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  1. Arcimboldo lub Retor i Magik.Roland Barthes - forthcoming - Estetyka I Krytyka 15 (15/16):225-239.
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  2. Louis-Jean Calvet, Roland Barthes: A Biography.D. Macey - forthcoming - Radical Philosophy.
  3. Roland Barthes: malarska retoryka Arcimbolda.Iwona Maria Malec - forthcoming - Estetyka I Krytyka 15 (15/16):240-246.
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  4. \"Na Skrzyżowaniu wszystkich dzieł-prawdopodobnie teatr\" (Roland Barthes Pisma o teatrze).Magdalena Marciniak - forthcoming - Estetyka I Krytyka 19 (19):175-178.
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  5. Roland N. Mckean.Some Changing Property Rights - forthcoming - Contemporary Issues in Business Ethics.
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  6. A Consideration of Roland Barthes’s The Pleasure of the Text in Advance.Jeffrey Dirk Wilson - forthcoming - International Philosophical Quarterly.
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  7. The Idea of Knowledge and its Evolution in Modern Discourse.Dimitry Mentuz - 2019 - Ottawa: Accent Graphics Communications & Publishing.
    This study conducts an epistemological and contextual discourse analysis of the idea of knowledge in the philosophy of the 20th century. The main key stones of this work are as follows: the identification of the essential characteristics indicating the ontological genesis of the existing crisis of epistemological and ethical foundations; consideration of the main distinctive features of knowledge interpretation in epistemology and contextualism as a possible knowledge production instrument; study of the possibility of restoring an integral picture of the world (...)
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  8. "...Lehetetlen úgy megváltoztatni a jelent, hogy ne változtassuk meg a múltat" - Losoncz Alpárral Tóth Szilárd János és Kocsis Árpád beszélget.Szilárd János Tóth, Árpád Kocsis & Alpár Losoncz - 2019 - Híd 86 (10):5-19.
    Interjú az Új Symposion örökségéről, Jugoszláviáról, a vajdasági magyarság baloldali radikális hagyományáról, az avantgárdról stb.
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  9. The Most Overrated Article of All Time?Joshua Landy - 2017 - Philosophy and Literature 41 (2):465-470.
    This year marks the fiftieth anniversary of an essay you have almost certainly read, if you took any class on literary theory in the intervening half-century. The essay in question is “The Death of the Author,” by a brilliant French thinker named Roland Barthes. Barthes had wonderfully illuminating things to say about the structure of narrative, realism, Proust, Racine, photography, and billboards. When he turned his thoughts to authorship, however, his touch temporarily deserted him, and the essay that resulted is (...)
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  10. A Consideration of Roland Barthes’s The Pleasure of the Text.Jeffrey Dirk Wilson - 2016 - International Philosophical Quarterly 56 (4):469-486.
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  11. Barthes, Roland (1915-1980).Dustin Garlitz - 2015 - In James D. Wright (ed.), International Encyclopedia of the Social and Behavioral Sciences (Second Edition). Elsevier.
    Roland Barthes was a twentieth-century French literary critic, philosopher, and cultural theorist important in the trajectories of structuralism and poststructuralism. This article begins by examining Barthes' formative years and influences, and highlights his contributions made to structuralism and poststructuralism in France and beyond. The article then discusses the role that Barthes' work has played in the social and behavioral sciences, including how his writings have been appropriated by disciplines such as sociology and anthropology. Barthes' writings on history are also examined (...)
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  12. Skateboarding with Roland Barthes: Architecture, Myth and Evidence.Mohd Shahrudin Abd Manan & Chris L. Smith - 2014 - Journal for Cultural Research 18 (3):203-215.
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  13. Exploring the Myth of the Bobby and the Intrusion of the State Into Social Space.Mark Brunger - 2014 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 27 (1):121-134.
