Related categories

26 found
Order:
  1. The Theatre of the Virtual. How to Stage Potentialities with Merleau-Ponty.Emmanuel Alloa - 2014 - In Laura Cull & Alice Lagaay (eds.), Encounters in Performance Philosophy. PalgraveMacmillan. pp. 147-170.
  2. The New Comedy of Greece and Rome.W. Geoffrey Arnott & R. L. Hunter - 1987 - Journal of Hellenic Studies 107:208.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  3. Here is Harold Pinter.Subhasis Chattopadhyay - 2005 - THE BULLETIN OF THE RAMAKRISHNA MISSION INSTITUTE OF CULTURE (December):561-66.
    This essay interrogates the philosophy of Pinter through analyses of his language, religious understanding of life and through passing references to Buddhism.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  4. Christopher Marlowe's Edward The Second-A Critical Evaluation, The Way I Do.Rituparna Ray Chaudhuri - 2016 - @Article{Chaudhuri2016christopher, Title={Christopher Marlowe's Edward The Second-A Critical Evaluation, The Way I Do.}, Author={Chaudhuri, Rituparna Ray}, Year={2016}.
    “Marlowe wrote Edward The Second in 1590. He found a suitable tragic theme in the Holinshed’s account of Edward II’s reign though it was not a promising dramatic material from the chronological point of view as the events were disjointed and uninspiring disastrous. Improper coordinates of the sources has left its mark on Marlowe’s play, nevertheless, this is his most finished and satisfactory of plays…Edward The Second can surely be regarded as Marlowe’s finest technical achievement.” (Edited, Dr. S. Sen…)[http://philpapers.org/profile/112741].
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  5. Dance and Subtraction: Notes on Alain Badiou's Inaesthetics.Jonathan Owen Clark - 2012 - Dance Research Journal 42 (03):50-64.
    In an essay entirely devoted to the subject of dance in Alain Badiou's Handbook of Inaesthetics [Petit manuel d'inesthétique (Badiou 2005b)], we find the following contentious statement: “Dance is not an art, because it is the sign of the possibility of art as inscribed in the body” (69). At first glance, this statement seems strangely familiar to the reader versed in writing about dance, particularly philosophical writing. “Dance is not an art”: Badiou critiques Mallarmé as not realizing this as the (...)
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  6. Feyerabend, Ionesco, and the Philosophy of the Drama.S. G. Couvalis - 1988 - Critical Philosophy 4:51-66.
  7. APROXIMACIONES TEÓRICAS SOBRE LA PRESENCIA DE LA DANZA- TEATRO EN AMERICA DEL SUR.Clara Donoso - manuscript
    Abstract: The American people strongly developed making music, songs , poetry , stories and theatrical dances. Currently , South America , is made up of diverse knowledge of ethnic and mestizo peoples who qualify with a plurality of cultures and artistic expressions themselves ; including our dance-theater that has had over time on the mestizo becoming, Our avatars , rites , hobbies and living in these territories ; humanizing and closer and closer to art and daily life.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  8. Performance Art Nach 1945 Aktionstheater und Intermedia.Thomas Dreher - 2001
    The outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly based on Intertextuality (Mikhail Mikhailovich Bakhtin) and Systems Theory (Niklas Luhmann).
    Remove from this list  
    Translate
      Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  9. New Media-New Voices: Satirical Representations of Nigeria's Socio-Politics in Ogas at the Top.Philip Effiom Ephraim, Tutku Atker & Martin A. M. Gansinger - 2017 - Critical Studies in Media Communication 34 (1):44-57.
    New media are increasingly providing spaces and opportunities for media houses and activist groups engaged in socio-political reform in Africa. In Nigeria, social media are becoming platforms for communicating messages of resistance against oppressive political and exploitative economic power structures. This study analyzed Ogas at the top (OATT), an online puppetry series by Buni TV, as a way of examining new platforms and message content in Nigeria’s rapidly changing media sphere. Relying on semiotics and critical discourse analysis perspectives, the study (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  10. Sweet Use: Genre and Performance of the Merchant of Venice.Gene Fendt - 2009 - Philosophy and Literature 33 (2):pp. 280-295.
