Simone de Beauvoir

: The importance of Hegel to the philosophy of Simone de Beauvoir, both to her early philosophical texts and to The Second Sex, is usually discussed in terms of the master-slave dialectic and a Kojève–influenced reading, which some see her as sharing with Sartre, others persuasively describe as divergent from and corrective to Sartre's. Altman shows that Hegel's influence on Beauvoir's work is also wider, both in terms of what she takes on board and what she works through and rejects, (...) and that her reading of Hegel is crucially inflected by two additional circumstances that Sartre did not entirely share: the experience of her first serious study of Hegel as a noncombatant in Paris during the German occupation and her earlier direct exposure to an eccentric, idealist reading of Hegel as developed by the group Philosophies in connection with surrealism and the artistic avant-garde. Altman also explores the afterlife of Hegel's influence on Beauvoir on second-wave feminism in the United States and Europe, and suggests continuing relevance to feminist theory today. (shrink)

The importance of Hegel to the philosophy of Simone de Beauvoir, both to her early philosophical texts and to The Second Sex, is usually discussed in terms of the master-slave dialectic and a Kojève-influenced reading, which some see her as sharing with Sartre, others persuasively describe as divergent from and corrective to Sartre's. Altman shows that Hegel's influence on Beauvoir's work is also wider, both in terms of what she takes on board and what she works through and rejects, and (...) that her reading of Hegel is crucially inflected by two additional circumstances that Sartre did not entirely share: the experience of her first serious study of Hegel as a noncombatant in Paris during the German occupation and her earlier direct exposure to an eccentric, idealist reading of Hegel as developed by the group Philosophies in connection with surrealism and the artistic avant-garde. Altman also explores the afterlife of Hegel's influence on Beauvoir on second-wave feminism in the United States and Europe, and suggests continuing relevance to feminist theory today. (shrink)

Two studies of women in philosophy, Michéle Le Doeuff's biography of Simone de Beauvoir Hipparchia's Choice (1991) and Fritz Mauthner's historical novel Hypatia (1892), question what kind of power and authority are available to philosophers. Mauthner's philosophy of language expands on Le Doeuff to outline how philosophy acts parallel to other sociohistorical discourses, relying on public consensus and on the negotiation of stereotypes to create a viable speaking subject for the female philosopher.

In July 1940, Simone de Beauvoir began a routine of going to the Bibliothèque Nationale most days from 2.00 to 5.00 p.m. to read G. W. F. Hegel's Phenomenology of Spirit. Hitler's armies had invaded and occupied Paris earlier, on June 14, 1940. She was teaching philosophy classes at a girls' lycée and living in her grandmother's empty apartment. Her close companion, Jean-Paul Sartre, who had been a soldier in a meteorological unit of the French Army, had been captured and (...) was now being held in a German prisoner-of-war camp. Beauvoir was relieved to receive a note from him sent on July 2 saying he was being well treated, but life in Paris was dismal. Food was scarce, and the German troops were grim reminders of Parisians' lack of political freedom. Her reading routine helped soothe the dread, isolation, and alienation she felt. Beauvoir had always been a very earnest student. She had passed the demanding aggregation exam in philosophy at the young age of twenty-one. To supplement her knowledge of classical philosophical texts, she learned German and read texts in phenomenology. In 1935 she had read Edmund Husserl's The Phenomenology of Internal Time-Consciousness “without too much difficulty.” She also read Heidegger and translated long passages into French for Sartre. Back when she was in college, her prodigious work habits had earned her a special nickname among her friends: Castor, or the beaver. Poring over a difficult philosophical text in a foreign language for three hours a day might seem a strange way to get through such times, but with her it made sense. (shrink)

Simone de Beauvoir published a number of philosophical essays and novels before writing The Second Sex. The most important of these was The Ethics of Ambiguity, in which she argues that one’s freedom is always intertwined with that of others. The Bonds of Freedom examines de Beauvoir’s ideas on ethics, demonstrating her importance in contemporary philosophy.

