- An Apocalypse of Pop, Pt I: Max Martin and the '90s, the Noughts.Paul Bali - manuscriptdetails
- Country Music and the Problem of Authenticity.Evan Malone - forthcoming - British Journal of Aesthetics.details
- Two Concepts of Groove: Musical Nuances, Rhythm, and Genre.Evan Malone - forthcoming - Journal of Aesthetics and Art Criticism.details
- What Makes Heavy Metal ‘Heavy’?Jason Miller - 2022 - Journal of Aesthetics and Art Criticism 80 (1):70-82.details
- Sonic Pictures.Jason P. Leddington - 2021 - Journal of Aesthetics and Art Criticism 79 (3):354-365.details
- Talk About Pop Muzik: Discussion of Enrico Terrone, ‘Listening to Other Minds: A Phenomenology of Pop Songs’, BJA 60 (2020), 435–453.Nicholas Wiltsher - 2021 - British Journal of Aesthetics 61 (4):471-483.details
- American Idiots: Outsider Music, Outsider Art, and the Philosophy of Incompetence.David Phillip Laraway - 2018 - New York, NY, USA: Atropos.details
- Rock as a Three-Value Tradition.Christopher Bartel - 2017 - Journal of Aesthetics and Art Criticism 75 (2):143-154.details
- Group Flow.Tom Cochrane - 2017 - In Micheline Lesaffre, Pieter-Jan Maes & Marc Leman (eds.), The Routledge Companion of Embodied Music Interaction. London, UK: Routledge. pp. 133-140.details
- Signs of Morality in David Bowie's "Black Star" Video Clip.May Kokkidou & Elvina Paschali - 2017 - Philosophy Study 7 (12).details
- Logical Theatrics, or Floes on Flows: Translating Quine with the Shins.Joshua M. Hall - 2016 - European Journal of Pragmatism and American Philosophy 8 (2).details
- The Aesthetics of Electronic Dance Music, Part I: History, Genre, Scenes, Identity, Blackness.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):415-425.details
- The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):426-436.details
- The Metaphysics of Mash‐Ups.Christopher Bartel - 2015 - Journal of Aesthetics and Art Criticism 73 (3):297-308.details
- Classic Media Review of Hedwig and the Angry Inch. [REVIEW]Shelley M. Park - 2015 - Queer Studies in Media and Popular Culture 1 (1):125-28.details
- Popular Music Studies and the Problems of Sound, Society and Method.Eliot Bates - 2013 - [email protected] 3 (2):15-32.details
- On the Resistance of the Instrument.Tom Cochrane - 2013 - In Tom Cochrane, Klaus Scherer & Bernardino Fantini (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford: pp. 75-83.details
- Race and the Feminized Popular in Nietzsche and Beyond.Robin James - 2013 - Hypatia 28 (4):749-766.details
- Judging Covers.P. D. Magnus, Cristyn Magnus & Christy Mag Uidhir - 2013 - Journal of Aesthetics and Art Criticism 71 (4):361-370.details
- Narrative, Emotion, and Insight. [REVIEW]Rafe Mcgregor - 2012 - Journal of Aesthetics and Art Criticism 70 (3):319-321.details
- The Head and the Groin of Rock.John E. Huss - 2011 - In George Reisch, Dickson Dickson & Luke Dick (eds.), The Rolling Stones and Philosophy: It's Just a Thought Away. Chicago: Open Court. pp. 57-66.details
- Feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'.Robin James - 2011 - In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer.details
- On Intersectionality and Cultural Appropriation: The Case of Postmillennial Black Hipness.Robin James - 2011 - Journal of Black Masculinity 1 (2).details
- Aesthetics And Popular Art: An Interview With Aaron Meskin.Aaron Meskin - 2010 - Postgraduate Journal of Aesthetics 7 (2):1-9.details
- Die Philosophie bei Johnny Cash.John Huss (ed.) - 2009 - Wiley.details
- In but Not of, of but Not In: On Taste, Hipness, and White Embodiment.Robin James - 2009 - Contemporary Aesthetics.details
- Autonomy, Universality, and Playing the Guitar: On the Politics and Aesthetics of Contemporary Feminist Deployments of the “Master's Tools”.Robin M. James - 2009 - Hypatia 24 (2):77-100.details
- Musical Recordings.Andrew Kania - 2009 - Philosophy Compass 4 (1):22-38.details
- Radiohead and Some Questions About Music.Edward Slowik - 2009 - In George Reisch & B. W. Forbes (eds.), Radiohead and Philosophy. Chicago, IL: Open Court: pp. 41-52.details
- Listening to Popular Music. [REVIEW]Christopher Bartel - 2008 - British Journal of Aesthetics 48 (3):357-359.details
- Deconstruction, Fetishism, and the Racial Contract: On the Politics of "Faking It" in Music.Robin M. James - 2007 - CR 7 (1):45-80.details
- Music and Technology. Virtuality and Metadesign : Sound Art in the Age of Connectivity.Laura Ahonen - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.details
- Making Tracks: The Ontology of Rock Music.Andrew Kania - 2006 - Journal of Aesthetics and Art Criticism 64 (4):401–414.details
- Tonspuren. Musik im Film: Fallstudien 1994 - 2001.Andreas Dorschel - 2005 - Universal Edition.details
- Sound Matters: Essays on the Acoustics of Modern German Culture.Nora M. Alter & Lutz P. Koepnick (eds.) - 2004 - Berghahn Books.details
- Bad Music: The Music We Love to Hate.Christopher Washburne & Maiken Derno (eds.) - 2004 - Routledge.details
- I Wanna Be Me: Rock Music and the Politics of Identity.Stephen Davies - 2003 - British Journal of Aesthetics 43 (2):199-201.details
- Postmodern Music/Postmodern Thought.Judith Irene Lochhead & Joseph Henry Auner (eds.) - 2002 - Routledge.details
- Phonography, Rock Records, and the Ontology of Recorded Music.Lee B. Brown - 2000 - Journal of Aesthetics and Art Criticism 58 (4):361-372.details
- Rock Versus Classical Music.Stephen Davies - 1999 - Journal of Aesthetics and Art Criticism 57 (2):193-204.details
- An Apocalypse of Pop, Pt II: Vox Lux.Paul Bali - manuscriptdetails
|
Off-campus access
Using PhilPapers from home?
Create an account to enable off-campus access through your institution's proxy server.
Monitor this page
Be alerted of all new items appearing on this page. Choose how you want to monitor it:
Email
|
RSS feed
|
|