Plato: Timaeus

L'étude entend montrer que, si le temps est finalement unique, l'espace, lui, est originellement (et non du fait de la constitution de l'être-au-monde) multiple. Une analyse d'un passage du Timée où la Chôra est dite tithênê (nourrice) permet d'asseoir une interprétation de la différence foncière entre espace et lieu. Le lieu a progressivement disparu pour s'absorber dans l'espace neutre qui traduit homologiquement l'infinité divine ou pour s'atténuer dans le site. Il est difficile de trouver une analyse adéquate du lieu depuis (...) la mort de Leibniz (1916) jusqu'à la thèse de Bergson en latin sur la notion aristotélicienne de lieu. This study aims at making clear that, if, on the one hand, time is finally unique, while, on the other hand, we can say that space is in itself, and not for transcendantal reasons (the constitution of human subjectivity), a many-fold entity. By considering with great accuracy Plato's Timæus, where topos as chôra appears as tithênê (a nurse), we are able to interpret the very real distinction between space and place. Place has progressively disappeared, being absorbed in this homology of God's infinite, which is indeed Newton's neutral space, or at least being weakened in « site » (Ort). We will hardly find, between Leibniz' death and Bergson's latin thesis on aristotelician conception of topos, one correct study about place. (shrink)

Anthropologist Tim Ingold promotes Indigenous animism as a salve for perceived failures in modern science, failures he claims also hobbled his own early work. In fact, both Ingold’s early and later work rely on modern scientific ideas and images. His turn to animism marks not an exit from the history of European science, but an entrance into, and imaginative elaboration of, distinctly Neoplatonic themes within that history. This turn marks, too, a clear but unacknowledged departure from systematic social analysis. By (...) re-embracing social analysis, Ingold would overcome the obscurity that now hobbles his later work. (shrink)

I defend, against its more recent critics, a literal, factual, and consistent interpretation of Timaeus’ creation of the cosmos and time. My main purpose is to clarify the assumptions under which a literal interpretation of Timaeus’ cosmology becomes philosophically attractive. I propose five exegetical principles that guide my interpretation. Unlike previous literalists, I argue that assuming a “pre-cosmic time” is a mistake. Instead, I challenge the exegetical assumptions scholars impose on the text and argue that for Timaeus, a mere succession (...) of events and the relations derived from it (before, after, simultaneous with) imply no time, given the narrow definition of the term used in the dialogue. For Timaeus, I explain, time is measurable, regular, and dependent on the motion of the celestial bodies. A mere succession of events like the one needed to understand the creation story and the pre-cosmos requires none of these elements. Readers of Plato erroneously assume that a succession of events implies time, but that is to impose a conception of time absent in the text. The chapter offers a detailed reconstruction of the pre-cosmic stage under a literalist interpretation and argues how it is compatible with the immutable relationship between the Demiurge and the cosmos. -/- This is an open access chapter distributed under the terms of the CC BY-NC 4.0 license. chapter 4. (shrink)

A standard interpretation of Plato’s metaphysics holds that sensible particulars are images of Forms. Such particulars are fairly independent, like Aristotelian substances. I argue that this is incorrect: Platonic particulars are not Form images but aggregates of Form images, which are property-instances. Timaeus 49e-50a focuses on “this-suches” and even goes so far as to claim that they compose other things. I argue that Form images are this-suches, which are tropes. I also examine the geometrical account, showing that the geometrical constituents (...) of the elements are also Form images. Thus everything in the sensible world is composed of tropes. (shrink)

In this study, Uhlfelder argues convincingly that, in portraying his literary persona as an exemplum of man in his quest for self-knowledge, Boethius has made the whole Consolatio a cosmic image representing man as microcosm. The mental faculties of sensus, imaginatio, ratio, and intellegentia are arranged as a proportion suggesting both Plato’s famous “divided line” at the end of Book 6 of the Republic and, at the same time, the four elements of the physical cosmos which, according to the Platonic (...) Timaeus, are connected with one another so as to form a geometrical proportion. The philosophical argument of the Consolatio in books II through V comprises another cosmic image with III. M.9 at its exact center; in addition, the other three cosmic depictions, revolving as concentric circles around III. M.9, may be viewed as forming an image of cosmic order. In its structure, then, Boethius’ work is an anagogic eikon which formally depicts its content. (shrink)