In lieu of an abstract, here is a brief excerpt of the content: Hypatia 14.4 (1999) 186-191 -/- [Access article in PDF] Simone De Beauvoir: a Critical Reader. Edited by Elizabeth Fallaize. London and New York: Routledge, 1998. As this special volume attests, there has been a recent resurgence of interest in Simone de Beauvoir. A number of books on her have been published in the last several years. However, Elizabeth Fallaize's book, Simone de Beauvoir: A Critical Reader (1998), occupies (...) a special niche. Many of its essays are excerpts from studies done of Beauvoir's work before this latest renaissance. Some of these studies are not in print in the United States. Some are perhaps unfamiliar to present-day readers or those from different disciplines. In addition, the articles reprinted here are otherwise not easily accessible. Fallaize has performed an important service by gathering them all in one place and by carefully editing, presenting, and, in some cases, translating them. -/- The book is divided into three sections, the first entitled "Readings of The Second Sex." Aside from Judith Okely's piece that assesses Beauvoir's chapter on myths from an anthropological standpoint, the essays mainly address the philosophical aspects of this work. Beauvoir herself of course swore that she was not a philosopher and that Jean-Paul Sartre's Being and Nothingness (1953) was the sole philosophical foundation for all her work. Some recent analyses have attempted to turn this picture on its head by arguing that Beauvoir was a central influence on, or even the origin of, the philosophical doctrines put forward in Being and Nothingness. None of the writers in this book addresses this issue. But two emphasize Beauvoir's intellectual independence from Sartre. -/- The Swedish scholar Eva Lundgren-Gothlin argues that Beauvoir turned to G. W. F. Hegel to find a satisfactory theoretical model with which to explain the subjugation of women (Lundgren-Gothlin's essay is taken from her book [End Page 186] Sex and Existence [1996]) . In opposition to other scholars, she argues that the French Hegelian Alexandre Kojève, not Sartre, influenced Beauvoir's interpretation of Hegel. Following Hegel and Kojève, Beauvoir envisioned a possible resolution to the struggle for recognition—reciprocal recognition—whereas Sartre's view of self-other relations in Being and Nothingness rules such reciprocity out. However, Lundgren-Gothlin judges, Beauvoir was not critical enough of the sexist presuppositions of Hegel's thought, citing the same pronouncements Beauvoir makes that subsequent feminists have criticized. -/- Another piece that stresses Beauvoir's philosophical originality is "Beauvoir: The Weight of Situation," taken from Sonia Kruks's book Situation and Human Existence (1990). For some time, Kruks has been doing excellent work placing Beauvoir within the wider phenomenological tradition. In this piece, she argues that, starting with the early essay Pyrrhus et Cinéas (1944) and culminating in The Second Sex (1989), Beauvoir elaborated a more nuanced position on the nature and extent of human freedom than Sartre did in Being and Nothingness. According to Beauvoir, human freedom, which Sartre dramatically proclaims is absolute, can under some conditions, notably conditions of severe oppression, "be reduced to no more than a suppressed potentiality" (Fallaize 1998, 57). In The Second Sex, Beauvoir definitively breaks with the philosophical framework of Being and Nothingness by implying that a woman's situation is a general one, not individually self-constituted, and one that she cannot transcend by an act of free choice. The phenomenology of Maurice Merleau-Ponty provides a better foundation for Beauvoir's conception of subjectivity as socially mediated and embodied than does Sartre's philosophy, Kruks suggests. -/- Another piece in this section, Judith Butler's landmark essay "Sex and Gender in Simone de Beauvoir's Second Sex" (1986), highlights Beauvoir's philosophical originality in a different way. In her introduction, Fallaize points out how this essay served as a foundation for Butler's own subsequent work on a performative theory of gender. Butler argues that Beauvoir's claim that one is not born but becomes a woman implies that gender is socially constructed and not natural, as people have insisted for centuries. But to the extent that we become women, gender is not something... (shrink)

