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1 — 50 / 125
  1. added 2020-04-20
    The Most Overrated Article of All Time?Joshua Landy - 2017 - Philosophy and Literature 41 (2):465-470.
    This year marks the fiftieth anniversary of an essay you have almost certainly read, if you took any class on literary theory in the intervening half-century. The essay in question is “The Death of the Author,” by a brilliant French thinker named Roland Barthes. Barthes had wonderfully illuminating things to say about the structure of narrative, realism, Proust, Racine, photography, and billboards. When he turned his thoughts to authorship, however, his touch temporarily deserted him, and the essay that resulted is (...)
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  2. added 2020-03-30
    "...Lehetetlen úgy megváltoztatni a jelent, hogy ne változtassuk meg a múltat" - Losoncz Alpárral Tóth Szilárd János és Kocsis Árpád beszélget.Szilárd János Tóth, Árpád Kocsis & Alpár Losoncz - 2019 - Híd 86 (10):5-19.
    Interjú az Új Symposion örökségéről, Jugoszláviáról, a vajdasági magyarság baloldali radikális hagyományáról, az avantgárdról stb.
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  3. added 2019-09-18
    The Idea of Knowledge and its Evolution in Modern Discourse.Dimitry Mentuz - 2019 - Ottawa: Accent Graphics Communications & Publishing.
    This study conducts an epistemological and contextual discourse analysis of the idea of knowledge in the philosophy of the 20th century. The main key stones of this work are as follows: the identification of the essential characteristics indicating the ontological genesis of the existing crisis of epistemological and ethical foundations; consideration of the main distinctive features of knowledge interpretation in epistemology and contextualism as a possible knowledge production instrument; study of the possibility of restoring an integral picture of the world (...)
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  4. added 2019-08-13
    Еще раз об «эффекте реальности».Sirkka Knuuttila - 2008 - Sign Systems Studies 36 (1):135-136.
    This article addresses Barthes’s development from a structuralist semiotician towards an affectively responding reader in terms of ‘postrational’ subjectivity. In light of his whole oeuvre, Barthes anticipates the understanding of emotion as an integral part of cognition presented in contemporary social neuroscience. To illustrate Barthes’s growing awareness of the importance of this epistemological move, the article starts from his textual ‘reality effect’ as a critical vehicle of realist representation. It then shifts to his attempt at conceptualising an affective reading which (...)
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  5. added 2019-07-29
    Roland Barthes: Structuralism and After. [REVIEW]Mary Bittner Wiseman - 1983 - Philosophy and Literature 7 (1):106.
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  6. added 2019-06-06
    Scheie, Timothy. Performance Degree Zero: Roland Barthes and the Theatre. Toronto: University of Toronto Press, 2006. Pp. 225. [REVIEW]M. Chrulew, C. Danta & T. J. Armbrecht - 2014 - Substance 43 (2):207-211.
    Timothy Scheie’s book on the importance of the theatre in Roland Barthes’ oeuvre begins with what Scheie poses as an enigma: Barthes wrote frequently of the theatre at the beginning of his career and then ceased to do so, without comment, after 1960. Scheie argues that Barthes’ abandonment of the theatre reveals something important about the development of his thoughts and even about his life. Scheie also considers Barthes’ early theatrical criticism and later use of theatrical metaphors to be an (...)
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  7. added 2019-06-06
    Lévi-Strauss, Barthes, and the "Structuralist Activity" of Sartre's Dialectical Reason.Jacob Rump - 2011 - Sartre Studies International 17 (2):1-15.
    The paper examines Lévi-Strauss' criticisms of Sartre's conception of dialectical reason and history as presented in the last chapter of La Pensée Sauvage , suggesting that these criticisms are misplaced. Sartre's notion of reason and history in the Critique is much closer to structuralist accounts than Lévi-Strauss seems to recognize, but it differs in placing a strong emphasis on activity and praxis in place of the latter's passive conception of reason. The active role of the inquirer in structuralist thought is (...)
