Simone de Beauvoir

At the end of 2017, Kristen Roupenian’s short story, Cat Person, went viral. Published at the height of the #MeToo movement, it depicted a ‘toxic date’ and a disturbing sexual encounter between Margot, a college student, and Robert, an older man she meets at work. The story was widely viewed as a relatable denunciation of women’s powerlessness and routine victimization. In this paper, I push against this common reading. I propose an alternative feminist interpretation through the lens of Simone de (...) Beauvoir’s notion of narcissism: a form of alienation that consists in making oneself both the subject and the ultimate project of one’s life. Framing Margot as a narcissist casts her as engaging, not in subtly coerced, undesired sex, but rather in sex that is desired in a tragically alienated way. I argue that Beauvoir’s notion of narcissism is an important tool for feminists today – well beyond the interpretation of Cat Person. It presses us to see systematic subordination not just as something done to women, but also as something women do to themselves. This in turn highlights the neglected role of self-transformation as a key aspect of feminist political resistance. (shrink)

We find meaning and value in our lives by engaging in everyday projects. But, according to a recent argument by Samuel Scheffler, this value doesn’t depend merely on what the projects are about. In many cases, it depends also on the future generations that will replace us. By imagining the imminent extinction of humanity soon after our own deaths, we can recognize both that much of our current valuing depends on a background confidence in the ongoing survival of humanity and (...) that the survival and flourishing of those future generations matters to us. After presenting Scheffler’s argument, I will explore two twentieth century precursors—Hans Morgenthau and Simone de Beauvoir—before returning to Scheffler to see that his argument can not only show us why future generations matter, but it can also give us hope for immortality and a blueprint for embracing a changing future. (shrink)

Simone de Beauvoir’s _The Second Sex_ is the most important work of feminist philosophy ever published and one of the great texts of the Twentieth century. Renowned for introducing the theory of woman as the ‘Other’ it is a widely-studied text that continues to exert profound influence on feminist thought. _The Routledge Guidebook to De Beauvoir and The Second Sex_ introduces and assesses: De Beauvoir’s life and the background of The Second Sex The ideas and arguments of The Second Sex (...) De Beauvoir’s continuing importance to feminist theory and philosophy This book is essential reading for all students of feminism, gender studies, philosophy, and literary studies and ideal for anyone reading de Beauvoir’s classic work for the first time. (shrink)

English Title: From Oppression to Independence: the Philosophy of Love in The Second Sex -/- Beauvoir’s philosophy of love has been studied in a few papers but these papers focus mainly on a description of the forms of love that are analyzed in The Second Sex without questioning the role that Beauvoir’s philosophy of love plays in her general argument on women’s oppression. Although one could think that philosophy of love plays a minor role in The Second Sex, this paper (...) argues that for Beauvoir the transformation of heterosexual love may well be the main way to convert oppression in emancipation at the individual level. Beauvoir’s philosophy of love is this crucial to link her analysis of women’s oppression with her proposing paths towards emancipation. (shrink)

This is a short introduction to a special issue of Philosophie on Beauvoir's The Second Sex. It provides a survey of the reception of Beauvoir's work in France and elsewhere.

Although written in Japanese, this article deals with what the gender theory is all about by reference to Beauvoir's Le Deuxième Sexe. Sartre's works are also heavily cited to clarify the background of Beauvoir's philosophy.

InThe Second Sex, Simone de Beauvoir argues that women are often complicit in reinforcing their own unfreedom. But why women become complicit remains an open question. The aim of this article is to offer a systematic analysis of complicity by focusing on the Heideggerian strands of Beauvoir's account. I begin by evaluating Susan James's interpretation of complicity qua republican freedom, which emphasizes the dependent situation of women as the primary cause of their complicity. I argue that James's analysis is compelling (...) as far as it goes, but that it implies complicity is the inevitable outcome of women's current existence and fails to adequately account for Beauvoir's claim that women actively embrace their own unfreedom. I then draw out the Heideggerian strands of Beauvoir's analysis, demonstrating how this enables us to systematize Beauvoir's account of women's oppressive situation with her claims regarding the active role women can play in reinforcing their own unfreedom. I argue that this approach preserves the strengths of the republican interpretation, but provides a better account of cases where complicity may not be inevitable and yet some women still act to reinforce rather than resist their own unfreedom. (shrink)

