Rancière, Misc

The book forms the first critical study of Jacques Rancière’s impact and contribution to contemporary theoreticaland interdisciplinary studies. It showcases the work of leading scholars infields such as political theory, history and aesthetic theory; each of whom areuniquely situated to engage with the novelty of Rancière’s thinking withintheir respective fields. Each of the essays provides aninvestigation into the critical stance Rancière takes towards hiscontemporaries, concentrating on the versatile application of his thought todiverse fields of study. The aim ofthis collection is (...) to use the critical interventions Rancière’s writing makeson current topics and themes as a way of offering new critical perspectives onhis thought. Wielding their individual expertise, each contributor assesses hisperspectives and positions on thinkers and topics of contemporary importance.The edition includes a new essay by Jacques Rancière, which charts thedifferent problems and motivations that have shaped his work. (shrink)

Does philosophical critique have a future? What are its possibilities, limits, and presuppositions? Bringing together outstanding scholars from various traditions, this collection of essays is the first to examine the forms of critique that have shaped modern and contemporary continental thought. Through critical analyses of key texts by, among others, Spinoza, Kant, Hegel, Marx, Adorno, Habermas, Foucault, and Rancière, it traces the way critique has time and again geared itself towards new cultural, social, and political problems, shedding those of its (...) assumptions no longer deemed tenable. It is our hope that the many voices of critique that arise from the present volume will produce effects – new doubts, new insights, new challenges, or new resources – that none could have achieved on their own. (shrink)

The publication of _Reading Capital_—by Louis Althusser, Étienne Balibar, Roger Establet, Pierre Macherey, and Jacques Rancière—in 1965 marked a key intervention in Marxist philosophy and critical theory, bringing forth a stunning array of concepts that continue to inspire philosophical reflection of the highest magnitude. _The Concept in Crisis_ reconsiders the volume’s reading of Marx and renews its call for a critique of capitalism and culture for the twenty-first century. The contributors—who include Alain Badiou, Étienne Balibar, and Fernanda Navarro—interrogate Althusser's contributions (...) in particular within the context of what is surely the most famous collective reading of Marx ever undertaken. Among other topics, they offer a symptomatic critique of Althusser; consider his writing as a materialist production of knowledge; analyze the volume’s conceptualization of value and crisis; examine how leftist Latin American leaders like Che Guevara and Subcomandante Marcos engaged with Althusser and _Reading Capital_; and draw out the volume's implications and use for feminist theory and praxis. Retrieving the inspiration that drove Althusser's reinterpretation of Marx, _The Concept in Crisis_ explains why _Reading Capital_'s revolutionary inflection retains its critical appeal, prompting readers to reconsider Marx's relevance in an era of neoliberal capitalism. Contributors. Emily Apter, Alain Badiou, Étienne Balibar, Bruno Bosteels, Adrian Johnston, Warren Montag, Fernanda Navarro, Nick Nesbitt, Knox Peden, Nina Power, Robert J. C. Young. (shrink)

ABSTRACTThis article investigates Rancière’s understanding of the Heideggerean conception of art. It argues that Rancière is mistaken in categorizing Heidegger’s philosophy of art within the ethical regime of images, and further that his work corresponds with the central tenets of, and thus should be categorized within, the aesthetic regime of art. This is because art is understood as art, for Heidegger, when it instigates strife between world—the network of associations which constitute the horizons of a given population’s perceptual, conceptual and (...) motor possibilities—and earth—the necessarily resistant to explicit conscious acts and signification. Insofar as it is constituted by this dual relation, art puts forth a dialogically open space in which it paradoxically reinforces the boundaries of seeing, thinking and doing, yet remains heterogeneous to these modes, thereby preventing art from being reducible to the everyday. This paradoxical role, this articulation and reconfiguration that establishes a unified-character of the arts for Heidegger, performs a function that is best framed within the aesthetic redistribution-based transformative conception of art. This is because in both Heidegger and the aesthetic regime, the dialogically open space granted to art allows for cultural revolutions and paradigm shifts to take place in an indeterminable manner. (shrink)

