Space and Time

Introduction. The museum provides society with the opportunity for special interaction with space and time for the purposes of acquiring knowledge and the most complete assimilation of codes existing in culture and society. Theoretical analysis. Society’s perception of space and time in the museum will be examined and analyzed from the perspective of myth, which makes it possible to identify archetypal ideas of humanity that developed in ancient times and have largely not lost their infl uence on modern culture and (...) society. The methods of institutionalizing the activities of society, which originated in the past, passed from one era to another in a transformed form, while retaining some characteristic features and at the same time acquiring new ones that became necessary for existence in a diff erent sociocultural context. One of these characteristic features is the idea that space and time in a museum have profane and sacred dimensions. Conclusion. Space and time in the museum are a mirror not only of mythical motifs, but also of the dominant developments of the modern world. These fundamental principles concentrate all the most signifi cant features inherent in human communities for the purpose of their further transmission to society. (shrink)

An examination of the "mapness of maps" authored by a philosopher and cognitive scientist well known for his work on spatial representation.

This paper continues developing the theory of everything consistent with the Presentist Fragmentalist interpretation of quantum mechanics.

There is an apparent tension in Shepherd’s accounts of space and time. Firstly, Shepherd explicitly claims that we know that the space and time of the unperceived world exist because they cause our phenomenal experience of them. Secondly, Shepherd emphasizes that empty space and time do not have the power to effect any change in the world. My proposal is that for Shepherd time has exactly one causal power: to provide for the continued existence of self-same or changing objects. Because (...) Shepherd takes causation to be a relation whereby two objects combine to form a third, their effect, whenever we perceive a continually existing object, since time is a proper part of such objects, our perception of time is caused by time itself. Likewise, space’s causal power is to provide for the possibility of the motion or rest of objects, and so when we perceive objects with space as a proper part, we come into causal contact with space. (shrink)

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A consideration of the unity of a class or kind as including its member or instances.

Este artículo examina la concepción del espacio infinito y del tiempo en Hasdai Crescas, Gianfrancesco Pico della Mirandola y Giordano Bruno. Si la presencia de Crescas es explícita en el _Examen vanitatis_ (1520) de Pico, su recepción por Bruno, que nunca lo menciona, fue postulada por Harry A. Wolfson en 1929. Más recientemente, David Harari y Mauro Zonta han afirmado el papel intermediario de un autor judío desconocido. Sin embargo, una comparación de la crítica de Aristóteles efectuada por Crescas y (...) Bruno pone de manifiesto que, excepto dos puntos, Bruno pudo alcanzar sus posiciones con independencia de Crescas, a partir de su propia lectura crítica de Aristóteles y de su conocimiento de los desarrollos de la escolástica medieval y del concepto neoplatónico del tiempo. La significativa calificación por Crescas del espacio y del tiempo como atributos de Dios en un sentido puramente metafórico, una cuestión que Pico deja a un lado, deja paso en Bruno a la calificación del espacio infinito, de la duración y también de la materia como atributos reales de Dios, que es a la vez mente e intelecto, espacio y materia, en tanto que unidad indiferente de los opuestos. (shrink)

The black hole information loss paradox is a catch-all term for a family of puzzles related to black hole evaporation. For almost 50 years, the quest to elucidate the implications of black hole evaporation has not only sustained momentum, but has also become increasingly populated with proposals that seem to generate more questions than they purport to answer. Scholars often neglect to acknowledge ongoing discussions within black hole thermodynamics and statistical mechanics when analyzing the paradox, including the interpretation of Bekenstein-Hawking (...) entropy, which is far from settled. To remedy the dialectical gridlock, I have formulated an overarching, unified framework, which I call ``Black Hole Paradoxes'', that integrates the debates and taxonomizes the relevant `camps' or philosophical positions. -/- I demonstrate that black hole evaporation within Hawking's semi-classical framework insinuates how late-time Hawking radiation is an entangled global system, a contradiction in terms. The relevant forms of information loss are associated with a decrease in maximal Boltzmann entropy and an increase in global von Neumann entropy respectively, which engender what I've branded the ``paradox of phantom entanglement''. Prospective solutions are then tasked with demonstrating how late-time Hawking radiation is either exclusively an entangled subsystem, in which a black hole remnant lingers as an information safehouse, or exclusively an unentangled global system, in which information is evacuated to the exterior. -/- The disagreement between safehouse and evacuation solutions boils down to the statistical interpretation of thermodynamic black hole entropy, i.e., Bekenstein-Hawking entropy. Safehouse solutions attribute Bekenstein-Hawking entropy to a minority of black hole degrees of freedom, those that are associated with the horizon. Evacuation solutions, in contrast, attribute Bekenstein-Hawking entropy to all black hole degrees of freedom. I argue that the interpretation of Bekenstein-Hawking entropy is the litmus test to vet the overpopulated proposal space. So long as any proposal rejecting Hawking's original calculation independently derives black hole evaporation, globally conserves degrees of freedom and entanglement, preserves a version of semi-classical gravity at sub-Planckian scales, and describes black hole thermodynamics in statistical terms, then it counts as a genuine solution to the paradox. (shrink)

