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1 — 50 / 122
  1. added 2018-09-06
    Confessions’Bliss: Postmodern Criticism as a Palimpsest of Augustine's Confessions.Gene Fendt - 1995 - Heythrop Journal 36 (1):30-45.
    This paper reads through some contemporary literary critical problems and theorizing about textuality to Augustine's Confessions, to the enrichment, if not the ecstasy of both contemporary and medieval thinking. It shows that Augustine is both aware of much that passes as new in theorizing about language, and that his text is argumentatively and rhetorically structured to set difference at play. Like Augustine's writing, this article is a performance piece: besides arguing, it acknowledges; beside demonstration, it questions; besides telling, it shows; (...)
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  2. added 2018-01-19
    Nishida on God, Barth and Christianity.Curtis A. Rigsby - 2009 - Asian Philosophy 19 (2):119 – 157.
    Despite the central role that the concept of God played in Kitarō Nishida's philosophy—and more broadly, within the Kyoto School which formed around Nishida—Anglophone studies of the religious philosophy of modern Japan have not seriously considered the nature and role of God in Nishida's thought. Indeed, relevant Anglophone studies even strongly suggest that where the concept of God does appear in Nishida's writings, such a concept is to be dismissed as a 'subjective fiction', a 'penultimate designation', or a peripheral Western (...)
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  3. added 2017-07-01
    Unzeitgemäße Betrachtungen. Barthes und der Anachronismus der Liebe. [REVIEW]Thomas Khurana - 2003 - Texte Zur Kunst 13:141-144.
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  4. added 2017-02-24
    ›Une sorte de remontée vers le corps‹. Skizze einer Ästhetik der körperlichen Responsivität im Ausgang von Roland Barthes’ Überlegungen zur Pseudo-Schrift.Schwerzmann Katia - 2014 - Kodikas/Code. Ars Semeiotica 37 (3/4):249-260.
    The sensory dimension of writing, which is never fully neutralised in the process of semiosis, remains aporetic in Derrida’s philosophy. I show how Barthes’ observations on pseudo-writing lead to his understanding of writing as a gesture, opening up post-structuralism to the body as absolutely non-repeatable, as the opposite of semiosis. The examination of Barthes’ account of the relationship between writing and the body leads to an aesthetic of physical responsiveness, which challenges the distinction between work, creator and viewer. In this (...)
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  5. added 2017-02-16
    L'arithmétique De Roland L'ecrivain Et Le Quadripartitum Numerorum De Jean De Murs.Therese Charmasson - 1978 - Revue d'Histoire des Sciences 31 (2):173-176.
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  6. added 2017-02-15
    Roland N. Mckean.Some Changing Property Rights - forthcoming - Contemporary Issues in Business Ethics.
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  7. added 2017-02-15
    Review Article on Roland Barthes, 'The Neutral: Lecture Course at the Collège de France'.Lucy O'Meara - unknown
  8. added 2017-02-15
    La Chanson de Roland. [REVIEW]Larry Crist - 1998 - Speculum 73 (3):913-915.
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  9. added 2017-02-15
    Ganelon, Treason, and the “Chanson de Roland.”. [REVIEW]F. P. Akehurst - 1992 - Speculum 67 (3):726-728.
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  10. added 2017-02-15
    Roland Crahay, La Religion des Grecs.Pierre Somville - 1992 - Kernos 5:348-348.
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  11. added 2017-02-15
    The Sense of the “Song of Roland.”. [REVIEW]Rupert Pickens - 1990 - Speculum 65 (4):960-963.
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  12. added 2017-02-15
    Arabic Names in the Chanson De Roland: Saracen Gods, Frankish Swords, Roland's Horse, and the Olifant.James A. Bellamy - 1987 - Journal of the American Oriental Society 107 (2):267-277.
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  13. added 2017-02-14
    Roland Bleiker.J. G. Ballard - 2008 - In David Campbell & Morton Schoolman (eds.), The New Pluralism: William Connolly and the Contemporary Global Condition. Duke University Press. pp. 121.
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  14. added 2017-02-14
    Was There a Song of Roland?Andrew Taylor - 2001 - Speculum 76 (1):28-65.
