Plato: Sophist

Plato’s Sophist and Statesman stand out from many other Platonic dialogues by at least two features. First, they do not raise a ti esti question about a single virtue or feature of something, but raise the questions what sophist, statesman, and philosopher are, how they differ from each other, and what worth each should be accorded. Second, a visitor from Elea, rather than Socrates, seeks to addressed these questions and does so by employing what is commonly referred to as the (...) method of collection and division. Some scholars have argued that this so-called method is value neutral and therefore unable to address the question how philosophy differs from sophistry and statesmanship according to worth. This article contends that the procedures of collection and division does not preclude the visitor from taking considerations of worth into account, but rather helps establish an objective basis for settling the main questions of the dialogue. (shrink)

At a crucial juncture in Plato’s Sophist, when the interlocutors have reached their deepest confusion about being and not-being, the Eleatic Visitor proclaims that there is yet hope. Insofar as they clarify one, he maintains, they will equally clarify the other. But what justifies the Visitor’s seemingly oracular prediction? A new interpretation explains how the Visitor’s hope is in fact warranted by the peculiar aporia they find themselves in. The passage describes a broader pattern of ‘exploring both sides’ that lends (...) insight into Plato’s aporetic method. (shrink)

At 252e1 to 253c9 in Plato’s Sophist, the Eleatic Visitor explains why philosophy is a science. Like the art of grammar, philosophical knowledge corresponds to a generic structure of discrete kinds and is acquired by systematic analysis of how these kinds intermingle. In the literature, the Visitor’s science is either understood as an expression of a mature and authentic platonic metaphysics, or as a sophisticated illusion staged to illustrate the seductive lure of sophistic deception. By showing how the Visitor’s account (...) of the science of philosophy is just as comprehensive, phantasmatic and self-concealing as the art of sophistry identified at the dialogue’s outset, this paper argues in favor of the latter view. (shrink)

This article examines Heidegger’s interpretation of Plato’s Sophist, focusing on his attempts to grasp Plato’s original thinking of being and non-being. Some contemporary thinkers and commentators argue that Heidegger’s view of Plato is simply based on his criticism against the traditional metaphysics of Platonism and its language. But a close reading of his lecture on the Sophist reveals that his view of Plato is grounded in Plato’s questioning struggle with the ambiguous nature of human speech or language. For Heidegger, Plato’s (...) way of philosophizing is deeper than the metaphysical understanding of Platonism which sees only fixed ideas of being. In the Sophist, dialectical thinking of Plato constantly confronts the questionable force of the logos which betrays the natural possibility of non-being based on the tension between movement and rest. Thus, from Plato’s original insight Heidegger uncovers the dynamic association of being and non-being as a natural ground of everyday living with others. However, although Heidegger’s understanding of the Sophist powerfully demonstrates the lively possibility of being beyond the customary perspective of Platonic metaphysics, his interpretation fails to further disclose Plato’s political question of being emerging in the Sophist, which seeks the true associative ground of human beings. (shrink)

At Sophist 253d-e the Eleatic Visitor offers a notoriously obscure description of the fields of one-and-many that the dialectician “adequately discerns.” Against the readings of Stenzel, Cornford, Sayre, and Gomez-Lobo, I propose an interpretation of that passage that takes into account the trilogy of Theaetetus-Sophist-Statesman as its context. The key steps are to respond to the irony of Socrates’ refutations at the end of the Theaetetus by reinterpreting the last two senses of logos as directed to forms and to recognize (...) their correlation with the two different modes of diairesis practiced by the Eleatic Visitor. These steps position us to recognize in the Visitor’s remarks at Sophist 253d-e a schematic description of the two kinds of eidetic field that the two modes of diairesis trace. (shrink)

The paper argues that Motion and Rest are “greatest kinds” and not just convenient examples, since they are all-pervading. Thus Motion and Rest can be jointly predicated of a single subject and can be predicated of each other, just as Sameness and Otherness can. While Sameness and Otherness are opposites, a single subject may be the same in one respect, namely, the same as itself, and other in another respect, namely, other than other things. Thus they can be predicated of (...) a single subject, and they can be predicated of each other, as well, since Sameness is other than other things and Otherness is the same as itself. The same explanation applies to Motion and Rest, as the paper demonstrates: a given subject may be in motion in one respect while being at rest in another respect. This distinction is made in the Sophist itself, right in the passage concerning the greatest kinds. Thus Motion and Rest should be considered greatest kinds on par with Being, Sameness, and Otherness, and each of these kinds pervades all other kinds. (shrink)

