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  1. Skateboarding with Roland Barthes: Architecture, Myth and Evidence.Mohd Shahrudin Abd Manan & Chris L. Smith - 2014 - Journal for Cultural Research 18 (3):203-215.
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  2. Names and Terms.Theodor Wiesengrund Adorno, Giorgio Agamben, Louis Althusser, Hannah Arendt, John Langshaw Austin, Gaston Bachelard, Alain Badiou, Mikhail Mikhaylovich Bakhtin, Roland Barthes & Georges Bataille - 2006 - In Paul Wake & Simon Malpas (eds.), The Routledge Companion to Critical Theory. Routledge.
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  3. Les Trois Mentions Plus Anciennes du Couple « Roland Et Olivier ».Paul Aebischer - 1952 - Revue Belge de Philologie Et D’Histoire 30 (3):657-675.
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  4. Ganelon, Treason, and the “Chanson de Roland.”. [REVIEW]F. P. Akehurst - 1992 - Speculum 67 (3):726-728.
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  5. Performance Degree Zero: Roland Barthes and the Theatre by Timothy Scheie (Review).Thomas J. Armbrecht - 2014 - Substance 43 (2):207-211.
    Timothy Scheie’s book on the importance of the theatre in Roland Barthes’ oeuvre begins with what Scheie poses as an enigma: Barthes wrote frequently of the theatre at the beginning of his career and then ceased to do so, without comment, after 1960. Scheie argues that Barthes’ abandonment of the theatre reveals something important about the development of his thoughts and even about his life. Scheie also considers Barthes’ early theatrical criticism and later use of theatrical metaphors to be an (...)
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  6. Roland Barthes's Photobiographies: Towards an “Exemption From Meaning”.Fabien Arribert-Narce - 2009 - Colloquy 18:238-253.
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  7. The 'Inkredible' Roland Barthes.Neil Badmington - unknown
    The opening of the fourth session of The Neutral — the course given by Roland Barthes at the Collège de France in 1977–8 — is marked by a dramatic spillage of ink. Rather than take this as an incidental, trivial moment, I read it as one of the many ‘ink blots’ that colour the work of Barthes. Tracing his ‘almost obsessive relation to writing instruments’ and the material act of inscription, this essay relates the ‘ink blots’ to the development of (...)
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  8. Roland Bleiker.J. G. Ballard - 2008 - In David Campbell & Morton Schoolman (eds.), The New Pluralism: William Connolly and the Contemporary Global Condition. Duke University Press. pp. 121.
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  9. Elements of Semiology.Roland Barthes - unknown
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  10. Arcimboldo lub Retor i Magik.Roland Barthes - forthcoming - Estetyka I Krytyka 15 (15/16):225-239.
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  11. Camera Lucida : Reflections on Photography.Roland Barthes - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
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  12. U9 Roland Barthes.Roland Barthes - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 149.
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  13. Relationship Between Writing, Reading and the Dominant Cultural Discourse. Perhaps the Most Important Philo-Sophical Influence on Barthes Was The.Roland Barthes - 2005 - In Siobhan Chapman & Christopher Routledge (eds.), Key Thinkers in Linguistics and the Philosophy of Language. Edinburgh University Press. pp. 27.
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  14. The Neutral: Lecture Course at the Collège De France, 1977-1978.Roland Barthes - 2005 - Columbia University Press.
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  15. Roland Barthes.Roland Barthes - 1995
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  16. Taking Sides.Roland Barthes - 1994 - In Barry Smart (ed.), Michel Foucault: Critical Assessments. Routledge. pp. 24.
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  17. 2 Theory of the Text.Roland Barthes - 1981 - In Robert Young (ed.), Untying the Text: A Post-Structuralist Reader. Routledge & Kegan Paul. pp. 31.
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  18. On Émile Benveniste.Roland Barthes - 1981 - Semiotica 37 (s1):25-46.
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  19. Barthes, R. (1977). Image, Music, Text. (S. Heath, Ed.)The Journal of Aesthetics and Art Criticism (Vol. 37, P. 220). Hill and Wang. Doi:10.2307/429854Image, Music, Text. [REVIEW]Roland Barthes - 1977 - Journal of Aesthetics and Art Criticism 37 (2):235-236.