The purpose of this paper is to provide evidence that the Form of the Good (as we know it from the Republic) is still present in the Timaeus and is ontologically independent from the Demiurge and his Paradigm. This claim is supported by selected passages from Timaeus’ text, but it is also based on Phaedo’s theory of causation and on the simile of the sun in Republic. It is also highlighted after a detailed comparison between the philosopher-kings and the Demiurge, (...) and after the emergence of their striking similarities. (shrink)

This book addresses the relevance of Timaeus’s cosmology to Socrates’ request for a speech about war. Charles Ives finds relevance in the dialogue’s concern for education apropos of the medical dimensions of Timaeus’ physics, the project of becoming like god, and the philosophical soul responsible for success on the battlefield.

In this paper, we highlight a number of difficulties concerning the relationship between theCritiasand theTimaeus, notably a contradiction betweenTimaeus27a-b andCritias108a-c. On this basis we argue that theCritiasmust be considered spurious.

Proclus' commentary on the dialogue Timaeus by Plato, written in the fifth century AD, is arguably the most important commentary on a text of Plato, offering unparalleled insights into eight centuries of Platonic interpretation. It has had an enormous influence on subsequent Plato scholarship. This edition nevertheless offers the first new translation of the work for nearly two centuries, building on significant recent advances in scholarship by Neoplatonic commentators. It will provide an invaluable record of early interpretations of Plato's dialogue, (...) while also presenting Proclus' own views on the meaning and significance of Platonic philosophy. The book presents Proclus' unrepentant account of a multitude of divinities involved with the creation of mortal life, the supreme creator's delegation to them of the creation of human life, and the manner in which they took the immortal life principle from him and wove it together with our mortal parts to produce human beings. (shrink)

_ Source: _Volume 11, Issue 1, pp 26 - 45 In his _Commentary on the Timaeus_, Porphyry of Tyre argued against the second-century Platonist Atticus’ thesis that the creation in Plato’s _Timaeus_ was a process from a point of time. This paper focuses on the summary of one of Porphyry’s arguments against this thesis exposed in Book 2 of Proclus’ _Commentary on the Timaeus_. It argues that Proclus does justice to Porphyry’s views and that the argument points to a classification (...) of powers in Porphyry’s metaphysics that has so far been neglected by scholars. (shrink)

Proclus' commentary on Plato's dialogue Timaeus is arguably the most important commentary on a text of Plato, offering unparalleled insights into eight centuries of Platonic interpretation. It has had an enormous influence on subsequent Plato scholarship. This edition offers the first new English translation of the work for nearly two centuries, building on significant recent advances in scholarship on Neoplatonic commentators. It provides an invaluable record of early interpretations of Plato's dialogue, while also presenting Proclus' own views on the meaning (...) and significance of Platonic philosophy. The present volume, the fifth in the edition, presents Proclus' commentary on the Timaeus, dealing with Proclus' account of static and flowing time; we see Proclus situating Plato's account of the motions of the stars and planets in relation to the astronomical theories of his day. The volume includes a substantial introduction, as well as notes that will shed new light on the text. (shrink)

Plato’s demiurge makes a series of questionable decisions in creating the world. Most notoriously, he endeavors to replicate, to the extent possible, some of the features that his model possesses just insofar as it is a Form. This has provoked the colorful complaint that the demiurge is as raving mad as a general contractor who constructs a house of vellum to better realize the architect’s vellum plans (Keyt 1971). The present paper considers the sanity of the demiurge’s reasoning in light (...) of Timaeus 32c5-33b1, where he invokes considerations of wholeness, completeness, uniqueness, and eternality in deciding to build the body of the world from all of each of the simple bodies. Since the passage makes no appeal to the demiurge’s intelligible model, one can mine it for indications of the value that the demiurge takes those features to have independent of mimetic goals. I argue that, for Plato, those features are intrinsically good-making and, thus, that it is not only appropriate for them to characterize Forms qua Forms but also that it is appropriate for the demiurge to aim at replicating them, to the extent possible, in his creation. In particular, I argue that the demiurge’s success in instilling a circumscribed version of each feature in his creation helps to qualify it as a genuine being despite the fact that it comes to be. (shrink)

