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  1. added 2019-06-05
    Jacques Ranciere and the Contemporary Scene: The Philosophy of Radical Equality.Jean-Philippe Deranty & Alison Ross (eds.) - 2012 - London: Continuum International Publishing Group.
    The book forms the first critical study of Jacques Rancière’s impact and contribution to contemporary theoreticaland interdisciplinary studies. It showcases the work of leading scholars infields such as political theory, history and aesthetic theory; each of whom areuniquely situated to engage with the novelty of Rancière’s thinking withintheir respective fields. Each of the essays provides aninvestigation into the critical stance Rancière takes towards hiscontemporaries, concentrating on the versatile application of his thought todiverse fields of study. The aim ofthis collection is (...)
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  2. added 2018-10-09
    Art, Politics and Rancière: Broken Perceptions.Scott Robinson - 2018 - Critical Horizons 19 (3):264-269.
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  3. added 2018-10-09
    Arts of Dress: Rancière and Fashion.Timothy Patrick Campbell - 2018 - Critical Inquiry 44 (4):619-640.
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  4. added 2018-10-09
    Tecer Imagens Artísticas: Aparência, Expressão.Caio Russo - 2018 - Kriterion: Journal of Philosophy 59 (139):55-76.
    RESUMO A fim de nos aproximarmos da singular constelação conceitual que nos permite falar de uma noção de imagem artística na estética adorniana - ainda que na margem do seu pensamento e muito menos manifesta do que na escrita de Walter Benjamin - partimos da conexão entre os conceitos de “aparência” e “expressão”, remetendo-nos à própria materialidade das obras de arte, da literatura à música, para uma maior nitidez teórico-crítica. O intuito de ressaltar a importância do conceito de imagem artística (...)
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  5. added 2018-10-09
    Aesthetic Regime's Occupation of Representation.Yonathan Listik - 2018 - Kriterion: Journal of Philosophy 59 (139):309-326.
    RESUMO Esse artigo trata da relação entre a estética e a representação na teoria de Jacques Rancière. Segundo o autor, a representação é simultaneamente presente e proibida na estética moderna. Ela aparece como um parasita ou um intruso na produção artística. Rancière pergunta: sob quais condições a representação se torna proibida e o que significa a arte não representar? O eixo central da análise explora quais as consequências dessa configuração, com destaque para a política. Segundo Rancière, o conceito de partilha (...)
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  6. added 2018-10-09
    Feminist Art: Disrupting and Consolidating the Police Order.Tina Chanter - 2017 - In Patrick M. Bray (ed.), Understanding Ranciere, understanding modernism. London, U.K.: Bloomsbury Academic. pp. 147-160.
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  7. added 2018-10-09
    Understanding Ranciere, Understanding Modernism.Patrick M. Bray (ed.) - 2017 - Bloomsbury Academic.
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  8. added 2018-10-09
    Activism Vs Antagonism: Socially Engaged Art From Bourriaud to Bishop and Beyond.Jason Miller - 2016 - Field A Journal of Socially Engaged Art Criticism 1 (3):165-183.
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  9. added 2018-10-09
    Jacques Rancière and Time: Le Temps D'Après.Mark Robson - 2015 - Paragraph 38 (3):297-311.
    This article asks whether the work of Jacques Rancière might be said to present a philosophy of time. Outlining the ways in which a consideration of time is a central component of Rancière's thinking on a range of issues, particularly in his attention to the politics of time, the article shows Rancière's resistance both to certain Marxist and to phenomenological notions of time. Particular emphasis is given to the ways in which close attention to Rancière's writing as writing is essential (...)
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  10. added 2018-10-09
    Taking Sides: Jacques Rancière and Agonistic Literature.Hector Kollias - 2007 - Paragraph 30 (2):82-97.
    This article discusses Jacques Rancière's theory of literature as centred on an agonistic concept of literature, where literature is seen as a ‘positive contradiction’. This positive contradiction arises from what Rancière sees as literature's origins in the ‘errant letter’, which is conceived as an intrinsically democratic principle that, for Rancière, also results in the tendency of literature to incarnate the word and to propose an extra-textual truth which would signal the end of literature as democratic errancy. Asking whether it is (...)
