Rancière: Political Philosophy

Volume I. Interpellazioni e surdeterminazioni.

Jacques Rancière presents much of his work as a political intervention, exposing the ways in which so-called critical theory gets “recuperated” in service of oppression and the status quo. But Rancière’s own interventions are ambiguously situated with respect to these same issues. A major source of frustration for Rancière’s readers is locating any kind of positive claim about the role theory could or should play within politics. I argue that, while Rancière’s later work depoliticizes itself, we might look to his (...) earlier work for resources that might a) help us rethink the role of critical theory; and b) take better advantage of Rancière’s later critical work. (shrink)

While Jacques Rancière has never been affiliated in any way with the Institute for Social Research, this article examines the extent to which his work could be considered “Critical Theory” in the sense most closely associated with the Frankfurt School tradition. I argue that Rancière’s work is not critical theory in this narrow sense; I further lay out a kind of “Rancièrean” criticism of the very project of Frankfurt School Critical Theory. This in turn allows me to sketch out a (...) version of Critical Theory that might survive a Rancièrean critique. Even by this renewed conception, however, I argue that Rancière’s own work still cannot be considered a project of Critical Theory; but I finish the essay by laying out what a possible “Rancièrean” Critical Theory might look like, and why I think such a project would be valuable. (shrink)

This article focuses on Jacques Rancière’s reflections on Alfredo Jaar’s The Rwanda Project in the context of wider discussions of the politics of naming the dead. Against the claim that his reflections reveal a depoliticizing, universalist commitment to naming all the dead, it contends that foregrounding the relation between naming and counting in this discussion shows Rancière’s focus to be the policing and politics of naming. In an original argument, it focuses specifically on how, for Rancière, in this context, individualized (...) proper names function politically and dissensually. To do so it explores Rancière’s analysis of the role of the mainstream media during the Rwandan genocide in perpetuating the police order which divided nameable individuals from anonymous masses, thereby constituting living and dead Rwandans as of little or no account, and his account of how Jaar’s art is able to disrupt the ‘partition of the sensible’ underpinning this count. The article concludes by considering how Rancière’s ideas about the relationship between naming and counting and between politics and police serve as a useful supplement to and extension of existing discussions of grievability. (shrink)

In this article, it is claimed that by considering Rancière’s understanding of politics of aesthetics alongside Stengers’ conception of the ecology of practices, it is possible to think about the autonomy of artistic practices which would be created and sustained politically. Rancière demonstrates that the artistic autonomy was previously subordinated to a variety of historical imperatives, while Stengers warns about an apolitical mission of the great narrative of the Anthropocene. Both philosophers make a case for talking about the autonomy of (...) artistic practices based on political differing, but in Stengers’ philosophy, the political principle of dissensus is supported by an ecological perspective. She argues for a symbiotic consensus, where the political is defined as being both contradictory and attuned to the situational interconnectedness. In the destructive environment of the Anthropocene, Stengers challenges the tradition of critical reflexivity and proposes a way out – the autonomy of practices that is not universally given but needs to be constantly recomposed together. (shrink)

The paper invites a rethink of the political conception of Jacques Rancière, a philosopher who devoted considerable reflexion to the problem of the sharing of the sensible. Rancière proposes considering the aesthetic regime without the concept of representation. According to the author, this leads him to a paradox: on the one hand, he states that the aesthetic regime takes images for art; on the other hand, he doesn’t pay attention to the fact that it shouldn’t be possible to conceive of (...) any regime of sharing without the concept of representation. Therefore, the author proposes a deconstructive reading of Rancière’s critique of representation, demonstrating that if the contemporary image is conceived and produced in order to be shared, it can’t be freed from representation. Finally, the author puts forth the notion of meta-representation as a solution avoiding Rancière’s antinomies. (shrink)

