Plato's Works

The relation of philosophy to democracy remains at the center of attention in Oda Tvedt’s essay, ”Philosophy, Democracy and Poverty: The philosopher as political agent in the Apology of Plato”. Tvedt argues that the role of the philosopher as Socrates presents it in this work is first and foremost to be an agent of subversive political activity, and she finds support for this view of the philosopher’s role in other works of Plato as well as within the Apology itself. She (...) holds that the poverty of Socrates is a vital clue to the understanding of the philosopher as a political figure in this dialogue. Taking a cue from Alain Badiou, and regarding justice as the political equivalent of truth, Tvedt investigates the relationship between democracy and philosophy in order to understand the connection between life and teachings for Plato’s Socrates. That Socrates chooses to abstain from the traditional political arenas points, Tvedt argues, toward a distinction in Plato’s political thought: the distinction between the private and the public realm, which in some ways corresponds to the distinction between the individual and the masses, and sheds light on what Plato’s criticism of the political realm really entails. (shrink)

In Plato’s Apology of Socrates we see a philosopher in collision with his society—a society he nonetheless claims to have benefited through his philosophic activity. It has often been asked why democratic Athens condemned a philosopher of Socrates' character to death. This anthology examines the contribution made by Plato’s Apology of Socrates to our understanding of the character of Socrates as well as of the conception of philosophy Plato attributes to him. The 11 chapters offer complementary readings of the Apology, (...) which through their different approaches demonstrate the richness of this Platonic work as well as the various layers that can be discerned in its presentation of Socrates. -/- While the contributions display variety in both topics and angles, they also share common features: An awareness of the importance of the literary aspects of Plato’s courtroom drama, as well as a readiness to take into consideration the historical context of the work. Thereby they provide contributions to a manifold understanding of the aims and impact of the work, without losing sight of the philosophical questions that are raised by Socrates’ confrontational and unrepentant defense speech. Allowing the character of Socrates to take center stage, the chapters of this volume examine the philosopher in relation to ethics, and to politics and democracy, as well as to the ideology, religion, and virtue shared by the Athenians. -/- Readers will also find reflections on classical Platonic subjects such as the nature of Socratic philosophical inquiry and of philosophy itself, as well as on the notoriously ambiguous relationships between philosophy, sophistry and rhetoric, and their several relationships to truth and justice. The anthology emphasizes and explores the equivocal and sometimes problematic aspects of Socrates as Plato presents him in the Apology, illuminating why the Athenians let the verdict fall as they did, while drawing out problematic features of Athenian society and its reaction to Socrates’ philosophic activity, thereby encouraging reflection on the role philosophy can play in our modern societies. (shrink)

Öz -/- Antikçağ’dan modern dönemlere değin kadınların mevcut durumlarının iyileştirilmesine dair çalışmaların sayısının oldukça yetersiz kaldığını söylemek yanlış olmayacaktır. Bu bağlamda siyaset felsefesinin kurucu metinlerinden olan Devlet’in hem yazıldığı dönem hem de takip eden iki milenyuma yakın süre hesaba katıldığında kadınların toplumdaki rolü ve konumu üzerine oldukça radikal ve yenilikçi fikirleri barındırdığı açıktır. Bu çalışmada Platon’un diğer çalışmaları da hesaba katılmakla birlikte özellikle Devlet adlı eseri nezdinde nasıl olup da kimi düşünürlerce hem bir mizojinist hem de bir kadın hakları savunucusu (...) sayıldığı; hem bir kadın düşmanı hem de proto-feminist olarak görülebildiği incelenecek ve Platon bu bağlamda yeniden ele alınacaktır. Anahtar Kelimeler: Platon, Kadın Hakları, Devlet, Feminizm, Mizojini -/- Abstract -/- It is safe to propound that the quantity of studies on the amelioration of the present conditions of women from antiquity through to modern times is quite insufficient. In this context, it seems that the Republic by Plato, which is one of the founding texts of political philosophy, has provided quite radical and innovative ideas about the role and position of women in society, considering into account both its production period and the next two millenniums. This study, based particularly upon his Republic and other works, aims to re-consider how Plato is regarded both as a misogynist and a women's rightist, or both as a woman hater and a proto-feminist by certain scholars. -/- Keywords: Plato, Woman Rights, Republic, Feminism, Misogyny. (shrink)

