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  1. Imagination in Phenomenology: Variations and Modalities.Andreea Smaranda Aldea & Julia Jansen - forthcoming - Springer, Husserl Studies.
  2. Not by Imaginings Alone: On How Imaginary Worlds Are Established.Alon Chasid - forthcoming - Journal of the American Philosophical Association:1-18.
    This article explores the relation between belief-like imaginings and the establishment of imaginary worlds (often called fictional worlds). After outlining the various assumptions my argument is premised on, I argue that belief-like imaginings, in themselves, do not render their content true in the imaginary world to which they pertain. I show that this claim applies not only to imaginative projects in which we are instructed or intend to imagine certain propositions, but also to spontaneous imaginative projects. After arguing that, like (...)
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  3. Sartre.Robert Hopkins - forthcoming - In Amy Kind (ed.), Routledge Handbook of the Philosophy of Imagination. Routledge. pp. 82-93.
    In The Imaginary Sartre offers a systematic, insightful and heterodox account of imagining in many forms. Beginning with four ‘characteristics’ he takes to capture the phenomenology of imagining, he draws on considerations both philosophical and psychological to describe the deeper nature of the state that has those features. The result is a view that remains the most potent challenge to the Humean orthodoxy that to this day dominates both philosophical and psychological thinking on the topic.
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  4. Imaginative Experience.Amy Kind - forthcoming - In Uriah Kriegel (ed.), Oxford Handbook of Philosophy of Consciousness.
    In this essay, the focus is not on what imagination is but rather on what it is like. Rather than exploring the various accounts of imagination on offer in the philosophical literature, we will instead be exploring the various accounts of imaginative experience on offer in that literature. In particular, our focus in what follows will be on three different sorts of accounts that have played an especially prominent role in philosophical thinking about these issues: the impoverishment view (often associated (...)
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  5. What Sort of Imagining Might Remembering Be?Peter Langland-Hassan - forthcoming - Journal of the American Philosophical Association:1-21.
    This paper unites current philosophical thinking on imagination with a burgeoning debate in the philosophy of memory over whether episodic remembering is simply a kind of imagining. So far, this debate has been hampered by a lack of clarity in the notion of ‘imagining’ at issue. Several options are considered and constructive imagining is identified as the relevant kind. Next, a functionalist account of episodic memory is defended as a means to establishing two key points: first, one need not defend (...)
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  6. Two Irreducible Classes of Emotional Experiences: Affective Imaginings and Affective Perceptions.Jonathan Mitchell - forthcoming - European Journal of Philosophy.
    A view of prominence in the philosophy of emotion is that emotional experiences are not self-standing intentional experiences. Instead, they inherit the intentional content they have from their cognitive bases. One implication is that emotions whose intentional contents differ in terms of the modal and temporal properties of the relevant particular object – because the intentional contents on which they are based differ in these respects – nonetheless need not differ qua emotion-type. This leads to the same-emotional attitude, different content (...)
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  7. Imagination is the Sixth Sense (Phantasia).Stephen Asma & Paul Giamatti - 2021 - Aeon.
    Actor Paul Giamatti and philosopher Stephen Asma collaborate to describe the imagination (phantasia) as a form of embodied cognition. They explore the actor's ability to replicate embodied affective states and communicate those to audiences that are capable of catching (via emotional contagion) those affective states. The role of social affordances in imaginative work is explored. Finally, the role of imagination in political conspiracy thinking is considered.
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  8. Belief-Like Imagining and Correctness.Alon Chasid - 2021 - American Philosophical Quarterly 58 (2):147-160.
    This paper explores the sense in which correctness applies to belief-like imaginings. It begins by establishing that when we imagine, we ‘direct’ our imaginings at a certain imaginary world, taking the propositions we imagine to be assessed for truth in that world. It then examines the relation between belief-like imagining and positing truths in an imaginary world. Rejecting the claim that correctness, in the literal sense, is applicable to imaginings, it shows that the imaginer takes on, vis-à-vis the imaginary world, (...)
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  9. The Poetic Apriori: Philosophical Imagination in a Meaningful Universe.Raymond Barfield - 2020 - Stuttgart, Germany: ibidem/Columbia University Press.