This essay aims to motivate a different way of reading Simone de Beauvoir's feminist philosophy than that which has become dominant in Beauvoir scholarship. I wish to argue that we can read Beauvoir as articulating what I will call a "feminist art of living." To substantiate this thesis, I highlight a crucial feature of her art of living—one that is connected to her reflections on the body—namely, what I refer to as Beauvoir's "sensualism." By "sensualism," I have in mind a (...) subjective experience of the body from an intimate, first-person perspective that is not derived from the body's appearance.Before delving into the idea of sensualism, let me preview the stages of my argument. I first discuss examples of how... (shrink)

This paper discusses Simone de Beauvoir’s views on the meaning of life as presented in The Ethics of Ambiguity. I argue that Beauvoir’s view matches contemporary hybrid views on the meaning of life, incorporating both subjective and objective elements, while connecting them in a distinct way—through the tension between self and other. I then analyze the meaning of excessively competitive projects through Beauvoir’s ethics and conclude that success that amounts to denying other people’s access to the things one values is (...) absurd. I use the case of contemporary academia as an illustration of extreme competition, then employ Beauvoir’s views to suggest a shift towards more meaningful practices. (shrink)

This paper will address René Girard’s critique of the “humanization of nothingness” in modern Western philosophy. I will first explain how the “desire for death” is related to a phenomenon that Girard refers to as “obstacle addiction.” Second, I will point out how mankind’s desire for death and illusory will to self-divinization gradually tend to converge within the history of modern Western humanism. In particular, I will show how this convergence between self-destruction and self-divinization gradually takes shape through the evolution (...) of the concept of “the negative” from Hegel to Kojève, Sartre and Camus. Finally, we shall come to see that in Girard’s view “the negative” has tended to become an ever-preoccupying and unacknowledged symptom of mankind’s addiction to “model/obstacles” of desire. (shrink)

English Title “Living Philosophy: Beauvoir’s Memoirs as a philosophical ‘œuvre’”. This paper seeks to remedy the lack of philosophical analyses of the philosophical dimension of Beauvoir’s autobiographical work in using the existentialist link Beauvoir establishes between life and philosophy to make three points: first, her Memoirs constitute a crucial documentary resource to understand Beauvoir’s essays and the original philosophical stance she defends in them. Second, Memoirs show a two-way relationship between philosophy and life, on an epistemic and on a practical (...) level. Third, autobiography is a way to overcome the inherent flaws of philosophy when it’s written in 3rd person: only a literary account allows to make appear a singular universal that displays the tension between situation and freedom in an authentic way. (shrink)

The essays in this volume seek to resituate the work of Simone de Beauvoir and Luce Irigaray both historically and in light of the demands of contemporary feminist theory by examining unexplored aspects of their thought. Authors also highlight the commonalties in thought between the two philosophers, articulating points of dialogue in logic, ethics, and politics.

Jonathan Webber articulates an original interpretation of existentialism as the ethical theory that human freedom is the foundation of all other values. Offering an original analysis of classic literary and philosophical works published by Jean-Paul Sartre, Simone de Beauvoir, and Frantz Fanon up until 1952, Webber's conception of existentialism is developed in critical contrast with central works by Albert Camus, Sigmund Freud, and Maurice Merleau-Ponty. -/- Presenting his arguments in an accessible and engaging style, Webber contends that Beauvoir and Sartre (...) initially disagreed over the structure of human freedom in 1943 but Sartre ultimately came to accept Beauvoir's view over the next decade. He develops the viewpoint that Beauvoir provides a more significant argument for authenticity than either Sartre or Fanon. He articulates in detail the existentialist theories of individual character and the social identities of gender and race, key concerns in current discourse. Webber concludes by sketching out the broader implications of his interpretation of existentialism for philosophy, psychology, and psychotherapy. (shrink)

