Plato: Republic

I explore the role of intimacy and chance in Republic and their function as dangerous or threatening to self-sufficiency. I argue that both intimacy and chance are wrongly construed as a burden, or as disruptive to the regime of the just city and that, ultimately, the job of philosophy is to regulate affect and the risk of chance in the city. I conclude that the repercussions of Plato’s strong account of self-sufficiency can be found to this day in our contemporary (...) beliefs of intimacy, a concept which is still perceived as dangerous for its power to bind us to the mercy of chance. -/- . (shrink)

In the traditional interpretation, The Republic is a continuation of the discussions in Gorgias, according to which virtue and polis laws are tricks invented by a mass of weak people to capture the lust for power of the best individuals, few in number but naturally inclined to leads. The theses of Calicles of Gorgias resemble the ideas set forth by Trasymachus in Book I of The Republic. The central political theses expressed by Socrates in The Republic are: the best rulers (...) are wise, the best rulers rule for the benefit of those led and not for their sake, it is very unlikely that a city will have the best rulers because there is a chasm between the values ​​of most people and the values ​​of the wise, the greatest harm to a city is civil strife for who should rule, harmony between citizens as to who should rule, and harmony requires the city to cultivate virtue and the rule of law. -/- DOI: 10.13140/RG.2.2.27958.57922 . (shrink)

The writer of this paper has tried to portray Plato's ideal government on the basis of his Republic. Apparently, Plato's main purpose in this dialogue was to define true justice rather than have his intended ideal government realized. The gist of his words concerning justice is that everyone must do the job that conforms to his nature. Of course, as Plato himself has pointed out, introducing and defining such an ideal city or utopia will inspire people to model it and (...) create a terrestrial form of that heavenly pattern in the best way possible. This paper discusses the various defects and strengths of Plato's ideal society. (shrink)

In Books Five and Six of The Republic, the quest for justice that has guided the dialogue from the beginning now shifts to the search for an even more encompassing quality—goodness. But what is the nature of goodness? Can human beings know it and teach it to others? How can it be manifested in the republic? To answer such questions requires a genuine lover of wisdom. How can such people be distinguished from those who simply pretend to know? This dramatized (...) version is an adaptation of the Benjamin Jowett translation. (shrink)

In Books One and Two of The Republic presents a discussion of the nature of justice by Socrates, the aging Cephalus, his son Polemarchus, and the sophist Thrasymachus. Plato's brothers, Glaucon and Adeimantus, take over in Book Two, challenging Socrates to convince them that a just life is preferable to an unjust life with power, fame, and riches. They imagine and evaluate different ways of creating the best possible human life. First, they consider a republic based on health and simplicity. (...) When Glaucon dismisses that kind of life as fit only for pigs, they construct a republic based on wealth and luxury. Their analysis of economic and political reality introduces the division of labor, the origin of war, a common currency, and basic principles for educating the young. The goal of this quest is to reveal the foundations of justice and injustice and evaluate their merits. This dramatized version is an adaptation of the Benjamin Jowett translation. (shrink)

Book Seven of The Republic begins with the famous Allegory of the Cave, an exploration of the natural process of being educated. Socrates and Glaucon probe the meaning of this story both as it relates to the discussion of knowledge and reality developed earlier and to the concept of dialectic, the over-all method of Plato's dialogues. In Book Eight, Socrates and Plato's brothers explore five different kinds of republic and five different kinds of individual, showing how aristocracy becomes timocracy and (...) how oligarchy spawns democracy, ending with the evolution of tyranny. This dramatized version is an adaptation of the Benjamin Jowett translation. (shrink)

In Books Three and Four of The Republic, Socrates and Plato's brothers, Glaucon and Adeimantus, discuss the best way to educate leaders for a just republic. In the course of their dialogue, the meaning of justice in individuals and in society shifts from external order imposed through rules and regulations to the harmony and balance internal to every person in the republic. Only then will an individual be ready to act—whether in acquiring wealth, in the care of the body, or (...) in any public or private affairs. This dramatized version is an adaptation of the Benjamin Jowett translation. (shrink)

