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  1. Jacques Ranciére , The Politics of Literature . Reviewed By.Peter Admirand - 2013 - Philosophy in Review 33 (3):226–228.
  2. The Omnipresence Of The Political. An Attempt At The Introduction To Jacques Rancière’s Philosophy Of The Image.Łukasz Andrzejewski - 2013 - Studia Philosophica Wratislaviensia 8 (2):129-147.
    The aim of this paper is to present the „late” philosophy of Jacques Rancière and the theory of the image which it involves. Rancière’s philosophy can be divided into three main stages. The first was characterized by the interest in the „classical” Marxist philosophy . The second comprised the philosophy of history and political philosophy . The third involves the issues of art and politics and relations between them. In this article I primarily concentrate on the analysis of the Jacques (...)
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  3. Aesthetics and Politics Revisited: An Interview with Jacques Rancière.Gavin Arnall, Laura Gandolfi & Enea Zaramella - 2012 - Critical Inquiry 38 (2):289-297.
    In this interview, Jacques Rancière describes the character of the aesthetic regime and the relationship between politics and aesthetics in his work, along with the role of artistic practices, technological innovations, and the institution of the museum in the redistribution of the sensible and the similarities and differences between his theories and Walter Benjamin’s work on modernity. Rancière argues that the aesthetic regime entails both a rupture with what came before it and the possibility of recycling and reinterpreting works of (...)
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  4. Writing, Movement/Space, Democracy: On Jacques Ranciere's Literary History.David F. Bell - 2004 - Substance 33 (1):126-140.
  5. Paul Bowman, Ed. Rancière and Film. Reviewed By.Nina Belmonte - 2016 - Philosophy in Review 36 (2):50-53.
    The first collection of critical essays on the film work of the philosopher Jacques Ranciere. Jacques Ranciere rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Ranciere himself.
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  6. Pluralismo estetico.José Villacañas Berlanga - 2010 - Teoria 30 (1):129-150.
    Mass culture nourishes itself through cinematographic comedy, considered as alternative Gestalt that binds us to our little world. In doing so, mass culture return us an ideal mirror image of our life allowing us to consider ideal our daily life. Therefore distance between cinema and life tends to reduce and aesthetic education programme is completed. This essay examines this process in reference to some contemporary thinkers – from Schmitt to Benjamin up to Rancière.
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  7. Visual Activism and the Photo-Essay in the Occupied Territories The Aesthetics of Activism – Strategies of Visibility.Gary Bratchford - unknown
    Written in relation to After the Last Sky, WJT Mitchell notes how ‘extraordinarily limited’ the image of the Palestinian is. Obscured from the dominant field of vision, Mitchell suggests that ‘visual facts’ which everyone knows in theory, but is rarely seen in practice – the Palestinian woman, the domestic space and children are subsequently constituted as ‘icons’ of an unseen reality that underpin Edward Said and Jean Mohr’s project. As a photo-essay, After the Last Sky has been referred to as (...)
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  8. Understanding Ranciere, Understanding Modernism.Patrick M. Bray (ed.) - 2017 - Bloomsbury Academic.
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  9. Opening Intervals: A Confrontation Between Ranciere and Deleuze on the Politics of Art.Vanessa Brito - 2012 - Filozofski Vestnik 33 (1).
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  10. Arts of Dress: Rancière and Fashion.Timothy Patrick Campbell - 2018 - Critical Inquiry 44 (4):619-640.
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  11. Antagonism and Subjectification in the Poem of Resistance.Arturo Casas - 2010 - Cosmos and History 6 (2):71-81.
    This article offers a pragmatic and relational analysis of the controversial heuristic of cultural resistance and presents some of the problems that affect the production and distribution of the poetic discourses of resistance and emancipation. To that end, it focuses on the incorporation of the historicity and the historic contingency of conflict as key elements of the subjectification constituted by the poem of resistance as “poem for the political”. It also explores the applicability of certain notions common to the contemporary (...)
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  12. Arte y política en Jacques Rancière.Hernández Catalina - 2010 - Saga - Revista de Estudiantes de Filosofía 12.
    En el presente escrito se intentará explicar de manera estructurada la compleja propuesta del filósofo francés Jacques Rancière acerca del vínculo entre el arte y la política, para luego llevar a cabo una consideración crítica de dicha postura.