Se investiga el alcance y los límites de la concepción política de Jacques Rancière. En primer lugar, se hace una presentación esquemática de lo que el filósofo francés entiende por “política” (en donde se trata la distinción entre policía y política, el desacuerdo y la subjetivación). En segundo lugar, y tomando una disposición máscrítica, se busca evidenciar el alcance y los límites de esta concepción de la política como interrupción. Con ello se ponen de presente las ventajas y los problemas (...) del pensamiento político rancieriano. Por último, vinculando estas reflexiones con lahistoria y la memoria, se busca proponer una nueva concepción de la política como interrupción que supere los límites antes mencionados. (shrink)

RESUMEN Se investiga el alcance y los límites de la concepción política de Jacques Rancière. En primer lugar, se hace una presentación esquemática de lo que el filósofo francés entiende por "política". En segundo lugar, y tomando una disposición más crítica, se busca evidenciar el alcance y los límites de esta concepción de la política como interrupción. Con ello se ponen de presente las ventajas y los problemas del pensamiento político rancieriano. Por último, vinculando estas reflexiones con la historia y (...) la memoria, se busca proponer una nueva concepción de la política como interrupción que supere los límites antes mencionados. ABSTRACT The article examines the scope and limits of Jacques Rancière's political conception. First, it provides a brief presentation of what the French philosopher understands by "politics". Secondly, from a more critical stance, it seeks to evince the scope and limits of this conception of politics as interruption, thus highlighting the advantages and problems of Rancière's political thought. Finally, by linking these reflections to history and memory, the paper proposes a new conception of politics as interruption that overcomes the aforementioned limits. (shrink)

RESUMO Neste artigo pretendemos refletir acerca da constituição do sujeito político a partir de dois conceitos específicos: rosto e cena de dissenso. Nosso argumento pretende evidenciar como, ao “aparecerem”, os indivíduos produzem uma cena polêmica de enunciação na qual se desencadeia um processo de subjetivação política e de criação de formas dissensuais de comunicação e performance que inventam modos de ser, ver e dizer, configurando outras interfaces entre experiência estética e política. Tal processo potencializa a invenção de novas visualidades e (...) interlocuções nas quais se inscreve o rosto, definido aqui como o vestígio de um lugar do outro que se transforma na promessa do meu próprio lugar, assumindo caráter político e comunicacional, num processo incessante de subjetivação política em que ética e estética se tangenciam. ABSTRACT The aim of this article is to ponder on the constitution of the political subject from two specific concepts: the face and the scene of dissensus, in order to show how the “appearance” of the individuals can produce a controversial scene of dissensus, trigger a process of political subjectivation and the creation of dissensual forms of expression and communication that invent new ways of being, seeing and saying, configuring new ways of collective enunciation and interconnections between aesthetic experience and politics. This is related to the invention of new visualities and interlocutions in which the face is inscribed. Face is defined here as the vestige of a place of the other that is transformed into the promise of my own place, assuming a political and communicational character, in an incessant process of political subjectivation where ethics and aesthetics are related. (shrink)

In _Rancière’s Sentiments _Davide Panagia explores Jacques Rancière’s aesthetics of politics as it informs his radical democratic theory of participation. Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Rancière’s writings, Panagia characterizes Rancière as a sentimental thinker for whom the aesthetic is indistinguishable from the political. Rather than providing prescriptions for political judgment and action, Rancière focuses on how sensibilities and perceptions constitute dynamic relations between persons and the worlds they create. Panagia traces this approach (...) by examining Rancière’s modernist sensibilities, his theory of radical mediation, the influence of Gustave Flaubert on Rancière’s literary voice, and how Rancière juxtaposes seemingly incompatible objects and phenomena to create moments of sensorial disorientation. The power of Rancière’s work, Panagia demonstrates, lies in its ability to leave readers with a disjunctive sensibility of the world and what political thinking is and can be. (shrink)

This article contends that Jacques Rancière’s aesthetic understanding of corporeality is central to his interpretation of intellectual emancipation. Concretely, I will argue that Rancière’s aesthetic understanding can be viewed as a torsion of a body that affects its vital arrangements, which thereby open paths for political emancipation. I will support my claim with Rancière’s reading of the plebeian philosopher Gauny, as well as works that have not been sufficiently considered in secondary literature, such as The Nights of Labor and The (...) Ignorant Schoolmaster. My reading will, I maintain, help to question common interpretations of emancipation in Rancière that tend to read this notion either in dichotomous terms or as a merely ephemeral, evental practice with no concrete conditions of possibility and without long-lasting or verifiable effects in the world. (shrink)