    Theories about the nature and function of philosophical imagination depend on our understanding of what kind of universe we inhabit. Some theories are compelling if the universe is meaningful as a whole, but they make no sense if it is not. Raymond C. Barfield discusses conditions that would be necessary if the universe is meaningful as a whole, and then develops a theory of philosophical imagination in light of that starting place. The theory moves toward the conclusion that if the (...)
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  10. The Dimensions of Episodic Simulation.B. Mahr Johannes - 2020 - Cognition 196 (1):104085.
    Human adults possess the extraordinary ability to produce mental imagery about a wide variety of non-occurrent events. We can, for example, simulate the perception of different places, different times, different possibilities, or others’ perspectives. Findings from cognitive psychology, neuropsychology, and cognitive neuroscience suggest that all of these capacities rely on the same neuro-cognitive mechanism: episodic simulation. This ability produces mental imagery by constructively recombining elements of past experiences to simulate event representations. However, if episodic simulation indeed produces mental imagery, it (...)
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  11. The Skill of Imagination.Amy Kind - 2020 - In Ellen Fridland & Carlotta Pavese (eds.), Routledge Handbook of Skill and Expertise. Routledge. pp. 335-346.
    We often talk of people as being more or less imaginative than one another – as being better or worse at imagining – and we also compare various feats of imagination to one another in terms of how easy or hard they are. Facts such as these might be taken to suggest that imagination is often implicitly understood as a skill. This implicit understanding, however, has rarely (if ever) been made explicit in the philosophical literature. Such is the task of (...)
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  12. There Are No I-Beliefs or I-Desires at Work in Fiction Consumption and This is Why.Peter Langland-Hassan - 2020 - In Explaining Imagination. Oxford: pp. 210-233.
    Currie’s (2010) argument that “i-desires” must be posited to explain our responses to fiction is critically discussed. It is argued that beliefs and desires featuring ‘in the fiction’ operators—and not sui generis imaginings (or "i-beliefs" or "i-desires")—are the crucial states involved in generating fiction-directed affect. A defense of the “Operator Claim” is mounted, according to which ‘in the fiction’ operators would be also be required within fiction-directed sui generis imaginings (or "i-beliefs" and "i-desires"), were there such. Once we appreciate that (...)
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  13. The Logic of Imagination Acts: A Formal System for the Dynamics of Imaginary Worlds.Joan Casas-Roma, Antonia Huertas & M. Elena Rodríguez - 2019 - Erkenntnis:1-29.
    Imagination has received a great deal of attention in different fields such as psychology, philosophy and the cognitive sciences, in which some works provide a detailed account of the mechanisms involved in the creation and elaboration of imaginary worlds. Although imagination has also been formalized using different logical systems, none of them captures those dynamic mechanisms. In this work, we take inspiration from the Common Frame for Imagination Acts, that identifies the different processes involved in the creation of imaginary worlds, (...)
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  14. A Common Frame for Formal Imagination.Joan Casas-Roma, M. Elena Rodríguez & Antonia Huertas - 2019 - Minds and Machines 29 (4):603-634.
    In this paper, we review three influential theories of imagination in order to understand how the dynamics of imagination acts could be modeled using formal languages. While reviewing them, we notice that they are not detailed enough to account for all the mechanisms involved in creating and developing imaginary worlds. We claim those theories could be further refined into what we call the Common Frame for Imagination Acts, which defines a framework that can be used to study the dynamics of (...)
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  15. Imagining in Response to Fiction: Unpacking the Infrastructure.Alon Chasid - 2019 - Philosophical Explorations 23 (1):31-48.
    Works of fiction are alleged to differ from works of nonfiction in instructing their audience to imagine their content. Indeed, works of fiction have been defined in terms of this feature: they are works that mandate us to imagine their content. This paper examines this definition of works of fiction, focusing on the nature of the activity that ensues in response to reading or watching fiction. Investigating how imaginings function in other contexts, I show, first, that they presuppose a cognitive (...)
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  16. Imaginatively Grounded Figures: Dancing with Castoriadis.Joshua Maloy Hall - 2019 - PhaenEx 13 (1):86-115.
