Quasi-Realism

Many areas of philosophy employ a distinction between factual and non-factual (descriptive/non-descriptive, cognitive/non-cognitive, etc) uses of language. This book examines the various ways in which this distinction is normally drawn, argues that all are unsatisfactory, and suggests that the search for a sharp distinction is misconceived. The book develops an alternative approach, based on a novel theory of the function and origins of the concept of truth. The central hypothesis is that the main role of the normative notion of truth (...) is to encourage speakers to argue, with long-run behavioural advantages. This offers a fresh perspective on many debates about realism in contemporary philosophy. (shrink)

Robust Realists think that there are irreducible, non-natural, and mind-independent moral properties. Quasi-Realists and Relaxed Realists think the same, but interpret these commitments differently. Robust Realists interpret them as metaphysical commitments, to be defended by metaphysical argument. Quasi-Realists and Relaxed Realists say that they can only be interpreted as moral commitments. These theories thus pose a serious threat to Robust Realism, for they apparently undermine the very possibility of articulating the robust metaphysical commitments of this theory. I clarify and respond (...) to this threat, showing that there is in fact space to develop and defend a robust moral ontology. (shrink)

This chapter provides an introductory overview of quasi-realism and its key challenges.

Ruling Passions is about human nature. It is an invitation to see human nature a certain way. It defends this way of looking at ourselves against competitors, including rational choice theory, modern Kantianism, various applications of evolutionary psychology, views that enchant our natures, and those that disenchant them in the direction of relativism or nihilism. It is a story centred upon a view of human ethical nature, which it places amongst other facets of human nature, as just one of the (...) elements which give us the manifold objects of our concerns and cares. (shrink)

An early objection to Simon Blackburn’s first attempts to breathe new life into expressivism—by solving the Frege-Geach problem—was that whilst viewing compound sentences featuring moral components as expressive of attitudes towards combinations of attitudes might enable one to make out that a thinker who, to take the usual example, asserts the premisses but will not accept the conclusion of a moral modus ponens is at fault because they are involved in a “clash of attitudes”, this does no justice to the (...) data of the problem, since the failing here is logical, not just moral or more generally practical. Blackburn claims to have an effective answer to this objection—a way to see how, as he now puts it, expressivism can after all “deliver the mighty ‘musts’ of logic”. I remain unconvinced. (shrink)

1. If it is true that ‘an ethic is the propositional reflection of the dispositions and attitudes, policies and stances, of people,’ as Simon Blackburn says in summary of the quasi-realism that he champions in this excellent and wonderfully provocative book, then it seems to follow that different dispositions, attitudes, policies and stances—different conative states, for short—will issue in different ethics, each with an equal claim to truth; and this in turn seems to be one thing that could be reasonably (...) meant by that slippery polyseme ‘relativism’. If such relativism does follow, a good deal remains to be said about how much force it has. At the limit it might do no more than signal the abstract possibility of an ethic rivalling that of humans. More potently, it might somehow legitimize the different ethics of different groups of humans in actual conflict with one another. But without the possibility of some such variability of ethic to match a possible variability of conative state, the quasi-realist’s claim that an ethic ‘reflects’ a particular combination of conative states appears hollow. (shrink)

Rampant non-factualism is the view that all non-fundamental matters are non-factual, in a sense inspired by Kit Fine (2001). The first half of this paper argues that if we take non-factualism seriously for any matters, such as morality, then we should take rampant non-factualism seriously. The second half of the paper argues that rampant non-factualism makes possible an attractive theory of vagueness. We can give non-factualist accounts of non-fundamental matters that nicely characterize the vagueness they manifest (if any). I suggest (...) that such non-factualist theories dissolve philosophical puzzlement about vagueness. In particular, the approach implies that philosophers should not try to say which of the sorites-paradox-forming claims are true; we should not try to solve the sorites paradox in that sense. (shrink)