    This paper aims to increase the reader’s understanding of how the notion of the ‘bobby on the beat’ has been elevated to iconic, if not mythical, status within British policing. In doing so, the article utilises the semiotic idea of myth, as conceptualized by Roland Barthes, to explore how through representations of the ‘bobby on the beat’ police officers have been projected in a more avuncular re-assuring role to a public fearful of crime, which fails to do service to the (...)
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  14. Scheie, Timothy. Performance Degree Zero: Roland Barthes and the Theatre. Toronto: University of Toronto Press, 2006. Pp. 225. [REVIEW]M. Chrulew, C. Danta & T. J. Armbrecht - 2014 - Substance 43 (2):207-211.
    Timothy Scheie’s book on the importance of the theatre in Roland Barthes’ oeuvre begins with what Scheie poses as an enigma: Barthes wrote frequently of the theatre at the beginning of his career and then ceased to do so, without comment, after 1960. Scheie argues that Barthes’ abandonment of the theatre reveals something important about the development of his thoughts and even about his life. Scheie also considers Barthes’ early theatrical criticism and later use of theatrical metaphors to be an (...)
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  15. ›Une sorte de remontée vers le corps‹. Skizze einer Ästhetik der körperlichen Responsivität im Ausgang von Roland Barthes’ Überlegungen zur Pseudo-Schrift.Schwerzmann Katia - 2014 - Kodikas/Code. Ars Semeiotica 37 (3/4):249-260.
    The sensory dimension of writing, which is never fully neutralised in the process of semiosis, remains aporetic in Derrida’s philosophy. I show how Barthes’ observations on pseudo-writing lead to his understanding of writing as a gesture, opening up post-structuralism to the body as absolutely non-repeatable, as the opposite of semiosis. The examination of Barthes’ account of the relationship between writing and the body leads to an aesthetic of physical responsiveness, which challenges the distinction between work, creator and viewer. In this (...)
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  16. Roland Rit. De L’Imaginaire D’Une Pulsion.Mathieu Dijoux - 2013 - Iris 34:173-182.
    Dans la Chanson de Roland, le rire du héros résonne étrangement aux oreilles du lecteur. Le présent article a pour objet d’en définir la nature et la portée véritables. Pour ce faire, il convient de renoncer aux interprétations psychologiques et de privilégier une approche anthropologique. C’est par le respect de la mouvance de l’œuvre qu’il est possible de construire une interprétation rigoureuse de ce rire : il s’agit d’une manifestation du furor guerrier. Mais ce rire n’est pas un simple motif (...)
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  17. Catastrophe, Adherence, Proximity Sartre (with Barthes) in the Cinema.Patrick Ffrench - 2013 - Sartre Studies International 19 (1):35-54.
    Sartre's recollection, in Les Mots , of his first visit to the cinema is a multi-layered and ambivalent text through which Sartre proposes a number of interlocking arguments: concerning the contrast between the 'sacred' space of the theatre and the non-ceremonial space of the cinema, between the theatre as associated with paternal authority, and the cinema as associated with a clandestine bond with the mother. But the text also sets up a quasi-sociological account of the public Sartre encounters in the (...)
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  18. Roland Barthes , The Preparation of the Novel, Trans. Kate Briggs . Reviewed By.Nicholas P. Greco - 2013 - Philosophy in Review 33 (3):177–178.
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  19. Une Parole Inquiète: Barthes Et Foucault au Collège de France.Guillaume Bellon - 2012 - Ellug, Université Stendhal.
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  20. The Conscious and the Unconscious in History:Lévi-Strauss, Collingwood, Bally, Barthes.Thorsten Botz-Bornstein - 2012 - Journal of the Philosophy of History 6 (2):151-172.
    Claude Lévi-Strauss holds that history and anthropology differ in their choice of complementary perspectives: history organizes its data in relation to conscious expressions of social life, while anthropology proceeds by examining its unconscious foundations. For R. G. Collingwood historical science discovers not only pure facts but considers a whole series of thoughts constituting historical life. Also Lévi-Strauss sees this: “To understand history it is necessary to know not only how things are, but how they have come to be.” However, Lévi-Strauss (...)