    This paper answers the questions ‘what is the Merchant of Venice?’ and ‘how may it accomplish its purpose?’ I argue that the usual treatments of this play are inadequate and show how the play is a comedy through which the passions appropriate for the good human being are engendered. What is raised and ridiculed are our own temptations to lesser joys and less sweet uses mimetically roused in us by the action and characters of the play. What is whetted but (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  11. The Nuts and Bolts of Arts Management: A Discussion on a Recent Handbook in the Field. [REVIEW]Cristian Hainic - 2011 - Journal for Communication and Culture 1 (2):167-170.
    Brindle, Meg and Constance DeVereaux, eds. The Arts Management Handbook: New Directions for Students and Practitioners. Armonk, New York: M.E. Sharpe, 2011.
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  12. Wagner und Hanslick. Kurze Geschichte einer Feindschaft.Christian Jung - 2012 - Österreichische Musikzeitschrift 67 (6):14-21.
    The controversy between Richard Wagner and his critic Eduard Hanslick is well known, but rarely looked at in detail. It is mostly believed that Hanslick was unable to see Wagner's genius, stuck deeply in an antiquated aesthetical world. By reassessing Wagner's and Hanslick's letters and publications it can be seen, however, that Hanslick's detailed criticism (and also appreciation) was much more objective and less spiteful than is often assumed.
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  13. Roots Reloaded. Culture, Identity and Social Development in the Digital Age.Ayman Kole & Martin A. M. Gansinger (eds.) - 2016 - Anchor.
    This edited volume is designed to explore different perspectives of culture, identity and social development using the impact of the digital age as a common thread, aiming at interdisciplinary audiences. Cases of communities and individuals using new technology as a tool to preserve and explore their cultural heritage alongside new media as a source for social orientation ranging from language acquisition to health-related issues will be covered. Therefore, aspects such as Art and Cultural Studies, Media and Communication, Behavioral Science, Psychology, (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  14. Closer: Performance, Technologies, Phenomenology.Susan Kozel - 2007 - MIT Press.
    Professional dancer and multi-media artist Susan Kozel deploys close readings of late Merleau-Ponty and of Gilles Deleuze in analyses of performance works that involve technological innovations.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  15. Mimesis as Make-Believe: On the Foundations of the Representational Arts.J. M. Moravcsik & Kendall L. Walton - 1993 - Philosophical Review 102 (3):440.
  16. Theatre, Communication, Critical Realism.Tobin Nellhaus - 2010 - Palgrave-Macmillan.
    From oral culture, through the advent of literacy, to the introduction of printing, to the development of electronic media, communication structures have radically altered culture in profound ways. As the first book to take a critical realist approach to culture, Theatre, Communication, Critical Realism examines theatre and its history through the interaction of society’s structures, agents, and discourses. Tobin Nellhaus shows that communication structure—a culture’s use and development of speech, handwriting, printing, and electronics—explains much about why, when, and how theatre (...)
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  17. “Youth is Drunke with Pleasure, and Therefore Dead to All Goodnesse”: Regulating the Excess of the Erotic Early Modern Body.Steve Orman - 2013 - Text Matters - a Journal of Literature, Theory and Culture 3 (3):71-87.
    This article investigates the erotic and youthful body in John Fletcher’s play The Faithful Shepherdess, written for The Children of the Queen’s Revels c.1607. For many early modern scholastic, medical, and conduct manual writers, the life stage of Youth was a particularly dangerous moment in an individuals’ life, a time where the body was in a constant state of flux and ruled by unhealthy bodily excess. Fletcher’s play presents an assortment of characters who are all ruled by or obsessed with (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  18. Beyond Identity: The Dynamic Self at the Intersection of Performance Philosophy and the Philosophy of Science.Sibila Petlevski - 2014 - Interdisciplinary Description of Complex Systems - INDECS 12 (3):187-209.
    In this paper we advocate the methodological feedback loop in the study of the dynamical self at the crossroads of performance philosophy, (artistic) performance, and the philosophy of science. We point to the importance of the dynamics of methodology transfer between arts and sciences and the “interactive continuum” proposed by Newman & Benz in 1998. In the first part of this paper we give a comparative review of the research context relevant for our field of study, and we explain our (...)