Aesthetic judgements are autonomous, as many other judgements are not: for the latter, but not the former, it is sometimes justifiable to change one’s mind simply because several others share a different opinion. Why is this? One answer is that claims about beauty are not assertions at all, but expressions of aesthetic response. However, to cover more than just some of the explananda, this expressivism needs combining with some analogue of cognitive command, i.e. the idea that disagreements over beuaty can (...) occur, and when they do it is a priori that one side has infringed the norms governing aesthetic discourse. This combination can be achieved by reading Kant’s aesthetic theory in expressivist terms. The resulting view is a form of quasi‐realism about beauty. The position has its merits, but cannot ultimately explain the phenomena which motivate it. This conclusion generalises to quasi‐realism about other matters. (shrink)

Simon Blackburn puts forward a compelling original philosophy of human motivation and morality. He maintains that we cannot get clear about ethics until we get clear about human nature. So these are the sorts of questions he addresses: Why do we behave as we do? Can we improve? Is our ethics at war with our passions, or is it an upshot of those passions? Blackburn seeks the answers in an exploration of guilt, shame, disgust, and other moral emotions; he draws (...) also on game theory and cognitive science in his account of the structures of human motivation. Many philosophers have wanted a naturalistic ethics a theory that integrates our understanding of human morality with the rest of our understanding of the world we live in. What is special about Blackburn's naturalistic ethics is that it does not debunk the ethical by reducing it to the non-ethical. At the same time he banishes the spectres of scepticism and relativism that have haunted recent moral philosophy. Ruling Passions sets ethics in the context of human nature: it offers a solution to the puzzle of how ethics can maintain its authority even though it is rooted in the very emotions and motivations that it exists to control. (shrink)

According to Fine (among others), a nonbasic factual proposition must be grounded in facts involving those of its constituents that are both real and fundamental. But the principle is vulnerable to several dialectically significant counterexamples. It entails, for example, that a logical Platonist cannot accept that true disjunctions are grounded in the truth of their disjuncts; that a Platonist about mathematical objects cannot accept that sets are grounded in their members; and that a color primitivist cannot accept that an object’s (...) being scarlet grounds its not being chartreuse. The Finean might try to defend these implications, but it generates further problems. Instead, the principle should be rejected. An important upshot is that the principle cannot be relied on, as it has been, to distinguish robust realists from anti-realists about a propositional domain—the principle obscures ways of taking features to be both real and fundamental. (shrink)

Acceptance of Humean Supervenience and the reductive Humean analyses that entail it leads to a litany of inadequately explained conflicts with our intuitions regarding laws and possibilities. However, the non-reductive Humeanism developed here, on which law claims are understood as normative rather than fact stating, can accommodate those intuitions. Rational constraints on such norms provide a set of consistency relations that ground a semantics formulated in terms of factual-normative worlds, solving the Frege-Geach problem of construing unasserted contexts. This set of (...) factual-normative worlds includes exactly the intuitive sets of nomologically possible worlds associated with each possible set of laws. The extension of the semantics to counterfactual and subjunctive conditionals is sketched. Potential objections involving subjectivity, mind-dependence, and non-factuality are discussed. (shrink)

This belongs to a symposium about Crispin Wright's Truth\nand Objectivity. Wright entertains the "possibility of a\npluralist view of truth." I suggest that this should not\nentail ambiguity in the word "true." For truth to amount to\ndifferent things for different kinds of subject matter no\nmore entails ambiguity than does the fact that existence\namounts to different things for different kinds of entity.\nTurning to cognitive command, I argue that it is trivially\nsatisfied: if I judge that p and you disagree, then under\nsuitable conditions I must (...) take it that something is wrong\nwith your cognitive mechanisms. (shrink)

In this paper I explore the points of similarity and difference that distinguish expressivists such as myself from the position known as Cornell realism. I argue that there are considerable overlaps of doctrine, although these doctrines are arrived at in very different ways. I urge that Cornell realism can only benefit by taking on some of the commitments of expressivism.