In this article, I critically engage with a vital assumption behind the work of Paulo Freire, and more generally behind any critical pedagogy, viz. the belief that education is fundamentally about emancipation. My main goal is to conceive of a contemporary critical pedagogy which stays true to the original inspiration of Freire’s work, but which at the same time takes it in a new direction. More precisely, I confront Freire with Jacques Rancière. Not only is the latter’s work on education (...) fully predicated on the idea of emancipation. For both Freire and Rancière, literacy initiation practice can be seen as an archetypical model for understanding the emancipatory moment in education. For both, educational practices are never neutral, as they decide to a great extent on the fate of our common world. Reflecting on similarities and differences in both their positions, I will propose to conceive of critical pedagogy in terms of a thing-centred pedagogy. As such, I take a clear position in the discussion between teacher- and student-centred approaches. According to Rancière, it is the full devotion to a ‘thing’, i.e. to a subject matter we study, which makes emancipation possible. Over and against Freire’s defense of emancipatory education, I highlight with Rancière the importance of educational emancipation. (shrink)

Este artículo interroga críticamente la pretensión de Jacques Rancière de pensar la política sin referencia a espacios sociales ni a las relaciones de poder que tienen lugar en ellos. En este texto se pretende mostrar que estas descripciones y cartografías de los espacios sociales operan como presupuestos ocultos de la teoría rancieriana, a pesar de ser rechazadas por el mismo filósofo francés como elementos fundamentales de la reflexión sobre la política. El artículo se acerca en la primera parte a las (...) objeciones del pensador francés en contra de las teorías que derivan la naturaleza del conflicto político de la comprensión de los conflictos sociales, como el marxismo. En la segunda parte se muestra que el concepto rancieriano de la política, sin referirse a descripciones sociológicas de la sociedad como las del marxismo, caería en contradicciones internas a la hora de vincular la política con la emancipación, pues la figura de la actualización de la igualdad no basta para definir el carácter emancipatorio la irrupción política. (shrink)

Andrés Tello Communes 2016, 272 pp. Viña del Mar ISBN: 978-956-9830-03-7.

RESUMEN El artículo responde algunas críticas planteadas por Ignacio Ávila a mi interpretación de la epistemología davidsoniana. Presento argumentos en contra de: a) que sea necesario distinguir entre representaciones epistemológicamente “peligrosas”e “inofensivas”; b) que el empirismo mínimo sea un tipo de realismo directo; c) que mi uso de la expresión “evidencia distal” y el interés por la teoría de la correspondencia sean asuntos ajenos a Davidson. Finalmente, sostengo que la triangulación es un elemento fundamental de la epistemología davidsoniana, pues permite (...) sortear la ansiedad realista manteniéndose en una postura no representacionalista. ABSTRACT In this article, I respond to some of Ignacio Ávila's criticisms of my interpretation of Davidson’s epistemology. I argue against: a) the need to distinguish between epistemologically “dangerous” and “harmless” representations; b) the idea that minimal empiricism is a kind of direct realism; and c) the claim that my usage of the expression “distal evidence” and interest in the theory of correspondence are issues that do not pertain to Davidson. Finally, I claim that triangulation is a key element in Davidsonian epistemology since it allows us to deal with the realist anxiety while maintaining a non-representationalist viewpoint. (shrink)

Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order.