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  8. added 2019-06-06
    The Question of Photographic Meaning in Roland Barthes’ Camera Lucida.Lior Levy - 2009 - Philosophy Today 53 (4):395-406.
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  9. added 2019-06-06
    Voicing Le Neutre in the Invisible Choir in Richard Wagner’s Parsifal.Anne Sivuoja-Gunaratnam - 2008 - Sign Systems Studies 36 (1):83-110.
    Roland Barthes was suspicious about the ability of music and voice to signify, as revealed in many of his writings. However, his somewhat limited views on music and voice need not to restrain from profiting his semiotic theorising and his reasoning, which can be adapted for musical instances in ways not envisaged by Barthes. The Neutral is a recurrent topic in Barthes’s oeuvre from his first book, Writing Zero Degree up to his 1978 lecture series on The Neutral in Collège (...)
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  10. added 2019-06-06
    Barthes’s Positive Theory of the Author.Harri Veivo - 2008 - Sign Systems Studies 36 (1):31-47.
    While it is well known that Roland Barthes consecrated his last lecture series at the Collège de France to the theme of the preparation of a novel, it is less known that his first writings on literature focused on the same question, but from a less individual point of view. The interrogation that motivates Le Degré zéro de l’écriture and many of the essays in Essais critiques is the question of how to write, of what procedures one can follow in (...)
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  11. added 2019-06-06
    L’Effet de Réel Revisited: Barthes and the Affective Image.Sirkka Knuuttila - 2008 - Sign Systems Studies 36 (1):113-135.
    This article addresses Barthes’s development from a structuralist semiotician towards an affectively responding reader in terms of ‘postrational’ subjectivity. In light of his whole oeuvre, Barthes anticipates the understanding of emotion as an integral part of cognition presented in contemporary social neuroscience. To illustrate Barthes’s growing awareness of the importance of this epistemological move, the article starts from his textual ‘reality effect’ as a critical vehicle of realist representation. It then shifts to his attempt at conceptualising an affective reading which (...)
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  12. added 2019-06-06
    L’encadrement du souvenir chez HusserI, Proust et Barthes.Rudolf Bernet - 1991 - Études Phénoménologiques 7 (13/14):59-83.
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  13. added 2019-06-05
    The ‘Inkredible’ Roland Barthes.Neil Badmington - 2008 - Paragraph 31 (1):84-94.
    The opening of the fourth session of The Neutral — the course given by Roland Barthes at the Collège de France in 1977–8 — is marked by a dramatic spillage of ink. Rather than take this as an incidental, trivial moment, I read it as one of the many ‘ink blots’ that colour the work of Barthes. Tracing his ‘almost obsessive relation to writing instruments’ and the material act of inscription, this essay relates the ‘ink blots’ to the development of (...)
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  14. added 2018-09-06
    Confessions’Bliss: Postmodern Criticism as a Palimpsest of Augustine's Confessions.Gene Fendt - 1995 - Heythrop Journal 36 (1):30-45.
    This paper reads through some contemporary literary critical problems and theorizing about textuality to Augustine's Confessions, to the enrichment, if not the ecstasy of both contemporary and medieval thinking. It shows that Augustine is both aware of much that passes as new in theorizing about language, and that his text is argumentatively and rhetorically structured to set difference at play. Like Augustine's writing, this article is a performance piece: besides arguing, it acknowledges; beside demonstration, it questions; besides telling, it shows; (...)
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  15. added 2018-01-19
    Nishida on God, Barth and Christianity.Curtis A. Rigsby - 2009 - Asian Philosophy 19 (2):119 – 157.
    Despite the central role that the concept of God played in Kitarō Nishida's philosophy—and more broadly, within the Kyoto School which formed around Nishida—Anglophone studies of the religious philosophy of modern Japan have not seriously considered the nature and role of God in Nishida's thought. Indeed, relevant Anglophone studies even strongly suggest that where the concept of God does appear in Nishida's writings, such a concept is to be dismissed as a 'subjective fiction', a 'penultimate designation', or a peripheral Western (...)