In Plato’s Statesman, the Eleatic Stranger explains that the division of all human beings into Greek and barbarian is mistaken in that it fails to divide reality into genuine classes or forms (eidē). The division fails because “barbarian” names a privative form, that is, a form properly indicated via negation: non-Greek. This paper examines how the Stranger characterizes privative forms in the Sophist. I argue that although the Stranger is careful to define privative forms as fully determinate, he nevertheless characterizes (...) them as having a structure unlike that of their non-privative counterparts. A privative form, in contrast to a non-privative form, is indifferent to the specificity of its members. (shrink)

The Theaetetus’ ‘secret doctrine’ and the Sophist ’s ‘battle between gods and giants’ have long fascinated Plato scholars. I show that the passages systematically parallel one another. Each presents two substantive positions that are advanced on behalf of two separate parties, related to one another by their comparative sophistication or refinement. Further, those parties and their respective positions are characterized in substantially similar terms. On the basis of these sustained parallels, I argue that the two passages should be read together, (...) with each informing and constraining an interpretation of the other. (shrink)

It is argued that the analysis by which the gene are differentiated in the dialogue is an exercise in studied ambiguities informed by an Eleatic logic of strict dichotomy that was the underpinning of the Sophist's method of division. By this dialectical drill, Plato shows that the metaphysics underlying the Visitor's method fails to adequately distinguish what it means to have a character from what it means to be a character, and therefore remains inadequate to track down the sophist or (...) to distinguish him from the philosopher: Eleaticism, as critically examined by Plato, proves to be means to disguise, not to discover the sophist. (shrink)

In his well-known essay, ‘What Is a Sign?’ (CP 2.281, 285) Peirce uses ‘likeness’ and ‘resemblance’ interchangeably in his definition of icon. The synonymity of the two words has rarely, if ever, been questioned. Curiously, a locus classicus of the pair, at least in F. M. Cornford’s English translation, can be found in a late dialogue of Plato, namely, the Sophist. In this dialogue on the myth and truth of the sophists’ profession, the mysterious ‘stranger’, who is most likely Socrates’ (...) persona, makes the famous distinction between eikon (likeness) and phantasma (semblance) (236a,b). For all his broad knowledge in ancient philosophy, Peirce never mentioned this parallel; nor has any Peircean scholar identified it. There seems to be little problem with eikon as likeness, but phantasma may give rise to a puzzle which this paper will attempt to solve. Plato uses two pairs of words: what eikon is to phantasma is eikastikén (the making of likeness [235d]) to phantastikén (semblance making [236c]). In other words, icons come into being because of the act of icon-making, which is none other than indexicality. Witness what Peirce says about the relationship between photographs and the objects they represent: “But this resemblance is due to the photographs having been produced under such circumstances that they were physically forced to correspond point by point to nature.” (Ibid.) Thus the iconicity which links the representamen (sign) and its object is made possible not only by an interpretant, but also by idexisation. Their possible etymological and epistemological links aside, the Peircean example of photographing and the Platonic discussion of painting and sculpturing in the Sophist, clearly show the physio-pragmatic aspect of iconicity. The paper will therefore reread the Peircean iconicity by closely analysing this relatively obscure Platonic text, and by so doing restore to the text its hidden semiotic dimension. (shrink)

Sophist 255c14 distinguishes καθ’ αὑτά and πρὸς ἄλλα (in relation to others). Many commentators identify this with the ‘absolute’ and ‘relative’ category distinction. However, terms such as ‘same’ cannot fit into either category. Several reliable manuscripts read πρὸς ἄλληλα (in relation to each other) for πρὸς ἄλλα. I show that πρὸς ἄλληλα is a palaeographically plausible reading which accommodates the problematic terms. I then defend my reading against objections.