If we compare it with the fellow notion of liberty, equality has an ambivalent place in modern political thinking. Whilst it counts as one of the fundamental norms, many think that equality is valuable only as a way to realise some features of liberty. I take a historical perspective on this issue, and try to identify some of the pre-modern roots of such an ambivalent attitude towards equality. I do this by using Jacques Rancière’s political model as an analytical framework (...) and by taking a visual route, focusing on classical iconographic representations in which equality was present in the images’ subtexts. Ambrogio Lorenzetti’s allegory of good government is one iconic exposition of equality as a positive condition of civil peace. Already there, however, the positive value of equality is counterposed to the figure of violent retributive justice. Similarly, in the Christian narrative, equality is endorsed as the original condition of creatures under God, but is also associated with violent death. This signals one pre-modern root behind the ambivalence towards equality, particularly when the latter is understood dynamically, as levelling. Such a reversal of value finds an apotheosis, I suggest, in the revolutionary icon of the guillotine, a dramatic representation of equalisation that had a strong influence on modern political thinking. In J. E. Millais’ first painting, of Jesus in the House of his Parents, I find a more positive legacy of Christian equality in modern political thinking. (shrink)

La force créatrice du discours que décrit Taylor permet-elle aux subordonnés de parler en leur nom propre? Pour répondre à cette question, j’emprunte au concept de politique de Jacques Rancière. J’affirme que la distinction de Taylor entre HLC et HHH ressemble à celle qu’établit Rancière entre «politique» et «police». Toutefois, parce que la force créatrice du discours réitère l’ordre humain, elle n’est pas politique en elle-même. J’aborde l’exemple de la relation «avunculaire» présenté par de Taylor pour illustrer à quel moment (...) la force créatrice peut s’avérer, ou non, un fondement de la politique. (shrink)

In thinking about Rancière and Law, as this collection exhorts us to do, I have turned my attention to one of the most well-known areas of Rancière’s writings, the Rights of Man. In “Who is the Subject of the Rights of Man?”, Rancière aimed a broadside at the rights-scepticism which can be traced in much of critical theory to the writings of Hannah Arendt, and an older tradition on the right exemplified by Edmund Burke and Jeremy Bentham. Rancière’s writings and (...) thought cover a wide range of areas, but it is the famous focus on rights which interests me here, as it brings to bear the problematisation of the ‘subject’ which Rancière develops in his writings. Rancière does not take an ontological view of the subject. Rancière’s writings on human rights attempt to get out of an ontological trap he sees being promulgated in relation to them. These writings on rights and the subject illustrate Rancière’s conception of politics as a process, which emphasises a dynamic staging of conflicts and the impossibility of stepping outside that discussion and conflict. My starting point is Daniel Defoe’s Robinson Crusoe. This eighteenth century piece of literature is key for the discussion about the subject of human rights, and the paradoxes which those rights contain. This novel was used in United Nations debates to justify parts of the drafting of the Universal Declaration of Human Rights. In basing the subject of human rights in part on the eponymous hero of the same novel, the drafting committee constructed a vision of the human subject which conflated the figures of man and citizen. The subject of human rights was not a natural man, but intimately connected and indivisible from the society in which he was living. I connect Arendt’s critique of the right to have rights to these debates at the United Nations, illustrating how they lend support to Arendt’s criticisms of human rights. I then outline Rancière’s counter-critique of Arendt, and his defence of politics and rights. I show how Rancière’s distinction between politics and the police envisions a subject which is created through ‘dissensual’ acts. These acts of ‘dissensus’ are the very divisions, the strife or the conflict which constitutes the stage on which politics occurs. Rancière’s subject does not need to act politically in an existing public sphere where individuals recognise each other as equal and distinct. Rather, the acts they commit help contest the very meaning of rights and politics; a politics which always entails the verification of equality as such. I want to turn to the consequences of this processual politics. I use Rancière’s writings on politics and his defence of rights to illustrate how, in his schema, political subjects can be formed and new subjects hitherto unrecognised can be created through dissensual acts. I argue that in Rancière, any judgment on the quality of a political act, and the subject it can create, is necessarily made ex post facto. Rancière’s separation of politics from ethics forces us to avoid pre-judgments of the political nature of acts. This carries the risk that the reader of Rancière will interpret only the acts they are already sympathetic towards as ‘political’ and dissensual. The political remains in the eye of the beholder. As a result, this processual politics must be supplemented with a later judgment to be able to differentiate between potential political acts. In treating Rancière as a serious thinker of modernity and of rights, we need a way to distinguish between an act which is, for example, carried out by racists or those who oppress rights, and an act carried out by a demonstrator or as an act of resistance against hegemony. I argue that it is possible, following Rancière, to conceive of both as acts of dissensual politics potentially giving rise to political subjects. This in turn highlights the key issue for me in relation to Rancière’s thought. How can we distinguish between the quality of actors who act politically, without falling back on a presumed political sphere or modern liberal political philosophy? I conclude that a stronger questioning of the types of judgment needed to differentiate between political acts is required to avoid Rancière’s thought being used to justify forms of action the reader finds sympathetic. (shrink)