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  16. added 2017-07-01
    Unzeitgemäße Betrachtungen. Barthes Und der Anachronismus der Liebe. [REVIEW]Thomas Khurana - 2003 - Texte Zur Kunst 13:141-144.
    Die „Fragments d’un discours amoureux“ , jenes Buch, das laut Barthes sein meistgelesenes und zugleich am schnellsten vergessenes war, erschien erstmals 1977 – und mithin in unmittelbarer zeitlicher Nähe zu zwei anderen Analysen des Diskurses der Intimität: Foucaults Versuch, die Diskursivierung der Sexualität seit dem 17. Jahrhundert zu analysieren (1976), und Luhmanns Analyse der Liebe als symbolisch generalisiertes Kommunikationsmedium (1982). Die Form, der Ton und Duktus der „Analyse“ bei Barthes sind jedoch beiden Versuchen in gleichem Maße fremd. Weder ist Barthes (...)
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  17. added 2017-02-24
    ›Une sorte de remontée vers le corps‹. Skizze einer Ästhetik der körperlichen Responsivität im Ausgang von Roland Barthes’ Überlegungen zur Pseudo-Schrift.Schwerzmann Katia - 2014 - Kodikas/Code. Ars Semeiotica 37 (3/4):249-260.
    The sensory dimension of writing, which is never fully neutralised in the process of semiosis, remains aporetic in Derrida’s philosophy. I show how Barthes’ observations on pseudo-writing lead to his understanding of writing as a gesture, opening up post-structuralism to the body as absolutely non-repeatable, as the opposite of semiosis. The examination of Barthes’ account of the relationship between writing and the body leads to an aesthetic of physical responsiveness, which challenges the distinction between work, creator and viewer. In this (...)
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  18. added 2017-02-16
    L'arithmétique De Roland L'ecrivain Et Le Quadripartitum Numerorum De Jean De Murs.Therese Charmasson - 1978 - Revue d'Histoire des Sciences 31 (2):173-176.
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  19. added 2017-02-15
    Roland N. Mckean.Some Changing Property Rights - forthcoming - Contemporary Issues in Business Ethics.
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  20. added 2017-02-15
    Review Article on Roland Barthes, 'The Neutral: Lecture Course at the Collège de France'.Lucy O'Meara - unknown
  21. added 2017-02-15
    La Chanson de Roland. [REVIEW]Larry Crist - 1998 - Speculum 73 (3):913-915.
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  22. added 2017-02-15
    Ganelon, Treason, and the “Chanson de Roland.”. [REVIEW]F. P. Akehurst - 1992 - Speculum 67 (3):726-728.
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  23. added 2017-02-15
    Roland Crahay, La Religion des Grecs.Pierre Somville - 1992 - Kernos 5:348-348.
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  24. added 2017-02-15
    The Sense of the “Song of Roland.”. [REVIEW]Rupert Pickens - 1990 - Speculum 65 (4):960-963.
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  25. added 2017-02-15
    Arabic Names in the Chanson De Roland: Saracen Gods, Frankish Swords, Roland's Horse, and the Olifant.James A. Bellamy - 1987 - Journal of the American Oriental Society 107 (2):267-277.
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  26. added 2017-02-14
    Roland Bleiker.J. G. Ballard - 2008 - In David Campbell & Morton Schoolman (eds.), The New Pluralism: William Connolly and the Contemporary Global Condition. Duke University Press. pp. 121.
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  27. added 2017-02-14
    Was There a Song of Roland?Andrew Taylor - 2001 - Speculum 76 (1):28-65.
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  28. added 2017-02-14
    Louis Marin, L'écriture de Soi. Ignace de Loyola, Montaigne, Stendhal, Roland Barthes. Recueil Établi Par P.-A. Fabre Avec la Collaboration de D. Arasse, A. Cantillon, G. Careri, D. Cohn Et F. Marin. [REVIEW]Nicolas Monseu - 2000 - Revue Philosophique De Louvain 98 (2):380-382.