Visual perception of space and time has been shown to rely on context dependency, an inferential process by which the average magnitude of a series of stimuli previously experienced acts as a prior during perception. This article aims to investigate the presence and evolution of this phenomenon in early aging. Two groups of participants belonging to two different age ranges (Young Adults: average age 28.8 years old; Older Adults: average age 62.8 years old) participated in the study performing a discrimination (...) and a reproduction task, both in a spatial and temporal conditions. In particular, they were asked to evaluate lengths in the spatial domain and interval durations in the temporal one. Early aging resulted to be associated to a general decline of the perceptual acuity, which is particularly evident in the temporal condition. The context dependency phenomenon was preserved also during aging, maintaining similar levels as those exhibited by the younger group in both space and time perception. However, the older group showed a greater variability in context dependency among participants, perhaps due to different strategies used to face a higher uncertainty in the perceptual process. (shrink)

Philosophers, theologians, physicists, and psychologists join their efforts to reflect on the crucial issues of limit and infinity, time and eternity, empty space and material space. The volume offers an invaluable contribution to some of the most important issues of our times: questions on God and consciousness are discussed in parallel with quantum theory, black holes, the inflationary universe, the Big Bang, and string theory, from different perspectives and angles, ranging from neuroscience to AI.

It is often said in physics that if two models of a theory are related by a symmetry, then the two models provide (or could provide) two different representations of the very same situation, alike the case of two maps of different color for the very same city. It is also said that the situations represented by two models of a theory are indiscernible in some ways when the models in question are related by a symmetry of the theory, just (...) like the situation in the interior of the cabin of a train when the train is at rest in the station is empirically indiscernible from the situation in the interior when the train is moving uniformly (in classical mechanics, these two situations are represented by two models related by a boost). In recent years, philosophers of physics have focused a lot of attention in developing various principles that aim to elucidate these and similar remarks on symmetries, models, physical equivalence, and representation that are widespread in physics practice. The goal of the current article is to provide a critical review of these principles, and suggest a new framework for thinking about these kinds of questions. One important upshot of the paper is that questions of indiscernibility, and questions of the representational capacity of models, must be distinguished from one another. (shrink)

In my dissertation, I address a variety of issues in the metaphysics of space and related areas. I begin by discussing the popular thesis that regions of space are identical to sets of points in space. I present three arguments against this thesis and conclude that we should be skeptical of it. In its place, I propose an axiomatic theory of regions of space that is consistent with both reductive accounts of their nature and with accounts that treat them as (...) sui generis entities. -/- I next explore the consequences of the aforementioned considerations. In particular, I describe five different sorts of structure each of which is such that the claim that space could have that structure is consistent with the axiomatic theory previously proposed. I claim that this fact, together with the skepticism concerning reductive accounts argued for earlier, shows that we should take seriously the claim that space could have any of these structures. -/- Having argued that we should be skeptical of the thesis that regions of space are identical to sets of points in space and suggesting that space could have different sorts of structure, I discuss how best to analyze continuity. I present an analysis of continuity inspired by remarks of Richard Cartwright in his 1975 paper ‘Scattered Objects’. I argue that this Cartwrightian analysis should be rejected because it identifies regions of space with sets of points in space, and I present a modified version of the analysis that does not do so. I note, however, that there is an intuitive notion of continuity that is not captured by this modified Cartwrightian analysis. I present and defend an analysis of continuity that better captures this intuitive notion. -/- I then turn to the issue of how to analyze what it is for a region of space to be open and what it is for a region of space to be closed. Here I argue that Cartwright’s analyses of these notions are incorrect. I then present a series of alternative analyses, revising each in response to objections. This process culminates with my proposed analyses of what it is for a region of space to be open and what it is for a region of space to be closed. -/- Finally, I discuss the Maximally Continuous Account of Simples (MaxCon), originally formulated and defended by Ned Markosian in his 1998 paper ‘Simples’. I argue that Markosian’s version of MaxCon, which identifies regions of space with sets of points in space and relies on the Cartwrightian analysis of continuity, should be rejected. I then formulate a new version of MaxCon that builds on the views defended earlier in my dissertation and defend this new version of MaxCon from objections. (shrink)