    Roland Barthes, the French critic and semiotician, was one of the most important critics and essayists of this century. His work continues to influence contemporary literary theory and cultural studies. Image-Music-Text collects Barthes's best writings on photography and the cinema, as well as fascinating articles on the relationship between images and sound. Two of Barthes's most important essays, "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included in this fine anthology, an excellent introduction (...)
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  20. Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida.Geoffrey Batchen (ed.) - 2011 - MIT Press.
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  21. Love, Death and the Photographic Image: James Ellroy's Dark Places Through Roland Barthes' Camera Lucida.Katrina Beal - 2000 - Literature & Aesthetics 10:75-103.
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  22. Arabic Names in the Chanson De Roland: Saracen Gods, Frankish Swords, Roland's Horse, and the Olifant.James Bellamy - 1987 - Journal of the American Oriental Society 107 (2):267-277.
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  23. Une Parole Inquiète: Barthes Et Foucault au Collège de France.Guillaume Bellon - 2012 - Ellug, Université Stendhal.
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  24. L'ombra Lunga Dell'autore Indagine Su Una Figura Cancellata.Carla Benedetti - 1999
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  25. L'encadrement du souvenir chez HusserI, Proust et Barthes.Rudolf Bernet - 1991 - Études Phénoménologiques 7 (13-14):59-83.
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  26. The Conscious and the Unconscious in History:Lévi-Strauss, Collingwood, Bally, Barthes.Thorsten Botz-Bornstein - 2012 - Journal of the Philosophy of History 6 (2):151-172.
    Claude Lévi-Strauss holds that history and anthropology differ in their choice of complementary perspectives: history organizes its data in relation to conscious expressions of social life, while anthropology proceeds by examining its unconscious foundations. For R. G. Collingwood historical science discovers not only pure facts but considers a whole series of thoughts constituting historical life. Also Lévi-Strauss sees this: “To understand history it is necessary to know not only how things are, but how they have come to be.” However, Lévi-Strauss (...)
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  27. How to Live Together: Novelistic Simulations of Some Everyday Spaces.Kate Briggs (ed.) - 2012 - Cambridge University Press.
    In _The Preparation of the Novel_, a collection of lectures delivered at a defining moment in Roland Barthes's career, the critic spoke of his struggle to discover a different way of writing and a new approach to life. _The Neutral_ preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. _How to Live Together_ predates both of these achievements, a series of lectures exploring solitude and the degree of (...)
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  28. Roland Barthes the Figures of Writing.Andrew Brown - 1992
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  29. Exploring the Myth of the Bobby and the Intrusion of the State Into Social Space.Mark Brunger - 2014 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 27 (1):121-134.
    This paper aims to increase the reader’s understanding of how the notion of the ‘bobby on the beat’ has been elevated to iconic, if not mythical, status within British policing. In doing so, the article utilises the semiotic idea of myth, as conceptualized by Roland Barthes, to explore how through representations of the ‘bobby on the beat’ police officers have been projected in a more avuncular re-assuring role to a public fearful of crime, which fails to do service to the (...)
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  30. Review of Leslie Hill, Radical Indecision: Barthes, Blanchot, Derrida, and the Future of Criticism[REVIEW]Gerald Bruns - 2010 - Notre Dame Philosophical Reviews 2010 (3).
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  31. The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida.Sean Burke - 1998 - Edinburgh University Press.
    In the revised and updated edition of this popular book, Sean Burke shows how the attempt to abolish the author is fundamentally misguided and philosophically ...
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  32. The Ecstasies of Roland Barthes (Review).William E. Cain - 1990 - Philosophy and Literature 14 (1):175-176.
  33. On Myths and Fashion.Patrizia Calefato - 2008 - Sign Systems Studies 36 (1):71-80.
    Roland Barthes’s work has confronted contemporary culture with the question of what happens when an object turns into language. This question allowed Barthes to “construct” well known cultural objects — from novels to music, from images to classical rhetoric, from love to theatre — in an unthought way, and to create new, even more unknown ones — from contemporary myth to fashion, from Japan to food culture. In this paper, Barthes’s cultural criticism is considered alongside with the issues raised by (...)