    This paper argues that twentieth-century philosopher Cornelius Castoriadis’ innovative concept of imagination is closely related to his treatments of dance. More specifically, it revolves around his concept of “figure,” which thereby suggests a productive partnership with my own philosophy of dance, which I call “Figuration.” The first and second sections below review the interpretations of Castoriadis’ imagination in the two book manuscripts on him in English, Jeff Klooger’s Psyche, Society Autonomy (which supplements Castoriadis with Fichte) and Suzi Adams’ Castoriadis’ Ontology (...)
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  17. Imagination.Shen-yi Liao & Tamar Gendler - 2019 - Stanford Encyclopedia of Philosophy.
    To imagine is to form a mental representation that does not aim at things as they actually, presently, and subjectively are. One can use imagination to represent possibilities other than the actual, to represent times other than the present, and to represent perspectives other than one’s own. Unlike perceiving and believing, imagining something does not require one to consider that something to be the case. Unlike desiring or anticipating, imagining something does not require one to wish or expect that something (...)
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  18. Mental Imagery and Fiction.Dustin Stokes - 2019 - Canadian Journal of Philosophy 49 (6):731-754.
    Fictions evoke imagery, and their value consists partly in that achievement. This paper offers analysis of this neglected topic. Section 2 identifies relevant philosophical background. Section 3 offers a working definition of imagery. Section 4 identifies empirical work on visual imagery. Sections 5 and 6 criticize imagery essentialism, through the lens of genuine fictional narratives. This outcome, though, is not wholly critical. The expressed spirit of imagery essentialism is to encourage philosophers to ‘put the image back into the imagination’. The (...)
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  19. Everyday Scientific Imagination: A Qualitative Study of the Uses, Norms, and Pedagogy of Imagination in Science.Michael T. Stuart - 2019 - Science & Education 28 (6-7):711-730.
    Imagination is necessary for scientific practice, yet there are no in vivo sociological studies on the ways that imagination is taught, thought of, or evaluated by scientists. This article begins to remedy this by presenting the results of a qualitative study performed on two systems biology laboratories. I found that the more advanced a participant was in their scientific career, the more they valued imagination. Further, positive attitudes toward imagination were primarily due to the perceived role of imagination in problem-solving. (...)
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  20. Towards a Dual Process Epistemology of Imagination.Michael T. Stuart - 2019 - Synthese (2):1-22.
    Sometimes we learn through the use of imagination. The epistemology of imagination asks how this is possible. One barrier to progress on this question has been a lack of agreement on how to characterize imagination; for example, is imagination a mental state, ability, character trait, or cognitive process? This paper argues that we should characterize imagination as a cognitive ability, exercises of which are cognitive processes. Following dual process theories of cognition developed in cognitive science, the set of imaginative processes (...)
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  21. Characterizing the Imaginative Attitude.Nicholas Wiltsher - 2019 - Philosophical Papers 48 (3):437-469.
    Three thoughts strongly influence recent work on sensory imagination, often without explicit articulation. The image thought says that all mental states involving a mental image are imaginative. The attitude thought says that, if there is a distinctive imaginative attitude, it is a single, monolithic attitude. The function thought says that the functions of sensory imagination are identical or akin to functions of other mental states such as judgment or belief. Taken together, these thoughts create a theoretical context within which eliminativism (...)
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  22. Imagination: A Lens, Not a Mirror.Nick Wiltsher - 2019 - Philosophers' Imprint 19.
    The terms "imagination'' and "imaginative'' can be readily applied to a profusion of attitudes, experiences, activities, and further phenomena. The heterogeneity of the things to which they're applied prompts the thoughts that the terms are polysemous, and that there is no single, coherent, fruitful conception of imagination to be had. Nonetheless, much recent work on imagination ascribes implicitly to a univocal way of thinking about imaginative phenomena: the imitation theory, according to which imaginative experiences imitate other experiences. This approach is (...)
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  23. Aboutness in Imagination.Franz Berto - 2018 - Philosophical Studies 175 (8):1871-1886.