This paper reviews Hume's arguments concerning space and time in the second part of the first book of the _Treatise_. It is argued that Hume's views on the finite divisibility of our ideas of space and time and on space and time as manners of disposition are coherent and well-defended. The same cannot be said about his views on vacuum and the impossibility of temporal passage in the absence of change.

We live in a fragmented environment where spatial information is scattered across rooms, streets, neighborhoods, and cities. To point out the direction to a currently non-visible location or to find novel shortcuts across previously untraveled terrain we need to rely on our spatial memory by piecing the experienced fragments together in our head. This thesis is concerned with the question of how our spatial memory for navigable space (also called survey knowledge) is structured. Two major theoretical approaches are contrasted. Euclidean (...) map approaches assume that spatial locations are represented in a map-like, globally embedded, Euclidean format. Enriched graph approaches propose a partitioned, unit-wise representation of places connected in a network. In four consecutive studies participants learned spatial relations between objects spread across virtual environments and solved survey tasks afterward (e.g., pointing to object locations from memory). The observed effects imply that our memory of navigable space is stored in the format of an Enriched graph, a network of local places connected by directed links, without the necessity of a global calibration. Survey estimates seem to be constructed incrementally along the memorized connectivity and are generally transient. Additionally, a general reference direction can be acquired, a main direction that is propagated across a sub-group of multiple local places (i.e., a region) or that can cover the entire environment. Taken together, our representation of navigable space seems to be best described as an impossible puzzle where the memorized pieces and connections do not necessarily match up on a global scale. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Accelerating Expansion explores some of the philosophical implications of modern cosmology, focused on the significance that the discovery of the accelerating expansion of the Universe has for our understanding of time, geometry, and physics. The appearance of the cosmological constant in the equations of general relativity allows one to model universes in which space has an inherent tendency towards expansion. This constant, introduced by Einstein but subsequently abandoned by him, returned to centre stage with the discovery of the accelerating expansion. (...) This pedagogically-oriented essay begins with a study of the most basic and elegant relativistic world that involves a positive cosmological constant, de Sitter spacetime. It then turns to the relatives of de Sitter spacetime that dominate modern relativistic cosmology. Some of the topics considered include: the nature of time and simultaneity in de Sitter worlds; the sense in which de Sitter spacetime is a powerful dynamical attractor; the limited extent to which observation can give us information about the topology of space in a world undergoing accelerated expansion; and cosmologists' favourite sceptical worry about the reliability of evidence and the possibility of knowledge, the problem of Boltzmann brains. (shrink)

It is widely held that episodic memory is constitutively connected with space and time. In particular, many contend that episodic memory constitutively has spatial and/or temporal content: for instance, necessarily representing a spatial scene, or when a given event occurred, or at the very minimum that it occurred in the past. Here, I critically assess such claims. I begin with some preparatory remarks on the nature of episodic memory. I then ask: How, if at all, is episodic memory constitutively spatial? (...) And, how, if at all, is episodic memory constitutively temporal? In answer, I argue that episodic memory need not have any spatial content, nor (in any substantial sense) need it represent when its events occur, nor even that they occur in the past. Instead, only a relatively modest connection holds between episodic memory and time in virtue of the temporal structure of its objects. Finally, I critically assess whether considerations concerning the organization and encoding of episodic memory in creatures like us provide stronger reason to posit a constitutive link between our episodic memories and space or time. (shrink)

Long before mass tourism, there was travel. Travel was always associated with discoveries. While most people spent their lives in the same place, travelling only in spirit, musicians tended to travel not only for performances or due to the quest for a position but also for the purpose of learning from other musicians, as with Johann Sebastian Bach who in 1705 requested four weeks’ leave for a study trip to study with master organist Dietrich Buxtehude. One hundred years later, the (...) Russian composer Mikhail Glinka undertook numerous journeys to foreign countries, which permitted him to become acquainted with various musical languages and styles. The list of musical works which have to do with travel through space and time is endless. The program presented at the conference was devoted to only a few facets of the repertoire: the longing and decisiveness of the wanderer in Schubert; a retrospective by Schulhoff on the fate of the pianist Otakar Hollmann, who lost his right arm in the First World War; and the tragedy and transfiguration of Shostakovich, who wrote his important Second Piano Sonata while under forced evacuation during the Second World War. (shrink)

