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  1. Glossing the Title of Bernard Shaw's Arms and the Man.Subhasis Chattopadhyay - manuscript
    I believe that as a teacher I must provide high quality content for my students. And all these should be available for free online so that bright students globally can choose which editions of a seminal text they can study. In every UG, PG examination, one is asked about the importance of the title of Shaw's play. In this paper I have illustrated by my own reading how one should and can approach the play. For scholars, my annotations referring to (...)
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  2. Modifications to Aristotle's Poetics.E. Garrett Ennis - manuscript
    Aristotle's Poetics has been the basis for theories of entertainment for over 2,000 years. But the general approach it uses has led to a number of gaps, contradictions, and difficulties in predicting the success of books, plays, movies, and entertainment as a whole, so much so that sayings like "there are no rules, but you break them at your peril," and "in Hollywood, nobody knows anything" have become widespread and accepted. -/- However, it turns out that a model of entertainment (...)
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  3. Empathy and Moral Education, Theatre of the Oppressed, and The Laramie Project.Andrew J. Corsa - 2021 - Journal of Moral Education 50 (2):219-232.
    Notable theorists have argued that theatre and drama play positive roles in the moral education of children and adults, including cultivating their capacity for empathy. Yet other theorists have expressed concerns that plays and educational practices involving improvisation might not lead to positive changes in real life, and might even have negative influences on actors and audiences. This paper focuses in particular on the dramatic methods employed by Theatre of the Oppressed, devised by Augusto Boal, and on the methods involved (...)
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  4. Vom Fehlen des Sinnes zum Sinn des Fehlens. Euripides, "Iphigenie bei den Taurern", vv. 218ff. ökonomisch gelesen.Sergiusz Kazmierski - 2021 - In Ivo De Gennaro, Sergiusz Kazmierski, Ralf Lüfter & Robert Simon (eds.), Ökonomie als Problem. Interdisziplinäre Beiträge zu einer Kritik ökonomischen Wissens. Freiburg-München: pp. 139-184.
    Ausgehend von den vv. 218ff. der Iphigenie bei den Taurern zeigt der Beitrag, wie in dem Drama die tragische Dimension des menschlichen Daseins als eine unwirtliche zu Tage tritt. Diese offenbart eine wirtliche Ökonomie, die diesem Dasein ein Fundament geben kann, das nicht zunächst nach dem ausgerichtet ist, was recht und billig erscheint, sondern, allem voran, im sinnstiftenden Reichtum eines tragischen Schicksals wurzelt, das dem Menschen sein Eigenes und Freies zu gewähren vermag.
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  5. Accidents Made Permanent: Theater and Automatism in Stanley Cavell, Michael Fried, and Matías Piñeiro.Byron Davies - 2020 - Modern Language Notes 135 (5):1283-1314.
    This essay provides an interpretation of the potential and limits of Michael Fried's difficult claims in his essay "Art and Objecthood" (1967) that cinema by its nature escapes the problems of modernism and also escapes the problems of theater. By focusing on Stanley Cavell's account of how cinema as an automatic medium escapes problems associated with variability across performances, I try to render a version of Fried's claim about cinema and theater that can ground a figurative version of his claim (...)
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  6. R. BRYANT-DAVIES Victorian Epic Burlesques: A Critical Anthology of Nineteenth-Century Theatrical Entertainments After Homer. London: Bloomsbury Academic, 2019. Pp. 284, Illus. £85. 9781350027176. [REVIEW]Laura Monrós-Gaspar - 2020 - Journal of Hellenic Studies 140:299-300.
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  7. Challenges Kenyan Television Journalists Face in Spotting Fake News.Kabucua John Mutugi - 2020 - Journal of Development and Communication Studies 7 (1).
    A fake news story can travel half way across the world as the truth puts on its socks. There are myriads of challenges facing journalists in spotting fake news hence its wide proliferation. Fake news has become a prominent subject of enquiry especially following its alleged influence of the 2016 general elections in US. Unfortunately, research on fake news has focused on social media, politics, elections, and economies. Few studies have focused on the challenges that TV journalists face in spotting (...)
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  8. Ἐγώ εἰμι.Andrej Poleev - 2020 - Enzymes 18.