This chapter offers a guide to reading Plato’s dialogues, including an overview of his corpus. We recommend first considering each dialogue as its own unified work, before considering how it relates to the others. In general, the dialogues explore ideas and arguments, rather than presenting parts of a comprehensive philosophical system that settles on final answers. The arc of a dialogue frequently depends on who the individual interlocutors are. We argue that the traditional division of the corpus (into Socratic, middle, (...) late stages) is useful, regardless of whether it is a chronological division. Our overview of the corpus gives special attention to the Republic, since it interweaves so many of his key ideas, even if nearly all of them receive longer treatments in other dialogues. Although Plato recognized the limits inherent in written (as opposed to spoken) philosophy, he devoted his life to producing these works, which are clearly meant to help us seek the deepest truths. Little can be learned from reports of Plato’s oral teaching or the letters attributed to him. Understanding the dialogues on their own terms is what offers the greatest reward. (shrink)

The main idea of this allegory is the difference between people who simply experience their sensory experiences, and call that knowledge, and those who understand real knowledge by seeing the truth. The allegory actually digs into some deep philosophy, which is not surprising since it comes from Plato. Its main idea is the discussion of how humans perceive reality and if human existence has a higher truth. It explores the theme of belief versus knowledge. The Perception Plato theorizes that the (...) group of people tied up in the cave would assume that the shadows they see on the wall are reality. Plato's theory further states that the echoing sounds the prisoners hear are perceived as reality. This false reality is all that the people in the cave know. They have no true knowledge of the real world. However, they fully believe that what they see on the cave wall is reality, and even try to name the shadows they see passing by. Plato's cave allegory further proposes that one of the prisoners escapes or gains freedom from the cave. The freed prisoner moves toward the fire, which temporarily blinds him. As he gains his eyesight and moves into the real world, he gains a greater sense of reality. (shrink)

Bu çalışmanın amacı Platon'un Tanrı, evren ve evrenin oluşumu konusundaki düşüncelerini ortaya koymaktır. Onun konu hakkındaki düşünceleri ortaya konulurken yalnızca kendi dönemi değil, kendisinden önceki düşünürlerin de felsefeleri dikkate alınmıştır. Bunun yanında dönemin genel Tanrı, evren ve evrenin oluşumu konusundaki kabulleri ve inanışları da dikkate alınmıştır. Böylelikle Platon'un konumuz ile ilgili olan düşünceleri ayrıntılı olarak incelenme imkânına kavuşmuştur. Literatür okuması yöntemiyle oluşturulan çalışmamız Platon öncesi ve Platon düşüncesini ayrı ayrı kategorilerde ele almış ve her bir bölümü kendi içerisinde Tanrı, evren (...) ve evrenin oluşumu konularıyla tasniflendirmiş ve incelenmiştir. (shrink)

Main purpose of this work is to state the ideas of Plato about God, the universe, and the creation of universe. While explaining about his ideas on this subject, not only his time, but also ideas of the philosophers preceding him are taken into consideration. It also includes usual views and belief systems about the God, the universe and the creation of universe during his time. Thus, we had a chance to examine Plato’s ideas about our subject in detail. Our (...) work, which is formed by Literature Reading method, has approached Plato’s ideas and the preceding ideas as different categories, classified each section as the God, the universe, and the creation of universe to examine. (shrink)