Le présent article interroge la dimension critique de la démocratie telle que l’a analysée Jacques Rancière. Nous nous penchons particulièrement sur les composantes du discours ouvrant l’espace de la subjectivité politique au sein de ce que Rancière nomme le « mode du dire » d’une communauté politique. L’article examine alors la tension entre cette manifestation du discours et la socialisation produite par l’institutionnalisation de la démocratie. Nous argumentons que l’exposé de Rancière au sujet du logos politique, bien que fécond, ne (...) prend pas suffisamment en compte les exigences d’un troisième « mode » constitutif de la société et déterminant pour l’action politique, celui du « faire ». (shrink)

Devin Zane Shaw’s new book Egalitarian Moments is an attempt to think with and through Jacques Rancière. Shaw’s highly original interpretation of Rancière opens space within Rancière’s thought for a new, expanded account of the politics of art and literature, and Shaw is then able to use this theory as a way of rereading the history of philosophy. Shaw’s project is ultimately an attempt to show that it is possible to do philosophy in an egalitarian way – that not all (...) political philosophy need be “political philosophy” in Rancière’s pejorative sense – and that philosophy can serve as a vital resource for egalitarian political movements. (shrink)

In light of the theme and concerns of the present collection of essays, we may ask whether ‘distance in general’, and ‘critical distance in particular’, has truly disappeared with postmodernity. Proposing an immediate and interruptive political engagement with local issues, Jacques Rancière’s articulation of political mobilisation does seem to confirm this claim. Upon further inspection, however, his emancipatory politics repeat the same mistake of valuing an abstract universal at the expense of a concrete particular, however paradoxical this may seem at (...) first sight. The present article develops this thesis in three moments. On the first hand, it highlights Rancière’s notion of conflict as being institutive of politics. Secondly, it connects this ‘sensible’, and Rancière’s understanding of politics as being aesthetic, to Kant’s ‘Transcendental Aesthetics’. The French author sees in the leading section of the first Critique the grounding possibility of freeing up time and space within the social realm; the representation of a common political surface that can be reshaped; political equality; emancipation. The last section shows how this recourse to the transcendental subject in Rancière’s politics follows and embraces a traditional position in the history of philosophy whereby identity is denigrated at the profit of a disembodied universalism. (shrink)

El presente escrito tiene por objetivo mostrar que La noche de los proletarios de Jacques Rancière proporciona elementos para pensar un tipo de comunidad diferente a aquellas que se afirman a partir de la negación, o aquellas que se conciben a partir de la dialéctica de inclusión y exclusión, que define un adentro y un afuera de lo colectivo, un propio y un impropio. En este sentido, creemos que a través de la mencionada obra aflora una inquietud por la comunidad (...) de una forma bastante desplazada a como habitualmente la pensamos, toda vez que más que de comunidad, Rancière habla de una experiencia comunitaria que hace referencia a una cierta inquietud que abre posibilidades de alteración o de transformaciones singulares y del ser-en-común. (shrink)

This article argues that Rancière’s paradoxical account of identity formation through political conflicts can highlight dilemmas facing indigenous political movements across the globe. The article first locates Rancière’s theory within the broader political theory of recognition and briefly describes some of Rancière’s key political concepts. The article then moves on to a description of several indigenous political movements with a particular emphasis on indigenous people from New Zealand, Chile and Mexico and highlights some key conceptual differences in the political strategies (...) and ideologies of these movements. I conclude by relating the differences between these indigenous political movements to Rancière’s key theoretical concepts and argue that Rancière’s theory allows political theorists to shed some light on the internal contradictions and struggles of indigenous people when these try to use indigenous identity with the goal to radically challenge the social order of colonial societies. (shrink)

Name der Zeitschrift: Deutsche Zeitschrift für Philosophie Jahrgang: 65 Heft: 4 Seiten: 727-761.

We met Jacques Rancière on Saturday, May 27, 2017, at the School of Fine Arts shortly before his speech at the B-Fest 6 International Anti-Authoritarian Festival, organized by Babylonia Journal, with a central slogan “We are ungovernable”. Rancière is among the most important European philosophers alive and his work does not need further introductions. In the cloudy morning of Sunday 28 May, we sat beneath the Acropolis to have a coffee with the philosopher. The transcript of our conversation reflects the (...) vigor of thought and the passion of a truly democratic thinker. (shrink)

Starting from Miguel Abensour’s contribution, the article addresses an interpretation of the concept of utopia aiming to stress its political nature and to place it within the movement of emancipation emerged throughout the nineteenth century. The first part of the article points out four fundamental dimensions of the Abensourian concept of utopia, whilst the second part aims to locate it within the broader context of the French Marxism debates and, in this way, to link it with Jacques Rancière’s thought of (...) utopia. The conclusion provides a critical interpretation of the considered idea of utopia and maps out the political-intellectual environment emerged around that idea in France at the end of the 1990s. (shrink)

As bellicose nationalism continues to intensify in Western societies, letting loose ever more violent eruptions of hostility toward migrants and mid-wifing such astonishing developments as the Brexit vote and the Trump candidacy, the problem of how to theorize and mobilize a transformative politics of migrant justice has rarely seemed more pressing. Jacques Rancière’s writings offer resonant terms with which to meet the philosophical challenges of this urgent moment. Rancière’s conceptualization of political subordination in terms of defining “the part that has (...) no part” is intuitively well suited to thinking through both the dense interplays of inclusion and exclusion that structure migrant lives and the... (shrink)

As an outspoken public intellectual Slavoj Žižek’s comments on today’s refugee crisis, particularly in relation to Syria, have been widely criticized. The following essay looks at the philosophy and politics of Žižek in relation to theorists such as Ranciere, Laclau and Mouffe in order to explore where Žižek’s dismissal of migrant struggle highlights the failure of his Lacan inspired Kantian transcendentalism and State based class politics to explore the political and subversive potentials of alternative sites of struggle. While Žižek’s exploration (...) of antagonism as a site of politics remains useful, his vision of State politics and class struggle as the bearers of anti- or alter-capitalist struggle, based on a Universalist politics and transcendental subject, fails to consider the multifarious political aspects of global mobility. (shrink)

My title could be taken to name an object, the politics of translation, but here I emphasize something related yet quite distinct: the practice that the title also identifies—the process of translating politics. This procedure remains bound up with the basic question of how to translate politics, how to put into English what Rancière means when he talks or writes about “politics.” Since the publication of Disagreement in English translation nearly twenty years ago, Rancière’s English-speaking audiences have been much exercised (...) by just this question. Indeed, the dominant response to Rancière’s work, particularly in the field of political theory, has been to read him as suggesting a radical redefinition of... (shrink)

“Rhetoric,” Jacques Rancière pronounces in The Ignorant Schoolmaster, “is speech in revolt against the poetic condition of the speaking being. It speaks in order to silence. You will speak no longer, you will think no longer, you will do this: that is its program”. Rhetoric, he suggests, understood in its classical formulation as the art of persuasion, stages a particular relationship of power between the speaker and the listener: one of hierarchy and inequality. It has “war as its principle,” and (...) it aims at “the annihilation of the adverse will”. The speaker speaks in order to silence the listener, indeed, in order to prohibit the listener from even thinking and willing. Rhetoric divides... (shrink)

Se afirma que la subjetivación política no puede pensarse al margen de las manifes-taciones éticas, artísticas y espirituales de la política, en cuanto que despliegan de distintas maneras unos efectos sobre lo que es asumido como común, y reconfiguran nuevas formas de concebir el sujeto político en caminos inusuales de la subjetivación. Se problematiza la subjetivación política a partir de tres lecturas: la crítica, con base en los planteamientos de Michel Foucault; una cierta interpretación de las prácticas artísticas, en Jacques (...) Rancière; y una concepción de la espiritualidad y la política a la luz de los planteamientos de Simone Weil. (shrink)

Jacques Rancière’s work has become a major reference point for discussions of art and politics. However, while Rancière’s negative theses are becoming widespread and well understood, his positive thesis is still poorly understood, owing partly to Rancière’s own formulation of the issue. I first clarify Rancière’s account of the links between politics and art. I then explore a gap in this account; Rancière has stuck too closely to a politics of art’s reception. I argue for a politics of art production, (...) which would expand the possible engagement between politics and art. (shrink)

This book is the first to approach Jacques Rancière’s work from a legal perspective. A former student of Louis Althusser, Rancière is one of the most important contemporary French philosophers of recent decades: offering an original and path-breaking way to think politics, democracy and aesthetics. Rancière’s work has received wide and increasing critical attention, but no study exists so far that reflects on the wider implications of Rancière for law and for socio-legal studies. Although Rancière does not pay much specific (...) attention to law—and there is a strong temptation to identify law with what he terms the "police order"—much of Rancière’s historical work highlights the creative potential of law and legal language. Indeed, he repeatedly offers powerful instances of what Robert Cover labelled _jurisgenesis, _of norm-generation, with important legal implications and ramifications. So, rather than excavate the Rancièrean corpus for isolated statements about the law, this volume reverses such a method and asks: what would a Rancière-inspired legal theory look like? Bringing together specialists and scholars in different areas of law, critical theory and philosophy, this rethinking of law and socio-legal studies _through_ Rancière provides an original and important engagement with a range of contemporary legal topics, including constituent power, constitutional interpretation, the judicialization of politics, legal subjectivity, conflicts, human rights, the nomos of modernity, globalization, and the sensory configurations of law. It will, then, be of considerable interest to those working in these areas. (shrink)

Theorists, who broadly subscribe to Claude Lefort’s characterization of democracy as the dissolution of the markers of certainty, disagree over the proper enactment of democracy. In this article, I consider the possibility of narrowing the gap by attending to the ignorance advocated by each of the two approaches – the disruptive radical route Jacques Rancière describes and the reformist approach of Richard Rorty. I highlight the attributes and shortcomings of the positive link between practices of ignorance and democracy in the (...) work of the two theorists, and explore how the practices they describe can complement each other in the enactment of democracy. (shrink)

Recent histories of human rights have shown that the turn to human rights as a form of politics occurred as a placeholder for utopian energies at the end of history, coinciding with a retreat of the organised left, the abandonment of the theme of revolution, and the pluralisation of political struggles. This essay examines the way that radical continental theory has responded to the political hegemony of human rights by focusing on ‘post-Marxist’ thought. Examining the work of four influential critics (...) of human rights—Claude Lefort, Alain Badiou, Giorgio Agamben, and Jacques Rancière—I argue that post-Marxist thought provides two very different approaches to the political possibilities offered by human rights. The first retains a fidelity to the revolutionary critique of rights by rejecting the language and conceptuality of human rights as too deeply implicated in the liberal political order that needs to be resisted. The second acknowledges the limitations of human rights while arguing that they also offer important tools for democratic political struggle. The essay draws upon these analyses to consider the contemporary political meaning of human rights. It argues that the latter of these strategies is problematic because we now face a radically different political conjuncture to the one in which the politics of human rights first emerged: human rights have played an important role in the project of post-historical reaction; the political space in which the politics of rights once made sense has collapsed; and we have seen substantial political upheavals in the wake of the crisis of capitalism. (shrink)