Simon Blackburn has not shied away from the use of vivid imagery in developing, over a long and prolific career, a large-scale philosophical vision. Here one might think, for instance, of ‘Practical Tortoise Raising’ or ‘Ramsey's Ladder’ or ‘Frege's Abyss’. Blackburn develops a ‘quasi-realist’ account of many of our philosophical and everyday commitments, both theoretical (e.g., modality and causation) and practical (e.g., moral judgement and normative reasons). Quasi-realism aims to provide a naturalistic treatment of its targeted phenomena while earning the (...) right to deploy all of the ‘trappings’ of realism—i.e., while eschewing any idea that our normal thought and talk about such phenomena are pervasively in error. The quasi-realist project is that of explaining how (as Huw Price puts it here) ‘the folk come to “talk the realist talk” without committing ourselves—us theorists, as it were—to “walking the metaphysical walk”’ (p. 136). Quasi-realism, too, can speak of truth, facts, properties, belief, knowledge, and so on. The imagery in this collection also abounds, though, in capturing a different view of quasi-realism: No fewer than three of the contributors picture Blackburn as wanting to have his cake and eat it too (Louise Antony asking, in addition, ‘Who doesn't? It's cake’ [p. 19]). (shrink)

This paper compares two ‘relativist’ theories about deliciousness: truth-relativism, and Kit Fine’s non-factualism about a subject-matter. Contemporary truth-relativism is presented as a linguistic thesis; its metaphysical underpinning is often neglected. I distinguish three views about the obtaining of worldly states of affairs concerning deliciousness, and argue that none yields a satisfactory version of truth-relativism. Finean non-factualism about deliciousness is not subject to the problems with truth-relativism. I conclude that Finean non-factualism is the better relativist theory. As I explain, non-facualism about (...) deliciousness is happily combined with an invariantist semantics for the word “delicious”. On this approach, relativism is a matter for a metaphysical theory, not a linguistic one. (shrink)

The paper develops an account of semantic notions which occupies a middle ground between antirealism and traditional forms of realism, using some ideas from the work of John McDowell. The position is based on a contrast between two points of view from which we might attempt to characterize our linguistic practices from the cosmic exile s point of view and from the midst of language as a going concern. The contrast is drawn in terms of whether our characterization of our (...) linguistic practices is taken to result from engagement in the very same practices that we are trying to characterize. The position takes realism to be correct when understood as an account from the internal perspective, but incorrect when taken as an account from the external perspective. However, the intelligibility of the question as to what our practices would look like from the cosmic exile s point of view is presented as problematic. (shrink)

I provide a positive expressivist account of the permissibility of ‘standing one’s ground’ in some cases of moral conflict, based in part on an illustrative analogy with political disputes. This account suffices to undermine Enoch’s recent argument against expressivism.

For any area of our thought — moral, modal, scientihc, or theological we can ask what explains the way we think. After all, we might never have thought in such terms, or that sort of thought might have been different from the way it is. So there must be some explanation of why it is as it is. Such an explanation would be part of a naturalistic account of the mind.

Book reviewed in this article:F.H. Bradley, Collected Works Volumes 1–5.

Aesthetic judgements are autonomous, as many other judgements are not: for the latter, but not the former, it is sometimes justifiable to change one's mind simply because several others share a different opinion. Why is this? One answer is that claims about beauty are not assertions at all, but expressions of aesthetic response. However, to cover more than just some of the explananda, this expressivism needs combining with some analogue of cognitive command, i.e. the idea that disagreements over beuaty can (...) occur, and when they do it is a priori that one side has infringed the norms governing aesthetic discourse. This combination can be achieved by reading Kant’s aesthetic theory in expressivist terms. The resulting view is a form of quasi-realism about beauty. The position has its merits, but cannot ultimately explain the phenomena which motivate it. This conclusion generalises to quasi-realism about other matters. (shrink)

This paper is about Truth Minimalism, Norm Expressivism, and the relation between them. In particular, it is about whether Truth Minimalism can help to solve a problem thought to plague Norm Expressivism. To start with, let me explain what I mean by 'Truth Minimalism' and 'Norm Expressivism.'.