    I present a formal theory of the logic and aboutness of imagination. Aboutness is understood as the relation between meaningful items and what they concern, as per Yablo and Fine’s works on the notion. Imagination is understood as per Chalmers’ positive conceivability: the intentional state of a subject who conceives that p by imagining a situation—a configuration of objects and properties—verifying p. So far aboutness theory has been developed mainly for linguistic representation, but it is natural to extend it to (...)
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  24. The Life of Imagination: Revealing and Making the World.Jennifer Anna Gosetti-Ferencei - 2018 - New York, NY, USA: Columbia University Press.
    Imagination allows us to step out of the ordinary but also to transform it through our sense of wonder and play, artistic inspiration and innovation, or the eureka moment of a scientific breakthrough. In this book, Jennifer Anna Gosetti-Ferencei offers a groundbreaking new understanding of its place in everyday experience as well as the heights of creative achievement. -/- The Life of Imagination delivers a new conception of imagination that places it at the heart of our engagement with the world—thinking, (...)
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  25. The Necessary Pain of Moral Imagination: Lonely Delegation in Richard Wright's White Man, Listen! And Haiku.Joshua M. Hall - 2018 - Evental Aesthetics 1 (7):63-89.
    Richard Wright gave a series of lectures in Europe from 1950 to 1956, collected in the following year in the volume, White Man, Listen! One dominant theme in all four essays is that expanding the moral imagination is centrally important in repairing our racism-benighted globe. What makes Wright’s version of this claim unique is his forthright admission that expanding the moral imagination necessarily involves pain and suffering. The best place to hear Wright in regard to the necessary pain of expanding (...)
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  26. Justification by Imagination.Magdalena Balcerak Jackson - 2018 - In Fiona Macpherson & Fabian Dorsch (eds.), Perceptual Imagination and Perceptual Memory. Oxford University Press. pp. 209-226.
  27. Imaginative Resistance as Imagistic Resistance.Uku Tooming - 2018 - Canadian Journal of Philosophy 48 (5):684-706.
    When we are invited to imagine an unacceptable moral proposition to be true in fiction, we feel resistance when we try to imagine it. Despite this, it is nonetheless possible to suppose that the proposition is true. In this paper, I argue that existing accounts of imaginative resistance are unable to explain why only attempts to imagine the truth of moral propositions cause resistance. My suggestion is that imagination, unlike supposition, involves mental imagery and imaginative resistance arises when imagery that (...)
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  28. Sobre el valor epistémico de la imaginación. Hacia una ontología humeana de la imaginación.Mario Edmundo Chávez Tortolero - 2018 - In Al este del paradigma. Miradas alternativas en la enseñanza de la epistemología. México:
    Este trabajo se divide en dos partes relacionadas pero independientes. La primera es un estudio de las percepciones y la subjetividad en el pensamiento de Hume. Del estudio mencionado se extraen elementos para una ontología de la imaginación, en particular la idea de intermitencia ontológica que se deriva del primer libro del Tratado de la naturaleza humana. En la segunda parte se estudia la epistemología de las virtudes de Ernest Sosa y se introduce el concepto de imaginación, así como la (...)
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  29. The Genuine Attitude View of Fictional Belief.Wesley Buckwalter & Katherine Tullmann - 2017 - In Bradley H., Sullivan-Bissett E. & Noordhof P. (eds.), Art and Belief. Oxford University Press.
    The distinct-attitude view of fictional narratives is a standard position in contemporary aesthetics. This is the view that cognitive attitudes formed in response to fictions are a distinct kind of mental state from beliefs formed in response to non-fictional scenarios, such as pretend or imaginary states. In this paper we argue that the balance of functional, behavioral, and neuroscientific evidence best supports the genuine-attitude view of belief. According to the genuine-attitude view, cognitive responses to fictions are genuine beliefs that are (...)
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  30. Imaginative Content, Design-Assumptions and Immersion.Alon Chasid - 2017 - Review of Philosophy and Psychology 8 (2):259-272.
    In this paper, I will analyze certain aspects of imaginative content, namely the content of the representational mental state called “imagining.” I will show that fully accounting for imaginative content requires acknowledging that, in addition to imagining, an imaginative project—the overall mental activity we engage in when we imagine—includes another infrastructural component in terms of which content should be explained. I will then show that the phenomenon of imaginative immersion can partly be explained in terms of the proposed infrastructure of (...)