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  11. added 2018-10-09
    Jacques Rancière's Aesthetic Communities.Mark Robson - 2005 - Paragraph 28 (1):77-95.
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  12. added 2018-10-09
    The Unfinished Song: Intermittency and Melancholy in Rancière.Andrew Gibson - 2005 - Paragraph 28 (1):61-76.
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  13. added 2018-03-28
    Myth, Montage & Magic Realism: Rethinking the Photograph as a Discursive Document.Liam Devlin - unknown
    A keynote Speech at the 2017 Annual Conference of the Society for Photographic Education, Orlando Florida. Using Jacques Rancière’s theoretical development of an a priori logic of an equality of intelligence, I will examine how an assumed equality of intelligence, applied across all the various forms of photography can provide a more productive framework to consider how images are used and reused. It will be argued that by assuming this a priori logic, we can move the debate beyond questions that (...)
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  14. added 2018-03-28
    Myth, Montage and Magic Realsim.Liam Devlin - unknown
    Using Jacques Rancière’s theoretical development of an a priori logic of an equality of intelligence, I will examine how an assumed equality of intelligence, applied across all the various forms of photography can provide a more productive framework to consider how images are used and reused. It will be argued that by assuming this a priori logic, we can move the debate beyond questions that are concerned with the originality of an image or its status as document and allows for (...)
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  15. added 2018-03-28
    Minding Literature’s Business: Cultivating a Sense of Evanescence Within Political Affairs.Roxana Patraș - 2015 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 2 (4):481–491.
    The paper investigates the relationship between political oratory and literature in Romania during the second part of the 19th century. Extending the theories of Jacques Rancière, Fredric Jameson, Slavoj Žižec, and Leonidas Donskis, I analyze the relationship between politics and literature by comparing a set of illustrative speeches delivered by Take Ionescu and P. P. Carp, who distinguished themselves as brilliant political orators and also as personalities who gave up literature in order to assume a political career. My main goal (...)
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  16. added 2018-03-28
    Performance et expérience esthétuque le régime contemporian.Maud Hagelstein - 2015 - Revue Philosophique De Louvain 113 (3):479-495.
    La théorie des régimes d’identification de l’art établie par le philosophe J. Rancière décrit le passage de l’ancien système des Beaux-Arts au régime esthétique de l’art. Selon ce régime contemporain, le propre des différents arts ne repose plus essentiellement sur leur technicité, mais sur l’expérience sensible qu’ils favorisent indépendamment de leurs modes de faire spécifique. La performance artistique s’inscrit pleinement dans ce régime esthétique de l’art, à la faveur de son projet idéologique: elle vise l’élargissement de l’expérience sensible au-delà de (...)
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  17. added 2018-03-28
    “Distantly a Part”: Wallace Stevens and the Poetics of Modernist Autonomy.Gül Bilge Han - unknown
    This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. Written over a period when the (...)
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  18. added 2018-03-28
    On Diffident and Dissident Practices: A Picture of Romania at the End of the 19th Century.Roxana Patraș - 2015 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 2 (1):35-51.
    The present paper explores diffident and dissident practices reflected by the political talk at the end of the 19th-century in Romania. Relying on Jacques Rancière’s theories on the ‘aesthetic regime of politics,’ the introduction sketches a historical frame and proposes a focus change: the relation between ‘politics’ and ‘aesthetics’ does not stand on a set of literary cases, but on political scripts as such. Thus, the hypotheses investigated by the next three parts can be formulated as follows: 1. though determined (...)
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  19. added 2018-03-28
    Visual Activism and the Photo-Essay in the Occupied Territories The Aesthetics of Activism – Strategies of Visibility.Gary Bratchford - unknown
    Written in relation to After the Last Sky, WJT Mitchell notes how ‘extraordinarily limited’ the image of the Palestinian is. Obscured from the dominant field of vision, Mitchell suggests that ‘visual facts’ which everyone knows in theory, but is rarely seen in practice – the Palestinian woman, the domestic space and children are subsequently constituted as ‘icons’ of an unseen reality that underpin Edward Said and Jean Mohr’s project. As a photo-essay, After the Last Sky has been referred to as (...)