The ancient Athenians believed that their forebears sprang directly from the earth rather than being created by gods or born of human parents. In some version of the myth, the ancestor was depicted as having a man's form above the waist and a snake's form below: "Having emerged from the earth, he still in part resembled the creature that slips to and fro between the upper and lower worlds."'1 At the beginning of her 1947 work, The Ethics of Ambiguity, Simone (...) de Beauvoir asserts that there is a fundamental ambiguity to human life. According to her, every human, like the chthonic ancestor of the Athenians, exists at the same time in two realms: "he is still part of the world of which he is conscious."2 Rooted as they are in the earth, humans can transcend their material origin in thought but they can never escape it. (shrink)

Simone de Beauvoir’s _The Second Sex_ is the most important work of feminist philosophy ever published and one of the great texts of the Twentieth century. Renowned for introducing the theory of woman as the ‘Other’ it is a widely-studied text that continues to exert profound influence on feminist thought. _The Routledge Guidebook to De Beauvoir and The Second Sex_ introduces and assesses: De Beauvoir’s life and the background of The Second Sex The ideas and arguments of The Second Sex (...) De Beauvoir’s continuing importance to feminist theory and philosophy This book is essential reading for all students of feminism, gender studies, philosophy, and literary studies and ideal for anyone reading de Beauvoir’s classic work for the first time. (shrink)

The link is to an expanded, English version of this essay.

In this paper I attempt to further the case, made in recent years by Eva Gothlin, that readers interested in a philosophical return to Simone de Beauvoir's The Second Sex have good reason to heed Beauvoir's appropriation of central concepts from Heidegger's Being and Time. I speculate about why readers have been hesitant to acknowledge Heidegger's influence on Beauvoir and show that her infrequent though, I argue, important use of the Heideggarian neologism Mitsein in The Second Sex makes inadequate sense (...) apart from an appreciation of the fundamental role played by her appropriation of Hegel's master-slave dialectic in that book. I suggest a way to square Beauvoir's Hegelian claim that human beings are fundamentally at odds with one another with her Heideggerian view that we are also all ontologically with one another. Finally, I sketch out a way of interpreting Beauvoir's employment of certain concepts from Hegel and Heidegger in the service of understanding, hence beginning to overcome, women's oppression. (shrink)

" Nancy Bauer begins her book by asking: "Then what kind of a problem does being a woman pose?

This dissertation is meant as a call for philosophers to turn, and feminists to return, to Simone de Beauvoir's landmark tome The Second Sex. My central claim is that in this book Beauvoir establishes her own genuinely original kink in the history of philosophy by discovering a way to appropriate the tradition that is grounded in questions about her being a woman. I argue that Beauvoir's discovery provides a model for a way to think philosophically about sex difference that dispels (...) the air of self-contradiction hovering around the idea of "feminist philosophy." I further argue that Beauvoir's using her own identity as a touchstone as well as an object of investigation in her appropriation of the philosophical tradition demonstrates a surprising faithfulness to the tradition and hence opens up new vistas of possibility for the discipline. ;Specifically, I focus on Beauvoir's appropriations in The Second Sex of Descartes and Hegel. The substantial "Introduction" to The Second Sex, I claim, is to be seen as a rewriting of Descartes' first and second Meditations, during the course of which the supposedly gender-neutral question "What is a man?"--posed by Descartes directly after the famous discovery of the cogito in Meditation II--is displaced by Beauvoir's decidedly gender-specific question "What is a woman?" ;Beauvoir's attempts to come to terms with this fact issue, I claim, in her finding a way to account for her long-standing interest in the master-slave dialectic of Hegel's Phenomenology of Spirit. I prepare for describing this account by considering, first, the appropriation of the dialectic in the early work of Jean-Paul Sartre, Beauvoir's life-long companion. While Beauvoir is ordinarily regarded as having simply transplanted the interpretation of Hegel's concept of the "other" found in Being and Nothingness into The Second Sex, I find that it is precisely here that her independence from Sartre is most dramatic. It is central to my view of Beauvoir philosophically and historically to specify my differences on this point--differences that stem from the way I read her relationship to Descartes and to Hegel--even from those scholars who recognize Beauvoir's originality, including Michele Le Doeuff, Eva Lundgren-Gothlin, Toril Moi, and Debra Bergoffen. Specifically, I characterize Sartre as committed to philosophizing at a certain level of abstraction and engaging in a particular form of fault-finding that exemplifies a limited, however common, mode of philosophical inheritance pointedly abjured by Beauvoir in The Second Sex. I also chronicle Beauvoir's pre-Second Sex attempts to express her interest in the dialectic and demonstrate that what is missing at this early stage is not a sense of the possibilities latent in Hegel's thinking but the productive terms in which to express these possibilities. Finally, I show how Beauvoir's coming to take her identity as a woman seriously, as something that can serve as the object of a philosophical investigation, opens up a way of understanding Hegel's depiction of the figures of master and slave that exposes the stake both men and women have in exploiting sex difference so as to avoid experiencing a sense of metaphysical isolation--of, this means, avoiding the starting point both of genuinely reciprocal recognition and of modern philosophy. (shrink)