We met Jacques Rancière on Saturday, May 27, 2017, at the School of Fine Arts shortly before his speech at the B-Fest 6 International Anti-Authoritarian Festival, organized by Babylonia Journal, with a central slogan “We are ungovernable”. Rancière is among the most important European philosophers alive and his work does not need further introductions. In the cloudy morning of Sunday 28 May, we sat beneath the Acropolis to have a coffee with the philosopher. The transcript of our conversation reflects the (...) vigor of thought and the passion of a truly democratic thinker. (shrink)

Purpose – The purpose of this paper is to offer an exemplar of post-qualitative “fieldwork in philosophy” research. The paper proposes features of such philosophical fieldwork and adumbrates examples of concepts that have emerged in the process of undertaking the research. Design/methodology/approach – The paper is conceptual, drawing on an abductive approach. Post-qualitative understandings that question the validity of methodology and theory as separable entities are operationalised. Findings – The paper provides insights into how post-qualitative research might be undertaken and (...) what might emerge in the process. Originality/value – This paper fulfils a need for an example of research that is post-qualitative. Additionally, the possibilities for doing “fieldwork in philosophy” are extended, as is the work of Jacque Rancière with respect to emancipation. © 2016, Emerald Group Publishing Limited. (shrink)

This paper begins by dealing with the difference between the neo-liberal conceptions of transmission of knowledge and the Lacanian doctrine of Scilicet . We will provide a brief overview of the implications of the Freudian unconscious on the distinction between truth and knowledge, and then develop in what sense this division can be the basis for a modern form of education. Our paper then seeks to draw a thread from the original Freudian discovery to Žižek’s own didactic method, by referencing (...) three figures of psychoanalytic transmission – the myth, matheme, and joke. We argue that Žižek deploys this triad in such a way that it cuts across the current division between the hermetic and the vulgar, raising important questions regarding methodology and rigor. Finally, we relate the problematics of didacticism in Žižek to the notion of “attention” developed by Jacques Rancière, examining in what ways a Žižekian transmission might have “equality as its starting point.". (shrink)

In the wake of the recent global recession, there has been a worldwide revival of interest regarding the “idea of communism.” Two leading figures in the debate over the revival of communism are Slavoj Žižek and Jacques Rancière. This article analyzes each author's work and their understanding of communism, contrasting a Žižekian approach which emphasizes the importance of statal politics and a Rancièrean approach which is more suspicious of the role of hierarchy in a politics of emancipation. In particular, we (...) analyze equality’s role in a communist politics, and how it is both accommodated by capitalism and can become a pivotal point of resistance. Using this theoretical discussion as a background, we then turn to the recent political uprisings in the Middle East, and show how both a Žižekian and Rancièrean analysis can help theorize a new perspective on that great social unrest as the explosion of new experiments in communism. Ultimately, we conclude that recognizing the possibility and potentialities of a theoretico-political permutation between Žižek and Rancière allows us to begin the project of crafting a new “communist politics of equality.”. (shrink)

The publication of _Reading Capital_—by Louis Althusser, Étienne Balibar, Roger Establet, Pierre Macherey, and Jacques Rancière—in 1965 marked a key intervention in Marxist philosophy and critical theory, bringing forth a stunning array of concepts that continue to inspire philosophical reflection of the highest magnitude. _The Concept in Crisis_ reconsiders the volume’s reading of Marx and renews its call for a critique of capitalism and culture for the twenty-first century. The contributors—who include Alain Badiou, Étienne Balibar, and Fernanda Navarro—interrogate Althusser's contributions (...) in particular within the context of what is surely the most famous collective reading of Marx ever undertaken. Among other topics, they offer a symptomatic critique of Althusser; consider his writing as a materialist production of knowledge; analyze the volume’s conceptualization of value and crisis; examine how leftist Latin American leaders like Che Guevara and Subcomandante Marcos engaged with Althusser and _Reading Capital_; and draw out the volume's implications and use for feminist theory and praxis. Retrieving the inspiration that drove Althusser's reinterpretation of Marx, _The Concept in Crisis_ explains why _Reading Capital_'s revolutionary inflection retains its critical appeal, prompting readers to reconsider Marx's relevance in an era of neoliberal capitalism. Contributors. Emily Apter, Alain Badiou, Étienne Balibar, Bruno Bosteels, Adrian Johnston, Warren Montag, Fernanda Navarro, Nick Nesbitt, Knox Peden, Nina Power, Robert J. C. Young. (shrink)