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  20. added 2018-03-28
    A Poetics of Sharing: Political Economy in a Prose Poem by Baudelaire.Kevin Newmark - 2011 - Symposium 15 (2):57-81.
    The rehabilitation of aesthetics that is undertaken by Jacques Rancière for a thinking of both art and politics is as stylistically refreshing as it is philosophically appealing. The combination of vast scholarship and lively polemic that underpins all his analyses also lends his celebration of democracy, equality and humanity a persuasiveness that is difficult to resist. This paper examines how Rancière’s understanding of “the aesthetics of politics” differs from that of Walter Benjamin, especially in terms of Benjamin’s elaboration of the (...)
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  21. added 2018-03-28
    Pluralismo estetico.José Villacañas Berlanga - 2010 - Teoria 30 (1):129-150.
    Mass culture nourishes itself through cinematographic comedy, considered as alternative Gestalt that binds us to our little world. In doing so, mass culture return us an ideal mirror image of our life allowing us to consider ideal our daily life. Therefore distance between cinema and life tends to reduce and aesthetic education programme is completed. This essay examines this process in reference to some contemporary thinkers – from Schmitt to Benjamin up to Rancière.
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  22. added 2018-03-28
    Assemblage-Based Installation: Affects and Interpretations.Marian Tubbs - unknown
    This exegesis aims to assess the communicative power of assemblage-based installation art. The body of research underlying this assessment provides tools for understanding experimental assemblage-based installation practices and their affective nature. The exegesis tracks discourses between contemporary assemblage-based practices and recent philosophy on aesthetics. It reviews mechanisms used by contemporary artists to engage the spectator that resist existing aesthetic structures and assert new communicative visual forms. Definitions of ‘the contemporary’ are employed to help situate the dialectic of forms. By way (...)
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  23. added 2018-03-28
    Art and technology: The ethical and political challenges of transgenic art.Sergio Dow - 2009 - Eidos: Revista de Filosofía de la Universidad Del Norte 11:188-213.
    The purpose of this article is to discuss the ethical and political problems that we face when we think of transgenic art. The paper is articulated in three parts that seek, in the first place, to give readers the conceptual tools necessary to think of the transgenic art inserted within the panorama of contemporary aesthetics. In order to fulfill this purpose the paper presents two Works by Eduardo Kac, leading exponent of the movement: Genesis and GFP Bunny. Later, visiting some (...)
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  24. added 2018-03-28
    Aesthetic Authonomy and Interdisciplinarity: A Response to Nicolas Bourriaud's 'Relational Aesthetics'.Ross Toni Christine - 2006 - .
    Nicolas Bourriaud's concept of 'relational aesthetics' has proved an influential framework for understanding discipline cross overs in art of the 1990s. This paper traces precedents in aesthetic philosophy, both Kantian and Marxist that inform Bourriaud's account of the relational aesthetic of contemporary art. In the process it registers a number of points of disagreement with the liberal view of democratic social bonds, and the links between aesthetics, ethics and politics that Borriaud propounds. The critical terms of my response to relational (...)
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  25. added 2018-03-25
    Translation ~ Politics.Katharina Clausius - 2017 - Philosophy Today 61 (1):249-266.
    The concept of intellectual equality dominates Jacques Rancière’s prolific bibliography and remains fundamental to his aesthetic philosophy. Whereas equality’s relationship to Rancièrean pedagogy, politics, and literature has been discussed at length in recent years, however, I argue that translation represents a sustained and specific focus in Rancière’s political-aesthetic framework, one that scholarship has so far overlooked. This article considers the important but rarely-cited essay “Politics, Identification, and Subjectivization” alongside several of Rancière’s more canonical works in order to trace the role (...)
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  26. added 2018-03-25
    Thinking in the Dark: Cinema, Theory, Practice.Murray Pomerance & R. Barton Palmer (eds.) - 2015 - Rutgers University Press.