In Plato’s Sophist an argument against metaphysical materialism in the “battle of gods and giants” is presented which is oft the cause of consternation, primarily because it appears the characters are unfair to the materialist position. Attempts to explain it usually resort to restructuring the argument while others rearrange the Sophist entirely to rebuild the argument in a more satisfying form. I propose a different account of the argument that does not rely on a disservice to the materialist nor restructuring (...) Plato’s argument. I contend, instead, that the argument is enthymematic in nature, allowing the definitions employed to flow out of the reasoning as originally presented. Moreover, it suggests that Plato’s idealism was so deeply ingrained that modern defenses of materialism were not even live options. (shrink)

Abstract I argue for a new interpretation of the argument for the non-identity of Being and Difference at Sophist 255c-e, which turns on a distinction between modes of being a property. Though indebted to Frede (1967), the distinction differs from his in an important respect: What distinguishes the modes is not the subject's relation to itself or to something numerically distinct, but whether it constitutes or conforms to the specification of some property. Thus my view, but not his, allows self-participation (...) for Forms. Against Frede and the more traditional interpretation, I maintain that the distinction is not introduced by way of the pros alla / kath' hauta distinction, or by way of uses or senses of the verb `to be', but is established prior to the argument and is deployed in its frame. Moreover, since I read the argument's scope as restricted to properties in what I shall call the attribute mode, my interpretation can explain, as its rivals cannot, why the criterion of difference at 255d6-7 does not apply to the Form, Difference, itself. (shrink)

It is widely held that in Plato's Sophist, Forms rest or change or both. The received opinion is, however, false—or so I will argue. There is no direct support for it in the text and several passages tell against it. I will further argue that, contrary to the view of some scholars, Plato did not in this dialogue advocate a kind of change recognizable as 'Cambridge change', as applicable to his Forms. The reason that Forms neither change nor rest is (...) that they are purely intelligible entities, not susceptible to changing or being at rest. Since Plato continues in the Sophist to treat Forms as causes, it follows that Forms are changeless causes. I ask what conception of cause might allow for this view, and reject the suggestion that Plato was some kind of proto-dispositionalist about causation. Instead I suggest that he understood causation to incorporate a notion of structuring, such that Forms can be seen to structure their participants and so cause them to possess the attributes they possess. (shrink)

This paper explores Plato and Aristotle 's responses to the pre-Socratic philosopher Parmenides, who paradoxically said that there is no such thing as non-being, and no such things as change. I argue that Plato’s response would have been good enough to defeat the claim in a debate, thereby remedying the political aspects of the Parmenides problem. However, Aristotle ’s answer is required to answer some additional philosophical and scientific aspects. Plato's Sophist is a very difficult dialogue to understand; seeing it (...) in light of Aristotle 's discussion of the same topic helps to explain the complexities of what his teacher Plato wrote. (shrink)

The eponymous dialogue presents the sophist as a figure who defies definition, and those difficulties are attributed to the conception of the image. Ultimately, the sophist is defined as a species of image maker. The image, however, which is important throughout the Platonic corpus as a metaphor, an analogy, and a metaphysical concept as well, receives in the Sophist little clarification or definition apart from whatever may be inferred from the division of image making arts. In the Sophist, the sophist (...) escapes definition as in no other dialogue, rendering even the concluding division one that makes the distinction of the sophist from the philosopher problematic, if not impossible. The paper explores how the dialogue problematizes and rethinks the metaphysics of the image, as compared to its use in dialogues such as the Phaedo and the Republic, pointing to a refinement in understanding the relation of judgment to knowledge and appearance to reality. (shrink)

Some philosophers argue that false speech and false belief are impossible. In the Sophist, Plato addresses this 'falsehood paradox', which purports to prove that one can neither say nor believe falsehoods. In this book Paolo Crivelli closely examines the whole dialogue and shows how Plato's brilliant solution to the paradox is radically different from those put forward by modern philosophers. He surveys and critically discusses the vast range of literature which has developed around the Sophist over the past fifty years, (...) and provides original solutions to several problems that are so far unsolved. His book will be important for all who are interested in the Sophist and in ancient ontology and philosophy of language more generally. (shrink)

[PHILPEOPLE DOESN'T ALLOW PARAGRAPH BREAKS IN ABSTRACTS...] My [Frank Scalambrino's] dissertation first traces the development of a philosophical theory of ontological negation from Plato’s Parmenides and Sophist through Aristotle’s Metaphysics to Kant’s Critique of Pure Reason, especially his “Table of Nothing” (A 292). Whereas Plato’s “puzzle of non-being” sets the stage for the subsequent discussion of ontological negation, Kant’s Table of Nothing provides a formalization of the possible solutions to the puzzle. According to Kant, there are four (4) different ways (...) in which “ontological negation” could be meant. By way of this formalization two major trends for interpreting ontological negation may be seen in the history of Western philosophy. The Aristotelian trend may be seen as a reduction of ontological negation to logical negation such that the fourth possibility in Kant’s Table of Nothing is eliminated. This Aristotelian trend was later adopted by both Hegel and Heidegger. [NEW PARAGRAPH........................................................................................... .................................................................................................... .......]The Platonic trend, exemplified by the “puzzle of non-being” from the Sophist, affirms what is later formalized as the fourth possibility in Kant’s Table of Nothing. How exactly to characterize such ontological negation is precisely “the puzzle of non-being.” The idea being that if it is not even possible to characterize this type of ontological negation, then it should be eliminated, that is, by following Aristotle’s trend and reducing ontological negation to logical negation. It was as a reaction against Hegel, and thereby the Aristotelian trend regarding ontological negation, then, which prompted Gilles Deleuze and Jacques Derrida to take up the puzzle of non-being and pursue the Platonic trend. [NEW PARAGRAPH........................................................................................... .................................................................................................... .......]Both of their solutions to the puzzle of non-being follow the Platonic trend in two (2) ways: first, they affirm the fourth possibility in Kant’s Table of Nothing, and, second, they take an approach already initiated in the Sophist; that is, they attempt to characterize ontological negation in terms of one of Plato’s “Great Kinds” – Difference. Of course, both Deleuze and Derrida take a post-Kantian approach to characterizing ontological negation in terms of difference. In fact, given the internal criteria of the puzzle of non-being, in terms of historical hindsight, Kant’s critical turn seems a necessary condition for solving the puzzle. Therefore, both Deleuze and Derrida characterize ontological negation in terms of “pure difference.” When we interrogate the idea of “pure difference” we find that it refers to Différance in Derrida and what Deleuze refers to as “?-being.” [NEW PARAGRAPH........................................................................................... .................................................................................................... .......]Next, my dissertation provides a critical reading of “pure difference” in Deleuze and Derrida by criticizing the ability of “pure difference” to characterize the fourth possibility in Kant’s Table of Nothing. The criticism culminates in my advancing a different characterization of the fourth possibility in Kant’s Table of Nothing. Whereas Deleuze and Derrida provide solutions from the standpoint of a post-Kantian general ontology, I provide a solution from the standpoint of a philosophical psychology, understood in terms of Kant’s theoretical philosophy. That is to say, I provide a characterization of the fourth possibility in Kant’s Table of Nothing in terms of the relation between the Critique of Pure Reason’s Transcendental Aesthetic and the Transcendental Unity of Apperception. By juxtaposing a Kantian ontology in terms of philosophical psychology and general ontology, I examine the difference between the transcendental structure of internal time-consciousness and the register in general ontology conforming to the transcendental structure of time-consciousness, specifically what may be understood as the transcendental structure conditioning the human experience of the duration of a moment. Given that this structure is both “transcendental” and the condition for experiencing “duration,” I refer to it as “transcendental memory.” [NEW PARAGRAPH........................................................................................... .................................................................................................... .......]Thus, the limits constituting the experience of the duration of a moment for humans may be used to characterize the fourth possibility in Kant’s Table of Nothing. On the one hand, this provides a solution to the puzzle of non-being along the lines of the Platonic trend. On the other hand, this provides a solid basis for criticizing attempts to solve the puzzle along the Aristotelian trend. Further, the solution to the puzzle of non-being found in my dissertation provides a way to extend Kant’s theoretical philosophy and a pathway for future metaphysics. (Frank Scalambrino, Ph.D. Duquesne University, 2011). (shrink)

In this paper, I address the way in which Plato’s Sophist rethinks his lifelong dialogue with Heraclitus. Plato uses a concept of logos in this dialogue that is much more Heraclitean than his earlier concept of the logos. I argue that he employs this concept in order to resolve those problems with his earlier theory of ideas that he had brought to light in the Parmenides. I argue that the concept of the dialectic that the Stranger develops rejects, rather than (...) continues, the idea reached at the end of the Theatetus that knowledge has to be grounded in a nous aneu logou (a non-logical, divine intellect) even while the Stranger appropriates the concerns that lead to his conclusion. Ultimately, I suggest that my differentiation of the later Plato’s appropriation of the tradition from Aristotle’s appropriation of that tradition is closely related to the re-thinking of the full sense of logos in the later Heidegger on Heraclitus and on Parmenides. I end by suggesting that the question that Plato and Heraclitus pose to us is to ask what such a divine logos tells about human ways of knowing. (shrink)