Minimalist and quasi-realist approaches to problematic discourses such as the causal, moral and modal are compared and contrasted. The problem of unasserted contexts demonstrates that while quasi-realism can meet the challenge of reconstructing a logic of "commitment" to cover both "projected" and "detected" discourses, it can only do so at an unacceptable cost. The theory must globally revise logic, in spite of its implicit commitment to a substantial notion of truth for "detected" discourses. Thus, quasi-realism fails to meet its own (...) standards for theory acceptance. By contrast, minimalism does not face the problem of unasserted contexts, can give a global account of the truth predicate and can explain the univocality of the logical connectives. This demonstrates the dialectical superiority of the minimalist's approach. (shrink)

This is a paper about the problem of realism in meta-ethics (and, I hope, also in other areas, but that hope is so far pretty speculative). But it is not about the problem of whether realism is true. It is about the problem of what realism is. More specifically, it is about the question of what divides meta-ethical realists from irrealists. I start with a potted history of the Good Old Days.

This essay juxtaposes the position in metaethics defended, expressivism with quasirealistic trimmings, with the ancient problem of relativism. It argues that, perhaps surprisingly, there is less of a problem of normative truth on this approach than on others. Because ethics is not in the business of representing aspects of the world, there is no way to argue for a plurality of moral truths, simply from the existence of a plurality of moral opinions. The essay also argues that other approaches, which (...) superficially seem better adapted to defending robust and substantive conceptions of moral truth, in fact face more danger from the threat of relativism. This is particularly so in the case of 'secondary quality' or 'response-dependent' approaches, but also in the case of certain kinds of constructivism. (shrink)

My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account of aesthetic judgement. (...) Finally, I respond to two recent attempts to discredit the validity of the notion of aesthetic autonomy. I claim that both fail adequately to address the underlying non-realist motivations and justifications for maintaining the principle. (shrink)

It is one of the tasks of the philosophy of mathematics to explain in a Kantian way, how and to what extent, mathematics as we know it, is possible. It should be clear, however, that, as things stand at present, a philosophical theory of mathematics can in this respect, it seems, be little more than a declaration of faith or the lack of it.

This paper is a reply to Simon Blackburn's 'Is Objective Moral Justification Possible on a Quasi-realist Foundation?' Inquiry 42, pp. 213-28. Blackburn attempts to show how his version of non-cognitivism - quasi-realist projectivism - can evade the threat of ethical relativism, the thought that all ways of living are as ethically good as each other and every ethical judgment is as ethically true as any other. He further attempts to show that his position is superior in this respect to, amongst (...) other accounts, sensibility theory. According to Blackburn, sensibility theory succumbs easily to the relativistic challenge because it depends on some 'substantive' notion of truth. It is agreed with Blackburn that the threat of relativism is less of a threat to him than at first appears, although I think that it retains some menace, but not agreed that sensibility theorists cannot also counter the threat of relativism. The point is that the threat of ethical relativism depends less on truth than Blackburn supposes. Thus sensibility theorists can counter ethical relativism in much the same way that quasi-realist projectivists can. (shrink)

In Ruling Passions, Simon Blackburn contends that we should reject sensibility theory because it serves to support a conservative complacency. Blackburn's strategy is attractive in that it seeks to win this metaethical dispute – which ultimately stems from a deep disagreement over antireductionism – on the basis of an uncontroversial normative consideration. Therefore, Blackburn seems to offer an easy solution to an apparently intractable debate. We will show, however, that Blackburn's argument against sensibility theory does not succeed; it is no (...) more supportive of conservative complacency than Blackburn's noncognitivism. A victory for noncognitivism cannot be so easily won. (shrink)

The paper develops an attack on quasi-realism in ethics, according to which expressivism about ethical discourse—understood as the thesis that the states that discourse expresses are non-representational—is consistent with some of the discourse's familiar surface features, thus ‘saving the ethical appearances’. A dilemma is posed for the quasi-realist. Either ethical discourse appears, thanks to those surface features, to express representational states, or else there is no such thing as its appearing to express such states. If the former then, by expressivism, (...) the appearance presented by ethical discourse is false, so the ethical appearances are not saved. If the latter, it is unintelligible why an appeal to projection should be needed to explain how the surface features come to express non-representational states if no explanation is needed—as evidently none is—to explain how they come to express representational states. The conclusion of this argument is then argued to converge with some other considerations which show that there is no gap between ethical discourse's possessing the surface features in question and its expressing representational states. (shrink)

