- The Specter of the Electronic Screen: Bruno Varela's Reception of Stanley Cavell.Byron Davies - 2021 - In David LaRocca (ed.), Movies with Stanley Cavell in Mind. London, UK: pp. 72-90.details
- Fiction, Philosophy, and Television: The Case of Law and Order: Special Victims Unit.Iris Vidmar Jovanović - 2021 - Journal of Aesthetics and Art Criticism 79 (1):76-87.details
- The Post-Human Media Semblance: Predictive Catastrophism.Ekin Erkan - 2020 - Rhizomes: Cultural Studies in Emerging Knowledge 36.details
- Divine Dna? “Secular” and “Religious” Representations of Science in Nonfiction Science Television Programs.Will Mason-Wilkes - 2020 - Zygon 55 (1):6-26.details
- What is It Like to Be a Host?Bradley Richards - 2018 - In James B. South & K. Engles (eds.), Westworld and Philosophy. pp. 79-89.details
- Орфографічні й лексичні помилки в крос-медійних ЗМІ: типологія, причини виникнення.Iryna Marynenko - 2017 - Language: Classic – Modern – Postmodern 3:227-235.details
- Versuch Über Die Veränderung. Zu Breaking Bad.Thomas Khurana - 2016 - WestEnd. Neue Zeitschrift für Sozialforschung 13 (2):25-52.details
- Recovering Lost Moral Ground: Can Walt Make Amends?James Mahon & Joseph Mahon - 2016 - In Kevin Decker, David Koepsell & Robert Arp (eds.), Philosophy and Breaking Bad. New York, USA: Palgrave Macmillan. pp. 143-160.details
- The Camera Movement in Relation to Narration in Animated Films: A Practice-Oriented Study.Hadis Malekie & Mohammad Reza Hosnaee - 2016 - Journal of Dramatic Arts and Music 6 (11):81-95.details
- Minerva’s Night Out: Philosophy, Pop Culture, and Moving Pictures. [REVIEW]Rafe McGregor - 2015 - British Journal of Aesthetics 55 (2):252-255.details
- A Life Not Worth Living.Jami L. Anderson - 2014 - In David P. Pierson (ed.), Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series. Lexington Press. pp. 103-118.details
- Empathy for the Devil: Why on Earth Do We Love Barney Stinson?Bence Nanay - 2014 - In Lorenzo Van Matterhorn (ed.), How I Met Your Mother and Philosophy. Chicago: Open Court.details
- What Makes Jeopardy! A Good Game?Brendan Shea - 2013 - In Shaun P. Young (ed.), Jeopardy! and Philosophy: What is Knowledge in the Form of a Question? Open Court. pp. 27-39.details
- How I Met Your Mother and Philosophy: Being and Awesomeness.Lorenzo von Matterhorn (ed.) - 2013 - Open Court.details
- Ontology, Intentionality, and Television Aesthetics.Ted Nannicelli - 2012 - Screen 53 (2):164-179.details
- Shows About Nothing: Nihilism in Popular Culture.Thomas S. Hibbs - 2011 - Baylor University Press.details
- On the Grounds of Television.Meghan Sutherland - 2011 - In John David Rhodes & Elena Gorfinkel (eds.), Taking Place: Location and the Moving Image. University of Minnesota Press.details
- The Vampire with a Soul: Angel and the Quest for Identity.Amy Kind - 2010 - In Thomas Richard Fahy (ed.), The Philosophy of Horror. University Press of Kentucky. pp. 86.details
- Qvo Vadis - Scodel, Bettenworth Whither Quo Vadis? Sienkiewicz's Novel in Film and Television. Pp. X + 292, Ills. Malden, MA and Oxford: Wiley–Blackwell, 2009. Cased, £50, €67.50. ISBN: 978-1-4051-8385-7. [REVIEW]William Mccarthy - 2010 - The Classical Review 60 (2):591-593.details
- Making Their Presence Known: Tv's Ghost-Hunter Phenomenon in a "Post-" World.Jessica O'Hara - 2010 - In Thomas Richard Fahy (ed.), The Philosophy of Horror. University Press of Kentucky. pp. 72.details
- Witnessing, Credibility, and Female Perpetrators : Eyewitnesses in Television Documentaries About National Socialism.Judith Keilbach - 2007 - In Vera Apfelthaler & Julia Köhne (eds.), Gendered Memories: Transgressions in German and Israeli Film and Theatre. Turia + Kant.details
- Boys, Boyz, Bois: An Ethics of Black Masculinity in Film and Popular Media.Keith M. Harris - 2006 - Routledge.details
- Home, Exile, Homeland: Film, Media, and the Politics of Place.Hamid Naficy (ed.) - 1999 - Routledge.details
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