The concept of intellectual equality dominates Jacques Rancière’s prolific bibliography and remains fundamental to his aesthetic philosophy. Whereas equality’s relationship to Rancièrean pedagogy, politics, and literature has been discussed at length in recent years, however, I argue that translation represents a sustained and specific focus in Rancière’s political-aesthetic framework, one that scholarship has so far overlooked. This article considers the important but rarely-cited essay “Politics, Identification, and Subjectivization” alongside several of Rancière’s more canonical works in order to trace the role (...) of translation as a metonymy, a scholarly style, and a political activity in his philosophical thought. The intersection of translation with ways of “doing, being, and saying” clarifies Rancière’s elegant elision of poetics and politics and ultimately sheds new light on his specific contribution to literary studies. (shrink)

Italian philosopher Giorgio Agamben—whose work has influenced intellectuals in political theory, political philosophy, legal theory, literature, and art—stands among the foremost intellectual figures of the modern era. Engaging with a range of thinkers from Carl Schmitt and Martin Heidegger to Jacques Rancière and Alain Badiou, Agamben considers some of the most pressing issues in recent history and politics. His work explores the relationship between the sovereign state and the politically marginalized _Homo Sacer_—exiles, refugees, prisoners of war, and others whom the (...) state actively excludes from political participation and full humanity. Further, his critique of the increasing deployment of a “state of exception”—the declaration of a state of emergency that legitimizes the sovereign state’s suspension of law for the public good—as a dominant paradigm for governing has particular power in today’s global political climate. Infused with the spirit of Agamben’s critical self-reflection, this special issue of _SAQ_ examines his seminal works _Homo Sacer_, _The Open_, and _State of Exception_. Some contributors use Agamben’s work to examine the history of abortion law in the West, the history of slavery, and women’s rights. Others analyze the connections between Agamben’s work and that of his contemporaries, including Jacques Derrida, Slavoj Žižek, and Jean-Luc Nancy. Still other essays identify new points of interdisciplinary communication between some of Agamben’s most provocative ideas and popular twentieth-century writing. _Contributors_. Andrew Benjamin, Claire Colebrook, Jean-Philippe Deranty, Penelope Deutscher, Eleanor Kaufman, Adrian Mackenzie, Catherine Mills, Alison Ross, Lee Spinks, Ewa Płonowska Ziarek, Krzysztof Ziarek. (shrink)

Drawing on the aesthetic theory of Jacques Rancière and the Lacanian conception of lack, this paper offers an intervention into the notion of subjectivity which can be applied in critical studies of education. Critiquing the progressive and knowledge-oriented ideology of neoliberal systems, Rancière depicts a world in which politics turns out to delimit the subject’s perceptual experience and in this way, argues that what remains out of this ideological demarcation is susceptible to a challenge of the social order on which (...) an ideology is based. While Rancière presents a meticulous reading of current pedagogic institutions, Lacan provides us with a definition of subject having the capacity to challenge the delimiting social order. The latter is achieved by theorising a subject inflicted by a double lack, realised both at the subjective and objective levels. This double negativity gives rise to the emergence of desire in the subject which in Lacan is the source of emancipation as it makes the subject not be satisfied by a given achievement, hence replacing one desire after another. (shrink)

Em filosofia é comum o empenho em uma busca normativa, normatividade esta que aparece nos processos perceptivos quando o sujeito entra em relação com realidades de uma ordem de magnitude diferente da sua . Não acontece de outra maneira quando se trata de filosofar sobre a técnica – com efeito, em que ordem ou nível de magnitude em relação a nós ela – a técnica – se situa? Pensamos que a primeira condição para responder a tal pergunta é formulá-la em (...) termos políticos. A tese a ser desenvolvida neste trabalho, portanto, é a de que a percepção filosófica da técnica contemporânea, de um modo geral, está permeada pelo preconceito de que a técnica é algo destrutivo e que se encontra fora de controle, demandando uma filosofia moral-normativa capaz de impor-lhe os devidos limites: no entanto, não é preciso permanecer pensando assim; através da articulação entre o conceito estético-político de partilha do sensível , e os conceitos de individuação psíquica e individuação coletiva e psicopoder , pretende-se demonstrar, não a ineficácia de uma filosofia moral-normativa, mas a necessidade anterior de uma compreensão política da questão da técnica, para que, assim, tal problema possa ser recolocado de forma mais adequada em uma constelação teórica favorável à sua resolução. Tratar-se-á aqui de explicitar a relevância de uma maior sensibilização política dos sujeitos em seu processo de individuação para o caso de haver um real interesse em garantir os meios materiais de manutenção da vida no planeta. (shrink)

