This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories
Siblings:
66 found
Search inside:
(import / add options)   Order:
1 — 50 / 66
  1. Mohd Shahrudin Abd Manan & Chris L. Smith (2014). Skateboarding with Roland Barthes: Architecture, Myth and Evidence. Journal for Cultural Research 18 (3):203-215.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  2. Theodor Wiesengrund Adorno, Giorgio Agamben, Louis Althusser, Hannah Arendt, John Langshaw Austin, Gaston Bachelard, Alain Badiou, Mikhail Mikhaylovich Bakhtin, Roland Barthes & Georges Bataille (2006). Names and Terms. In Paul Wake & Simon Malpas (eds.), The Routledge Companion to Critical Theory. Routledge.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  3. Roland Barthes, Elements of Semiology.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography   16 citations  
  4. Roland Barthes (forthcoming). Arcimboldo lub Retor i Magik. Estetyka I Krytyka 15 (15/16):225-239.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  5. Roland Barthes (2010). Camera Lucida : Reflections on Photography. In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
    Remove from this list  
     
    Export citation  
     
    My bibliography   27 citations  
  6. Roland Barthes (2007). U9 Roland Barthes. In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 149.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  7. Roland Barthes (2005). The Neutral: Lecture Course at the Collège De France, 1977-1978. Columbia University Press.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  8. Roland Barthes (2005). Relationship Between Writing, Reading and the Dominant Cultural Discourse. Perhaps the Most Important Philo-Sophical Influence on Barthes Was The. In Siobhan Chapman & Christopher Routledge (eds.), Key Thinkers in Linguistics and the Philosophy of Language. Edinburgh University Press. pp. 27.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  9. Roland Barthes (1994). Taking Sides. In Barry Smart (ed.), Michel Foucault: Critical Assessments. Routledge. pp. 24.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  10. Roland Barthes (1981). 2 Theory of the Text. In Robert Young (ed.), Untying the Text: A Post-Structuralist Reader. Routledge & Kegan Paul. pp. 31.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  11. Roland Barthes (1981). On Émile Benveniste. Semiotica 37 (s1):25-46.
    Remove from this list  
    Translate
      Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  12. Roland Barthes (1977). Barthes, R. (1977). Image, Music, Text. (S. Heath, Ed.)The Journal of Aesthetics and Art Criticism (Vol. 37, P. 220). Hill and Wang. Doi:10.2307/429854Image, Music, Text. [REVIEW] Journal of Aesthetics and Art Criticism 37 (2):235-236.
    Roland Barthes, the French critic and semiotician, was one of the most important critics and essayists of this century. His work continues to influence contemporary literary theory and cultural studies. Image-Music-Text collects Barthes's best writings on photography and the cinema, as well as fascinating articles on the relationship between images and sound. Two of Barthes's most important essays, "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included in this fine anthology, an excellent introduction (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  13. Guillaume Bellon (2012). Une Parole Inquiète: Barthes Et Foucault au Collège de France. Ellug, Université Stendhal.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  14. Rudolf Bernet (1991). L'encadrement du souvenir chez HusserI, Proust et Barthes. Études Phénoménologiques 7 (13-14):59-83.
    Remove from this list  
    Translate
      Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  15. Thorsten Botz-Bornstein (2012). The Conscious and the Unconscious in History:Lévi-Strauss, Collingwood, Bally, Barthes. Journal of the Philosophy of History 6 (2):151-172.
    Claude Lévi-Strauss holds that history and anthropology differ in their choice of complementary perspectives: history organizes its data in relation to conscious expressions of social life, while anthropology proceeds by examining its unconscious foundations. For R. G. Collingwood historical science discovers not only pure facts but considers a whole series of thoughts constituting historical life. Also Lévi-Strauss sees this: “To understand history it is necessary to know not only how things are, but how they have come to be.” However, Lévi-Strauss (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  16. Kate Briggs (ed.) (2012). How to Live Together: Novelistic Simulations of Some Everyday Spaces. Cambridge University Press.
    In _The Preparation of the Novel_, a collection of lectures delivered at a defining moment in Roland Barthes's career, the critic spoke of his struggle to discover a different way of writing and a new approach to life. _The Neutral_ preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. _How to Live Together_ predates both of these achievements, a series of lectures exploring solitude and the degree of (...)
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  17. Mark Brunger (2014). Exploring the Myth of the Bobby and the Intrusion of the State Into Social Space. International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 27 (1):121-134.