The cinematographic frame is a boundary which separates the image from the external world. From an ontological viewpoint which dates back to Greek philosophy, the boundary of a thing separates it from other things, thus leading to its ontological independence from other things. But, according to this point of view, the being of things as external objects is considered to be free from the impact of subjective interference and the experience of the viewer. This idea was radically changed with Kant’s (...) Copernican revolution. By separating the Thing in Itself from the Phenomena, Kant, on the one hand, announced that the object of human cognition is only the Phenomena, and on the other hand, that they are knowable only to the extent that they are known under the a priori subjective factors, i.e. the forms of intuition and the categories of understanding. The first purpose of this paper is to show the limitations of the traditional concepts of the cinematographic frame according to the subjective perception of the viewer. The second objective is to ask how it is possible not to regard this perception as just a mental perception, but a corporeal one. Finally, the results of this investigation are considered in the analysis of the corporeal perception of the cinematographic frame. (shrink)

The cinematic frame is the boundary between the cinematic image and the outside world. In the history of theoretical studies of cinema, the essence of the cinematic frame is analyzed in many ways. Here we focus on two significant viewpoints among them. One of these significant viewpoints considered cinematic frame as a window, and another one considered it as a framework. Both of them had (and have) some supporters. In the case of the window, which realist theories preferred, the cinematic (...) frame is a window upon the world which cuts a slice of the world to produce the cinematic image. In this regard, the window metaphor served as a fenestration or hole through which one could see the world. In this paper, at first, I will report a brief history of the frame in old arts, and in this brief history, I explain that the modern concept of art came out of the Fifteenth century when European artists began to use easel painting. And then, after presenting a very short history of the development of the easel painting and modern concept of the frame in painting and other mediums, I would try to analyze the cinematic frame according to the history of film studies. Finally, in the main part of the paper, I attempt to analyze the cinematic frame according to the distinction between the metaphors of the window and framework. In this respect, I try to find conciliation. This conciliation depends on the concept of off-screen which both formalists and realists have considered it, so I would also examine the concept of off-screen and its role in defining the cinematic frame. After surveying the realist and formalist viewpoints on this concept I try to reach a comprehensive analysis of the cinematic frame which keeps the strong points of both viewpoints. (shrink)

We conduct a case study analysis of a proposal for the emergence of time based upon the approximate derivation of three grades of temporal structure within an explicit quantum cosmological model which obeys a Wheeler-DeWitt type equation without an extrinsic time parameter. Our main focus will be issues regarding the consistency of the approximations and derivations in question. Our conclusion is that the model provides a self-consistent account of the emergence of chronordinal, chronometric and chronodirected structure. Residual concerns relate to (...) explanatory rather than consistency considerations. (shrink)

Space and time are geometrical notions that Sophie Germain, a French mathematician, discusses on several occasions in her Pensées diverses, however not only in a geometrical way but also in terms of a philosophical and moral understanding: she speaks of a human’s lifespan, the space they occupy, their place in creation and the knowledge toward which they always aim. This mixture of mathematical and philosophical thinking brings out Germain’s dream: she wants to apply the language of numbers to moral and (...) political issues. As such this chapter aims to examine Germain’s mathematical understanding of space and time in order to discover her moral theory. Furthermore, in a purely hypothetical context (because one does not know which authors she has read), I compare Germain’s moral thinking to Pascal’s moral and mathematical thoughts in Pensées. We underline the possible inspiration by Pascal by highlighting the similarities between these authors concerning space and time, which both treat mathematically and philosophically. These authors agree that time and space can be measured, and thus provide constant and mathematically uniform elements. At the same time, time and space provide the framework for moral thinking. The latter is not “capable” of enjoying the present moment; he is on a quest for the future. For Germain, this results into knowledge, but for Pascal, this is a sign of an unhappy life in which people do not find rest and are constantly looking for a diversion. (shrink)

