may fear our failure to fathom Parmenides' words and understand his meaning. Every attempt to penetrate Parmenides' thinking becomes unwittingly entangled in an impossible dilemma of trying to account for itself within the austere singularity of being, in seeming (...) defiance of the goddess' injunction against saying or thinking what is not. Thinking requires non-being to individuate or recognize itself, but even the minimal duality needed to acknowledge oneself is most emphatically denied. Parmenides' dogma, however, no less than his reasoning, has proven always attractive, despite its clear implication that everything we do is illusion. The goddess' distinction between Aletheia and Doxa, and her arguments, exacerbate this problem, although these two parts are commonly seen as the kernel of Parmenides' thought. Parmenides' proem grounds this fundamental split in a third and allows us to glimpse the poem's more aporetic structure. ;Parmenides' thinking is first approached through what his poem says and implies about itself. Its impossibility in light of its own argument points toward self-awareness and a discovery of the ineradicable duality of thinking. A second approach begins with the poem's ancient title, P3ri&d13; Fu&d12; s3wv , and examines several pre-Parmenidean uses of the word fu&d12;si v that show enigmatic implications from its first appearance. Scholars suggesting a prototypical concept of nature in early uses of fu&d12;si v seem to gild the lily. Plato appears as a third locus for inquiry about Parmenides' thinking, and the intersection of Socrates and Parmenides is traced across the dialogues. The structure of Parmenides' poem appears knowingly imitated by Plato frequently, which bears significantly on his representations of Socrates' life and philosophic education. Socrates' caution about whether he understood Parmenides parallels a caution expressed as his "second sailing." Socrates' turn to speeches shows his concern with discovering intention, which perhaps animates his fear of awesome Parmenides but also suggests him to be Socrates' inchoate precursor concerning soul. (shrink)

In a recent article in the Philosophical Review Professor Gregory Vlastos has given an acute analysis of the ‘Third Man’ Argument as it appears in the Parmenides for which all Platonic scholars will be grateful. In view of the importance of the article and the interest that it has aroused, I should like to offer one or two criticisms of his conclusions.

O objetivo deste texto é o de analisar a evolução de uma certa forma – que poderíamos traduzir por discurso negativo ou apofático – que, aparecendo já no Poema Sobre a Natureza de Parmênides e no Parmênides de Platão, tornou-se uma das formas privilegiadas de exposição das teologias negativas do médio e do neo-platonismo .Our purpose is to analyze the evolution of a certain form of discourse – negative or apophatic discourse as we may translate it. This form of discourse, (...) which appears already in Parmenides’ Poem on Nature and Plato’s Parmenides, became one of the chosen forms of exposition in Middle- and Neo-Platonism's negative theology. (shrink)

Discussions of plato's third man argument have tended to obscure its force within the context of "parmenides". The tma introduces a demonstration by parmenides of the logic of dialectic. The argument does not refute the theory of forms: rather it illuminates particular difficulties involved in any attempt to conceive of what forms do. As a form, the large enables us to observe the same attribute in a number of objects. As such it is not an object of cognition. When we (...) try to think of a form, however, we transform it into such an object. That object presupposes another form which enables us to conceive of it. "there will be no end to this emergence of fresh forms," parmenides tells socrates. "if the form is to be like the things which participate in it". What the regress of the tma manifests is that a form of which we conceive can never bebut will always presupposea form "with" which we conceive. (shrink)

The present study aims at giving factual support to the thesis that the Parmenides is serious in intention, rigorous in logical demonstration, and stylistically meticulous in its original composition. While this consideration may be tedious, still it is useful. Against a past history which has claimed to find the tone hilarious, the logic fallacious, the work inauthentic, the text in need of bracketing by divination, the whole incoherent— against these eccentricities a certain firm sobriety seems called for. I hope that (...) my conclusions find support and persist through fluctuations of philosophic and philological styles.The main difficulty with my thesis is that the text as we now have it shows exceptions to every rule that might apply to style and even to logical structure. Thus it is almost but not quite uniformly true that each theorem opens with a theorem statement; that each is marked by a "questioning" response; that each deduction is valid when formalized in propositional calculus; and so on. Are the exceptions the result of careless composition; are they deliberate warnings not to take the proofs too seriously; or are they the result of errors in transmission? One way to test this is to reconstruct early versions of the text: if these show more logical rigor than the later versions the notion of a wholly valid original is supported; if they do not, the result may point toward the need for a less serious interpretation. A second thing to look for is the possibility that, here and there, parts of a coherent original text are uniquely conserved in sources other than the principal mss, B,T, and W. This assumes, of course, that the "original" text in question is the one with the best logical form, and that assumption seems justified. As a matter of fact, later copyings almost universally show deterioration, not improvement in style and logic.My textual findings are more compatible with some lines of interpretation than with others. Thus I offer some reasons for not accepting treatments of the work as a joke, mystical revelation, or abrupt metaphysical revision. The structure of the dialogue is best explained, I think, by reading it as an indirect proof that some non-Platonic interpretations of the theory of forms are unsatisfactory. In particular, these are the Megarian version, and the Anaxagorean version put forward by Eudoxus. At the same time, the dialogue shows the need for a philosophic method other than the "hypothetical— deductive" way of dianoia; presumably this other method is the "dialectic" discussed in Republic VII. It also follows that any interpretation of the Phaedo which falls into either the Eudoxian or Megarian difficulties was not— at least at the date of the Parmenides—Plato's intended reading.Findings concerning the relations and reliability of the manuscripts of this dialogue also apply to the texts of the other Platonic dialogues which these mss contain.Further, the Parmenides is such an important work both historically and intrinsically that any insight which textual study can bring to its interpretation is a contribution to Western philosophy. (shrink)