    Today’s film scholars draw from a dizzying range of theoretical perspectives—they’re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. _Thinking in the Dark _introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than (...)
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  27. added 2018-03-25
    Introduction Approfondie Ą l'Esthétique de Jacques Rancičre.Stéphane Roy-Desrosiers - 2011 - Gnosis 12 (1):41-56.
    This article aims to introduce the reader to the aesthetics of Jacques Rancière. By examining his latest publications and papers – Le Partage du sensible, L’Inconscient esthétique and Le Spectateur émancipé – we shall shed light on some key concepts of his thought, such as “Le Partage du sensible” and “Dissensus”, and explain how they are linked to the different regimes of artistic expression that Rancière identifies in his work as the ethic regime, the representational regime and the aesthetic regime (...)
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  28. added 2018-03-25
    Are Some Things Unrepresentable?Alexander Galloway - 2011 - Theory, Culture and Society 28 (7-8):85-102.
    Jacques Rancière, in his essay ‘Are Some Things Unrepresentable?’, puts forth a challenge that is ever more pertinent to our times. What constitutes the unrepresentable today? Rancière frames his answer in a very specific way: the question of unrepresentability leads directly to the way in which political violence may or may not be put into an image. Offering an alternative to Rancière’s approach, the present article turns instead to the information society, asking if and how something might be unrepresentable in (...)
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  29. added 2018-03-25
    Layering Images, Thwarting Fables: Deleuze, Rancière And The Allegories Of Cinema.Agustin Zarzosa - 2011 - Cinema:36-60.
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  30. added 2018-03-25
    Flashforward: The Future is Now.Patricia Pisters - 2011 - Deleuze and Guatarri Studies 5 (Suppl):98-115.
    In The Future of the Image (2007) Jacques Rancière states that the end of images is behind us. He argues for an aesthetics of the image that acknowledges the continuing power of images as educating documentations of traces of history, as directly affecting interruptions, and as open-to-combining signs of the visible and the sayable ad infinitum. But does Rancière's claim also concern the future of cinema? His cinematic references, in a Deleuzian sense, are mostly to modern time-images. Is the future (...)
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  31. added 2018-03-25
    Antagonism and Subjectification in the Poem of Resistance.Arturo Casas - 2010 - Cosmos and History 6 (2):71-81.
    This article offers a pragmatic and relational analysis of the controversial heuristic of cultural resistance and presents some of the problems that affect the production and distribution of the poetic discourses of resistance and emancipation. To that end, it focuses on the incorporation of the historicity and the historic contingency of conflict as key elements of the subjectification constituted by the poem of resistance as “poem for the political”. It also explores the applicability of certain notions common to the contemporary (...)
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  32. added 2018-03-25
    Reflections on the Philosophy and Anti-Philosophy of Art: Badiou and Rancière.Joseph J. Tanke - 2009 - Philosophy Today 53 (3):217-230.
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  33. added 2018-03-25
    The Poetics of Political Thinking.Davide Panagia - 2006 - Duke University Press.
    In _The Poetics of Political Thinking_ Davide Panagia focuses on the role that aesthetic sensibilities play in theorists’ evaluations of political arguments. Examining works by thinkers from Thomas Hobbes to Jacques Rancière, Panagia shows how each one invokes aesthetic concepts and devices, such as metaphor, mimesis, imagination, beauty, and the sublime. He argues that it is important to recognize and acknowledge these poetic forms of representation because they provide evaluative standards that theorists use in appraising the value of ideas—ideas about (...)
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  34. added 2018-03-22
    Jacques Rancière. Contra-historias estéticas.Fernando Infante del Rosal - 2017 - Daimon: Revista Internacional de Filosofía 70:67-81.
    Este artículo se plantea definir en qué medida la estética de Jacques Rancière constituye un programa a seguir, un nuevo modo de reflexión estética dedicado tanto a la revisión de la historia del arte moderno como a la autocomprensión de la estética. Para ello, se centra en el análisis de la reescritura de la modernidad artística emprendida por el filósofo francés señalando cuáles son sus ejes conceptuales y sus herramientas. Por otra parte, se propone la tesis de que la estética, (...)