Revelatory insights into the early life and thought of the preeminent French feminist philosopher Dating from her years as a philosophy student at the Sorbonne, this is the 1926-27 diary of the teenager who would become the famous French philosopher, author, and feminist, Simone de Beauvoir. Written years before her first meeting with Jean-Paul Sartre, these diaries reveal previously unknown details about her life and offer critical insights into her early philosophy and literary works. Presented here for the first time (...) in translation and fully annotated, the diary is completed by essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical and literary significance. The volume represents an invaluable resource for tracing the development of Beauvoir's independent thinking and influence on the world. (shrink)

Contents: "Analysis of Claude Bernard's Introduction to the Study of Experimental Medicine," "Two Unpublished Chapters from She Came to Stay," "Pyrrhus and Cineas," "A Review of The Phenomenology of Perception by Maurice Merleau-Ponty," "Moral Idealism and Political Realism," "Existentialism and Popular Wisdom," "Jean-Paul Sartre," "An Eye for an Eye," "Literature and Metaphysics," "Introduction to an Ethics of Ambiguity," "An Existentialist Looks at Americans," and "What is Existentialism?".

New translations tracing decades of Beauvoir's leftist political engagement during the turbulent era of decolonization, from articles exposing conditions in fascist Spain and Portugal in 1945 and hard hitting attacks on right-wing intellectuals in the 1950s, to a 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article calling for the 'two state solution' in Israel. The texts range from a surprising 1952 defense of the misogynistic 18th c. pornographer, the Marquis de Sade, to the transcription of (...) a co-written 1974 documentary film on the aged in France. (shrink)

In these interviews from 1982 and 1985, I ask Beauvoir about her philosophical differences with Jean-Paul Sartre on the issues of voluntarism vs social conditioning and embodiment, individualism vs reciprocity, and ontology vs ethics. We also discuss her influence on Sartre's work, the problems with the current English translation of The Second Sex, her analyses of motherhood and feminist concepts of woman-identity, and her own experience of sexism.

This thousand-page book contains one third of the text of Samuel Pepys's diary, along with maps, a chronology, a glossary of archaic words, and an unusually helpful index, The diary, written in commercial short-hand, spans the 1660s, a decade in which power passed from the Roundheads to Charles II, London was ravaged by plague and then by fire, the English repeatedly fought the Dutch, and Pepys grew to be one of the most important civil servants in the land ("the father (...) of the English Navy", according to some). The diary, which I know only in this abridged version, has given me more sheer pleasure than any other book I have ever read. Writing for himself alone, Pepys had no sense of posterity looking over his shoulder with judgments about public, historic importance. He selected things for inclusion in the diary purely on the basis of how they struck him. This grand subjectivity would be fatal in a dull or passive or insensitive writer, but in Pepys it makes the work fresh and vibrant, constantly surprising, unlike anything else in literature. Even when describing an "important" scene, he is still his natural self and gives touches of his own behaviour, like this at the King's coronation: But so great a noise, that I could make but little of the Musique; and endeed, it was lost to everybody. But I had so great a list to pissse, that I went out a little while before the King had done all his ceremonies.... Not just his behavior, but also his reactions. (shrink)