- The Spring of Action: In Butō Improvisation.Carla Bagnoli - forthcoming - In Routledge Handbook Philosophy of Improvisation in the Arts. London: Routledge.details
- Tragedy as a Symbol of Autonomy in Schiller's Aesthetics.Timothy Stoll - forthcoming - British Journal of Aesthetics.details
- “Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky.Jennifer A. McMahon - 2021 - In James Phillips & John Severn (eds.), Barrie Kosky’s Transnational Theatres. New York, NY, USA: Springer. pp. 59-80.details
- The Problems of Viewing Performance: Epistemology and Other Minds.Michael Y. Bennett - 2021 - London, UK: Routledge.details
- Intrinsic-Extrinsic Properties in Theater.Michael Y. Bennett - 2021 - Philosophy and Literature 45 (1):34-38.details
- Externalization on Stage: The Exil Ensemble’s Hamletmaschine.Katrin Trüstedt - 2020 - In Martin Jörg Schäfer & Karin Nissen-Rizvani (eds.), TogetherText: Prozessual erzeugte Texte im Gegenwartstheater. Berlin, Germany: pp. 142–155.details
- "The Philosophy of Theater".Michael Y. Bennett - 2020 - Oxford Bibliographies.details
- Review of Siddhartha Biswas's Theatre Theory and Performance: A Critical Interrogation. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (9):672-4.details
- La sociedad del espectáculo de Guy Debord: 50 años después.José Ramón Fabelo Corzo - 2019 - In José Ramón Fabelo Corzo & Mayra Sánchez Medina (eds.), Coordenadas epistemológicas para una estética en construcción. Puebla, Pue., México: pp. 259-274.details
- GJESDAL, KRISTIN. Ibsen's Hedda Gabler —Philosophical Perspectives. Oxford University Press, 2018, 272 Pp., $29.95, Paper. [REVIEW]Lior Levy - 2019 - Journal of Aesthetics and Art Criticism 77 (2):215-219.details
- Alienation and Affirmation: The Comedy of Heiner Müller’s Hamletmaschine.Katrin Trüstedt - 2019 - Brecht Yearbook 44:102-121.details
- “Propositions in Theatre: Theatrical Utterances as Events”.Michael Y. Bennett - 2018 - Journal of Literary Semantics 47 (2):147-152.details
- A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition.Martijn Boven - 2018 - In Eric Jozef Ziolkowski (ed.), Kierkegaard, Literature, and the Arts. Evanston, IL, USA: pp. 115-130.details
- Alienation und Affirmation. Die Komödie der Negativität in Heiner Müllers Hamletmaschine.Katrin Trüstedt - 2018 - In Thomas Khurana, Francesca Raimondi, Dirk Setton, Dirk Quadflieg & Juliane Rebentisch (eds.), Negativität: Kunst - Recht - Politik. Berlin, Deutschland: pp. 65-79.details
- "How came that widow in?" Entzogene Fluchtgeschichten auf der Bühne.Katrin Trüstedt - 2018 - In Bettine Menke & Juliane Vogel (eds.), Flucht und Szene. Berlin, Deutschland:details
- Analytic Philosophy and the World of the Play.Michael Y. Bennett - 2017 - London: Routledge.details
- Magic: The Art of the Impossible.Jason Leddington - 2017 - In David Goldblatt, Lee B. Brown & Stephanie Patridge (eds.), Aesthetics: A Reader in the Philosophy of the Arts. New York, USA: Routledge. pp. 373-379.details
- The Philosophy of Theatre, Drama and Acting.Tom Stern - 2017 - Rowman & Littlefield International.details
- Teatro y Estética del Oprimido. Homenaje a Augusto Boal.José Ramón Fabelo Corzo & Ana Lucero López Troncoso (eds.) - 2016 - Puebla, Pue., México: Colección La Fuente, BUAP.details
- ¿Qué hacer con el legado teórico-práctico de Augusto Boal? (A modo de Presentación).José Ramón Fabelo Corzo & Ana Lucero López Troncoso - 2016 - In José Ramón Fabelo Corzo & Ana Lucero López Troncoso (eds.), Teatro y Estética del Oprimido. Homenaje a Augusto Boal. Puebla, Pue., México: pp. 11-21.details
- Culture-Blind Shakespeare: Multiculturalism and Diversity.Ali Salami (ed.) - 2016 - New Castle: Cambridge Scholars Publishing.details
- Van Steen Stage of Emergency: Theater and Public Performance Under the Greek Military Dictatorship of 1967–1974 . Oxford: Oxford University Press, 2015. Pp. Xiii + 376. £80. 9780198718321. [REVIEW]Elke Steinmeyer - 2016 - Journal of Hellenic Studies 136:305-306.details
- All the World’s a Stage. [REVIEW]Aili Bresnahan - 2015 - The Philosophers' Magazine 69:125-126.details
- Improvisation in the Arts.Aili Bresnahan - 2015 - Philosophy Compass 10 (9):573-582.details