Many attempts have been made to define the precise philosophical outlook of Ovid's account of cosmogony from the beginning of the Metamorphoses, while numerous different and interconnected influences have been identified including Homer, Hesiod, Empedocles, Apollonius Rhodius, Lucretius and Virgil. This has led some scholars to conclude that Ovid's cosmogony is simply eclectic, a magpie collection of various poetic and philosophical snippets haphazardly jumbled together, and with no significant philosophical dimension whatsoever. A more constructive approach could see Ovid's synthesis of (...) many of the major cosmogonic works in the Graeco-Roman tradition as an attempt to match textually his all-encompassing history of the universe that purports to stretch from the first beginnings of the world up to the present day. Furthermore, if the beginning of the Metamorphoses is designed to be both cosmologically and intertextually all-encompassing, it is surprising that the influence of arguably the major philosophical work on cosmogony from the ancient world, Plato's Timaeus, remains to be evaluated. (shrink)

In this paper, I have been able to demonstrate that the so-called Lexicon Theeteti is an apographon of Pal. gr. 173, a well known Plato's manuscript of Xth century. The codex Laurentianus 57,24, which contains the lexicon, previously dated to XIV/XV century, was also backdated to the first half of XIVth century.

Hans-Georg Gadamer, en su conferencia Plato und die Dichter (1934), desarrolló una investigación fenomenológica excepcional de filosofía ético-política de Platón y del lugar que el arte ocupa en ella. En mediados de la década de 1990, la escritora mexicana Teresa Orozco publicó una serie de escritos en los cuales acusa a Gadamer de haberse colocado, a través de la exhibición y publicación de este trabajo, a servicio del nacional-socialismo. Este artículo busca discutir los argumentos presentados por Orozco y otros autores, (...) en primer lugar, investigando la heterogeneidad de la recepción del texto en cuestión entre 1934 y 1944, dentro y fuera de Alemania; en segundo lugar, recuperando datos biográficos relevantes que fueron omitidos por sus detractores; y, finalmente, ofreciendo pruebas documentales que refuten los fundamentos de la acusación mencionada anteriormente. Al final, haré una propuesta de lectura metodológica para analizar el trabajo de referencia en relación a su contexto histórico, lo que puede contribuir para verificar en qué sentido esta conferencia expresaría la disidencia de Gadamer con la hegemonía Nacional-Socialista. (shrink)

In this paper, I propose a new reading of Phaedo 99b6-d2. My main thesis is that in 99c6-9, Socrates does not refer to the teleological αἰτία but to the αἰτία that will be provided by a stronger ‘Atlas’ (99c4-5). This means that the passage offers no evidence that Socrates abandons teleology or modifies his views about it. He acknowledges, instead, that he could not find or learn any αἰτία stronger than the teleological one. This, I suggest, allows an interpretation of (...) the Phaedo in which Socrates offers a consistent account of the αἰτία of generation and destruction. (shrink)

This paper is an attempt so to construe the arguments of the Hippias Minor as to remove the justification for regarding it as unworthy of Plato either because of its alleged fallaciousness and Sophistic mode of argument or because of its alleged immorality. It focuses, therefore, only on the arguments and their conclusions, steering clear of the dialogue's dramatic and literary aspects. Whereas I do not wish to deny the importance of these aspects to a proper understanding of the dialogue (...) – on the contrary, in a dialogue so heavily laden with irony and caricature, these aspects are necessarily more significant than they are in other dialogues – I do think there is something to be gained from concentrating on the arguments themselves. Although there can be little doubt that Socrates is up to something in the Hippias Minor, the task of determining just what he is up to can only be simplified by clarifying the arguments first.The Hippias Minor has traditionally been thought to contain two independent arguments, each having its own paradoxical conclusion. The first argument begins, it is said, when Hippias characterizes the two Homeric heroes Achilles and Odysseus as the true man and the false man respectively. Through its discovery that both the false man and the true man have δύναμις, it results in the paradox that the false man and the true are identical. The second argument, on this view, leaves the subject of ⋯ ⋯ληθ⋯ς and ⋯ ψευδ⋯ς and compares instead all sorts of agents in intentional and unintentional action. Finding that the intentional agent is in every case better than the unintentional, the argument concludes that the intentional evil-doer is also better than the unintentional. Viewing the dialogue as thus containing two distinct topics treated in two self-sufficient arguments is perhaps not the best way to understand it. (shrink)