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  15. added 2017-02-14
    Louis Marin, L'écriture de Soi. Ignace de Loyola, Montaigne, Stendhal, Roland Barthes. Recueil Établi Par P.-A. Fabre Avec la Collaboration de D. Arasse, A. Cantillon, G. Careri, D. Cohn Et F. Marin. [REVIEW]Nicolas Monseu - 2000 - Revue Philosophique De Louvain 98 (2):380-382.
  16. added 2017-02-14
    The Critical Difference: Balzac's “Sarrasine” and Barthes's S/Z'.Barbara Johnson - 1981 - In Robert Young (ed.), Untying the Text: A Post-Structuralist Reader. Routledge & Kegan Paul.
  17. added 2017-02-13
    Louis-Jean Calvet, Roland Barthes: A Biography.D. Macey - forthcoming - Radical Philosophy.
  18. added 2017-02-13
    In Memoriam: Roland H. Bainton.Robert M. Kingdon - 1985 - Bibliothèque d'Humanisme Et Renaissance 47 (1):165-166.
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  19. added 2017-02-13
    Les Trois Mentions Plus Anciennes du Couple « Roland Et Olivier ».Paul Aebischer - 1952 - Revue Belge de Philologie Et D’Histoire 30 (3):657-675.
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  20. added 2017-02-12
    Roland Rit. De l'Imaginaire d'Une Pulsion.Mathieu Dijoux - 2013 - Iris 34:173-182.
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  21. added 2017-02-12
    Hommage: Roland Moreno (1945-2012).Alain Lelu - 2012 - Hermès: La Revue Cognition, communication, politique 64 (3):195-199.
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  22. added 2017-02-10
    Hyper Naturalism and Simulacra in Stonehenge Art.Andrew Taylor, Ertu Unver & Caterina Amanda Benincasa-Sharman - unknown
    Unver and Taylor have explored digitally a methodology that has interested makers and observers for decades. In the 1930’s Walter Benjamin in his seminal discussion of Art in the Age of Mechanical Reproduction worried about the destruction of authenticity and aura that reproductions of the real created for the viewer, whilst acknowledging that this reproduction allowed artefacts to be dislocated from their original ritual purposes and therefore making the once scared more accessible. In 1977 Roland Barthes liberated the emphasis of (...)
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  23. added 2017-02-10
    L'effet de Réel Revisited.Sirkka Knuuttila - 2008 - Sign Systems Studies 36 (1):113-135.
    This article addresses Barthes’s development from a structuralist semiotician towards an affectively responding reader in terms of ‘postrational’ subjectivity. In light of his whole oeuvre, Barthes anticipates the understanding of emotion as an integral part of cognition presented in contemporary social neuroscience. To illustrate Barthes’s growing awareness of the importance of this epistemological move, the article starts from his textual ‘reality effect’ as a critical vehicle of realist representation. It then shifts to his attempt at conceptualising an affective reading which (...)
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  24. added 2017-01-29
    Roland Barthes's Photobiographies: Towards an “Exemption From Meaning”.Fabien Arribert-Narce - 2009 - Colloquy 18:238-253.
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  25. added 2017-01-29
    Le Pas Philosophique de Roland Barthes.Jean Claude Milner - 2003
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  26. added 2017-01-29
    Introducing Barthes.Philip Malcolm Waller Thody, Ann Course & Richard Appignanesi - 1999
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  27. added 2017-01-29
    Writing the Image After Roland Barthes.Jean-Michel Rabaté - 1997
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  28. added 2017-01-29
    Autor y Texto Fragmentos de Una Presencia.Angeles Sirvent, Josefina Bueno, Silvia Caporale & Congreso Internacional Homenaje A. Roland Barthes - 1996
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  29. added 2017-01-29
    Roland Barthes.Roland Barthes - 1995
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  30. added 2017-01-29
    Rosenberg, Barthes, Hassan the Postmodern Habit of Thought.Jerome Klinkowitz - 1988
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  31. added 2017-01-29
    L'écriture Même À Propos de Barthes.Susan Sontag & Philippe Blanchard - 1982
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  32. added 2017-01-29
    Roland Barthes, "New Critical Essays". [REVIEW]Edith Kurzweil - 1981 - Theory and Society 10 (5):737.