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  34. Barthes and the Lesson of Saenredam.Howard Caygill - 2002 - Diacritics 32 (1):38-48.
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  35. Roland Barthes the Pianist: The Mediation of His Music ('Barthes and Utopia':'Space, Travel, Writing'by Diana Knight).Roland A. Champagne - 1999 - Semiotica 123 (3-4):357-366.
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  36. L'arithmétique De Roland L'ecrivain Et Le Quadripartitum Numerorum De Jean De Murs.Therese Charmasson - 1978 - Revue d'Histoire des Sciences 31 (2):173-176.
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  37. La Chanson de Roland. [REVIEW]Larry Crist - 1998 - Speculum 73 (3):913-915.
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  38. Barthes: A Very Short Introduction.Jonathan Culler - 2002 - Oxford University Press.
    Roland Barthes was the leading figure of French Structuralism, the theoretical movement of the 1960s which revolutionized the study of literature and culture, as well as history and psychoanalysis. But Barthes was a man who disliked orthodoxies. His shifting positions and theoretical interests make him hard to grasp and assess. This book surveys Barthes' work in clear, accessible prose, highlighting what is most interesting and important in his work today.
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  39. A Great "Pedagogy" of Nuance: Roland Barthes's The Neutral.Nicholas De Villiers - 2006 - Theory and Event 8 (4).
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  40. The “Music” in Barthes' A Lover's Discourse.William DeFotis - 1988 - Semiotics:53-56.
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  41. The Deaths of Roland Barthes.Jacques Derrida - 1988 - In Hugh J. Silverman (ed.), Philosophy and Non-Philosophy Since Merleau-Ponty. Routledge.
  42. Roland Rit. De l'Imaginaire d'Une Pulsion.Mathieu Dijoux - 2013 - Iris 34:173-182.
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  43. Mythologies of Tribal Art.Denis Dutton - unknown
    Forty years ago Roland Barthes defined a mythology as those “falsely obvious” ideas which an age so takes for granted that it is unaware of its own belief. An illustration of what he meant can be seen in his 1957 critique of the photographic exhibition, The Family of Man . Barthes declares that the myth it promotes stresses exoticism, complacently projecting a Babel of human diversity over the globe. From this image of diversity a pluralistic humanism “is magically produced: man (...)
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  44. Roland Barthes and After'.Terry Eagleton - 1989 - In Lisa Appignanesi (ed.), Ideas From France: The Legacy of French Theory. Free Association Books. pp. 23--28.
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  45. Mary Wiseman, The Ecstasies of Roland Barthes.The Editors - 1989 - Journal of French and Francophone Philosophy 1 (3):42.
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  46. Confessions'bliss: Postmodern Criticism as a Palimpsest of Augustine's Confessions.Gene Fendt - 1995 - Heythrop Journal 36 (1):30–45.
    This paper reads through some contemporary literary critical problems and theorizing about textuality to Augustine's Confessions, to the enrichment, if not the ecstasy of both contemporary and medieval thinking. It shows that Augustine is both aware of much that passes as new in theorizing about language, and that his text is argumentatively and rhetorically structured to set difference at play. Like Augustine's writing, this article is a performance piece: besides arguing, it acknowledges; beside demonstration, it questions; besides telling, it shows; (...)
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  47. Catastrophe, Adherence, Proximity Sartre (with Barthes) in the Cinema.Patrick Ffrench - 2013 - Sartre Studies International 19 (1):35-54.
    Sartre's recollection, in Les Mots , of his first visit to the cinema is a multi-layered and ambivalent text through which Sartre proposes a number of interlocking arguments: concerning the contrast between the 'sacred' space of the theatre and the non-ceremonial space of the cinema, between the theatre as associated with paternal authority, and the cinema as associated with a clandestine bond with the mother. But the text also sets up a quasi-sociological account of the public Sartre encounters in the (...)
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  48. Beyond Barthes: Rethinking the Phenomenology of Photography.Andrew Fisher - unknown
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  49. Roland Barthes and the Nouvelle Critique.David Funt - 1968 - Journal of Aesthetics and Art Criticism 26 (3):329-340.
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  50. Roland Barthes : Les Mots, les Choses.Françoise Gaillard - 2001 - Rue Descartes 34 (4):15.
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