In this paper, I argue that Jacques Rancière does not propose a purely sensible conception of the aesthetic in his recent writings on art. Unlike many contemporary philosophies of art, Rancière’s aesthetics retains an important cognitive dimension. Here, I bring this aspect of Rancière’s aesthetics into view by comparing the conception of intelligence found in his earlier works with his more recent writings on art, showing that intelligence and sense are distributed in the same ways. The distinction between them is, (...) moreover, governed by the same politics. Rancière’s analysis of the sensible and the intellectual breaks down the distinction between them and establishes their equality. (shrink)

Although relatively unknown a decade ago, the work of Jacques Ranciere is fast becoming a central reference in the humanities and social sciences. His thinking brings a fresh, innovative approach to many fields, notably the study of work, education, politics, literature, film, art, as well as philosophy. This is the first, full-length introduction to Ranciere's work and covers the full range of his contribution to contemporary thought, presenting in clear, succinct chapters the key concepts Ranciere has developed in his writings (...) over the last forty years. Students new to Ranciere will find this work accessible and comprehensive, an ideal introduction to this major thinker. For readers already familiar with Ranciere, the in-depth analysis of each key concept, written by leading scholars, should provide an ideal reference. (shrink)

The dancer is not a woman dancing, for these juxtaposed reasons; that is not a woman, but a metaphor summing up one of the elementary aspects of our form: knife, goblet, flower etc., and that she is not dancing, but suggesting through the miracle of bends and leaps, a kind of corporal writing, what it would take pages of prose, dialogue and description to express. In this article I examine the problematic position Jacques Rancière holds in his political philosophy with (...) regard to ontology. Rancière famously sees politics as the redistribution of the sensible, as a moment in which those who have no part in the body politic, who are not defined as speaking beings, intervene and make themselves counted and... (shrink)

The title of my comments on Samuel Chambers’s The Lessons of Rancière borrows from a cartoon by Gary Larson. It’s composed of two panels. The first illustrates “What we say to dogs,” and its text—words spoken by a man scolding a dog—reads: “Okay, Ginger, I’ve had it! You stay out of the garbage! Understand, Ginger? Stay out of the garbage or else!” The second panel illustrates “What dogs hear,” and its text reads: “blah blah GINGER blah blah blah blah blah (...) blah blah blah GINGER blah blah blah blah blah”. The cartoon came to mind while reading Chambers’s incisive account of Rancière’s neologistic “literarity,” which likewise works on and in the gap between what is said and what is heard. If... (shrink)

The Lessons of Rancière grapples with the thought of a philosopher, Jacques Rancière, determined not to pass on didactic lessons to his readers. How might one write a book such as Lessons, much less comment on it? What does it mean intellectually and politically to elucidate a thinker’s insights and yet in a way that doesn’t stabilize these into a falsely systematic body of thought or set of prescriptions? In Lessons, Samuel Chambers writes in a way faithful to Rancière’s project (...) by virtue of his own polemical style. If Chambers defines Rancière’s polemics as “designed to test and probe” and as “refus[ing] to systematize,” I then would argue that Chambers’s book likewise seeks to wrench critique away from... (shrink)

This book is a critical introduction to contemporary French philosopher Jacques Rancière. It is the first introduction in any language to cover all of his major work and offers an accessible presentation and searching evaluation of his significant contributions to the fields of politics, pedagogy, history, literature, film theory and aesthetics. This book traces the emergence of Rancière’s thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. Beginning with his egalitarian critique (...) of his former teacher Louis Althusser, the book tracks the subsequent elaboration of Rancière’s highly original conception of equality. This approach reveals that a grasp of his early archival and historiographical work is vital for a full understanding both of his later politics and his ongoing investigation of art and aesthetics. Along the way, this book explains and analyses key terms in Rancière’s very distinctive philosophical lexicon, including the ‘police’ order, ‘disagreement’, ‘political subjectivation’, ‘literarity’, the ‘part which has no part’, the ‘regimes of art’ and ‘the distribution of the sensory’. This book argues that Rancière’s work sets a new standard in contestatory critique and concludes by reflecting on the philosophical and policy implications of his singular project. (shrink)