This paper analyzes two forms of “flight from freedom” embodied by characters in Beauvoir’s fiction, connecting these portrayals to the situation of women as described in The Second Sex as well as the discussion of social freedom in The Ethics of Ambiguity. The characters under consideration are Monique from the story “The Woman Destroyed” and Françoise from the novel She Came to Stay, who represent flight from freedom in related but distinct ways. My claim is that considering these two characters (...) in conjunction allows us to see the two decisive moments of Beauvoir’s theory of authentic freedom in negative manifestations. Monique attempts to make herself into an object by abdicating her freedom, while Françoise takes herself for a sovereign subject and is unable to recognize the freedom of others. (shrink)

This paper explores the compatibility between the Daoist art of emptying one’s heart-mind and the art of creating close relationships. The fact that a Daoist sage is characterized by an empty heart-mind makes him somewhat different from an average human being: since a full heart-mind is characteristic of the human condition, the sage transcends what makes us human. This could alienate him from others and make him incapable of developing close relationships. The research goal of this paper is to investigate (...) whether – in spite of being an unusual human being – a Daoist sage has the abilities necessary for creating close bonds with others. (shrink)

This paper begins with a brief survey of recent attempts to identify the nature of Beauvoir’s contested relation to philosophy. It then discusses the transition from her early, more conventionally philosophical essays to her much more unconventional great work The Second Sex. It argues that the philosophical innovations of The Second Sex were dependent on Beauvoir’s relations to other disciplines and intellectual fields, such that Beauvoir’s philosophical originality has interdisciplinary conditions of possibility. The paper then argues that The Second Sex, (...) like feminist and gender theory more generally, has more in common with the twentieth-century tradition of critical theory than with any ‘disciplinary’ conception of philosophy. The paper concludes that, as the meeting point of critical theory and feminism, The Second Sex can best be seen as an example of ‘philosophical transdisciplinarity’, paving the way for the late-twentieth and twenty-first traditions of gender theory. (shrink)

Michèle Le Dœuff considers the relationship between Jean-Paul Sartre and Simone de Beauvoir as a paradigmatic case of what she calls an "erotico-theoretical transference" relationship: De Beauvoir devoted herself to Sartre theoretically by adopting his existentialist perspective for the analysis of reality in general and the analysis of women's oppression in particular. The latter is especially strange since Sartre used strongly sexist metaphors and adopted a macho attitude towards women. In her book Hipparchia's Choice, Le Dœuff speaks in this context (...) of "theoretical masculinism." She convincingly shows in this book that Sartre without using images could not have closed his existentialist philosophy: without the feminine drawback he would not have been able to explain why man cannot become god. Sartre not only understands gaining knowledge as a rape of a woman he also fears that the possessed feminine (body) could reverse its position from being dominated to the dominating force by appropriating the masculine through slime. In Being and Nothingness Sartre states that "slime is the revenge of the In-itself. A sickly–sweet, feminine revenge." Despite of the fact that De Beauvoir used Sartre's heterosexist ontology and metaphysics she managed to provide a highly influential depiction of women's condition and offered an original approach to the understanding of selfhood which places woman inside the subject. (shrink)

My thesis offers an account of the phenomenon of bodily alienation. Bodily alienation marks the failure to realize oneself in one’s bodily activities. I argue that realizing oneself in one’s bodily activities requires the pursuit of bodily activities for their own sake—not for the appearance they produce, and the ability to deal skillfully with one’s environment. I characterize bodily alienation by examining three cases concerning gender and race: the tendency, inflected by gender norms, to identify with certain fetishized body parts (...) and to modify one’s body accordingly, the physical incapacitation that the gaze of a member of a dominant group can provoke in a member of an oppressed group, and the personal transformations that members of non-oppressed groups achieve when they reform the bodily habits that alienate members of oppressed groups. I vindicate the use of the concept of bodily alienation for ontologies of the body that aim to ground social criticism. I explain that the concept of bodily alienation can accomplish this task because it is descriptive and normative. Applying this concept both describes someone’s relation to her body and judges that relation as defective. Describing social practices as alienating entails that things are not as they should be. And that raises the question of how they should be changed. My use of the concept of bodily alienation for a critical project concerning gender, race, and the body sets this project apart from other forms of social critique, such as social constructionism. Social constructionists typically make descriptive claims about the relative naturalness of a state of affairs and then make the case for changing it. For example, feminist social constructionist critiques move from the claim that gender differences are not merely a matter of biology and can be reformed, to arguments about why they should be reformed. My account avoids this two-step argumentative strategy. The concept of bodily alienation simultaneously uncovers and evaluates phenomena, while tying them to a conception of human flourishing as embodied. (shrink)