At key moments in the Phaedrus and the Republic, Socrates qualifies our capacity to “see” the highest realities (the “place of being,” the “Good beyond being”) with the adverb “mogis” (mogis kathorosa, Phdr. 248a; mogis horisthai, Rep. 517b). Mogis can be used to indicate either the toilsome difficulty of some undertaking or the subject’s proximity to failing to accomplish the undertaking. Socrates uses mogis to qualify the nature of the human soul’s capacity to make the intellectual ascent and see the (...) divine, but it is not prima facie clear whether the qualification is meant to express (1) the difficulty we have in undertaking the intellectual ascent (a comment on the effort required) or (2) the fact that the human soul’s capacity to make the intellectual ascent will, on account of its limitations, only “just barely” be achieved, if at all. After discussing the uses of mogis in classical literature and surveying Plato’s uses of mogis across the corpus, I interpret Plato’s use of mogis at Phaedrus 248a, arguing that mogis kathorosa should be translated as “only gets a good look at the things that are with much toil” rather than the more common “scarcely able to gaze upon the things that are.” I then turn to the parallel passage at Republic 517b and argue against a prominent account, put forward by John Sallis, among others, of Plato’s understanding of divine inaccessibility. Whereas Sallis et al. argue that Plato’s use of mogis indicates that which is to be seen at the acme of the ascent is only “barely glimpsed” on account of the fact that it “withdraws” from our view, I argue instead that Plato’s use of mogis indicates that though we can “get a good look” at the highest realities, that good look is qualified by their inexhaustible excess. The human capacity to see the highest realities is qualified because there is “always more to see,” not because that which is there to be seen “withdraws” from view, and still less because there is some intrinsic limitation to human intellectual vision that prevents us from apprehending the highest realities. Accordingly, the divine is accessible but never exhaustible. (shrink)

This paper questions the traditional interpretation of Plato’s Republic 515a5. When Socrates claims that the prisoners in the simile of the Cave are ‘like us’, he does not imply any sort of similarity or analogy between their cognitive state and ours. Rather, I argue he says that we should imagine a cave inhabited by ordinary human beings, instead of some fictitious creatures. Among other things, Plato’s intent is to highlight the weakness of our human nature in both parts of the (...) simile. Consequently, concerning someone’s chance to become true philosopher, Plato’s view is quite pessimistic. (shrink)

The commentary on Plato's Republic by Proclus (d. 485 CE), which takes the form of a series of essays, is the only sustained treatment of the dialogue to survive from antiquity. This three-volume edition presents the first complete English translation of Proclus' text, together with a general introduction that argues for the unity of Proclus' Commentary and orients the reader to the use which the Neoplatonists made of Plato's Republic in their educational program. Each volume is completed by a Greek (...) word index and an English-Greek glossary that will help non-specialists to track the occurrence of key terms throughout the translated text. The second volume of the edition presents Proclus' essays on the tripartite soul and the virtues, female philosopher rulers, and the metaphysics and epistemology of the central books of the Republic. The longest of the essays in Volume II interprets the nature and significance of the 'marriage number' whose miscalculation leads to the degeneration of the ideal city-state. (shrink)

The Parmenides has been unduly overlooked in discussions of hypothesis in Plato. It contains a unique method for testing first principles, a method I call ‘exploring both sides’. The dialogue recommends exploring the consequences of both a hypothesis and its contradictory and thematizes this structure throughout. I challenge the view of Plato’s so-called ‘method of hypothesis’ as an isolated stage in Plato’s development; instead, the evidence of the Parmenides suggests a family of distinct hypothetical methods, each with its own peculiar (...) aim. Exploring both sides is unique both in its structure and in its aim of testing candidate principles. (shrink)

This paper examines the soul-turning metaphor in Book 7 of Plato’s Republic. It argues that the failure to find a consistent reading of how the metaphor is used has contributed to a number of long-standing disagreements, especially concerning the more famous metaphor with which it is intertwined, the Cave allegory. A full reading of the metaphor, as it occurs throughout Book 7, is offered, with particularly close attention to what is one of the most difficult and stubbornly divisive passages in (...) Book 7, 532b6–d1. (shrink)

This paper takes a detailed look at the Republic’s Divided Line analogy and considers how we should respond to its most contentious implication: that pistis and dianoia have the same degree of ‘clarity’ (σαφήνεια). It argues that we must take this implication at face value and that doing so allows us to better understand both the analogy and the nature of dianoia.

Plato’s partition argument infers that the soul has parts from the fact that the soul experiences mental conflict. We consider an ambiguity in the concept of mental conflict. According to the first sense of conflict, a soul is in conflict when it has desires whose satisfaction is logically incompatible. According to the second sense of conflict, a soul is in conflict when it has desires which logically incompatible even when they are unsatisfied. This raises a dilemma: if the mental conflict (...) is supposed to be the latter kind of conflict, then the partition argument is valid but is likely unsound; if it’s supposed to be the former kind, then the partition argument has true premises but is invalid. We explain this dilemma in detail and defend a dispositionalist solution to it. (shrink)

English title: Phenomenology of the pólis and torsion of Dasein: dialectic and hermeneutics in the early Gadamerian interpretation of Plato's ethics. Abstract: The aim of this paper is to present and analyse the main hypotheses of Hans-Georg Gadamer in his 1931 book Platos dialektische Ethik. Phänomenologische Interpretationen zum Philebos regarding the notions of pólis, aretḗ, tó agathṓn y Dasein. Then, it will be attempted to show that in this early book of Gadamer is his first relevant philosophical-political work, expressed in (...) the form of a critical dialogue with Martin Heidegger, departing from the new interpretative possibilities that philology and phenomenology opened to Gadamer’s studies on Plato’s philosophy. This early work, moreover, would have laid the foundations for the future developments of philosophical hermeneutics, in particular, regarding the characterization of the dialectical-dialogical structure of understanding and the relationship among éthos, práxis and lógos. -/- /// -/- Resumen: El objetivo de este artículo es presentar y analizar las principales hipótesis de Hans-Georg Gadamer en su libro de 1931 Platos dialektische Ethik. Phänomenologische Interpretationen zum Philebos en relación con las nociones de pólis, aretḗ, tó agathṓn y Dasein. Luego, se intentará demostrar que en este trabajo temprano de Gadamer se formula la primera producción filosófico-política de relevancia del autor, expresada en forma de diálogo crítico con Martin Heidegger, a partir de las nuevas posibilidades interpretativas que la filología y fenomenología le abrieron para el estudio de Platón y su filosofía. Esta obra temprana, además, habría sentado las bases de los futuros desarrollos de la hermenéutica filosófica, en particular, con relación a la caracterización de la estructura dialógico-dialéctica de la comprensión y al vínculo entre éthos, práxis y lógos. (shrink)

A significant strand of the ethical psychology, aesthetics and politics of Plato's Republic revolves around the concept of poikilia, ‘fascinating variety’. Plato uses the concept to caution against harmful appetitive pleasures purveyed by democracy and such artistic or cultural practices as mimetic poetry. His aim, this article shows, is to contest a prominent conceptual connection between poikilia and beauty (kallos, to kalon). Exploiting tensions in the archaic and classical Greek concept, Plato associates poikilia with dangerous pleasures to redirect admiration toward (...) a distinctly philosophical pursuit of the nature of beauty. This is to displace a prominent and problematic cultural sensibility—the aesthetics of poikilia—not to deny that fascinating variety, even in mimetic poetry, may be beautiful. Rather, Plato's cultural critique lays bare an epistemological problem in the ethical psychology of beauty: since they cannot be distinguished from what seems beautiful, how should one respond to fascinating yet dangerous attractions? (shrink)

In her “Saving the Appearances in Plato’s Cave,” Dr. Adriel M. Trott argues that “the philosopher’s claim to true knowledge always operates within the realm of the cave.” In order to probe her claim, I challenge her to make sense of “politics in the cave,” namely the status and practices of two categories of people in the cave: “woke” cave dwellers (namely, those who recognize shadows as shadows but have not left the cave) and “woke” puppeteers (namely, philosophers ruling within (...) the cave). (shrink)

Along with fresh interpretations of Plato, this book proposes a radically new approach to reading him, one that can teach us about protreptic, as it is called, by reimagining the ways in which Socrates engages in it. Protreptic, as it is conceived in the book, is an attempt to bring about a fundamental change of heart in people so that they want truth more than anything else. In taking the approach developed in this book, one doesn't try to get Plato (...) right but simply uses his dialogues as a theoretical tool for gaining insight into protreptic. The book argues that by analyzing Socrates' behavior in the right way, one can better understand how to foster thoughtfulness nowadays, and there is a need to foster it, in part since the health of democracy is at stake. (shrink)

The paper starts with reflections on Plato’s critique of the poets and the preference many express for Aristotle’s view of poetry. The second part of the paper takes a case study of analytic treatments of ancient philosophy, including the ancient philosopher poets, to examine the poetics of analytic philosophy, diagnosing a preference in Analytic philosophy for a clean non-poetic style of presentation, and then develops this in considering how well historians of philosophy in the Analytic tradition can accommodate the contributions (...) of philosophers who wrote in verse. The final part of the paper reviews the current enthusiasm for decoding Empedocles’ vague and poetic descriptions of the cosmic cycle into a precise scientific periodicity on the basis of the recently discovered Byzantine scholia on Aristotle. I argue that this enthusiasm speaks to a desire for definite and clear numerical values in place of poetic motifs of give and take, and that this mathematical and scientific poetic is comparable to the preferred poetic of analytic philosophy. (shrink)

A discussion of Plato's evaluation of mathematics as an intellectual discipline, and his reasons for training his philosopher-rulers to be mathematical experts.

In this dense, intelligent, but often frustrating work, Cinzia Arruzza argues that Plato's depiction of tyranny and the character of the tyrant in the Republic is best interpreted as, ‘an intervention in a debate concerning the transformed relation between political leaders and demos in Athenian democracy’ (p. 9) in the last decades of the fifth century BCE. Her central claim is that Plato's critique of tyranny in the Republic was aimed at showing that this particular historical form of Athenian democracy, (...) along with its institutional mechanisms, was morally, psychologically, and politically continuous with the forms of tyranny to which its ideology was opposed. (shrink)

Republic 596a introduces a One over Many principle that has traditionally been considered as an argument for the existence of Forms, according to which, one Form should be posited for each like-named plurality. This interpretation was challenged by (Smith, J. A. 1917. “General Relative Clauses in Greek.” Classical Review 31: 69–71.), who interpreted it rather as a statement that each Form is unique and correlated to a plurality of things that have the same name as it. (Sedley, D. 2013. “Plato (...) and the One-over-Many Principle”, in Chiaradonna & Galluzzo 2013, 113–37.) has offered a forceful defence of Smith’s interpretation. I argue that Sedley’s defence fails and that the traditional interpretation should be preferred. (shrink)

This paper defends a reading of eikasia—the lowest kind of cognition in the Divided Line—as a kind of empirical cognition that Plato appeals to when explaining, among other things, the origin of ethical error. The paper has two central claims. First, eikasia with respect to, for example, goodness or justice is not different in kind to eikasia with respect to purely sensory images like shadows and reflections: the only difference is that in the first case the sensory images include representations (...) of value properties. Second, eikasia is not the bare awareness of images or simply a label for an error (mistaking image for original) but a kind of empirical, image-confined cognition, and one that has an important part to play in characterising the cognitive abilities of the non-rational parts of the soul. (shrink)

"You'd never know Athens was locked in a life-or-death struggle from the tranquil and leisurely philosophical discussion that unfolds through the pages of the Republic...Plato's masterpiece continues to inform our questions and our thinking when it comes to being, truth, beauty, goodness, justice, community, the soul, and more." -From Dr. Littlejohn's Introduction. On the way back from a festival, Socrates is waylaid by some friends who compel him to go home with them. There he and his companions engage in a (...) long discussion about whether it is worse to suffer evil or to commit it. Far from being dry or abstract, Plato's dialogue is full of practical questions about the nature of justice, education, power, and virtue, and it ends with two of the most vivid myths ever devised by man. This Canon Classic is translated clearly by Benjamin Jowett, and unlike all other works of philosophy, it's actually fun to read. The Canon Classics series presents the most definitive works of Western literature in a colorful, well-crafted, and affordable way. Unlike many other thrift editions, our classics are printed on thicker text stock and feature individualized designs that prioritize readability by means of proper margins, leading, characters per line, font, trim size, etc. Each book's materials and layout combine to make the classics a simple and striking addition to classrooms and homes, ideal for introducing the best of literary culture and human experience to the next generation. This Worldview Edition features an introduction divided into sections on The World Around, About the Author, What Other Notables Said, Setting, Characters, & Plot Summary, Worldview Analysis, 21 Significant Questions & Answers, and Further Discussion & Review"--. (shrink)

This volume, a lightly-edited version of Professor Samuel Scolnicov’s 1974 Ph.D. thesis, is a fitting tribute to his impressive career. It will perhaps be most useful for those interested in better understanding Scolnicov’s work and his views on Plato as a whole, not least for the comprehensive list of his publications that requires a full twelve pages of print. Scholars with an interest in Plato’s method of hypothesis will also find some useful remarks on key passages in the Meno, Phaedo, (...) and Republic as well as on Greek mathematical analysis.Illuminating other aspects of Scolnicov’s work is clearly part of the intention behind enabling broader access to this study. As Harold Tarrant notes in his introduction... (shrink)

In this paper I discuss the translation of a line in Plato's description of the ‘greatest accusation’ against imitative poetry, Republic 606a3–b5. This line is pivotal in Plato's account of how poetry corrupts its audience and is one of the Republic's most complex and interesting applications of his partite psychology, but it is misconstrued in most recent translations, including the most widely used. I argue that an examination of the text and reflections on Platonic psychology settle the translation decisively.

The article discusses two passages, Republic IX 571d6–572b1, and Timaeus 71a3–72b5, where Plato does not use dream as a metaphor for the soul’s deficit in knowledge but, instead, focuses on the actual process of dreaming during sleep, and the origin and nature of the images involved. In both texts, Plato’s account is closely connected to the soul’s tripartition, with the resulting emphasis on reason’s capacity to control, and even to create, the dream images that influence the lower parts of the (...) soul. While taking a closer look at the differences between the two accounts (and, therefore, at the physiology of dreaming described only in the Timaeus), the article concludes that, despite these differences, both dialogues agree on the possible alliance between reason and dreaming, an alliance that presupposes a virtuous character and further reinforces the reason’s dominance over appetite. Republic IX and the Timaeus thus converge on the idea that dreams, in virtue of their continuity with waking thoughts, can convey and fortify a certain kind of knowledge, and especially self-knowledge, which is of an ethical rather than strictly epistemic relevance. This is also why Plato’s two accounts of rational dreaming anticipate the issue of our moral responsibility for the content of our dreams. (shrink)

The usual interpretation of Republic 10 takes it as Socrates’ multilevel philosophical demonstration of the untruth and dangerousness of mimesis and its required excision from a well ordered polity. Such readings miss the play of the Platonic mimesis which has within it precisely ordered antistrophes which turn its oft remarked strophes perfectly around. First, this argument, famously concluding to the unreliability of image-makers for producing knowledge begins with two images—the mirror (596e) and the painter. I will show both undercut the (...) argument they introduce. Secondly, Socrates repeats the “three removes” argument three times. Each has its own object and philosophical axis. The “bed” argument (596a-598d) concerns the ontological status of images vis-à-vis human makers and the divine idea. The bit and bridle,” 601b-601d) emphasizes the epistemological status of image-making as beneath the human maker of bridles (having correct opinion) and the human user, who knows. This second takes away the ontological distinction which was the point of the first. Thus, any human being could be in any of the three positions—user, maker, imitator. This dance might bring one to doubt the conclusion that the imitator has “neither knowledge nor right opinion” (602a). Plato leads into his concluding psychological and moral argument (602c-605c) after a third variation of the 3 removes. This last gives us the image of the flute player (601d-602) as the one who knows and so can order the flute maker. We will conclude by considering what it is this flutist could know, and given that his art is itself a mimesis, who the imitator of this imitative artist could be. Thus attention to the differences among these examples opens a defense of the arts, which reverses many of the claims made against the arts within the ostensible “Platonic” argument. (shrink)

In defending the view that justice is the advantage of the stronger, Thrasymachus puzzlingly claims that rulers never err and that any practitioner of a skill or expertise (τέχνη) is infallible. In what follows, Socrates offers a number of arguments directed against Thrasymachus’ views concerning the nature of skill, ruling, and justice. Commentators typically take a dim view of both Thrasymachus’ claims about skill (which are dismissed as an ungrounded and purely ad hoc response to Socrates’ initial criticisms) and Socrates’ (...) latter arguments (which are deemed extremely weak). In this paper, I clarify Thrasymachus’ views (and those of several other ancients) concerning qua locutions and the nature of skill and ability and I reconstruct Socrates’ arguments against Thrasymachus’ views concerning skill and justice. I argue that Thrasymachus’ views are not ungrounded or ad hoc and that Socrates’ arguments are rather different (and significantly stronger) than often supposed. (shrink)

Plato’s theory of mimesis is expressed clearly and mainly in Plato’s Republic where he refers to his philosophy of Ideas in his definition of art, by arguing that all arts are imitative in nature. Reality according to him lies with the Idea, and the Form one confronts in this tangible world is a copy of that universal everlasting Idea. He poses that a carpenter’s chair is the result of the idea of chair in his mind, the created chair is once (...) removed from reality and since a painter’s chair is imitation of a carpenter’s chair, it is twice removed from reality. Thus, the artist deals in illusion. Plato thus rejected imitative art on the foundation that it is a copy or imitation of the unreal. We may ask; if the Carpenter makes a chair, what does he imitate? And if he imitates reality, can we call him an artist of a kind? This article therefore argues following Plato’s analogy that carpentry is an art of a kind and a carpenter is capable of knowing reality as against the notion that only philosophers are suitable for such a task. (shrink)

Interpreters of Plato’s Parmenides have long agreed that it is a canonical work in the history of ontology. In the first part, the aged Parmenides presents a devastating critique of Platonic ontology, followed in the second by what purports to be a response to that critique. But despite the scholarly agreement as to the general subject matter of the dialogue, what makes it one whole has nevertheless eluded its readers, so much so that some have even speculated it to be (...) a patchwork of two dimly related dialogues. -/- In Becoming Socrates, Alex Priou shows that the Parmenides’ unity remains elusive due to scholarly neglect of a particular passage in Parmenides’ critique—a passage Parmenides identifies as the hinge between the dialogue’s two parts and as the “greatest impasse” facing Platonic ontology. There Parmenides situates the concern with ontology or the question of being within the concern with political philosophy or the question of good rule. In this way, the Parmenides shows us how a youthful Socrates first learned of the centrality of political philosophy that would become the hallmark of his life—that it, and not ontology, is “first philosophy.”. (shrink)