The French philosopher Jacques Rancière is well known across the world for his groundbreaking contributions to aesthetic and political theory and for his radical rethinking of the question of equality. This much-needed new collection situates Rancière's thought in a range of practical and theoretical contexts. These specially commissioned essays cover the complete history of Rancière's work and reflect its interdisciplinary reach. They span his early historical research of the 1960s and '70s, his celebrated critique of pedagogy and his later political (...) theory of dissensus and disagreement, as well as his ongoing analysis of literature and 'the aesthetic regime of art'. Rancière's resistance to psychoanalytic thinking is also explored, as are his most recent publications on film and film theory. Contributors include Tom Conley, Carolyn Steedman, Geneviève Fraisse, Jean-Luc Nancy, Jeremy Lane, and many more. The book also includes a brand new interview with Rancière, reflecting on his intellectual project and developing new lines of thought from his latest major work, _Aisthesis_. _Rancière Now_ will be essential reading for students and scholars across the humanities and social sciences; it will stimulate and inspire discussion of Rancière’s work for years to come. (shrink)

This essay explores letter writing in late ancien régime France as a means of political contestation. Drawing from Rancière's notion of "illegitimate speakers," I retrace the story of an obscure Bastille prisoner, Geneviève Gravelle, whose letters to the king and the French public reveal the simultaneously political, literary, and aesthetic barriers impeding such illegitimate speech and the strategies used in attempting to overcome them. Attending to the historical-poetic context in which Gravelle's letters were composed and circulated, I elaborate, first, a (...) politics of voice that highlights the uncertain and multiply mediated processes on which political speech depends, and second, a politics of reading and writing in which sovereignty is both challenged and impersonated through the epistolary form. (shrink)

This bibliography is the most comprehensive compilation of Jacques Rancière's published works to date. It is not intended, however, to be the definitive catalogue of his intellectual output. In the first instance, it does not include works and interviews published in languages other than French and English. Some publications, particularly shorter works in French periodicals, have not been included, and a few of the more obscure publications listed below have been confirmed only through their appearance in secondary sources. Unpublished materials, (...) such as the rapidly expanding collection of sanctioned and unsanctioned videorecordings of Rancière's lectures available online, have not, with a few notable exceptions, been included. (shrink)

This book is a critical introduction to contemporary French philosopher Jacques Rancière. It is the first introduction in any language to cover all of his major work and offers an accessible presentation and searching evaluation of his significant contributions to the fields of politics, pedagogy, history, literature, film theory and aesthetics. This book traces the emergence of Rancière’s thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. Beginning with his egalitarian critique (...) of his former teacher Louis Althusser, the book tracks the subsequent elaboration of Rancière’s highly original conception of equality. This approach reveals that a grasp of his early archival and historiographical work is vital for a full understanding both of his later politics and his ongoing investigation of art and aesthetics. Along the way, this book explains and analyses key terms in Rancière’s very distinctive philosophical lexicon, including the ‘police’ order, ‘disagreement’, ‘political subjectivation’, ‘literarity’, the ‘part which has no part’, the ‘regimes of art’ and ‘the distribution of the sensory’. This book argues that Rancière’s work sets a new standard in contestatory critique and concludes by reflecting on the philosophical and policy implications of his singular project. (shrink)

This book will be an extremely welcome addition to the shelves of both committed and aspirational scholars of Rancière. Critical interest in his work has, as Oliver Davis notes in his Preface, ‘never been greater’. This thorough, wide ranging text is therefore timely. Davis sets out his contribution as ‘the first book-length study by a single author, in any language, which is devoted entirely to Rancière’s thought and engages with all his major interventions in and across the field of politics, (...) pedagogy, literature and aesthetics’ and characterises himself as an ‘aspiring explainer’, subject to the customary dangers of ‘unbalanced enthusiasm’ in his promotion of Rancière’s work. It is one of the book’s key strengths that the author does not succumb to this but rather balances an appreciative analysis of Rancière’s unique interventions with well supported criticisms of the omissions, possible mis-readings and contradictions in the philosopher’s thinking. [...]. (shrink)