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  13. Sensation as Participation in Visual Art.Clive Cazeaux - 2012 - Aesthetic Pathways 2 (2):2-30.
    Can an understanding be formed of how sensory experience might be presented or manipulated in visual art in order to promote a relational concept of the senses, in opposition to the customary, capitalist notion of sensation as a private possession, as a sensory impression that is mine? I ask the question in the light of recent visual art theory and practice which pursue relational, ecological ambitions. As Arnold Berleant, Nicolas Bourriaud, and Grant Kester see it, ecological ambition and artistic form (...)
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  14. Feminist Art: Disrupting and Consolidating the Police Order.Tina Chanter - 2017 - In Patrick M. Bray (ed.), Understanding Ranciere, understanding modernism. London, U.K.: Bloomsbury Academic. pp. 147-160.
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  15. The Public, the Private, and the Aesthetic Unconscious: Reworking Rancière.Tina Chanter - unknown
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  16. Politics and Aesthetics: Partitions and Partitioning in Contemporary Art.Jonathan Owen Clark - 2014 - Contemporary Aesthetics 12.
    Jacques Rancière has defined the 'distribution of the sensible' as the effect of a type of aesthetico-political decision making that creates a partitioning of the realm of the perceivable in relation to both art and society. The artworld itself constructs its own particular types of curatorial partitioning: between art and non-art, between 'dominant, residual and emergent', and between mainstream and periphery. This essay examines certain 'boundary effects' that come into being as a result of the act of the partitioning itself, (...)
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  17. Translation ~ Politics.Katharina Clausius - 2017 - Philosophy Today 61 (1):249-266.
    The concept of intellectual equality dominates Jacques Rancière’s prolific bibliography and remains fundamental to his aesthetic philosophy. Whereas equality’s relationship to Rancièrean pedagogy, politics, and literature has been discussed at length in recent years, however, I argue that translation represents a sustained and specific focus in Rancière’s political-aesthetic framework, one that scholarship has so far overlooked. This article considers the important but rarely-cited essay “Politics, Identification, and Subjectivization” alongside several of Rancière’s more canonical works in order to trace the role (...)
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  18. Flights, Intervals and Conversions: The Aesthetic-Politics of Jacques Rancière.Livia Cocetta - unknown
  19. Cinema and its Discontents.Tom Conley - 2009 - In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Duke University Press.
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  20. Cinema and its Discontents: Jacques Ranciere and Film Theory.Tom Conley - 2005 - Substance 34 (3):96-106.
  21. A Fable of Film: Ranciere's Anthony Mann.Tom Conley - 2004 - Substance 33 (1):91-107.
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  22. La Philosophie Déplacée: Autour de Jacques Rancière: Colloque de Cerisy.Laurence Cornu & Patrice Vermeren (eds.) - 2006 - Horlieu.
  23. REVIEWS-Jacques Rancière, The Politics of Literature.David Cunningham - 2011 - Radical Philosophy 170:46.
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  24. Jacques Ranciere, Le Spectateur emancipe.Bojana Cvejic - 2009 - Radical Philosophy 156:59.
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  25. Jacques Rancière.Sudeep Dasgupta - 2009 - In Felicity Colman (ed.), Film, Theory and Philosophy: The Key Thinkers. Acumen Publishing. pp. 339--348.
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  26. Art is Going Elsewhere: And Politics has to Catch It: An Interview with Jacques Rancière.Sudeep Dasgupta - 2008 - Krisis 9 (1):70-76.
  27. Jacques Rancire.Oliver Davis - 2013 - Polity.
    This book is a critical introduction to contemporary French philosopher Jacques Rancière. It is the first introduction in any language to cover all of his major work and offers an accessible presentation and searching evaluation of his significant contributions to the fields of politics, pedagogy, history, literature, film theory and aesthetics. This book traces the emergence of Rancière’s thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. Beginning with his egalitarian critique (...)
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  28. Ranciere Now.Oliver Davis - 2013 - Polity.
    The French philosopher Jacques Rancière is well known across the world for his groundbreaking contributions to aesthetic and political theory and for his radical rethinking of the question of equality. This much-needed new collection situates Rancière's thought in a range of practical and theoretical contexts. These specially commissioned essays cover the complete history of Rancière's work and reflect its interdisciplinary reach. They span his early historical research of the 1960s and '70s, his celebrated critique of pedagogy and his later political (...)