Nous examinons ici la lecture par Maurice Merleau-Ponty, dans son essai « Le Roman et la Métaphysique », de L’Invitée de Simone de Beauvoir. Nous montrons que pour comprendre en quoi il s’agit ici non seulement de métaphysique, mais encore de morale, il est nécessaire de spécifier en quel sens « Le Roman et la Métaphysique » met en scène des matériaux théoriques qui sont mis en place dans d’autres écrits, en particulier dans l’essai « Le Métaphysique dans l’Homme ». (...) Les personnages du roman, couples et trio, se mettent alors à incarner certes une métaphysique de l’intersubjectivité qui se tend jusqu’à la rupture, mais encore du faire être et de la conscience. -/- In this paper, I discuss Maurice Merleau-Ponty’s reading of L’Invitée by Simone de Beauvoir, in his essay “The Novel and Metaphysics”. I demonstrate that in order to understand why the question here is not only metaphysics but also morals, it is necessary to specify in what sense “The Novel and Metaphysics” stages theoretical materials that are introduced in other writings, in particular “The Metaphysics in Man”. The characters of the novel, couples and trio, come then to incarnate indeed a metaphysics addressing an inter-subjectivity that is straining itself until its rupture, but also of making be (faire être), and consciousness. (shrink)

Written collaboratively by two undergraduate students and one professor, this article explores what it would mean to teach existentialism “existentially.” We conducted a survey of how Existentialism is currently taught in universities across North America, concluding that, while existentialism courses tend to resemble other undergraduate philosophy courses, existentialist texts challenge us to rethink conventional teaching practices. Looking to thinkers like Kierkegaard, Beauvoir and Arendt for insights into the nature of pedagogy, as well as recent work by Gert Biesta, we lay (...) out the four qualities that we propose characterize “existentialist” teaching practices: an emphasis on teaching over learning and on the “how” over the what; the cultivation of newness as well as capacities for resistance. Reflecting on the significance of existentialism for classroom dynamics, we conclude by examining the tensions between existentialist commitments to freedom and prevailing trends in higher education. This essay raises questions about the emancipatory potential of existentialist philosophies, especially in the context of undergraduate classrooms. (shrink)

Led by the conviction that Beauvoir's The Coming of Age (1970) has been overshadowed by The Second Sex for too long, this book sets out to redress that neglect and to bring Beauvoir's reflections on old age into dialogue with different perspectives and approaches in feminist philosophy. It does so superbly. Several secondary works on Beauvoir discuss The Coming of Age, including The Cambridge Companion to Beauvoir, Stella Stanford's How to Read Beauvoir, and (from a literary perspective) Oliver Davis's Age (...) Rage and Going Gently, but there is no similarly comprehensive treatment of Beauvoir's philosophy of age. [...]. (shrink)

Among philosophers, Simone de Beauvoir is unique in treating childhood as a philosophical phenomenon. In both The Ethics of Ambiguity and The Second Sex, she examines the relationship between childhood and human freedom and considers its role in the development of subjectivity. Despite this, few sustained analyses of her treatment of the phenomenon exist. I argue that Beauvoir's conception of childhood is not uniform, but changes from The Ethics of Ambiguity to The Second Sex. Whereas the former presents children as (...) lacking moral freedom, as not fully sovereign individuals, the latter suggests that children are just as free as adults. When children do not fully possess or exercise freedom, it is not because they are not in a position to do so, but rather because various social institutions hinder them. I find this position useful for developing a phenomenological account of childhood as a site for freedom. Hence, Beauvoir becomes a source for thinking of issues in philosophical anthropology concerning the temporality of human existence and the nature of human agency over a lifespan. (shrink)