The logos question, one of the most important among the subjects that traverse the Plato's Sophist, has in fact some different aspects: the criticism of father Parmenides' logos, that is unable to speak about the not-being, but also about the being; the relations between logos and its cognates, phantasia, doxa and dianoia; the logos’ complex structure, that is a compound with onoma and rema; the difference between naming and saying, two distinct but inseparable actions; the logical and ontological conditions that (...) make possible to say the truth, or to lie or simply to joke; the necessity of a most flexible logos that allows us to speak about the not-being, and about the being, but at the same time is a logos dangerously similar to the sophist’ one; finally, the identity between the power to produce “spoken images” and the very power to speak. The aim of the present article is giving a systematical view of the matter that grasps all these faces. (shrink)

Of the later dialogues of Plato, the Sophists stand out. This article highlights the concept of sophist as propounded by Plato. A didactic approach runs through the text. Socrates harps on the relation between sophist, philosopher and a statesman. Are they three different or they are the same. The basic idea that Plato wants to convey is, both features highlight some of the key enigmas of the dialogue: What is the relation between the outer and middle parts? How seriously are (...) we to take the outer part? And is there a genuine, and successful, attempt to say what the sophist is? The article focuses on two key problems discussed and solved in the middle part: the late-learners' problem, and the problem of false statement. The article also discusses communion of kinds and Plato's idea of the four quartets. (shrink)

The Sophist and Statesman are late Platonic dialogues, whose relative dates are established by their stylistic similarity to the Laws, a work that was apparently still “on the wax” at the time of Plato's death (Diogenes Laertius III.37). These dialogues are important in exhibiting Plato'sviews on method and metaphysics after he criticized his own most famous contribution to the history of philosophy, the theory of separate, immaterial forms, in the Parmenides. The Statesman also offers a transitional statement of Plato's political (...) philosophy between the Republic and the Laws. The Sophist and Statesman show the author's increasing interest in mundane and practical knowledge. In this respect they seem more down-to-earth and Aristotelian in tone than dialogues dated to Plato's middle period like the Phaedo and the Republic. This essay will focus on method and metaphysics. (shrink)

The Eleatic Visitor speaks forcefully when he insists, ‘Necessarily, whenever there is speech, it is speech of something; it is impossible for it not to be of something’. For ‘if it were not of anything, it would not be speech at all; for we showed that it is impossible for there to be speech that is speech of nothing’. Presumably, at 263c10, when he claims to have ‘shown’ that it is impossible for speech to be of nothing, the Visitor is (...) referring back to the Parmenidean puzzles at Sophist 237ff. (shrink)

The book is a translation of the Sophist with a running commentary. Three main points are argued: the dialogue does not present positive doctrine but has the structure of a reductio ad absurdum, Plato's point is to criticize the metaphysics of Parmenides. By failing to account for resemblance, Eleaticism implies an inadequate theory of relations, which makes impossible any understanding of "essence." Consequently, Eleaticism can be taken as the philosophical underpinning for the antithesis of philosophy, lending legitimacy to sophistry, the (...) criticism constitutes an indirect argument for the theory of forms. ;The method of division employed in the Sophist does not proceed "along natural joints" as called for in the Phaedrus, nor can it, since the Eleatic logic that underlies the method used in the Sophist allows for no intermediate in the strict opposition of 'being' and 'not-being.' The only definitions that can be made on this basis are negative definitions. This leads to an inability to account for images on Eleatic terms, providing a refuge for the sophist--he cannot be a maker of deceptive images if there are no images and no falsity. However, the modification of the Eleatic rejection of not-being is incomplete and insufficient. ;The arguments allow only for relations of identity and difference or whole and part, excluding any account of resemblance, the basis for any theory of participation. On these grounds, not-being is defined in terms of difference, affording an incomplete explanation of false statement, while abandoning the initial problem of images. Moreover, the concluding argument directly implies the reduction of 'being' to the newly introduced definition of 'not-being.' The ending turns back to the beginning: the sophist has an art that is no art, and definitions can only be definitions in terms of difference, negative definitions allowing no adequate account of images and no essences. The dialogue ends in a subtle aporia pointing to the failure to acknowledge that to say images both are and are not indicates an order of ontological dependence. (shrink)