An important worry about what Simon Blackburn has called ‘quasi-realism’ is that it collapses into realism full-stop. Edward Harcourt has recently pressed the worry about collapse into realism in an original way. Harcourt presents the challenge in the form of a dilemma. Either ethical discourse appears to ordinary speakers to express representational states or not. If the former then expressivism means that this appearance is not saved after all, in which case quasi-realism fails in its own terms. If the latter, (...) then we lose our grip on the idea that ordinary descriptive utterances are somehow paradigmatic assertions of fact and with it our ability to explain why such utterances really do express representational states. Finally, Harcourt argues that the expressivist’s only hope for meeting these concerns relies on a distinction between states of mind with a ‘world-directed’ direction of fit and those with a ‘state-directed’ direction of fit, the thesis that no state of mind has both directions of fit, and the thesis that a state-directed direction of fit entails no truth-conditions. Previous critics have attacked and, but Harcourt takes a novel turn and attacks. The challenge is a bracing one. If Harcourt is right, then the quasi-realist project inevitably destroys the very distinction in terms of which his position is cast – roughly, the distinction between beliefs and desires. I argue that Harcourt’s challenge can be met. To anticipate, I argue that Harcourt’s critique presumes that the quasi-realist’s fundamental distinction is best understood semantically, whereas I shall argue that it is better understood functionally. (shrink)

Over the years, metaethicists have witnessed the rise of a cottage industry devoted to claiming that expressivist analyses cannot capture some allegedly important feature of moral language. In this paper, I show how Simon Blackburn's pragmatist method enables him to respond decisively to many of these objections. In doing so, I hope to call into question some prevailing assumptions about the linguistic phenomena that a metaethical theory should be expected to capture.

William James said that sometimes detailed philosophical argument is irrelevant. Once a current of thought is really under way, trying to oppose it with argument is like planting a stick in a river to try to alter its course: “round your obstacle flows the water and ‘gets there just the same’”. He thought pragmatism was such a river. There is a contemporary river that sometimes calls itself pragmatism, although other titles are probably better. At any rate it is the denial (...) of differences, the celebration of the seamless web of language, the soothing away of distinctions, whether of primary versus secondary, fact versus value, description versus expression, or of any other significant kind. What is left is a smooth, undifferentiated view of language, sometimes a nuanced kind of anthropomorphism or “internal” realism, sometimes the view that no view is possible: minimalism, deflationism, quietism. Wittgenstein is often admired as a high priest of the movement. Planting a stick in this water is probably futile, but having done it before I shall do it again, and—who knows?—enough sticks may make a dam, and the waters of error may subside. (Blackburn, 1998a, 157). (shrink)

A central feature of ordinary moral thought is that moral judgment is mind-independent in the following sense: judging something to be morally wrong does not thereby make it morally wrong. To deny this would be to accept a form of subjectivism. Neil Sinclair (2008) makes a novel attempt to show how expressivism is simultaneously committed to (1) an understanding of moral judgments as expressions of attitudes and (2) the rejection of subjectivism. In this paper, I discuss Sinclair’s defense of anti-subjectivist (...) moral mind-independence on behalf of the expressivist, and I argue that the account does not fully succeed. An examination of why it does not is instructive, and it reveals a fundamental dilemma for the expressivist. I offer a suggestion for how the expressivist might respond to the dilemma and so uphold Sinclair’s defense. (shrink)

In this paper we introduce a distinct metaethical position, fictionalism about morality. We clarify and defend the position, showing that it is a way to save the 'moral phenomena' while agreeing that there is no genuine objective prescriptivity to be described by moral terms. In particular, we distinguish moral fictionalism from moral quasi-realism, and we show that fictionalism possesses the virtues of quasi-realism about morality, but avoids its vices.