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  19. Soldier or Scholar: Stratocels or War.Jacobus Pontanus (ed.) - 2009 - Apprentice House.
    A late 16th century Jesuit play about a student who wants to drop out of school and enroll in the military.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  20. Soldier or Scholar: Stratocles or War.Jacobus Pontanus, S. J., Paul Richard Blum & Thomas McCreight - 2009 - Apprendice House.
    ISBN-13: 978-1934074480
    Plot Summary from the book:
    "An aristocratic young man, fed up with his studies, contemplates military service. His teacher is unable by any reasoning to call him back him from the path he has embarked upon. The young man enlists another youth who commits himself to the journey, dressed in military garb, and he happens upon two deserting soldiers, unsightly and ill-used both in their dress and in their hygiene. Both young men are so moved by the deserters’ (...)
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  21. The role of the artistic works of Anna Pavlova in the creation of scenic images.T. V. Portnova - 2015 - Liberal Arts in Russia 4 (4):282-291.
    The visual creativity of famous Russian ballerina Anna Pavlova is studied in the article within the context of the synthetic approach to working on stage roles. There are data on Anna Pavlova that have not been included in existing publications concerning her artistic, mainly sculptural experiments. This information provides understanding of not only professional tasks that the ballerina has set, but of the tools through which these tasks have been dealt with in a gradual process of formation of plastic dance (...)
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  22. Fundamental Shakespeare: New Perspectives on Gender, Psychology and Politics.Ali Salami (ed.) - 2016 - New Castle: Cambridge Scholars Publishing.
    The contributions to this book examine various facets of the work of Shakespeare from an Eastern perspective. As such, Fundamental Shakespeare sheds fresh light on, and offers new insights to, a wide range of topics including politics, psychology and discourse. Divided into three separate categories, this volume brings to the fore long-standing, but under-explored areas of Shakespeare studies.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  23. THE CONTRADICTORY NATURE OF THE GHOST IN HAMLET.Ali Salami - 2011 - Sarjana 26 (1).
    This article explores the contradictory nature of the ghost in Hamlet and shows how Shakespeare seeks to manipulate the reader’s response in Hamlet by using contradictions and ambiguities. The article also explores the ways in which the reader responds to these contradictions and reconstructs a palpable world in the impalpable world of the text. These contradictions compel the reader to participate in the composition of the text and make him keep changing his own approach to the work with the result (...)
    Remove from this list  
    Translate
      Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  24. Philosophy and Conceptual Art Edited by Goldie, Peter, and Elisabeth Schellekens. [REVIEW]William P. Seeley - 2008 - Journal of Aesthetics and Art Criticism 66 (2):203–205.
  25. 'Postdramatic' Tendencies in the German Dramatic Art at the End of XX - Beginning of XXI Centuries.T. A. Sharypina - 2014 - Liberal Arts in Russia 3 (1):26--31.
    Disintegration and integration processes of German culture of the end of XX and beginning of XXI are analyzed by giving examples of stage interpretations of mythological plots in theatres of present-day Germany. It is stated that pluralism and multidimensionality of the spiritual experience of modern cultural workers, both writers (such as V. Braun, S. Schutz, B. Strauss etc.) and leading producers (D. Dorn, S. Nubling and others) contribute to the drawing up of a special syncretic style of theatre staging, first (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  26. On specific character of Austrian national code in literature and music: origins of game-like nature.Yu L. Tsvetkov - 2016 - Liberal Arts in Russia 5 (1):36-43.
    In the article the mutual influence of folk theatre, Austrian Singspiel and Viennese opera in the genres of comic opera, operetta and drama performances involving music, singing and dancing is studied. The powerful influence of Italian and French opera schools, as well as the Italian Commedia Dell'arte led to the flourishing of music and theatre art in Austria: opera buffa (A. Salieri, Ch. W. Glück, J. Haydn, W. A. Mozart), fairy-tale comedies of F. Raimund and satirical dramas of Nestroy. Their (...)
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography