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108 found
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  1. Auerbach and the Contradictions of Realism.Jacques Rancière - 2018 - Critical Inquiry 44 (2):227-241.
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  2. IMAGES RE-READ: The Method of Georges Didi-Huberman.Laura Katherine Smith, Stijn De Cauwer, Jorge Rodriguez Solorzano, Elise Woodard & Jacques Rancière - 2018 - Angelaki 23 (4):11-18.
    In this text, Jacques Rancière critically discusses the work of Georges Didi-Huberman on images. He disagrees with various claims seemingly made by Didi-Huberman about images, such as that they can “take position” or that they are “active.” Rancière argues that Didi-Huberman adds another form of dialectics to the simpler form of dialectics adopted by Bertolt Brecht and Harun Farocki in their works, namely one that also involves a layering of different temporalities. However, both in Brecht’s War Primer and in Didi-Huberman’s (...)
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  3. Philippe Beck. Didactic Poetries. Trans. Nicola Marae Allain. Minneapolis: Univocal, 2016. 150 Pp.Jacques Rancière. The Groove of the Poem: Reading Philippe Beck. Trans. Drew S. Burk. Minneapolis: Univocal, 2016. 150 Pp. [REVIEW]John Wilkinson - 2018 - Critical Inquiry 44 (2):406-411.
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  4. De onwetende meester als voorbeeld - Jacques Ranciere: van praktijk naar principe.Martijn Boven - 2017 - Wijsgerig Perspectief 3 (57):6-15.
    Bestaat de kernactiviteit van de meester erin om zijn eigen kennis uit te leggen en over te dragen? De Franse filosoof Jacques Rancière laat zien dat een gelegenheidsexperiment van Joseph Jacotot ons een ander voorbeeld aanreikt: de onwetende meester. In zijn boek De onwetende meester: vijf lessen over intellectuele emancipatie (Le maître ignorant: Cinq leçons sur l'émancipation intellectuelle) stelt hij dat de onwetende meester evengoed of zelfs beter in staat is leerlingen iets te leren dan de wetende meester. Rancière neemt (...)
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  5. Art, Life, Finality: The Metamorphoses of Beauty.Jacques Rancière - 2017 - Critical Inquiry 43 (3):597-616.
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  6. A Coffee with Jacques Rancière Beneath the Acropolis.Alexandros Schismenos, Yiannis Ktenas & Yavor Tarinski (eds.) - 2017 - 2017: Babylonia Journal.
    We met Jacques Rancière on Saturday, May 27, 2017, at the School of Fine Arts shortly before his speech at the B-Fest 6 International Anti-Authoritarian Festival, organized by Babylonia Journal, with a central slogan “We are ungovernable”. Rancière is among the most important European philosophers alive and his work does not need further introductions. In the cloudy morning of Sunday 28 May, we sat beneath the Acropolis to have a coffee with the philosopher. The transcript of our conversation reflects the (...)
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  7. Jacques Rancière. The Intervals of Cinema. Trans. John Howe. Brooklyn: Verso, 2014. 160 Pp. [REVIEW]Abhijeet Paul - 2016 - Critical Inquiry 42 (2):411-412.
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  8. The Method of Equality: Interviews with Laurent Jeanpierre and Dork Zabunyan.Jacques Ranci?re - 2016 - Polity.
    The development of Rancière’s philosophical work, from his formative years through the political and methodological break with Louis Althusser and the lessons of May 68, is documented here, as are the confrontations with other thinkers, the controversies and occasional misunderstandings. So too are the unity of his work and the distinctive style of his thinking, despite the frequent disconnect between politics and aesthetics and the subterranean movement between categories and works. Lastly one sees his view of our age, and of (...)
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  9. Un-What? Rancière - 2016 - Philosophy and Rhetoric 49 (4):589-606.
    “Pedagogics of Unlearning”: this phrase obviously echoes a notion and a figure that I had set up in my own way when I published a book entitled The Ignorant Schoolmaster with the subtitle “Five Lessons in Intellectual Emancipation”.1 Both entail the idea of a specific form of learning, which is a negative one: learning how to unlearn, teaching as an ignoramus, learning the emancipatory virtue of ignorance. This idea raises two interrelated problems. First, how are we to understand the type (...)
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  10. Moments Politiques. Interventions 1977–2009. By Jacques Rancière. Translated by Mary Foster.Ruth Sonderegger - 2016 - Constellations 23 (3):461-463.
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  11. Rancière, Jacques. Aisthesis: Scenes From the Aesthetic Regime of Art. Trans., Zakir Paul. London: Verso, 2013. $29.95. 304 Pp. [REVIEW]Davide Panagia - 2015 - Critical Inquiry 41 (2):464-465.