    This paper aims to increase the reader’s understanding of how the notion of the ‘bobby on the beat’ has been elevated to iconic, if not mythical, status within British policing. In doing so, the article utilises the semiotic idea of myth, as conceptualized by Roland Barthes, to explore how through representations of the ‘bobby on the beat’ police officers have been projected in a more avuncular re-assuring role to a public fearful of crime, which fails to do service to the (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  18. Gerald Bruns (2010). Review of Leslie Hill, Radical Indecision: Barthes, Blanchot, Derrida, and the Future of Criticism. [REVIEW] Notre Dame Philosophical Reviews 2010 (3).
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  19. Sean Burke (1998). The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida. Edinburgh University Press.
    In the revised and updated edition of this popular book, Sean Burke shows how the attempt to abolish the author is fundamentally misguided and philosophically ...
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography   4 citations  
  20. William E. Cain (1990). The Ecstasies of Roland Barthes (Review). Philosophy and Literature 14 (1):175-176.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  21. Patrizia Calefato (2008). On Myths and Fashion. Sign Systems Studies 36 (1):71-80.
    Roland Barthes’s work has confronted contemporary culture with the question of what happens when an object turns into language. This question allowed Barthes to “construct” well known cultural objects — from novels to music, from images to classical rhetoric, from love to theatre — in an unthought way, and to create new, even more unknown ones — from contemporary myth to fashion, from Japan to food culture. In this paper, Barthes’s cultural criticism is considered alongside with the issues raised by (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  22. Howard Caygill (2004). Barthes and the Lesson of Saenredam. Diacritics 32 (1):38-48.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  23. Jonathan Culler (2002). Barthes: A Very Short Introduction. Oxford University Press.
    Roland Barthes was the leading figure of French Structuralism, the theoretical movement of the 1960s which revolutionized the study of literature and culture, as well as history and psychoanalysis. But Barthes was a man who disliked orthodoxies. His shifting positions and theoretical interests make him hard to grasp and assess. This book surveys Barthes' work in clear, accessible prose, highlighting what is most interesting and important in his work today.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  24. William DeFotis (1988). The “Music” in Barthes' A Lover's Discourse. Semiotics:53-56.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  25. Jacques Derrida (1988). The Deaths of Roland Barthes. In Hugh J. Silverman (ed.), Philosophy and Non-Philosophy Since Merleau-Ponty. Routledge.
  26. Denis Dutton, Mythologies of Tribal Art.
    Forty years ago Roland Barthes defined a mythology as those “falsely obvious” ideas which an age so takes for granted that it is unaware of its own belief. An illustration of what he meant can be seen in his 1957 critique of the photographic exhibition, The Family of Man . Barthes declares that the myth it promotes stresses exoticism, complacently projecting a Babel of human diversity over the globe. From this image of diversity a pluralistic humanism “is magically produced: man (...)
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  27. Gene Fendt (1995). Confessions'bliss: Postmodern Criticism as a Palimpsest of Augustine's Confessions. Heythrop Journal 36 (1):30–45.
    This paper reads through some contemporary literary critical problems and theorizing about textuality to Augustine's Confessions, to the enrichment, if not the ecstasy of both contemporary and medieval thinking. It shows that Augustine is both aware of much that passes as new in theorizing about language, and that his text is argumentatively and rhetorically structured to set difference at play. Like Augustine's writing, this article is a performance piece: besides arguing, it acknowledges; beside demonstration, it questions; besides telling, it shows; (...)
    Remove from this list   Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  28. Patrick Ffrench (2013). Catastrophe, Adherence, Proximity Sartre (with Barthes) in the Cinema. Sartre Studies International 19 (1):35-54.
    Sartre's recollection, in Les Mots , of his first visit to the cinema is a multi-layered and ambivalent text through which Sartre proposes a number of interlocking arguments: concerning the contrast between the 'sacred' space of the theatre and the non-ceremonial space of the cinema, between the theatre as associated with paternal authority, and the cinema as associated with a clandestine bond with the mother. But the text also sets up a quasi-sociological account of the public Sartre encounters in the (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  29. Andrew Fisher (2008). Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy 148.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  30. David Funt (1968). Roland Barthes and the Nouvelle Critique. Journal of Aesthetics and Art Criticism 26 (3):329-340.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  31. Françoise Gaillard (2001). Roland Barthes : Les Mots, les Choses. Rue Descartes 34 (4):15.
    Remove from this list   Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  32. Dustin Garlitz (2015). Barthes, Roland (1915-1980). In James D. Wright (ed.), International Encyclopedia of the Social and Behavioral Sciences (Second Edition). Elsevier.