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  29. Jacques Rancière.Oliver Davis - 2011 - Polity.
  30. Jacques Rancire.Oliver Davis - 2010 - Polity.
    This book is a critical introduction to contemporary French philosopher Jacques Rancière. It is the first introduction in any language to cover all of his major work and offers an accessible presentation and searching evaluation of his significant contributions to the fields of politics, pedagogy, history, literature, film theory and aesthetics. This book traces the emergence of Rancière’s thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. Beginning with his egalitarian critique (...)
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  31. Re-Visions : Remarks on the Love of Cinema : An Interview with Jacques Rancière by Oliver Davis.Oliver Davis & Jacques Rancière - unknown
    In this interview philosopher Jacques Rancière looks again at his earlier work on cinema. The interview opens with some remarks on the meaning of cinephilia before moving on to a detailed discussion of the process of aesthetic and political transformation he calls ‘de-figuration’, a process which is central to his work on art and aesthetics. Later in the interview Rancière re-engages with films by directors Jean-Luc Godard and Chris Marker in the light of his more recent work on emancipated spectatorship.
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  32. Scenes of Aesthetic Education: Rancière, Oedipus, and Notre Musique. de Boever - 2012 - Journal of Aesthetic Education 46 (3):69-82.
    In an interview titled “The Janus-Face of Politicized Art,” Gabriel Rockhill notes that Jacques Rancière’s methodology “[calls] into question the symptomatology that attempts to unveil the truth hidden behind the obscure surface of appearances.”1 But how does Rancière himself avoid “this logic of the hidden and the apparent”? How does Rancière himself describe his own methodology? Rancière’s answer to Rockhill provides some more information: I always try to think in terms of horizontal distributions, combinations between systems of possibilities, not in (...)
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  33. Aesthetics and Politics in Today's One-Dimensional Society.Robespierre de Oliveira - 2013 - Radical Philosophy Review 16 (1):123-140.
    Marcuse emphasizes a dialectical relationship between aesthetics and politics. Art promotes liberation through the education of sensibility and critique of reality—the Great Refusal—while still embodying elements of the ideological system of domination. Thus, although art itself cannot change the world, it can move people to social change. In this respect, the Great Refusal serves an important political role in challenging the Establishment. This paper argues for the continued theoretical relevance of the Great Refusal and for its practical possibilities in transforming (...)
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  34. Jacques Rancière. Contra-historias estéticas.Fernando Infante del Rosal - 2017 - Daimon: Revista Internacional de Filosofía 70:67-81.
    Este artículo se plantea definir en qué medida la estética de Jacques Rancière constituye un programa a seguir, un nuevo modo de reflexión estética dedicado tanto a la revisión de la historia del arte moderno como a la autocomprensión de la estética. Para ello, se centra en el análisis de la reescritura de la modernidad artística emprendida por el filósofo francés señalando cuáles son sus ejes conceptuales y sus herramientas. Por otra parte, se propone la tesis de que la estética, (...)
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  35. Jacques Rancière: Key Concepts.Jean-Philippe Deranty (ed.) - 2010 - Routledge.
    Although relatively unknown a decade ago, the work of Jacques Ranciere is fast becoming a central reference in the humanities and social sciences. His thinking brings a fresh, innovative approach to many fields, notably the study of work, education, politics, literature, film, art, as well as philosophy. This is the first, full-length introduction to Ranciere's work and covers the full range of his contribution to contemporary thought, presenting in clear, succinct chapters the key concepts Ranciere has developed in his writings (...)
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  36. Democratic Aesthetics: On Jacques Rancière's Latest Work.Jean-Philippe Deranty - 2007 - Critical Horizons 8 (2):230-255.
  37. Jacques Rancière, Politics of Aesthetics. The Distribution of the Sensible Reviewed By.Jean-Philippe Deranty - 2005 - Philosophy in Review 25 (6):427-431.
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  38. Jacques Rancière, The Flesh of Words: The Politics of Writing Reviewed By.Jean-Philippe Deranty - 2005 - Philosophy in Review 25 (6):427-431.
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  39. Jacques Rancière, The Flesh of Words: The Politics of Writing. [REVIEW]Jean-Philippe Deranty - 2005 - Philosophy in Review 25:427-431.