The ‘traditional’ interpretation of the Receptacle in Plato’s Timaeus maintains that its parts act as substrata to ordinary particulars such as dogs and tables: particulars are form-matter compounds to which Forms supply properties and the Receptacle supplies a substratum, as well as a space in which these compounds come to be. I argue, against this view, that parts of the Receptacle cannot act as substrata for those particulars. I also argue, making use of contemporary discussions of supersubstantivalism, against a substratum (...) interpretation that separates substratum and space in the Timaeus. (shrink)

The purpose of the paper is to discuss Aristotle’s account of homonymy. The major thesis advocated here is that Aristotle considers both entities and words to be homonymous, depending on the object of his criticism. Thus, when he takes issue with Plato, he tends to view homonymy more ontologically, upon which it is entities that become homonymous. When, on the other hand, he gainsays the exegetes or the sophists, he is inclined to perceive homonymy more semantically, upon which it is (...) words that become homonymous. Subsequently, this article shows that Aristotle values homonymy negatively in dialectical discussions, but positively in rhetorical and poetic arts. Finally, the present paper demonstrates that Aristotle regards systematic homonymy as a very useful theoretical tool that makes it possible to critically examine the basic terminological assumptions of any philosophical inquiry. (shrink)

Despite the prominent argument for equal educational opportunity for women inWe examine carefully Plato’s argument for the equal nature of women in.

Many assume that Plato's Form of the Good is a final cause. This might be true if one assumes an Aristotelian definition of final cause; however, I argue that if one adopts Plato's conception of final causation as evidenced in the Phaedo and Timaeus, the claim that the Form of the Good is a final cause for Plato is untenable.

Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a (...) detailed glossary, and a selected bibliography are also included. (shrink)

Journal Name: Apeiron Issue: Ahead of print.

_ Source: _Volume 61, Issue 1, pp 43 - 59 Contemporary debate on Plato’s cosmogony often assumes that the ‘literal’ reading of the _Timaeus_ yields an account of creation, while the view that the cosmos always existed is non-literal. In antiquity, Taurus has been seen as a forerunner of the ‘non-literal’ interpretation. This paper shows, on the contrary, that Taurus’ argument for the sempiternity of the cosmos is a literalist one, relying on a strict linguistic analysis of _Timaeus_ 28b6-8.

In the Timaeus, Plato’s creation story, Plato describes an entity he refers to as the chora. The Greek word chora is translated as place, room, or space, but Plato’s descriptions of the chora are so notoriously enigmatic that there is disagreement about what, exactly, he intends to indicate by it. In this paper, I address an interpretation of the chora according to which the chora is a kind of cosmic mirror. I argue that this interpretation results in an uncharitable reading (...) of Plato’s explanation. Alternatively, I contend that Plato conceives of the chora as space, place, and matter all at once. The upshot of my view is that it attributes to Plato a more nuanced understanding of space and place and a more coherent explanatory account. (shrink)

Name der Zeitschrift: Archiv für Geschichte der Philosophie Jahrgang: 97 Heft: 2 Seiten: 135-159.

While there is no principle of evil for Plato, evil does exist in the Platonic framework in various ways, and these help to illuminate other important and overlooked features of Platonic thought: human freedom and the ability to choose and act. Using the Timaeus as the basis of investigation, this paper examines the world-soul and its relation to the human soul in order to understand Plato’s notion of congruency between parts and the whole. It specifically highlights the importance of the (...) three fundamental characteristics of the cosmos—singularity, proportionalism, and completeness—and their ability to explain the human being. The paper argues that Plato understands evil as basic incongruence on all levels, but specifically active incongruence on the human level. The incongruence between the human and the cosmic levels of evil reveals perhaps the most important aspect of the Platonic framework, the possibility for progress toward the good. (shrink)