What it would mean for phenomenology to move in an ontological direction that would render its relevance to contemporary political movement less ambiguous while at the same time retaining those aspects of its method that are epistemologically and politically advantageous? The present study crafts the beginnings of a response to this question by examining four configurations of consciousness that seem to be respectively tied to certain oppressive contexts and certain kinds of oppressed bodies: 1. false consciousness, 2. bad faith, 3. (...) double consciousness, and 4. se faire objet (making oneself an object). Such a comparison both promises to widen our understanding of the ontology of consciousness in general and generate a suggestive vision of what it would take to follow through, ontologically speaking, on the idea that consciousness is fundamentally and irrevocably of a bodily nature. (shrink)

This article offers a systematic treatment of Beauvoir's reading of biology in The Second Sex. Following Gatens 's suggestion that this chapter has not received the scholarly consideration it demands and deserves, it explains key aspects of Beauvoir's relationship to biological reason by re-telling the story of Beauvoir's early life from the perspective of her scientific education, rationally reconstructing her argument in the chapter on "Biological Data," and exploring the philosophical orientation of her argument using the Frankfurt School model of (...) 'immanent critique.' By illuminating Beauvoir's reading of biology, this article contributes to our understanding of her philosophy while also deflating the widespread assumption that existentialist philosophy is inherently 'anti-science.'. (shrink)

Current struggles over laws prohibiting and criminalizing the public disclosure of violence in the spaces of animal use in the US have underscored the centrality of exposés to animal activism. This article complicates the activist belief in the power of exposure—“If slaughterhouses had glass walls...”—by drawing on the insights of Jean-Paul Sartre and Simone de Beauvoir concerning the prevalence of bad faith in systems of oppression and exploitation. I describe four forms of bad faith common to these systems, and offer (...) suggestions for exposés of the animal enterprise modeled on Sartre’s and de Beauvoir’s “engaged exposés.”. (shrink)

Jacques Rancière's work has challenged many of the assumptions of contemporary continental philosophy by placing equality at the forefront of emancipatory political thought and aesthetics. Drawing on the claim that egalitarian politics persistently appropriates elements from political philosophy to engage new forms of dissensus, Devin Zane Shaw argues that Rancière's work also provides an opportunity to reconsider modern philosophy and aesthetics in light of the question of equality. In Part I, Shaw examines Rancière's philosophical debts to the 'good sense' of (...) Cartesian egalitarianism and the existentialist critique of identity. In Part II, he outlines Rancière's critical analyses of Walter Benjamin and Clement Greenberg and offers a reinterpretation of Rancière's debate with Alain Badiou in light of the philosophical differences between Schiller and Schelling. -/- From engaging debates about political subjectivity from Descartes to Sartre, to delineating the egalitarian stakes in aesthetics and the philosophy of art from Schiller to Badiou, this book presents a concise tour through a series of egalitarian moments found within the histories of modern philosophy and aesthetics. (shrink)

This article argues that there has been a general misunderstanding of the nature of role relations in Confucian role ethics. Recasting constitutive role relations in light of Beauvoir's ethics of ambiguity will aid in developing Confucian role ethics as a contemporary vision of human flourishing that can internally accommodate the need for a feminist transformation.

This book is a novel contribution to contemporary research on Simone de Beauvoir, and a defense of the importance of the humanities. It reveals previously unexplored dimensions of Beauvoir's work by exposing her as a significant and inspiring humanist thinker. These essays argue that her works and influence testify to the transformative potential of humanistic research.