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  35. added 2018-03-22
    Albertine and the Refusal of the Excluded: A Reply to Jacques Rancière's Politics of Appearance.Caitlyn Doyle - 2017 - Symploke 25 (1-2):375.
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  36. added 2018-03-22
    How to Do Things with Rancière.Matthew Lampert - 2017 - Comparative and Continental Philosophy 9 (1):96-106.
    Devin Zane Shaw’s new book Egalitarian Moments is an attempt to think with and through Jacques Rancière. Shaw’s highly original interpretation of Rancière opens space within Rancière’s thought for a new, expanded account of the politics of art and literature, and Shaw is then able to use this theory as a way of rereading the history of philosophy. Shaw’s project is ultimately an attempt to show that it is possible to do philosophy in an egalitarian way – that not all (...)
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  37. added 2018-03-22
    "The Power of a Form of Thought That Has Become Foreign to Itself": Rancière, Romanticism and the Partage of the Sensible.Kir Kuiken - 2016 - Substance 45 (1):6-21.
    “Where did this unexpected mobility of epistemological arrangements come from…? What event, what law, do these mutations obey, these mutations that suddenly decide that things are no longer perceived, described, expressed, characterized, classified, and known in the same way…?” The recent wave of interest in the work of Jacques Rancière in North America can likely be traced back to the unique status he gives to the category of the aesthetic in its relation to the political. Coming after the exhaustion of (...)
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  38. added 2018-03-22
    Paul Bowman, Ed. Rancière and Film. Reviewed By.Nina Belmonte - 2016 - Philosophy in Review 36 (2):50-53.
    The first collection of critical essays on the film work of the philosopher Jacques Ranciere. Jacques Ranciere rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Ranciere himself.
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  39. added 2018-03-22
    On Rethoric of the Visible to Distribution of the Sensible: The Policy of the Esthetic in J. Rancière.Pedro Lucas Dulci - 2016 - Aufklärung 3 (1):155-168.
    The present paper aims to investigate the critique of the French philosopher Jacques Rancière to a traditional way of looking the relationship between politics and art appropriated for a specific current of social criticism that examines political vocation of artistic creation as simple privileged means of showing the real domination behind the numerous other images released to us. Against this perspective, Rancière proposes to reconsider the logic that is involved in the common distribution of the sensible, the audible and speakable (...)
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  40. added 2018-03-22
    Algunas aristas de lo que está en juego en la política de la estética en Jacques Rancière.Emilse Galvis - 2015 - Revista de Filosofía 71:65-78.
    Este artículo sugiere algunas aristas que permiten pensar lo que está en juego en la política de la estética en la filosofía de Jacques Rancière. A partir de una de las escenas de la obra Aisthesis, el texto pretende enlazar dos registros de la política de la estética: por un lado, la irrupción del régimen estético del arte como un tejido de la experiencia sensible que desestabiliza las determinaciones de lo que quiere decir el “universal reportaje”; y por el otro, (...)
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  41. added 2018-03-22
    Paul Bowman, Ed. Rancière and Film.James Harvey-Davitt - 2015 - Film-Philosophy 19 (1).
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  42. added 2018-03-22
    Algunas aristas de lo que está en juego en la política de la estética en Jacques Rancière.Emilse Galvis - 2015 - Revista de filosofía (Chile) 71:65-78.
    Este artículo sugiere algunas aristas que permiten pensar lo que está en juego en la política de la estética en la filosofía de Jacques Rancière. A partir de una de las escenas de la obra Aisthesis, el texto pretende enlazar dos registros de la política de la estética: por un lado, la irrupción del régimen estético del arte como un tejido de la experiencia sensible que desestabiliza las determinaciones de lo que quiere decir el “universal reportaje”; y por el otro, (...)
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  43. added 2018-03-22
    Gilles Deleuze y Jacques Rancière. Arte, montaje y acontecimiento.Patricio Landaeta Mardones - 2015 - Estudios de Filosofía: Revista del Seminaro de Filosofia del instituto Riva-Aguero 13:173-183.