    Roland Barthes was a twentieth-century French literary critic, philosopher, and cultural theorist important in the trajectories of structuralism and poststructuralism. This article begins by examining Barthes' formative years and influences, and highlights his contributions made to structuralism and poststructuralism in France and beyond. The article then discusses the role that Barthes' work has played in the social and behavioral sciences, including how his writings have been appropriated by disciplines such as sociology and anthropology. Barthes' writings on history are also examined (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  33. Nicholas P. Greco (2013). Roland Barthes , The Preparation of the Novel, Trans. Kate Briggs . Reviewed By. Philosophy in Review 33 (3):177–178.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  34. Nicholas Huckle (1985). On Representation and Essence: Barthes and Heidegger. Journal of Aesthetics and Art Criticism 43 (3):275-280.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  35. William Irwin (2004). Against Intertextuality. Philosophy and Literature 28 (2):227-242.
    : Julia Kristeva coined the term intertextuality in 1966, and since that time intertextuality has come to have almost as many meanings as users. No small task, I clarify what intertextuality means for Kristeva and her mentor/colleague, Roland Barthes before criticizing their concept of intertextuality and its application in interpretation. Because no rational and coherent concept of intertextuality is offered by Kristeva, Barthes, or their Epigoni, I conclude that intertextuality should be stricken from the lexicon of sincere and intelligent humanists.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  36. Kajetan Maria Jaksender (2010). Żałobny pątnik. Roland Barthes, śmierć, pustka i literatura. Humanistyka I Przyrodoznawstwo 16.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  37. Alexander V. Kozin (2005). Crossing Over with the Angel. Sign Systems Studies 33 (2):273-294.
    This essay is an analytical extension of Roland Barthes’ structural analysis of an excerpt from the Old Testament (Genesis 32: 22–32), known as “The Struggle with the Angel”. It thus continues the search for “the third meaning” of this enigmatic passage. In this essay, “The Struggle with the Angel” is undertaken in the phenomenological (xenological) register which situates it in the liminal sphere at the crossing of disclosure and concealment. Subsequent semiotic analyses of three visual renditions of Genesis 32: 22–32, (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  38. Lucian Krukowski (1990). Artist-Work-Audience: Musings on Barthes and Tolstoy. British Journal of Aesthetics 30 (2):143-148.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  39. Annette Lavers (1982). Roland Barthes, Structuralism and After. Methuen.
    1 Where to begin? 'Life and times' Roland Barthes is generally acknowledged, even by those not conversant with his books, as one of the leading figures of ...
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  40. Lior Levy (2009). The Question of Photographic Meaning in Roland Barthes' Camera Lucida. Philosophy Today 53 (4):395-406.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  41. Christian Lotz (2010). The Photographic Attitude: Barthes for Phenomenologists. In Pol Vandevelde & Sebastian Luft (eds.), Epistemology, Archaeology, Ethics.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  42. Christian Lotz (2010). The Photographic Attitude : Barthes with Husserl. In Pol Vandevelde & Sebastian Luft (eds.), Epistemology, Archaeology, Ethics: Current Investigations of Husserl's Corpus. Continuum.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  43. Iwona Maria Malec (forthcoming). Roland Barthes: malarska retoryka Arcimbolda. Estetyka I Krytyka 15 (15/16):240-246.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  44. Magdalena Marciniak (forthcoming). \"Na Skrzyżowaniu wszystkich dzieł-prawdopodobnie teatr\" (Roland Barthes Pisma o teatrze). Estetyka I Krytyka 19 (19):175-178.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  45. Hanna Meretoja (2010). Robbe-Grillet's Ethics of Non-Narrativity in the Post-War Context (Sartre, Levinas, Barthes). In Kuisma Korhonen & Pajari Räsänen (eds.), The Event of Encounter in Art and Philosophy: Continental Perspectives. Gaudeamus.
  46. James Michels (1985). Roland Barthes on the Cosmo Cover Girl. Semiotics:195-202.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  47. Christopher Norris (1974). Les Plaisirs Des Clercs: Barthes's Latest Writing. British Journal of Aesthetics 14 (3):250-257.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  48. François Noudelmann (2001). Roland Barthes : De la Main Gauche. Rue Descartes 34 (4):45.
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  49. David Novitz (2001). Postmodernism: Barthes and Derrida. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  50. Fontana Press, Annette Lavers, Roland Barthes & Harvester Wheatsheaf (2005). Primary Works. In Siobhan Chapman & Christopher Routledge (eds.), Key Thinkers in Linguistics and the Philosophy of Language. Edinburgh University Press.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
1 — 50 / 66