Introduction. In contemporary philosophy there is an emerging interest in space and time in relation to the existential-phenomenological tradition. Theoretical analysis. The article analyses some modern approaches to the problem of space and time in the context of the above-mentioned methodology, as well as those approaches that either stand in opposition to the phenomenological tradition or try to form the related understanding of the problem. The problematisation of space within the framework of the approach we are interested in has only (...) been outlined in Heidegger’s existential analysis of Dasein. Since the emergence of speculative realism, with its inherent questioning of the possibility of thinking reality (space and time) beyond the horizon of cognitive and sensory features of human presence, the question of the relationship between being and thinking, especially in the aspect of the possibility of constructing new ontologies, sounds new in philosophy. Conclusion. The analysis of modern approaches to the problem of space and time in the context of the existential-phenomenological tradition shows that in modern philosophy the problematisation of space qualitatively complements human philosophy and develops some of its aspects. (shrink)

Ouvrage philosophique sur ce qu'est le Monde, et non sur ce qu'il convient d'y faire.".

Raum und Zeit sind Grundprobleme der abendlandischen Philosophietradition. Beide sind vielfach als zusammengehorig betrachtet worden, und beide sind als messbare Dimensionen Teil einer Ordnung, die uns in unserem Wahrnehmen und in unserem Handeln Orientierung und Sicherheit gibt. So verlassen wir uns bei jeder Verabredung darauf, dass der Treffpunkt und der Zeitpunkt der Verabredung eindeutig sind. Doch gibt es neben der linearen Zeit und dem metrischen Raum auch andere Weisen, Raum und Zeit zu erleben. Wenn man die Welt als offenes Zusammenspiel (...) von Dingen und Geschehnissen und Beziehungen versteht, so verlangt dies auch eine andere Auffassung von Raum und Zeit: Wir weilen und verweilen in Raumen, die uns umfangen und beherbergen. Wir empfinden kurze oder lange Weile. Und wir erfahren Weite, etwa in ihrem Gegenspiel zu Enge und Bedrangnis, wir stehen vor einer weiten Landschaft oder am weiten Meer - unser Herz wird weit. Indem wir uns einer Weile anvertrauen oder eine Weite in uns aufnehmen oder uns ihr uberlassen, behandeln wir das uns Begegnende nicht als Objekt unseres Tuns und Erkennens, sondern realisieren, dass wir in die uns umgebende Welt mit ihren je unterschiedlichen Weilen und Weiten je schon eingebettet sind. (shrink)

In this paper, we argue that what is often discussed under the umbrella of `spacetime emergence' in the philosophy of quantum gravity in fact consists of a plethora of distinct and even highly different problems. We therefore advocate to cast such debates more specifically in terms of the emergent spatiotemporal aspects, as is already done in the physics literature. We first show how ambiguous the notion of spacetime is already in general relativity. We then argue against three ways to reject (...) our call for specificity: the many distinct philosophical problems relating to the emergence of the various spatiotemporal aspects do not suggest any singular, overarching, or exceptional problem of spacetime emergence. We also discuss how the objections are reflected by five conceptions of spacetime. Next, we observe that different spatiotemporal aspects are emergent in the different quantum gravity approaches, whereby investigating emergence in quantum gravity collectively is problematic. Finally, we illustrate how philosophical inquiries that employ notions of spacetime emergence are aided by conducting the investigation at the level of specific spatiotemporal aspects. (shrink)

'The arrow of time' refers to the curious asymmetry that distinguishes the future from the past. Reversing the Arrow of Time argues that there is an intimate link between the symmetries of 'time itself' and time reversal symmetry in physical theories, which has wide-ranging implications for both physics and its philosophy. This link helps to clarify how we can learn about the symmetries of our world, how to understand the relationship between symmetries and what is real, and how to overcome (...) pervasive illusions about the direction of time. Roberts explains the significance of time reversal in a way that intertwines physics and philosophy, to establish what the arrow of time means and how we can come to know it. This book is both mathematically and philosophically rigorous yet remains accessible to advanced undergraduates in physics and the philosophy of physics. This title is also available as Open Access on Cambridge Core. (shrink)

In 'Forever Finite: The Case Against Infinity' (Rond Books, 2023), the author argues that, despite its cultural popularity, infinity is not a logical concept and consequently cannot be a property of anything that exists in the real world. This article summarizes the main points in 'Forever Finite', including its overview of what debunking infinity entails for conceptual thought in philosophy, mathematics, science, cosmology, and theology.

Excerpt from La Notion d'Espace Le probleme de l'espace que nous nous proposons de traiter forme une partie integrante de la cosmologie. Il a sa place tout indiquee dans cette etude cosmologique, intitulee: les causes constitutives du monde mineral. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format (...) whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)