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  12. Rancière, J. , Le Fil Perdu. Essais Sur la Fiction Moderne.Firmin Havugimana - 2014 - Ithaque 15:163-168.
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  13. Assemblies in Art and Politics: An Interview with Jacques Rancière.Nikos Papastergiadis & Charles Esche - 2014 - Theory, Culture and Society 31 (7-8):27-41.
    This interview was conducted on 8 October 2011 at the Van Abbemuseum, Eindhoven. It was held during a symposium that reflected on the work of Rancière and was a part of a broader engagement with the concept of autonomy and its relation to art organized by an umbrella group of universities and arts organizations under the name of ‘The Autonomy Project’. A number of the symposium’s participants – Peter Osborne, Gerald Raunig, Isabell Lorey, Ruth Sondregger, Kim Mereiene and Adrian Martin (...)
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  14. Rethinking Modernity.Jacques Rancière - 2014 - Diacritics 42 (3):6-20.
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  15. Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross and Slavoj Žižek, Democracy in What State? [REVIEW]Francesco Tampoia - 2014 - Philosophy in Review 34 (1-2):94-97.
  16. Book Review: The Lessons of Rancière, by S. ChambersThe Lessons of Rancière, by ChambersS.Oxford: Oxford University Press, 2013. [REVIEW]Clare Woodford - 2014 - Political Theory 42 (3):370-376.
  17. Béla Tarr, the Time After.Jacques Rancière - 2013 - Univocal Publishing.
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  18. The Intellectual and His People.Jacques Rancière - 2012 - Verso.
    The people's theatre : a long drawn-out affair -- The cultural historic compromise -- The philosopher's tale : intellectuals and the trajectory of Gauchisme -- Joan of Arc in the Gulag -- The inconceivable revolution -- Factory nostalgia (notes on an article and various books) -- The ethics of sociology.
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  19. La haine de la démocratie Paris: La Fabrique (El odio a la democracia. Buenos Aires: Amorrortu editores. Traducción de Irene Agoff 2006).Jacques Rancière - 2012 - Enrahonar 48:161.
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  20. Is the Time of Emancipation Over?Jacques Ranciere - 2012 - Filozofski Vestnik 33 (1).
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  21. The Published Works of Jacques Rancière.Cody Hennesy - 2011 - Symposium 15 (2):120-149.
    This bibliography is the most comprehensive compilation of Jacques Rancière's published works to date. It is not intended, however, to be the definitive catalogue of his intellectual output. In the first instance, it does not include works and interviews published in languages other than French and English. Some publications, particularly shorter works in French periodicals, have not been included, and a few of the more obscure publications listed below have been confirmed only through their appearance in secondary sources. Unpublished materials, (...)
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  22. Mute Speech.Jacques Rancière - 2011 - Columbia University Press.
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  23. Mute Speech: Literature, Critical Theory, and Politics.James Swenson (ed.) - 2011 - Cambridge University Press.
    Jacques Rancière has continually unsettled political discourse, particularly through his questioning of aesthetic "distributions of the sensible," which configure the limits of what can be seen and said. Widely recognized as a seminal work in Rancière's corpus, the translation of which is long overdue, _Mute Speech_ is an intellectual tour de force proposing a new framework for thinking about the history of art and literature. Rancière argues that our current notion of "literature" is a relatively recent creation, having first appeared (...)
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  24. Hatred of Democracy by Jacques Rancière.James D. Ingram - 2010 - Constellations 17 (1):175-178.
  25. Dissensus: On Politics and Aesthetics.Jacques Rancière - 2010 - Continuum.
    Translator's introduction -- Preface -- Part I: The aesthetics of politics -- Ten theses on politics -- Does democracy mean something? -- Who is the subject of the rights of man? -- Communism : from actuality to inactuality -- The people or the multitudes -- Bio-politics or politics -- September 11 and afterwards : a rupture in the symbolic order -- Of war as the supreme form of advanced plutocratic consensus -- Part II: The politics of aesthetics -- The aesthetic (...)
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  26. The Aesthetic Heterotopia.Jacques Rancière - 2010 - Philosophy Today 54 (Supplement):15-25.
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  27. Chronicles of Consensual Times.Jacques Rancière - 2010 - Continuum.
    The head and the stomach January 1996 -- Borges in Sarajevo March 1996 -- Fin de siècle and new millenarium May 1996 -- Cold racism July 1996 -- The last enemy November 1996 -- The grounded plane January 1997 -- Dialectic in the dialectic August 1997 -- Voyage to the country of the last sociologists November 1997 -- Justice in the past April 1998 -- The crisis of art or a crisis of thought July 1998 -- Is cinema to blame (...)
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  28. The Janus-Face of Politicized Art.Jacques Rancière - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
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  29. Aesthetics and its Discontents.Jacques Ranciere - 2009 - Polity.
    Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise (...)
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  30. The Future of the Image.Jacques Rancière - 2009 - Verso.
    A leading philosopher presents a radical manifesto for the future of art andfilm.
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  31. The Aesthetic Dimension: Aesthetics, Politics, Knowledge.Jacques Rancière - 2009 - Critical Inquiry 36 (1):1-19.
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  32. The Aesthetic Unconscious.Jacques Ranciere - 2009 - Polity.
    This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a (...)
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  33. Et tant pis pour les gens fatigues.Jacques Rancière - 2009 - Editions Amsterdam.
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  34. Notes on the Photographic Image.Jacques Rancière - 2009 - Radical Philosophy 156:8-15.
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  35. The Emancipated Spectator.Jacques Rancière - 2009 - Verso.
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  36. II.“Relatively Blunt” Critical Response.Jacques Rancière, Marie‐José Mondzain, Wendy Grace, Robert Morris, Mark Seltzer, Franco Moretti & Katie Trumpener - 2009 - Critical Inquiry 36 (1):134-158.
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  37. Jacques Rancière, Politique de la littérature. [REVIEW]Giovanna Gioli - 2008 - la Società Degli Individui 33.
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  38. 2.On the Relationship of Art History and Art Theory': Translators' IntroductionOn the Relationship of Art History and Art Theory': Translators' Introduction (Pp. 33-42). [REVIEW]Katharina Lorenz, Erwin Panofsky, Bill Nichols, Kent Puckett, James I. Porter, Wendy Hui Kyong Chun & Jacques Rancière - 2008 - Critical Inquiry 35 (1):43-71.
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  39. Why Emma Bovary Had to Be Killed.Jacques Rancière - 2008 - Critical Inquiry 34 (2):233-248.
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  40. Aesthetics Against Incarnation: An Interview by Anne Marie Oliver.Jacques Rancière - 2008 - Critical Inquiry 35 (1):172-190.
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  41. Le travail de l'image.Jacques Rancière - 2007 - Multitudes 1 (1):195-210.
    To represent is to stand for something else, it is thus to lie about the truth of thing. The work of Esther Shalev-Gerz doubly refutes this presupposition : on the one hand, the thing itself is never there, there is only representation : words borne by bodies, images which present to us, not what words say but what these bodies do ; on the other hand, there is never any representation, one is always confronted with presence : things, the hands (...)
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  42. On the Shores of Politics.Jacques Rancière - 2007 - Verso.
    Gives politics the following meaning: the organization of dissent.
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  43. A Poetics of Dissent; or, Pantisocracy in America Colin Jager.Jacques Ranciere & Walter Benjamin - 2007 - Theory and Event 10 (1).
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  44. From the Actuality of Communism to its Inactuality.Jacques Ranciere - 2006 - Filozofski Vestnik 27 (1):93-100.
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  45. The Ethical Turn of Aesthetics and Politics.Jacques Rancière - 2006 - Critical Horizons 7 (1):1-20.
    The ethical turn that affects artistic and political practices today should not be interpreted as their subjection to moral criteria. Today, the reign of ethics leads to a growing indistinction between fact and law, between what is and what ought to be, where judgement bows down to the power of the law imposing itself. The radicality of this law is that it leaves no choice, and is nothing but the simple constraint stemming from the order of things. This brings about (...)
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  46. Democracy, Republic, Representation.Jacques Ranciere - 2006 - Constellations 13 (3):297-307.
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  47. The Politics of Aesthetics: The Distribution of the Sensible.Jacques Rancière - 2006 - Continuum.
    The Politics of Aesthetics rethinks the relation between art and politics, reclaiming 'aesthetics' from its current narrow confines to reveal its significance ...
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  48. Rethinking R.G. Collingwood: Philosophy, Politics and the Unity of Theory and Practice.Jacques Rancière - 2006 - Contemporary Political Theory 5 (2):215-217.
  49. Thinking Between Disciplines: An Aesthetics of Knowledge.Jacques Rancière - 2006 - Parrhesia 1 (1):1-12.
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  50. Politique Et Esthétique: Entretien réalisé par Jean-Marc Lachaud le 30 novembre 2005.Jacques Rancière - 2006 - Actuel Marx 39 (1):193-202.
    In this dialogue Jacques Rancière addresses the following questions : how Marx. can be used today ; utopian socialism ; the manifestations of hatred towards democracy ; relations between democracy and the idea of the Republic ; the complexity of the relations between art and politics, with particular reference to the œuvre of Jean-Luc Godard. Rancière also addresses recent issues in critical theory, notably the theses put forward by Negri and Hardt in Empire, and in politics, evoking alterglobalisation movements and (...)
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1 — 50 / 108