- Review of Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir. [REVIEW]Nick Riggle - 2015 - Notre Dame Philosophical Reviews 1 (1):1.details
- "Theatrical Names and Reference".Michael Y. Bennett - 2015 - Palgrave Communications 1 (1).details
- Performance in Greek and Roman Theatre Ed. By George W. M. Harrison and Vayos Liapis.Rosa Andujar - 2014 - Classical World: A Quarterly Journal on Antiquity 108 (1):137-138.details
- El naixement de la tragèdia o hel·lenisme i pessimisme: Seguit de correspondència amb l'autor.Joan Ferrarons Llagostera & Mosè Cometta - 2014details
- God No Longer Amuses.Ramona Fotiade - 2014 - Times Literary Supplement 5781:25-25.details
- Two Loves I Have: Of Comfort and Despair in Shakespearean Genre.Claire Elizabeth McEachern - 2014 - British Journal of Aesthetics 54 (2):191-211.details
- Some Ontology of Interactive Art.Dominic Preston - 2014 - Philosophy and Technology 27 (2):267-278.details
- The Paradox of Onstage Emotion.Michelle Saint - 2014 - British Journal of Aesthetics 54 (3):357-369.details
- Censorship as Catalyst for Artistic Innovation.Aili Bresnahan - 2013 - Journal for Peace and Justice Studies 23 (2):98-116.details
- Black Rain: The Apocalyptic Aesthetic and the Spectator's Ethical Challenge in (Israeli) Theater.Zahava Caspi - 2013 - Substance 42 (2):141-158.details
- Installation Art and Performance: A Shared Ontology.Sherri Irvin - 2013 - In Christy Mag Uidhir (ed.), Art and Abstract Objects. Oxford University Press. pp. 242-262.details
- Theatre and Philosophy The Art of Theater, by James R. Hamilton. Oxford: Blackwell, 2007, Xv + 226 Pp. ISBN 978‐1‐4051‐1353‐3 Hb £21.99 The Necessity of Theater, by Paul Woodruff. Oxford: Oxford University Press, 2008, Xiii + 257 Pp. ISBN 978‐0‐19‐533200‐1 Hb £17.99; ISBN 978‐0‐19‐539480‐1 Pb £10.99 The Drama of Ideas, by Martin Puchner. Oxford: Oxford University Press, 2010, Xii + 254 Pp. ISBN 978‐0‐19‐973032‐2 Hb £19.99 Philosophers and Thespians: Thinking Performance, by Freddie Rokem. Stanford, CA: Stanford University Press, 2010, Xi + 227 Pp. ISBN 978‐0‐8047‐6349‐3 Hb $60.00; ISBN 978‐0‐8047‐6350‐9 Pb $21.95. [REVIEW]Tom Stern - 2013 - European Journal of Philosophy 21 (1):158-167.details
- Philosophy and Theatre: An Introduction.Tom Stern - 2013 - Routledge.details
- Review Article: Theatre and Philosophy. [REVIEW]Tom Stern - 2013 - European Journal of Philosophy 21 (1):158-167.details
- Aristotle.Angela Curran - 2012 - In Alessandro Giovannelli (ed.), Aesthetics: The Key Thinkers. pp. 21-33.details
- Narrative, Emotion, and Insight. [REVIEW]Rafe Mcgregor - 2012 - Journal of Aesthetics and Art Criticism 70 (3):319-321.details
- Theatre Translation as Collaboration: A Case in Point in British Contemporary Drama.Andrea Peghinelli - 2012 - Journal for Communication and Culture 2 (1):20-30.details
- The Aesthetic Response: The Reader in Macbeth.Ali Salami - 2012 - Folia Linguistica Et Litteraria 12.details
- Words, Space, and the Audience: The Theatrical Tension Between Empiricism and Rationalism.Michael Y. Bennett - 2012 - New York, NY, USA: Palgrave Macmillan.details
- Reading Drama.Tzachi Zamir - 2012 - Journal of Aesthetics and Art Criticism 70 (2):179-192.details
- Convention, Audience, and Narrative: Which Play is the Thing?Leslie A. Howe - 2011 - Journal of the Philosophy of Sport 38 (2):135-148.details
- Postspektakuläres Theater: Die Alterität der Aufführung Und Die Entgrenzung der Künste.André Eiermann - 2009 - Bielefeld: Transcript.details
- Tragedy and Reparation.Elisa Galgut - 2009 - In Pedro Alexis Tabensky (ed.), The Positive Function of Evil. Palgrave-Macmillan.details
- Theatrical Performances and the Works Performed.Sherri Irvin - 2009 - Journal of Aesthetic Education 43 (3):pp. 37-50.details
- Science on Stage: Amusing Physics and Scientific Wonder at the Nineteenth-Century French Theatre.Sofie Lachapelle - 2009 - History of Science 47 (3):297-315.details
- Performing the Middle Ages From 'Beowulf' to 'Othello'. [REVIEW]Ellen Mackay - 2009 - The Medieval Review 12.details
|
Off-campus access
Using PhilPapers from home?
Create an account to enable off-campus access through your institution's proxy server.
Monitor this page
Be alerted of all new items appearing on this page. Choose how you want to monitor it:
Email
|
RSS feed
|
|