In an attempt to start rectifying a lamentable disparity in scholarship, we evince fruitful points of similarity and difference in the ideas of Simone de Beauvoir and Ayn Rand, paying particular attention to their views on long-term projects. Endorsing what might be called an “Ethic of Resolve,” Rand praises those who undertake sustained goal-directed actions such as careers. Beauvoir, however, endorses an “Ethic of Ambiguity” that makes her more skeptical about the prospects of carrying out lifelong projects without deluding oneself. (...) Our study teases apart the strengths and drawbacks of these views. (shrink)

Existentialism and Romantic Love investigates the thinking of five existential philosophers (Max Stirner, Soren Kierkegaard, Friedrich Nietzsche, Jean-Paul Sartre, and Simone de Beauvoir) to uncover fresh insights about what is wrong with our everyday ideas about romantic loving, why reality often falls short of the ideal, sources of frustrations and disappointments, and possibilities for creating authentically meaningful relationships.

Oppression is easily recognized. That is, at least, when oppression results from overt, consciously professed racism, for example, in which violence, explicit exclusion from economic opportunities, denial of adequate legal access, and open discrimination perpetuate the subjugation of a group of people. There are relatively clear legal remedies to such oppression. But this is not the case with covert oppression where the psychological harms and resulting legal and economic exclusion are every bit as real, but caused by concealed mechanisms subtly (...) and systematically employed. In many cases, those with power and privilege use cultural stereotypes in order to sustain an unjust status quo. This is so even if the biases are implicit, automatic, and contrary to the consciously professed beliefs of the stereotyper. Furthermore, since many of these biases are not consciously reasoned into one's system of beliefs, and since they are notoriously difficult to bring to consciousness and dislodge via direct, logical confrontation, some other creative means of resistance is needed. I argue that an indirect and imaginative route through subversive humor offers a means to raise consciousness about covert oppression and the mechanisms underlying it, reveal the errors of those with power who complacently sustain systematic oppression, and even open those people up to changing their minds. Subversive humor confronts serious matters, but in a playful manner that fosters creative and critical thinking, and cultivates a desire and skill for recognizing incongruities between our professed ideals and a reality that does not meet those standards. Successful subversive wits create fictional scenarios that highlight such moral incongruities, but, like philosophical thought experiments, they reveal a moral truth that also holds in the real world. Such humor offers opportunities for "border crossing" where the audience is encouraged to see from the perspectives of marginalized people who, because they inhabit ambiguous spaces in between the dominant and subordinate spheres, are in an epistemically privileged position with respect to matters of oppression. Subversive humorists open their audiences to the lived experiences of others, uncover the absurdities of otherwise covert oppression, and appeal to our desire to be truthful and just. (shrink)

"One is not born, but rather becomes, a woman. No biological, psychological, or economic destiny defines the figure that the human female acquires in society; it is civilization as a whole that develops this product, intermediate between female and eunuch, which one calls feminine. Only the mediation of another can establish an individual as an Other. In so far as he exists for himself, the child would not be able to understand himself as sexually differentiated. In girls as in boys (...) the body is first of all the radiation of a subjectivity, the instrument that accomplishes the comprehension of the world: it is through the eyes, the hands, and not through the sexual parts that children apprehend the universe." -/- My aim is to develop an interpretation of this passage, which starts with one of the most iconic sentences in the history of feminist thought. Beauvoir asserts that only in virtue of the significance others attribute to their sexual parts do children come to understand themselves as sexually differentiated. This is the phenomenon Beauvoir refers to when she speaks of “the mediation of another.” Her claim here, I argue, is that becoming a woman is predicated on developing such a self-understanding. -/- Many readers have argued that this passage epitomizes Beauvoir’s conviction that there is an important difference between sex and gender. On such a reading, Beauvoir might be said to describe the transition between two states: the state of the newborn who has a sex but no gender identity yet (“who is not a woman”) and that of the grown person who has both a sex and a gender identity (“who has become a woman”). I argue that this reading is untenable, and for two reasons. First, there is no evidence in The Second Sex that Beauvoir means to establish a distinction between a person’s biological properties and her social identities. Second, this distinction does not make sense of Beauvoir’s understanding of the body as a situation. Being a woman, I will argue, is an aspect of the body-as-a-situation. The body-as-a-situation is the instrument through which freedom is exercised, and it is shaped by the social significance of bodily features. By contrast, biological properties cannot be predicated of the body-as-a-situation. As such, they are not properly speaking attributes of the self. In other words, Beauvoir does not theorize a nature/culture distinction, but aims to describe the social significance of bodies and constraints on women’s freedom. (shrink)