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  40. Ranciere and Contemporary Political Ontology.Jean-Philippe Deranty - 2003 - Theory and Event 6 (4).
  41. Jacques Ranciere and the Contemporary Scene: The Evidence of Equality and the Practice of Writing.Jean-Philippe Deranty & Alison Ross - 2012 - In Jacques Ranciere and the Contemporary Scene: The Philosophy of Radical Equality. London: Continuum. pp. 1-13.
  42. Jacques Rancière and the Contemporary Scene : The Philosophy of Radical Equality.Jean-Philippe Deranty & Alison Ross - 2012 - London: Continuum Publishing.
    The book forms the first critical study of Jacques Rancière’s impact and contribution to contemporary theoreticaland interdisciplinary studies. It showcases the work of leading scholars infields such as political theory, history and aesthetic theory; each of whom areuniquely situated to engage with the novelty of Rancière’s thinking withintheir respective fields. Each of the essays provides aninvestigation into the critical stance Rancière takes towards hiscontemporaries, concentrating on the versatile application of his thought todiverse fields of study. The aim ofthis collection is (...)
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  43. Myth, Montage & Magic Realism: Rethinking the Photograph as a Discursive Document.Liam Devlin - unknown
    A keynote Speech at the 2017 Annual Conference of the Society for Photographic Education, Orlando Florida. Using Jacques Rancière’s theoretical development of an a priori logic of an equality of intelligence, I will examine how an assumed equality of intelligence, applied across all the various forms of photography can provide a more productive framework to consider how images are used and reused. It will be argued that by assuming this a priori logic, we can move the debate beyond questions that (...)
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  44. Myth, Montage and Magic Realsim.Liam Devlin - unknown
    Using Jacques Rancière’s theoretical development of an a priori logic of an equality of intelligence, I will examine how an assumed equality of intelligence, applied across all the various forms of photography can provide a more productive framework to consider how images are used and reused. It will be argued that by assuming this a priori logic, we can move the debate beyond questions that are concerned with the originality of an image or its status as document and allows for (...)
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  45. Art and technology: The ethical and political challenges of transgenic art.Sergio Dow - 2009 - Eidos: Revista de Filosofía de la Universidad Del Norte 11:188-213.
    The purpose of this article is to discuss the ethical and political problems that we face when we think of transgenic art. The paper is articulated in three parts that seek, in the first place, to give readers the conceptual tools necessary to think of the transgenic art inserted within the panorama of contemporary aesthetics. In order to fulfill this purpose the paper presents two Works by Eduardo Kac, leading exponent of the movement: Genesis and GFP Bunny. Later, visiting some (...)
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  46. Albertine and the Refusal of the Excluded: A Reply to Jacques Rancière's Politics of Appearance.Caitlyn Doyle - 2017 - Symploke 25 (1-2):375.
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  47. Questions For Jacques Rancière Around His Book Les Écarts Du Cinéma.Susana Duarte - 2011 - Cinema:196-206.
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  48. On Rethoric of the Visible to Distribution of the Sensible: The Policy of the Esthetic in J. Rancière.Pedro Lucas Dulci - 2016 - Aufklärung 3 (1):155-168.
    The present paper aims to investigate the critique of the French philosopher Jacques Rancière to a traditional way of looking the relationship between politics and art appropriated for a specific current of social criticism that examines political vocation of artistic creation as simple privileged means of showing the real domination behind the numerous other images released to us. Against this perspective, Rancière proposes to reconsider the logic that is involved in the common distribution of the sensible, the audible and speakable (...)
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  49. From Freedom to Equality: Rancière and the Aesthetic Experience of Equality.Rika Dunlap - 2015 - Continental Philosophy Review 48 (3):341-358.
    This article examines Rancière’s political reading of aesthetics through a historical analysis into the two aesthetic theories of freedom at work in Rancière’s philosophy; Kant’s freedom as self-governance and Schiller’s freedom as harmony. While aesthetic experience is considered morally conducive through its association with freedom, this article argues that Rancière translates such discussions of freedom into that of equality by extracting the political dimensions of aesthetic experience. Given that art has the unique ability to empower the spectator through its aesthetic (...)
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  50. Aesthetic Revolution: Schlegel, Malraux, and Ranciere with Schiller.Ales Erjavec - 2012 - Filozofski Vestnik 33 (1):77 - +.
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1 — 50 / 166