    Появление человека, говорящего о себе Ἐγώ εἰμι, люди воспринимают в той же логике абсурда, к которой они привыкли. То, что кто-то может не играть и не носить маску, а реально быть, жить настоящей, а не выдуманной жизнью, для них немыслимо, невозможно, невыносимо и недопустимо. Но такой человек был, есть, и будет, и именно он преображает всё остальное человечество своим Ἐγώ εἰμι.
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  9. Review of Siddhartha Biswas's Theatre Theory and Performance: A Critical Interrogation. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (9):672-4.
    Biswas's book is a panoramic treatment of contemporary world theatre. The book under review will help both the neophyte, as also a scholar to negotiate ancient dramaturgy and more recent theatre. Biswas's eye for details is also remarked in this review. The review shows how Biswas, as it were, has written a manifesto of protest in this book.
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  10. Coordenadas epistemológicas para una estética en construcción.José Ramón Fabelo Corzo (ed.) - 2019 - Puebla, Pue., México: Colección La Fuente.
    Desde la certidumbre del sentido necesariamente inacabado, nómada y abierto de sus propuestas, el presente volumen de la Colección La Fuente da cuentas del esfuerzo de un grupo de investigadores del Instituto de Filosofía de La Habana (IF) y de la Universidad Autónoma de Puebla (BUAP) por esbozar, más que respuestas, aquellas interrogantes sociales, culturales y artísticas que, desde constelaciones cambiantes de conceptos y reflexiones estéticas, puedan ser emplazadas en sus respectivas realidades. El presente libro es el tercero de la (...)
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  11. Multiculturalism in Nigeria as a Factor in Promoting National Integration Through Cross-Cultural Communication.Barigbon Gbara Nsereka - 2019 - International Journal of Innovative Research and Development 8 (1).
    It is widely believed that Nigeria consists of a minimum of 250 ethnic groups with Hausa, Yoruba and Igbo as the three dominant ones. Each group has its own language and custom and accepts one or more of the main religions of Christianity, Islam and African traditional religion. This multi-ethnic, multi-cultural, multi-lingual and multi-religious nature of the country makes the pursuit of national unity, unity in diversity, a difficult task. And this is the background for the disruption and violence that (...)
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  12. Material und Begriff. Arbeitsverfahren und theoretische Beziehungen Walter Benjamins.Frank Voigt, Nicos Tzanakis Papadakis, Jan Loheit & Konstantin Baehrens - 2019 - Hamburg, Deutschland: Argument.
    Die Rezeption von Walter Benjamins Arbeiten ist von einer Paradoxie durchzogen: Obwohl Konsens darüber besteht, dass er seine Begriffe in ›enger Fühlung‹ mit dem jeweiligen Material entwickelt, werden seine Schriften häufig ohne ein eigenständiges Studium seiner Quellen gelesen, losgelöst vom jeweiligen Problem- und Debattenzusammenhang. Das verstärkt den Eindruck einer Esoterik seiner Texte und kann zu der Annahme verleiten, Benjamin entnehme Motive willkürlich aus seinem Material- und Quellenstudium und nutze sie als Vehikel eines an sich schwer in eine Tradition einzuordnenden Denkens. (...)
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  13. Visual Experiences in Cinquecento Theatrical Spaces.Javier Berzal de Dios - 2018 - Toronto, ON, Canada: University of Toronto Press.
    Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period’s philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, (...)
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  14. A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition.Martijn Boven - 2018 - In Eric Jozef Ziolkowski (ed.), Kierkegaard, Literature, and the Arts. Evanston, IL, USA: pp. 115-130.
    In this essay, I argue that Søren Kierkegaard’s oeuvre can be seen as a theater of ideas. This argument is developed in three steps. First, I will briefly introduce a theoretical framework for addressing the theatrical dimension of Kierkegaard’s works. This framework is based on a distinction between“performative writing strategies” and “categories of performativity.” As a second step, I will focus on Repetition: A Venture in Experimenting Psychology, by Constantin Constantius, one of the best examples of Kierkegaard’s innovative way of (...)
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  15. New Media-New Voices: Satirical Representations of Nigeria's Socio-Politics in Ogas at the Top.Philip Effiom Ephraim, Tutku Atker & Martin A. M. Gansinger - 2017 - Critical Studies in Media Communication 34 (1):44-57.
    New media are increasingly providing spaces and opportunities for media houses and activist groups engaged in socio-political reform in Africa. In Nigeria, social media are becoming platforms for communicating messages of resistance against oppressive political and exploitative economic power structures. This study analyzed Ogas at the top (OATT), an online puppetry series by Buni TV, as a way of examining new platforms and message content in Nigeria’s rapidly changing media sphere. Relying on semiotics and critical discourse analysis perspectives, the study (...)
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  16. Trump is Gross: Taking Political Taste Seriously.Shelley Park - 2017 - Kennedy Institute of Ethics Journal 27 (S2):23-42.
    My 5-year-old granddaughter refers to foods, clothes, and people she does not like as “supergross.” It is a verbiage that I have found myself adopting for talking about many things Trumpian, including the man himself. The gaudy, gold-plated everything in Trump Towers; his ill-fitting suits; his poorly executed fake tan and comb-over; his red baseball cap emblazoned with “Make America Great Again;” his creepy way of talking about women ; his racist vitriol about Blacks, Muslims and Mexicans; his blatant over-the-top (...)
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  17. Performance como uma Prática de si: mapeando noções de treinamento performativo.Ronaldo Francisco dos Santos - 2017 - Dissertation, Unicamp, Brazil
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  18. Hamlet (Bilingual Edition).William Shakespeare - 2017 - Tehran: Mehrandish Books.
    A Persian translation of William Shakespeare's Hamlet along with the original text.
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  19. Un manifesto dell'inumano. Carmelo Bene a quindici anni dalla morte.Fabio Vergine - 2017 - Kasparhauser 1.
    Articolo in occasione del quindicesimo anniversario della morte di Carmelo Bene.
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  20. Yeats Considered as the Archetypal Fool.Margot Wilson - 2017 - Dissertation, Sheffield University
    I argue a case for interpreting Yeats through the metaphysics of The Order of the Golden Dawn and the human/cosmic life cycle of their Rider-Waite tarot deck. In doing so, I will explain how the metaphysics of Indian and Egyptian sacred geometry inform his poetry, and his plays, in particular, ‘A Vision’ (1925) and ‘The Herne’s Egg’ (1938).
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  21. Christopher Marlowe's Edward The Second-A Critical Evaluation, The Way I Do.Rituparna Ray Chaudhuri - 2016 - @Article{Chaudhuri2016christopher, Title={Christopher Marlowe's Edward The Second-A Critical Evaluation, The Way I Do.}, Author={Chaudhuri, Rituparna Ray}, Year={2016}.
    “Marlowe wrote Edward The Second in 1590. He found a suitable tragic theme in the Holinshed’s account of Edward II’s reign though it was not a promising dramatic material from the chronological point of view as the events were disjointed and uninspiring disastrous. Improper coordinates of the sources has left its mark on Marlowe’s play, nevertheless, this is his most finished and satisfactory of plays…Edward The Second can surely be regarded as Marlowe’s finest technical achievement.” (Edited, Dr. S. Sen…)[http://philpapers.org/profile/112741].
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  22. A Dramaturgia Negativa: Dialética Trágica e Formação do Teatro Brasileiro.Ivan Delmanto Franklin de Matos - 2016 - Dissertation, USP, Brazil
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  23. Entre dos tempestades. Boal dialoga con Shakespeare.José Ramón Fabelo Corzo & Ana Lucero López Troncoso - 2016 - In José Ramón Fabelo Corzo & Ana Lucero López Troncoso (eds.), Teatro y Estética del Oprimido. Homenaje a Augusto Boal. Puebla, Pue., México: pp. 285-299.
    Los autores realizan un análisis comparativo entre The Tempest de Willian Shakespeare y La Tempestad de Augusto Boal, siguiendo la pauta de este último autor, quien ve en su obra no la adaptación de la del clásico dramaturgo inglés, sino la respuesta a aquella desde la perspectiva de Caliban y no de Próspero.
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  24. Roots Reloaded. Culture, Identity and Social Development in the Digital Age.Ayman Kole & Martin A. M. Gansinger (eds.) - 2016 - Anchor.
    This edited volume is designed to explore different perspectives of culture, identity and social development using the impact of the digital age as a common thread, aiming at interdisciplinary audiences. Cases of communities and individuals using new technology as a tool to preserve and explore their cultural heritage alongside new media as a source for social orientation ranging from language acquisition to health-related issues will be covered. Therefore, aspects such as Art and Cultural Studies, Media and Communication, Behavioral Science, Psychology, (...)
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  25. Fundamental Shakespeare: New Perspectives on Gender, Psychology and Politics.Ali Salami (ed.) - 2016 - New Castle: Cambridge Scholars Publishing.
    The contributions to this book examine various facets of the work of Shakespeare from an Eastern perspective. As such, Fundamental Shakespeare sheds fresh light on, and offers new insights to, a wide range of topics including politics, psychology and discourse. Divided into three separate categories, this volume brings to the fore long-standing, but under-explored areas of Shakespeare studies.
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  26. On Specific Character of Austrian National Code in Literature and Music: Origins of Game-Like Nature.Yu L. Tsvetkov - 2016 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 5 (1):36.
    In the article the mutual influence of folk theatre, Austrian Singspiel and Viennese opera in the genres of comic opera, operetta and drama performances involving music, singing and dancing is studied. The powerful influence of Italian and French opera schools, as well as the Italian Commedia Dell'arte led to the flourishing of music and theatre art in Austria: opera buffa (A. Salieri, Ch. W. Glück, J. Haydn, W. A. Mozart), fairy-tale comedies of F. Raimund and satirical dramas of Nestroy. Their (...)
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  27. Ludic Role of Religious Rituals. The Use of Play for Religious Ceremony.Tudor Cosmin Ciocan - 2015 - Dialogo 2 (1):120-128.
    This paper was made as part of a wider research I made about rituals and their meaning and roles they are playing in the religious system of thinking. The way they are thought, displayed, precisely followed as instructed and believed, makes them a powerful social act that has been always provided by any religion, and also a tool for religion to make the human society what it is today. After I speak about what is a ritual and its religious content (...)
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  28. The Role of the Artistic Works of Anna Pavlova in the Creation of Scenic Images.T. V. Portnova - 2015 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 4 (4):282.
    The visual creativity of famous Russian ballerina Anna Pavlova is studied in the article within the context of the synthetic approach to working on stage roles. There are data on Anna Pavlova that have not been included in existing publications concerning her artistic, mainly sculptural experiments. This information provides understanding of not only professional tasks that the ballerina has set, but of the tools through which these tasks have been dealt with in a gradual process of formation of plastic dance (...)
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  29. Review of Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir. [REVIEW]Nick Riggle - 2015 - Notre Dame Philosophical Reviews 1 (1):1.
    Recent work at the intersection of philosophy of action and aesthetics has unearthed rich territory. We are deepening our appreciation for and understanding of the role of pretense, imagination, and narrative (to name a few) in human action and moral psychology. Tzachi Zamir’s book investigates a relatively unexplored locus of overlap between philosophy of action and aesthetics via a multifaceted and conceptually rich study of the art, ethics, and moral psychology of acting — topics that have received scant philosophical attention...
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  30. The Theatre of the Virtual. How to Stage Potentialities with Merleau-Ponty.Emmanuel Alloa - 2014 - In Laura Cull & Alice Lagaay (eds.), Encounters in Performance Philosophy. PalgraveMacmillan. pp. 147-170.
  31. Beyond Identity: The Dynamic Self at the Intersection of Performance Philosophy and the Philosophy of Science.Sibila Petlevski - 2014 - Interdisciplinary Description of Complex Systems - INDECS 12 (3):187-209.
    In this paper we advocate the methodological feedback loop in the study of the dynamical self at the crossroads of performance philosophy, (artistic) performance, and the philosophy of science. We point to the importance of the dynamics of methodology transfer between arts and sciences and the “interactive continuum” proposed by Newman & Benz in 1998. In the first part of this paper we give a comparative review of the research context relevant for our field of study, and we explain our (...)
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  32. 'Postdramatic' Tendencies in the German Dramatic Art at the End of XX - Beginning of XXI Centuries.T. A. Sharypina - 2014 - Liberal Arts in Russia 3 (1):26--31.
    Disintegration and integration processes of German culture of the end of XX and beginning of XXI are analyzed by giving examples of stage interpretations of mythological plots in theatres of present-day Germany. It is stated that pluralism and multidimensionality of the spiritual experience of modern cultural workers, both writers (such as V. Braun, S. Schutz, B. Strauss etc.) and leading producers (D. Dorn, S. Nubling and others) contribute to the drawing up of a special syncretic style of theatre staging, first (...)
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  33. “Youth is Drunke with Pleasure, and Therefore Dead to All Goodnesse”: Regulating the Excess of the Erotic Early Modern Body.Steve Orman - 2013 - Text Matters - a Journal of Literature, Theory and Culture 3 (3):71-87.
    This article investigates the erotic and youthful body in John Fletcher’s play The Faithful Shepherdess, written for The Children of the Queen’s Revels c.1607. For many early modern scholastic, medical, and conduct manual writers, the life stage of Youth was a particularly dangerous moment in an individuals’ life, a time where the body was in a constant state of flux and ruled by unhealthy bodily excess. Fletcher’s play presents an assortment of characters who are all ruled by or obsessed with (...)
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  34. Dance and Subtraction: Notes on Alain Badiou's Inaesthetics.Jonathan Owen Clark - 2012 - Dance Research Journal 42 (03):50-64.
    In an essay entirely devoted to the subject of dance in Alain Badiou's Handbook of Inaesthetics [Petit manuel d'inesthétique (Badiou 2005b)], we find the following contentious statement: “Dance is not an art, because it is the sign of the possibility of art as inscribed in the body” (69). At first glance, this statement seems strangely familiar to the reader versed in writing about dance, particularly philosophical writing. “Dance is not an art”: Badiou critiques Mallarmé as not realizing this as the (...)
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  35. Wagner und Hanslick. Kurze Geschichte einer Feindschaft.Christian Jung - 2012 - Österreichische Musikzeitschrift 67 (6):14-21.
    The controversy between Richard Wagner and his critic Eduard Hanslick is well known, but rarely looked at in detail. It is mostly believed that Hanslick was unable to see Wagner's genius, stuck deeply in an antiquated aesthetical world. By reassessing Wagner's and Hanslick's letters and publications it can be seen, however, that Hanslick's detailed criticism (and also appreciation) was much more objective and less spiteful than is often assumed.
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  36. Introdução ao Estudo Histórico-Filosófico da Técnica e da Ação Cômica do ator.Douglas Rodrigues Novais - 2012 - Dissertation, University of Campinas, Brazil
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  37. Communication Imperatives and the Theatre Administrator.Essien Edet & Brenda Akpan - 2011 - Nduñòde 9 (2).
    To succeed, every organization including theatre necessarily requires human and material resources. The material resources cannot on their own function. It is the human capital within the organization that utilizes and drives the materials in a certain direction in order to achieve predetermined objectives. This places the human capital in a pivotal role and justifies the attention often paid to personnel matters in organizations. Personnel themselves have to be managed. One potent avenue for adequately managing human resources towards the realization (...)
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  38. The Nuts and Bolts of Arts Management: A Discussion on a Recent Handbook in the Field. [REVIEW]Cristian Hainic - 2011 - Journal for Communication and Culture 1 (2):167-170.
    Brindle, Meg and Constance DeVereaux, eds. The Arts Management Handbook: New Directions for Students and Practitioners. Armonk, New York: M.E. Sharpe, 2011.
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  39. THE CONTRADICTORY NATURE OF THE GHOST IN HAMLET.Ali Salami - 2011 - Sarjana 26 (1).
    This article explores the contradictory nature of the ghost in Hamlet and shows how Shakespeare seeks to manipulate the reader’s response in Hamlet by using contradictions and ambiguities. The article also explores the ways in which the reader responds to these contradictions and reconstructs a palpable world in the impalpable world of the text. These contradictions compel the reader to participate in the composition of the text and make him keep changing his own approach to the work with the result (...)
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  40. Theatre, Communication, Critical Realism.Tobin Nellhaus - 2010 - Palgrave-Macmillan.
    From oral culture, through the advent of literacy, to the introduction of printing, to the development of electronic media, communication structures have radically altered culture in profound ways. As the first book to take a critical realist approach to culture, Theatre, Communication, Critical Realism examines theatre and its history through the interaction of society’s structures, agents, and discourses. Tobin Nellhaus shows that communication structure—a culture’s use and development of speech, handwriting, printing, and electronics—explains much about why, when, and how theatre (...)
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  41. Andrew James Johnston, Performing the Middle Ages: From “Beowulf” to “Othello.”(Late Medieval and Early Modern Studies, 15.) Turnhout: Brepols, 2008. Pp. Viii, 342.€ 70. [REVIEW]Edward Wheatley - 2010 - Speculum 85 (3):692-694.
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  42. Global Media and Cultural Domination: Strategies for a New World Information Order (NWICO) for Africa.Essien Edet & Stanis Iyorza - 2009 - Journal of Globalization and International Studies 4 (2).
    The thrust of this paper is to access the efficacy of establishing African Global Media channel to strike a balance in communication between Africa and the rest of the world. This paper is a reaction to the imbalance in communication flow as engineered by the global media. Global media has contributed greatly to cultural domination in Africa by Europe and the Western World. These channels of communication such as, Cable News Network (CNN), British Broadcasting Corporation (BBC), Deutse Welle Television (DWTV) (...)
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  43. Sweet Use: Genre and Performance of the Merchant of Venice.Gene Fendt - 2009 - Philosophy and Literature 33 (2):pp. 280-295.
    This paper answers the questions ‘what is the Merchant of Venice?’ and ‘how may it accomplish its purpose?’ I argue that the usual treatments of this play are inadequate and show how the play is a comedy through which the passions appropriate for the good human being are engendered. What is raised and ridiculed are our own temptations to lesser joys and less sweet uses mimetically roused in us by the action and characters of the play. What is whetted but (...)
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  44. Sweet Use: Genre and Performance of The Merchant of Venice: ShakespeareWilliam,.1564-1616Merchant of Venice.Fendt Gene - 2009 - Philosophy and Literature 33 (2):280-295.
    This paper answers the questions ‘what is the Merchant of Venice?’ and ‘how may it accomplish its purpose?’ I argue that the usual treatments of this play are inadequate and show how the play is a comedy through which the passions appropriate for the good human being are engendered. What is raised and ridiculed are our own temptations to lesser joys and less sweet uses mimetically roused in us by the action and characters of the play. What is whetted but (...)
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  45. Soldier or Scholar: Stratocels or War.Jacobus Pontanus (ed.) - 2009 - Apprentice House.
    A late 16th century Jesuit play about a student who wants to drop out of school and enroll in the military.
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  46. Soldier or Scholar: Stratocles or War.Jacobus Pontanus, S. J., Paul Richard Blum & Thomas McCreight - 2009 - Apprendice House.
    ISBN-13: 978-1934074480
    Plot Summary from the book:
    "An aristocratic young man, fed up with his studies, contemplates military service. His teacher is unable by any reasoning to call him back him from the path he has embarked upon. The young man enlists another youth who commits himself to the journey, dressed in military garb, and he happens upon two deserting soldiers, unsightly and ill-used both in their dress and in their hygiene. Both young men are so moved by the deserters’ (...)
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  47. ENHANCING INTERNAL FINANCIAL CONTROL IN THEATRE ESTABLISHMENT IN NIGERIA.Edet Essien - 2008 - Nduñòde 7 (1).
    The objective of theatre establishments as business concerns remains predominantly to cover costs and make profits. Of all the avenues generation, gate-takings remain readily available and have been used by theatres for centuries now. But due to fraudulent activities, theatre establishments can be short-changed. Consequently, revenues can be lost and the establishments unable to meet their obligations; taxes, honoraria, rents, wages etc. it is therefore imperative to adopt measures that would strengthen gate-takings as revenue machinery, devoid of fraudulent practices. This (...)
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  48. Philosophy and Conceptual Art Edited by Goldie, Peter, and Elisabeth Schellekens. [REVIEW]William P. Seeley - 2008 - Journal of Aesthetics and Art Criticism 66 (2):203–205.
  49. Closer: Performance, Technologies, Phenomenology.Susan Kozel - 2007 - MIT Press.
    Professional dancer and multi-media artist Susan Kozel deploys close readings of late Merleau-Ponty and of Gilles Deleuze in analyses of performance works that involve technological innovations.
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  50. Hall, Macintosh Greek Tragedy and the British Theatre 1660–1914. Pp. Xxxviii + 723, Ills. Oxford: Oxford University Press, 2005. Cased, £60. ISBN: 0-19-815087-3. [REVIEW]Simon Goldhill - 2006 - The Classical Review 56 (2):508-511.
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