In this essay we investigate several moments in Simone de Beauvoir's philosophical and literary texts in which she refers to echoes and echoing. We notice that echoes help Beauvoir to figure and amplify the ethical character of her concept of ambiguity, which is so central to her thought. We argue that, for Beauvoir, literature has privileged access to the ambiguity of existence and therefore maintains a special status in exposing us to alterity and bringing us face to face with ethical (...) responsibility. Considering her literary portrayals of echoing helps to explain why, despite her life-long philosophical engagement, Beauvoir preferred not to call herself a philosopher. Finally, Beauvoir's phenomenological insight is that in order to carry ethical resonance, the form of a written work must mirror the fundamentally ambiguous or echolalic ontological structure of human existence. (shrink)

Though it has gone unnoticed so far in Beauvoir Studies, the term “singularity” is a technical one for Simone de Beauvoir. In the first half of the essay I discuss two reasons why this term has been obscured. First, as is well known Beauvoir has not been read in the context of the history of philosophy until recently. Second, in The Ethics of Ambiguity at least, singularité is translated both inconsistently and quite misleadingly. In the second half of the essay (...) I attempt to demonstrate the importance of this term in The Ethics. The will to disclose being is the will to disclose the singularity of the other, whether human, land, sky or painting. Ambiguity, which Beauvoir distinguishes from absurdity in Camus, is an image suggesting this necessarily mutual disclosure of singularity. (shrink)

In "Existential Humanism and Moral Freedom in Simone de Beauvoir's Ethics" Tove Pettersen elucidates the close connection between Beauvoir’s ethics and humanism, and argues that her humanism is an existential humanism. Beauvoir’s concept of freedom is inspected, followed by a discussion of her reasons for making moral freedom the leading normative value, and her claim that we must act for humanity. In Beauvoir’s ethics, freedom is not reserved for the elite, but understood as everyone being “able to surpass the given (...) toward an open future.” By addressing the continuing friction between individual freedom and public interests, Beauvoir’s normative thinking remains highly relevant today. It also exemplifies the enduring importance of humanistic reflections and demonstrates how, through critical and creative thinking, the humanities can contribute to a free, well-functioning democratic society. (shrink)

This book is a novel contribution to contemporary research on Simone de Beauvoir, and a defense of the importance of the humanities. It reveals previously unexplored dimensions of Beauvoir's work by exposing her as a significant and inspiring humanist thinker. These essays argue that her works and influence testify to the transformative potential of humanistic research.

This dissertation offers a phenomenological and existential account of health. It considers the model of health that is dominant in the contemporary USA. Using the example of fatness, this dissertation argues that the dominant model of health is deeply flawed, because of its largely unexamined commitment to naturalism and positivism. It concludes that purported alternatives to the dominant model, such as the Foucault-influenced constructivist approach to health, fail to respond adequately to the problems posed by naturalism and positivism. Instead, this (...) dissertation proposes a model of health as embodied authenticity. This model is developed on the basis of Edmund Husserl's account of embodiment and Simone de Beauvoir's account of action. The central tenet of this model is that health is the embodied aspect of authentic action. That is, health is a feature not of bodies but of actions. A person is acting healthily -- and thus, can be said to `be healthy' -- to the extent that she or he is engaged in physical action in pursuit of goals which are themselves conducive to the freedom of the agent her or himself and to the freedom of other persons. The goals themselves and the likelihood of the actions to be conducive to these goals must be capable of standing up to intersubjective critique in order for the person's action to be authentic and thus healthy. This model of health is then applied to the case of fatness, in order to show that it squares better with lived experience than the previously available models of health. This dissertation concludes with a discussion of freedom as central to health. (shrink)