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  21. How to Live Together: Novelistic Simulations of Some Everyday Spaces.Kate Briggs (ed.) - 2012 - Cambridge University Press.
    In _The Preparation of the Novel_, a collection of lectures delivered at a defining moment in Roland Barthes's career, the critic spoke of his struggle to discover a different way of writing and a new approach to life. _The Neutral_ preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. _How to Live Together_ predates both of these achievements, a series of lectures exploring solitude and the degree of (...)
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  22. Roland Barthes' Semiologische Lezing van Sade.Lode Lauwaert - 2012 - Tijdschrift Voor Filosofie 74 (3):425.
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  23. Hommage: Roland Moreno (1945-2012).Alain Lelu - 2012 - Hermès: La Revue Cognition, communication, politique 64 (3):195-199.
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  24. I lectores medioevali tra il libro e il testo.Federica Riviello - 2012 - Doctor Virtualis 11:197-216.
    L’intento del lavoro è di problematizzare alcuni aspetti, generalmente ritenuti emblematici, della relazione tra i litterati medievali e il libro – nelle sue declinazioni di Testo sacro, Libro della natura e auctoritates . L’impiego, come strumenti di lavoro, di concetti di recente elaborazione e di osservazioni di pensatori contemporanei sull’argomento, non è finalizzato ad attualizzare tale relazione, quanto piuttosto ad ampliare i punti di vista su di essa e a metterne alla prova la capacità di offrire originali spunti di riflessione. (...)
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  25. How to Read Barthes' Image-Music-Text.Ed White - 2012 - Pluto Press.
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  26. Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida.Geoffrey Batchen (ed.) - 2011 - MIT Press.
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  27. Why I Love Barthes.Alain Robbe-Grillet - 2011 - Polity.
    The literary friendship between Alain Robbe-Grillet and Roland Barthes lasted 25 years. Everything attests to their deep and mutual intellectual esteem: their private correspondence, their published texts, their conversations - notably in the famous dialogue which gives its name to this work. Robbe-Grillet freely said he had very few true friends but, next to the publisher Jérôme Lindon, he always cited the name of Roland Barthes. In 1980, he wrote his own ‘I love, I don’t love’, published here for the (...)
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  28. Lévi-Strauss, Barthes, and the "Structuralist Activity" of Sartre's Dialectical Reason.Jacob Rump - 2011 - Sartre Studies International 17 (2):1-15.
    The paper examines Lévi-Strauss' criticisms of Sartre's conception of dialectical reason and history as presented in the last chapter of La Pensée Sauvage , suggesting that these criticisms are misplaced. Sartre's notion of reason and history in the Critique is much closer to structuralist accounts than Lévi-Strauss seems to recognize, but it differs in placing a strong emphasis on activity and praxis in place of the latter's passive conception of reason. The active role of the inquirer in structuralist thought is (...)
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  29. Review of Leslie Hill, Radical Indecision: Barthes, Blanchot, Derrida, and the Future of Criticism[REVIEW]Gerald Bruns - 2010 - Notre Dame Philosophical Reviews 2010 (3).
    Leslie Hill is a literary critic, not a philosopher, but as a Professor of French Studies at Warwick University in England he is situated at an interesting, if possibly fatal, crossroads: on the one side is a venerable British tradition that thinks of criticism in terms of the elucidation and evaluation -- which is to say the elevation -- of literary monuments (F. R. Leavis); on the other there is recent French intellectual culture, where the boundaries between philosophy and literature (...)
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  30. Żałobny pątnik: Roland Barthes, śmierć, pustka i literatura.Kajetan Maria Jaksender - 2010 - Humanistyka I Przyrodoznawstwo 16:77-87.