    The critique of images is seen as a set-up’s critique for the emergency ofcritical thinking in the era of the proliferation of information and communication systems, imposed due to their apparent objectivity. This article discusses in seven paragraphs the link among montage, image and event according to the thoughts ofGilles Deleuze and Jacques Rancière.
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  44. added 2018-03-22
    Der Streit Um den Ästhetischen Blick: Kunst Und Politik Zwischen Pierre Bourdieu Und Jacques Rancière.Jens Kastner - 2012 - Turia + Kant.
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  45. added 2018-03-22
    Sensibility and the Law: On Rancière's Reading of Lyotard.Peter Milne - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (2):95-119.
    This paper responds to Rancière’s reading of Lyotard’s analysis of the sublime by attempting to articulate what Lyotard would call a “differend” between the two. Sketching out Rancière’s criticisms, I show that Lyotard’s analysis of the Kantian sublime is more defensible than Rancière claims. I then provide an alternative reading, one that frees Lyotard’s sublime from Rancière’s central accusation that it signals nothing more than the mind’s perpetual enslavement to the law of the Other. Reading the sublime through the figure (...)
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  46. added 2018-03-22
    Sensibility and the Law: On Rancière’s Reading of Lyotard.Peter Milne - 2011 - Symposium 15 (2):95-119.
    This paper responds to Rancière’s reading of Lyotard’s analysis of the sublime by attempting to articulate what Lyotard would call a “differend” between the two. Sketching out Rancière’s criticisms, I show that Lyotard’s analysis of the Kantian sublime is more defensible than Rancière claims. I then provide an alternative reading, one that frees Lyotard’s sublime from Rancière’s central accusation that it signals nothing more than the mind’s perpetual enslavement to the lawof the Other. Reading the sublime through the figure of (...)
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  47. added 2018-03-22
    Appropriate Indecorum Rhetoric and Aesthetics in the Political Theory of Jacques Rancière.Ethan Stoneman - 2011 - Philosophy and Rhetoric 44 (2):129.
    Jacques Rancière is one of France's leading intellectuals and a recent addition to the who's who of Continental philosophy. Since his time as a student at the Ecole normale supérieure, Rancière has generated a body of work that is at once wide-ranging, interdisciplinary, and consistent. His arguments for a postfoundational and postliberal democratic understanding of politics have influenced, echoed, or demanded critical response from such other Continental luminaries as Slavoj Žižek (1999, 2004) and Alain Badiou (2005). Much of this cachet (...)
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  48. added 2018-03-22
    Rancière, Sartre and Flaubert: From The Idiot of the Family to The Politics of Aesthetics.Christina Howells - 2011 - Symposium 15 (2):82-94.
    This paper discusses Rancière’s attitude to Sartre through an examination of the two philosophers’ analyses of Flaubert, and especially of Madame Bovary. It argues that Rancière simplifies Sartre’s conception of literary commitment and seriously downplays the subtlety of his understanding of the relationship between literature and politics. Furthermore, by limiting his sources to Sartre’s Qu’est-ce que la littérature?, and not considering L’Idiot de la famille, Rancière fails to recognise the similarities between Sartre’s account and his own, with respect to both (...)
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  49. added 2018-03-22
    Politicizing Art in Rancière and Deleuze : The Case of Postcolonial Literature.Raji Vallury - 2009 - In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Duke University Press.
  50. added 2018-03-22
    Education in the Realm of the Senses: Understanding Paulo Freire's Aesthetic Unconscious Through Jacques Rancière.Tyson Edward Lewis - 2009 - Philosophy of Education 43 (2):285-299.
    In this article I re-examine the role that aesthetics play in Paulo Freire's pedagogy of the oppressed. As opposed to the vast majority of scholarship in this area, I suggest that aesthetics play a more centralised role in pedagogy above and beyond arts-based curricula. To help clarify Freire's position, I will argue that underlying the linguistic resolution of the student/teacher dialectic in the problem-posing classroom is an accompanying shift in the very aesthetics of recognition. In order to demonstrate the always (...)
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