Jacques Rancière: An Introduction offers the first comprehensive introduction to the thought of one of today's most important and influential theorists. Joseph Tanke situates Rancière's distinctive approach against the backdrop of Continental philosophy and extends his insights into current discussions of art and politics. Tanke explains how Rancière's ideas allow us to understand art as having a deeper social role than is customarily assigned to it, as well as how political opposition can be revitalized. The book presents Rancière's body of (...) work as a coherent whole, tracing key notions such as the distribution of the sensible, the aesthetics of politics, and the supposition of equality from his earliest writings through to his most recent interventions. Tanke concludes with a series of critical questions for Rancière's work, indicating how contemporary thought might proceed after its encounter with him. The book provides readers new to Rancière with a clear overview of his enormous intellectual output. Engaging with many un-translated and unpublished sources, the book will also be of interest to Rancière's long-time readers. (shrink)

Resumen Proponer una ontología de lo político implica preguntarse por la relación que se establece entre ontología e historia. Si ambos términos se presentan como opuestos y excluyentes entre sí, entonces tendríamos que aceptar la posibilidad de que lo político pueda concebirse con plena autonomía de un contexto histórico determinado. Aquí, por el contrario, se trata de pensar una ontología de lo político que mantenga con la historia una relación distinta o, en otras palabras, una ontología política materialista. Para abordar (...) esta problemática partimos de la obra de Nicos Poulantzas, para dar cuenta con ella de las dificultades que enfrentaba un marxismo en crisis a la hora de pensar la autonomía de la política. El posmarxismo enfrenta estos dilemas y elabora algunas respuestas sobre la relación entre ontología e historia. Para exponer lo que muchos de estos desarrollos comparten, recurrimos a la interpretación de Oliver Marchart sobre lo que él denomina el pensamiento político posfundacional (Cf. Lefort, Badiou, Laclau, Rancière). Luego recurrimos a los postulados de Gilles Deleuze, porque con ellos podemos desplazar de otra forma la tradicional antinomia entre ontología e historia. Entonces, asumiendo que el Ser de lo político es un ser que siempre se dice de la diferencia, nos abocamos a analizar críticamente las teorizaciones de Ernesto Laclau sobre la política y su forma hegemónica. Finalmente, la relación que propone Benjamín Arditi entre espectro y populismo permite pensar nuevas relaciones entre la ontología y la historia, lo político y la diferencia, dinamizando los conceptos. (shrink)

While ethics and justice are domains that concern the human, this paper argues that these spheres are organized and given meaning in terms of what lies at the limits of the human subject: children and non-human animals. In this respect, the orientation to ethical life takes the form of a disavowal: in the attempt to negotiate human vulnerability, a subjectivity that defines itself in terms of the control of nature displaces its fragility onto children and animals. In the face of (...) environmental catastrophe – and the threats to human security that accompany it – there is a shared sense of the tenuousness of life. An opportunity to comprehend this tenuousness is missed, however, to the extent that both children and animals are romanticized as “innocent”: ethically pure because morally and politically incapable. Because of their exclusion from the sphere of moral action, children and non-human animals have come to represent human vulnerability in general: a vulnerability associated with passivity, and a lack of precisely the control that has produced the problems we now face. This paper argues for a reconsideration of the passivity and vulnerability that lies at the “limits of being human” as the site of ethical and political change. The philosophy of Giorgio Agamben is deployed to think through the caesura between human and non-human animality, and the “passivity” or impotentiality that enables the ethical. Jacques Rancière is also drawn upon to consider the failure to recognize children and animals as political actors. (shrink)

Ont contribué au volume : David Allen, Gabriel Bergounioux, Claude Blanckaert, Jacqueline Carroy, Jean François Chiantarretto, Françoise Couchard, Gérard Lagneau, Sophie-Anne Leterrier, Laurent Muchielli, Jean Yves Pautrat, Paule Petitier, Jacques Postel, Jacques Rancière, Marc Renneville, Nathalie Richard et Geneviève Vermès. A priori, loin de la problématique des relations entre les sexes, ce recueil de textes issu d'un colloque organisé par la Société française pour l'histoire des s..