    Esej jest próbą przybliżenia ostatniej książki napisanej przez Rolanda Barthesa, która została właśnie przełożona na język polski. W dzienniku pisanym po śmierci matki, a zatytułowanym znamiennie Dziennikiem żałobnym, Barthes porusza kwestie żałoby, melancholii, depresji, odnosząc się zarówno do siebie i własnej straty, jak i podejmując dyskusję z Freudem, Lacanem czy psychoanalizą, zadając sobie przy tym pytanie, czy żałobnik po śmierci ukochanej osoby w ogóle chce wychodzić z żałoby i czy ma do tego jakiekolwiek prawo. Jest tu zatem ukazana ciekawa perspektywa (...)
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  31. The Photographic Attitude : Barthes with Husserl.Christian Lotz - 2010 - In Pol Vandevelde & Sebastian Luft (eds.), Epistemology, Archaeology, Ethics: Current Investigations of Husserl's Corpus. Continuum.
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  32. The Photographic Attitude: Barthes for Phenomenologists.Christian Lotz - 2010 - In Pol Vandevelde & Sebastian Luft (eds.), Epistemology, Archaeology, Ethics.
  33. Robbe-Grillet's Ethics of Non-Narrativity in the Post-War Context (Sartre, Levinas, Barthes).Hanna Meretoja - 2010 - In Kuisma Korhonen & Pajari Räsänen (eds.), The Event of Encounter in Art and Philosophy: Continental Perspectives. Gaudeamus.
  34. The Perverse Art of Reading: On the Phantasmatic Semiology in Roland Barthes’ Cours au Collège de France.Kris Pint - 2010 - Rodopi.
    ‘I sincerely believe that at the origin of teaching such as this we must always locate a fantasy’. This provoking remark was the starting point of the four lecture courses Roland Barthes taught as professor of literary semiology at the Collège de France. In these last years of his life, Barthes developed a perverse reading theory in which the demonic stupidity of the fantasy becomes an active force in the creation of new ways of thinking and feeling. The perverse art (...)
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  35. Roland Barthes's Photobiographies: Towards an “Exemption From Meaning”.Fabien Arribert-Narce - 2009 - Colloquy 18:238-253.
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  36. The Question of Photographic Meaning in Roland Barthes’ Camera Lucida.Lior Levy - 2009 - Philosophy Today 53 (4):395-406.
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  37. Nishida on God, Barth and Christianity.Curtis A. Rigsby - 2009 - Asian Philosophy 19 (2):119 – 157.
    Despite the central role that the concept of God played in Kitarō Nishida's philosophy—and more broadly, within the Kyoto School which formed around Nishida—Anglophone studies of the religious philosophy of modern Japan have not seriously considered the nature and role of God in Nishida's thought. Indeed, relevant Anglophone studies even strongly suggest that where the concept of God does appear in Nishida's writings, such a concept is to be dismissed as a 'subjective fiction', a 'penultimate designation', or a peripheral Western (...)
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  38. The ‘Inkredible’ Roland Barthes.Neil Badmington - 2008 - Paragraph 31 (1):84-94.
    The opening of the fourth session of The Neutral — the course given by Roland Barthes at the Collège de France in 1977–8 — is marked by a dramatic spillage of ink. Rather than take this as an incidental, trivial moment, I read it as one of the many ‘ink blots’ that colour the work of Barthes. Tracing his ‘almost obsessive relation to writing instruments’ and the material act of inscription, this essay relates the ‘ink blots’ to the development of (...)
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  39. Roland Bleiker.J. G. Ballard - 2008 - In David Campbell & Morton Schoolman (eds.), The New Pluralism: William Connolly and the Contemporary Global Condition. Duke University Press. pp. 121.
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  40. On Myths and Fashion.Patrizia Calefato - 2008 - Sign Systems Studies 36 (1):71-80.
    Roland Barthes’s work has confronted contemporary culture with the question of what happens when an object turns into language. This question allowed Barthes to “construct” well known cultural objects — from novels to music, from images to classical rhetoric, from love to theatre — in an unthought way, and to create new, even more unknown ones — from contemporary myth to fashion, from Japan to food culture. In this paper, Barthes’s cultural criticism is considered alongside with the issues raised by (...)