Following the structuring hints given by Plato in his Timaeus you find, that the dialogue – actually Timaeus' lecture – falls in two parts, not in three as Cornford, Brisson and others suggest. The main division follows the two invocations of the gods (27c, 48d). The first part presents the world in its noetic form, poetically described as the work of the demiurg. Timaeus opens this part giving first his premises in the form of an introduction, which lead his presentation. (...) At the end of this part he remarks that the given premises are not enough for his aim, to explain the nature of man. Therefore he adds other guiding principles for the second part in form of a second introduction like in the first part. We need a third principle beside the real beings (the ideas) and the things we perceive. He names it chora and the new form of "`causation"' ananke, necessity. These supplementary principles anable Timaeus to describe the world under our everyday conditions, they mediate the noetic world with the world of our senses. Here is the point we can see a surprising parallel in Kant's work. The Metaphysische Anfangsgründe der Naturwissenschaft correspond to the first part of the Timaeus, because here Kant exposes too the metyphysical foundation of the sciences. Later, in his last years he remarks, that there is a gap between these metaphysical principles and the physics (say of Newton or other). He seeks for a mediating principle and finds it in the "Äther" or "Wärmestoff." Kant was no more able to bring his idea to an end, we only have a lot of variating attempts, named by editors Opus postumum. But the aim of them is clear – and near by the aim that Plato aimed at – to mediate the noetic structure of the world with our everyday world. And this is evidently equivalent with the second introduction in the Timaeus. -/- Here some pages of the book-version: Erwin Sonderegger, Zur Funktion der Chora in Platons Timaios und des Äthers in Kants Übergangsschrift, Königshausen & Neumann, Würzburg 2015. ISBN 978-3-8260-5837-0. Für allfällige Zitierungen bitte ich nur die gedruckte Ausgabe zu verwenden. Danke. (shrink)

This paper aims to explain the very sharp contrast between the portraits of Critias found in Plato and Xenophon. While depicted as a monster in Xenophon'sHellenica, Critias is described with at most mild criticism in Plato's writings. Each of these portraits is eccentric in its own way, and these eccentricities can be explained by considering the apologetic and polemic aims each author pursued. In doing so, I hope to shed light not only on the relations between these portraits and the (...) works that contain them, but also on the personal relations between Plato and Xenophon and their manner of expressing them in literary productions. (shrink)

In his opening speech, Timaeus argues that the cosmos must be the product of a craftsman looking to an eternal paradigm. Yet his premises seem at best to justify only that the world could have been made by such a craftsman. This paper seeks to clarify Timaeus’ justification for his stronger conclusion. It is argued that Timaeus sees a necessary role for craftsmanship as a cause that makes becoming like being.

Censure and exclusion of The Republic are characteristics of many utopias, which become dystopias precisely because of turning to them. Plato´s reasons to censure certain types of poetry are ethical and political ones, although his arguments are epistemological . This paper proposes reading these two aspects of the platonic proposal in the light of three specific points of the Timaeus: 1) the theory of discourse about the concept of verisimilar , 2) its relation to the question of whether we can (...) represent objects we do not know, and 3) the demiurge model proposed by Plato in this dialogue. The aim is to show that two of the most problematic aspects of The Republic, are dissolved today in the Timaeus. (shrink)

In this paper the Platonic concepts of Goodness, Belief and Will as they appear in the passage 29d–30a of the Timeaus, are examined . The main intention is, through this examination, to explore whether –and, if yes, why- these notions constitute essential elements of Plato’s theology.

Near the end of his speech, Timaeus outlines a theory of bodily health and disease which has seemed to many commentators loosely unified or even inconsistent . But this section is better unified than it has appeared, and gives us at least one important insight into the workings of physical causality in the Timaeus. I argue first that the apparent disorder in Timaeus’s theory of disease is likely a deliberate effect planned by the author. Second, the taxonomy of disease in (...) the passage consists of one genus subsuming two species. Third, in Timaeus’s theory, health lies between perfect stability and a chaos of all possible motions; this indicates a conception of health as the activation of the body's powers in the right way. A power is a property directed towards bringing about some change. Fourth, the activation of these powers can change depending on the location of their possessors. This last point shows that causation among the physical items in the Timaeus involves structures as well as pushes. (shrink)

When Timaeus claims that all vice is involuntary, and that it is not individual human beings but their “nurturers” and begetters” who must be assigned causal responsibility for human vice, he is extending the grand cosmological discourse he has been offering to include the causes of human vice, and he is presenting a novel twist on the Socratic paradox familiar from earlier works, that no one does wrong voluntarily. He is not, however, contradicting his earlier claims that human beings, rather (...) than the gods, are responsible for human evils. This is because 86b-87b does assign responsibility to human causes and responsibility for individual actions is not under discussion there. (shrink)