In this study, Uhlfelder argues convincingly that, in portraying his literary persona as an exemplum of man in his quest for self-knowledge, Boethius has made the whole Consolatio a cosmic image representing man as microcosm. The mental faculties of sensus, imaginatio, ratio, and intellegentia are arranged as a proportion suggesting both Plato’s famous “divided line” at the end of Book 6 of the Republic and, at the same time, the four elements of the physical cosmos which, according to the Platonic (...) Timaeus, are connected with one another so as to form a geometrical proportion. The philosophical argument of the Consolatio in books II through V comprises another cosmic image with III. M.9 at its exact center; in addition, the other three cosmic depictions, revolving as concentric circles around III. M.9, may be viewed as forming an image of cosmic order. In its structure, then, Boethius’ work is an anagogic eikon which formally depicts its content. (shrink)

Socrates' attitude towards falsehood is quite puzzling in the Republic. Although Socrates is clearly committed to truth, at several points he discusses the benefits of falsehood. This occurs most notably in Book 3 with the "noble lie" (414d-415c) and most disturbingly in Book 5 with the "rigged sexual lottery" (459d-460c). This raises the question: What kinds of falsehoods does Socrates think are beneficial, and what kinds of falsehoods does he think are harmful? And more broadly: What can this tell us (...) about the relationship between ethics and epistemology? The key to answering these questions lies in an obscure and paradoxical passage in Book II; at 382a-d Socrates distinguishes between "true falsehoods" and "impure lies." True falsehoods are always bad, but impure lies are sometimes beneficial. Despite Socrates' insistence that he is not saying anything deep, his distinction is far from straightforward. Nevertheless, in order to determine why some falsehoods are beneficial and why some are always harmful, we must understand what exactly true falsehoods are and how they differ from impure lies. In this paper, I argue that true falsehoods are a restricted class of false beliefs about ethics; they are false beliefs about how one should live and what one should pursue. I refer to these beliefs as "normative commitments." False normative commitments are always pernicious because they create and sustain psychological disharmony. Unlike true falsehoods, impure lies can be about anything. Nevertheless, they are only beneficial when they help produce and sustain true normative commitments. I argue that the upshot of this is that practical concerns have a kind of primacy over theoretical concerns. (shrink)

Plato’s tripartite soul plays a central role in his account of justice in the Republic. It thus comes as a surprise to find him apparently abandoning this model at the end of the work, when he suggests that the soul, as immortal, must be simple. I propose a way of reconciling these claims, appealing to neglected features of the city-soul analogy and the argument for the soul’s division. The original true soul, I argue, is partitioned, but in a finer manner (...) than how we encounter it in our everyday lives. (shrink)

What sorts of things qualify as first principles of reasoning and what kind of justification for them can be offered? We think of principles like that of non-contradiction as first principles of reasoning. Laurence Bloom argues that Plato’s Republic, the first text that affords us a complete statement of the Principle of Non-contradiction, offers us a powerful, complex and detailed argument for taking form—specifically that of the good—as the first principle of both knowing and being.

Contemporary responses to Plato’s Republic rarely examine its complex relationship to festivals and sacrifice. Recovering the importance of the festival to Plato’s concerns, this article reveals Plato’s displacement of the sacrificial violence of ancient Greek festivals with the language and possibilities of money. The first section introduces, through the opening scenes of the Republic, the significance of money in Ancient Greece, particularly its affiliation with the ritual dynamics of the festival. The second section focuses on animal sacrifice, developing the central (...) claim that much of the Republic imagines replacing the power of sacrifice to hold a conflicted polis together with the logic of money to organize and maintain the city. To explore the ramifications of this shift, the third section of the essay turns to the problems of visibility and sacrifice, arguing that the shift from festival to monetary political practice obscures the violence of political and monetary life; an obscurity reproduced in Giorgio Agamben’s neglect of ancient Greece in his account of the relationship between sacrifice and political status. This reading provokes an engagement with the contemporary acceptance of monetary violence leading to the conclusion that the violence and death resulting from monetary practice should be considered political violence, not sacrifice. (shrink)