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  41. 'The Haiku Of Urt': Migrations Of Roland Barthes.Francoise Grauby - 2008 - Literature & Aesthetics 18 (2):72-87.
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  42. L’Effet de Réel Revisited: Barthes and the Affective Image.Sirkka Knuuttila - 2008 - Sign Systems Studies 36 (1):113-135.
    This article addresses Barthes’s development from a structuralist semiotician towards an affectively responding reader in terms of ‘postrational’ subjectivity. In light of his whole oeuvre, Barthes anticipates the understanding of emotion as an integral part of cognition presented in contemporary social neuroscience. To illustrate Barthes’s growing awareness of the importance of this epistemological move, the article starts from his textual ‘reality effect’ as a critical vehicle of realist representation. It then shifts to his attempt at conceptualising an affective reading which (...)
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  43. Еще раз об «эффекте реальности».Sirkka Knuuttila - 2008 - Sign Systems Studies 36 (1):135-136.
    This article addresses Barthes’s development from a structuralist semiotician towards an affectively responding reader in terms of ‘postrational’ subjectivity. In light of his whole oeuvre, Barthes anticipates the understanding of emotion as an integral part of cognition presented in contemporary social neuroscience. To illustrate Barthes’s growing awareness of the importance of this epistemological move, the article starts from his textual ‘reality effect’ as a critical vehicle of realist representation. It then shifts to his attempt at conceptualising an affective reading which (...)
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  44. Voicing Le Neutre in the Invisible Choir in Richard Wagner’s Parsifal.Anne Sivuoja-Gunaratnam - 2008 - Sign Systems Studies 36 (1):83-110.
    Roland Barthes was suspicious about the ability of music and voice to signify, as revealed in many of his writings. However, his somewhat limited views on music and voice need not to restrain from profiting his semiotic theorising and his reasoning, which can be adapted for musical instances in ways not envisaged by Barthes. The Neutral is a recurrent topic in Barthes’s oeuvre from his first book, Writing Zero Degree up to his 1978 lecture series on The Neutral in Collège (...)
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  45. Barthes'i positiivne autoriteooria. Kokkuvõte.Harri Veivo - 2008 - Sign Systems Studies 36 (1):48-48.
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  46. Barthes’s Positive Theory of the Author.Harri Veivo - 2008 - Sign Systems Studies 36 (1):31-47.
    While it is well known that Roland Barthes consecrated his last lecture series at the Collège de France to the theme of the preparation of a novel, it is less known that his first writings on literature focused on the same question, but from a less individual point of view. The interrogation that motivates Le Degré zéro de l’écriture and many of the essays in Essais critiques is the question of how to write, of what procedures one can follow in (...)
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  47. Homo Sacer E Acta Populi: Exclusão Social Nos Fait Divers da Mídia.Rafael Duarte Oliveira Venancio - 2008 - Biblioteca Online de Ciências da Comunicação 2008:sn-sn.
    O objetivo desse paper é mostrar como que se opera a temática da exclusão social dentro da esfera espectacularizadora da mídia. Usando o conceito, retirado do Direito Romano por Giorgio Agamben, de Homo sacer, mostraremos como esses indíviduos que estão às margens dos direitos estatais aparecem em temáticas que “esquecem” do seu problema fundamental. Relembrando os jornais romanos conhecidos como acta populi e o termo, difundido filosoficamente por Roland Barthes, de fait divers, podemos ver como que os excluídos (cuja existência, (...)
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  48. Love Speech.Owen Ware - 2008 - Critical Inquiry 34 (3):491-508.
  49. U9 Roland Barthes.Roland Barthes - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 149.
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  50. Looking Through Script: Roland Barthes'literal Ideographism Birgit Mersmann.Roland Barthes'literal Ideographism - 2007 - In Karin Leonhard & Silke Horstkotte (eds.), Seeing Perception. Cambridge Scholars Press.
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