Rancière’s political thought is the object of growing fascination, particularly as a lens through which to interpret contemporary political protests, yet his conception of axiomatic equality remains unexamined. This article investigates Rancière’s account of equality as a ‘presupposition’, showing that an axiom of equality guides momentary acts of resistance, but also serves as a ‘necessary and sufficient condition’ of all societies, however hierarchical. Although this account holds some appeal, I argue that it restricts equality to two, not especially satisfying possibilities: (...) a temporary revelation or a hidden secret. This rendering of axiomatic equality is symptomatic of Rancière’s general hostility toward institutional politics. Because Rancière tends to depict ‘institutions’ per se as oppressive, equality is positioned ‘outside’ the socio-political order – as its fleeting interruption or disavowed condition of possibility. I argue, on the contrary, that a radically egalitarian politics today should affirm a practice-centered project of institution-building. (shrink)

Jacques Rancière's work has challenged many of the assumptions of contemporary continental philosophy by placing equality at the forefront of emancipatory political thought and aesthetics. Drawing on the claim that egalitarian politics persistently appropriates elements from political philosophy to engage new forms of dissensus, Devin Zane Shaw argues that Rancière's work also provides an opportunity to reconsider modern philosophy and aesthetics in light of the question of equality. In Part I, Shaw examines Rancière's philosophical debts to the 'good sense' of (...) Cartesian egalitarianism and the existentialist critique of identity. In Part II, he outlines Rancière's critical analyses of Walter Benjamin and Clement Greenberg and offers a reinterpretation of Rancière's debate with Alain Badiou in light of the philosophical differences between Schiller and Schelling. -/- From engaging debates about political subjectivity from Descartes to Sartre, to delineating the egalitarian stakes in aesthetics and the philosophy of art from Schiller to Badiou, this book presents a concise tour through a series of egalitarian moments found within the histories of modern philosophy and aesthetics. (shrink)

When I first starting hearing and reading about Jacques Rancière a number of years ago, I was deeply skeptical. Wasn’t this yet another European man becoming the new political theory “It Girl”? Wasn’t the claim that Rancière had a singular, fresh approach to dissent and protest overblown, when other people—especially critical race scholars, postcolonial theorists, feminists, queer theorists, and so on—had already addressed these topics thoroughly but were rarely acknowledged in mainstream scholarship? Did we really need to deify and create (...) a cottage industry around yet one more white male Western theorist, especially one who so rarely deigns to cite his influences or the work of others? It took... (shrink)

Currently, affect and emotions are a widely discussed political topic. At least since the early 1990s, different disciplines—from the social sciences and humanities to science and technoscience—have increasingly engaged in studying and conceptualizing affect, emotion, feeling, and sensation, evoking yet another turn that is frequently framed as the “affective turn.” Within queer feminist affect theory, two positions have emerged: following Eve Kosofsky Sedgwick's well-known critique, there are either more “paranoid” or more “reparative” approaches toward affect. Whereas the latter emphasize the (...) potentialities of affect, the former argue that one should question the mere idea of affect as liberation and promise. Here, I suggest moving beyond a critique or celebration of affect by embracing the political ambivalence of affect. For this queer feminist theorizing of affective politics, I adapt Jacques Rancière's theory of the political and particularly his understanding of emancipation. Rancière takes emancipation into account without, however, uncritically endorsing or celebrating a politics of liberation. I draw on his famous idea of the “distribution of the sensible” and reframe it as the “distribution of emotions,” by which I develop a multilayered approach toward a nonidentitarian, nondichotomous, and emancipatory queer feminist theory of affective politics. (shrink)

This article examines Rancière’s political reading of aesthetics through a historical analysis into the two aesthetic theories of freedom at work in Rancière’s philosophy; Kant’s freedom as self-governance and Schiller’s freedom as harmony. While aesthetic experience is considered morally conducive through its association with freedom, this article argues that Rancière translates such discussions of freedom into that of equality by extracting the political dimensions of aesthetic experience. Given that art has the unique ability to empower the spectator through its aesthetic (...) experience of equality, the true political potential of art arises from its power to redistribute the sensible rather than through the overt expression of political themes. By juxtaposing Rancière’s politics of art with Kant’s beauty as the symbol of morality, this article argues that art becomes a symbol of political emancipation for Rancière in its capacity to generate the experience of equality. Inasmuch as Rancière attributes the aesthetic revolution to the eighteenth century, it becomes evident that the empowerment of the spectator has been central to art since the inauguration of the aesthetic regime. (shrink)