  29. added 2017-02-14
    The Critical Difference: Balzac's “Sarrasine” and Barthes's S/Z'.Barbara Johnson - 1981 - In Robert Young (ed.), Untying the Text: A Post-Structuralist Reader. Routledge & Kegan Paul.
  30. added 2017-02-13
    Louis-Jean Calvet, Roland Barthes: A Biography.D. Macey - forthcoming - Radical Philosophy.
  31. added 2017-02-13
    In Memoriam: Roland H. Bainton.Robert M. Kingdon - 1985 - Bibliothèque d'Humanisme Et Renaissance 47 (1):165-166.
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  32. added 2017-02-13
    Les Trois Mentions Plus Anciennes du Couple « Roland Et Olivier ».Paul Aebischer - 1952 - Revue Belge de Philologie Et D’Histoire 30 (3):657-675.
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  33. added 2017-02-12
    Roland Rit. De l'Imaginaire d'Une Pulsion.Mathieu Dijoux - 2013 - Iris 34:173-182.
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  34. added 2017-02-12
    Hommage: Roland Moreno (1945-2012).Alain Lelu - 2012 - Hermès: La Revue Cognition, communication, politique 64 (3):195-199.
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  35. added 2017-02-10
    Hyper Naturalism and Simulacra in Stonehenge Art.Andrew Taylor, Ertu Unver & Caterina Amanda Benincasa-Sharman - unknown
    Unver and Taylor have explored digitally a methodology that has interested makers and observers for decades. In the 1930’s Walter Benjamin in his seminal discussion of Art in the Age of Mechanical Reproduction worried about the destruction of authenticity and aura that reproductions of the real created for the viewer, whilst acknowledging that this reproduction allowed artefacts to be dislocated from their original ritual purposes and therefore making the once scared more accessible. In 1977 Roland Barthes liberated the emphasis of (...)
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  36. added 2017-01-29
    Roland Barthes's Photobiographies: Towards an “Exemption From Meaning”.Fabien Arribert-Narce - 2009 - Colloquy 18:238-253.
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  37. added 2017-01-29
    Le Pas Philosophique de Roland Barthes.Jean Claude Milner - 2003
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  38. added 2017-01-29
    Introducing Barthes.Philip Malcolm Waller Thody, Ann Course & Richard Appignanesi - 1999
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  39. added 2017-01-29
    Writing the Image After Roland Barthes.Jean-Michel Rabaté - 1997
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  40. added 2017-01-29
    Autor y Texto Fragmentos de Una Presencia.Angeles Sirvent, Josefina Bueno, Silvia Caporale & Congreso Internacional Homenaje A. Roland Barthes - 1996
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  41. added 2017-01-29
    Roland Barthes.Roland Barthes - 1995
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  42. added 2017-01-29
    Rosenberg, Barthes, Hassan the Postmodern Habit of Thought.Jerome Klinkowitz - 1988
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  43. added 2017-01-29
    L'écriture Même À Propos de Barthes.Susan Sontag & Philippe Blanchard - 1982
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  44. added 2017-01-29
    Roland Barthes, "New Critical Essays". [REVIEW]Edith Kurzweil - 1981 - Theory and Society 10 (5):737.
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  45. added 2017-01-28
    L''ecriture de Soi Ignace de Loyola, Montaigne, Stendhal, Roland Barthes.Louis Marin & Pierre-Antoine Fabre - 1999
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  46. added 2017-01-28
    L'ombra Lunga Dell'autore Indagine Su Una Figura Cancellata.Carla Benedetti - 1999
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  47. added 2017-01-28
    Roland Barthes: A Biography. [REVIEW]David Macey - 1996 - Radical Philosophy 76.
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  48. added 2017-01-28
    Roland Barthes the Figures of Writing.Andrew Brown - 1992
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  49. added 2017-01-28
    La Littérature Selon Roland Barthes.Vincent Jouve - 1986
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  50. added 2017-01-28
    Roland Barthes: Selected Writings.Lloyd Spencer - 1985 - Radical Philosophy 39:42.
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1 — 50 / 125