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  33. added 2017-01-28
    L''ecriture de Soi Ignace de Loyola, Montaigne, Stendhal, Roland Barthes.Louis Marin & Pierre-Antoine Fabre - 1999
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  34. added 2017-01-28
    L'ombra Lunga Dell'autore Indagine Su Una Figura Cancellata.Carla Benedetti - 1999
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  35. added 2017-01-28
    Roland Barthes: A Biography. [REVIEW]David Macey - 1996 - Radical Philosophy 76.
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  36. added 2017-01-28
    Roland Barthes the Figures of Writing.Andrew Brown - 1992
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  37. added 2017-01-28
    La Littérature Selon Roland Barthes.Vincent Jouve - 1986
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  38. added 2017-01-28
    Roland Barthes: Selected Writings.Lloyd Spencer - 1985 - Radical Philosophy 39:42.
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  39. added 2017-01-28
    Pourquoi J'aime Barthes.Alain Robbe-Grillet & Roland Barthes - 1978 - C. Bourgois.
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  40. added 2017-01-27
    Performance Degree Zero: Roland Barthes and the Theatre by Timothy Scheie (Review).Thomas J. Armbrecht - 2014 - Substance 43 (2):207-211.
    Timothy Scheie’s book on the importance of the theatre in Roland Barthes’ oeuvre begins with what Scheie poses as an enigma: Barthes wrote frequently of the theatre at the beginning of his career and then ceased to do so, without comment, after 1960. Scheie argues that Barthes’ abandonment of the theatre reveals something important about the development of his thoughts and even about his life. Scheie also considers Barthes’ early theatrical criticism and later use of theatrical metaphors to be an (...)
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  41. added 2017-01-27
    The Perverse Art of Reading: On the Phantasmatic Semiology in Roland Barthes’ Cours au Collège de France.Kris Pint - 2010 - Rodopi.
    ‘I sincerely believe that at the origin of teaching such as this we must always locate a fantasy’. This provoking remark was the starting point of the four lecture courses Roland Barthes taught as professor of literary semiology at the Collège de France. In these last years of his life, Barthes developed a perverse reading theory in which the demonic stupidity of the fantasy becomes an active force in the creation of new ways of thinking and feeling. The perverse art (...)
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  42. added 2017-01-27
    'The Haiku Of Urt': Migrations Of Roland Barthes.Francoise Grauby - 2008 - Literature & Aesthetics 18 (2):72-87.
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  43. added 2017-01-27
    Review Article on La Préparation du Roman I Et II: By Roland Barthes, and Roland Barthes by Graham Allen.Lucy O'Meara - unknown
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  44. added 2017-01-27
    Love, Death and the Photographic Image: James Ellroy's Dark Places Through Roland Barthes' Camera Lucida.Katrina Beal - 2000 - Literature & Aesthetics 10:75-103.
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  45. added 2017-01-27
    The Structuralist Concept of Form: Roland Barthes, George Poulet, and J. Hillis Miller.Judy Osowski - 1972 - Modern Schoolman 49 (4):349-355.
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  46. added 2017-01-26
    Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida.Geoffrey Batchen (ed.) - 2011 - MIT Press.
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  47. added 2017-01-26
    Looking Through Script: Roland Barthes'literal Ideographism Birgit Mersmann.Roland Barthes'literal Ideographism - 2007 - In Karin Leonhard & Silke Horstkotte (eds.), Seeing Perception. Cambridge Scholars Press.
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  48. added 2017-01-26
    Roland Barthes the Pianist: The Mediation of His Music ('Barthes and Utopia':'Space, Travel, Writing'by Diana Knight).Roland A. Champagne - 1999 - Semiotica 123 (3-4):357-366.
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  49. added 2017-01-26
    Roland Barthes and After'.Terry Eagleton - 1989 - In Lisa Appignanesi (ed.), Ideas From France: The Legacy of French Theory. Free Association Books. pp. 23--28.
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  50. added 2017-01-25
    Roland Barthes' Semiologische Lezing van Sade.Lode Lauwaert - 2012 - Tijdschrift Voor Filosofie 74 (3):425.
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1 — 50 / 122