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  31. The Evolution of Imagination.Asma Stephen - 2017 - University of Chicago Press.
    This book develops a theory of how the imagination functions, and how it evolved. The imagination is characterized as an embodied cognitive system. The system draws upon sensory-motor, visual, and linguistic capacities, but it is a flexible, developmental ability, typified by creative improvisation. The imagination is a voluntary simulation system that draws on perceptual, emotional, and conceptual elements, for the purpose of creating works that adaptively investigate external (environmental) and internal (psychological) resources. Beyond the adaptive useful values of this system, (...)
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  32. Imagination in Mathematics.Andrew Arana - 2016 - In Amy Kind (ed.), Routledge Handbook on the Philosophy of Imagination. Routledge. pp. 463-477.
    This article will consider imagination in mathematics from a historical point of view, noting the key moments in its conception during the ancient, modern and contemporary eras.
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  33. Hume.Fabian Dorsch - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. Routledge. pp. 40-54.
    This chapter overviews Hume’s thoughts on the nature and role of imagining and focusses primarily on three important distinctions that Hume draws among our conscious mental episodes: (i) between impressions and ideas; (ii) between ideas of the memory and ideas of the imagination; and (iii), among the ideas of the imagination, between ideas of the judgement and ideas of the fancy. In addition, the chapter considers Hume’s views on the imagination as a faculty of producing ideas, as well as on (...)
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  34. The Routledge Handbook of the Philosophy of Imagination.Amy Kind (ed.) - 2016 - Routledge.
    Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding _Handbook_ contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy (...)
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  35. Knowledge Through Imagination.Amy Kind & Peter Kung (eds.) - 2016 - Oxford University Press UK.
    Imagination is celebrated as our vehicle for escape from the mundane here and now. It transports us to distant lands of magic and make-believe, and provides us with diversions during boring meetings or long bus rides. Yet the focus on imagination as a means of escape from the real world minimizes the fact that imagination seems also to furnish us with knowledge about it. Imagination seems an essential component in our endeavor to learn about the world in which we live--whether (...)
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  36. On Choosing What to Imagine.Peter Langland-Hassan - 2016 - In A. Kind & P. Kung (eds.), Knowledge Through Imagination. Oxford University Press. pp. 61-84.
    If imagination is subject to the will, in the sense that people choose the content of their own imaginings, how is it that one nevertheless can learn from what one imagines? This chapter argues for a way forward in addressing this perennial puzzle, both with respect to propositional imagination and sensory imagination. Making progress requires looking carefully at the interplay between one’s intentions and various kinds of constraints that may be operative in the generation of imaginings. Lessons are drawn from (...)
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  37. The Past, the Present, and the Future of Future-Oriented Mental Time Travel: Editors' Introduction.Kourken Michaelian, Stanley B. Klein & Karl K. Szpunar - 2016 - In Kourken Michaelian, Stanley B. Klein & Karl K. Szpunar (eds.), Seeing the Future: Theoretical Perspectives on Future-Oriented Mental Time Travel. Oxford University Press. pp. 1-18.
    This introductory chapter reviews research on future-oriented mental time travel to date (the past), provides an overview of the contents of the book (the present), and enumerates some possible research directions suggested by the latter (the future).
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  38. The Cognitive Architecture of Imaginative Resistance.Kengo Miyazono & Shen-yi Liao - 2016 - In Amy Kind (ed.), The Routledge Handbook of Philosophy of Imagination. pp. 233-246.
    Where is imagination in imaginative resistance? We seek to answer this question by connecting two ongoing lines of inquiry in different subfields of philosophy. In philosophy of mind, philosophers have been trying to understand imaginative attitudes’ place in cognitive architecture. In aesthetics, philosophers have been trying to understand the phenomenon of imaginative resistance. By connecting these two lines of inquiry, we hope to find mutual illumination of an attitude (or cluster of attitudes) and a phenomenon that have vexed philosophers. Our (...)
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  39. The Role of Imagination in Decision-Making.Bence Nanay - 2016 - Mind and Language 31 (1):126-142.
    The psychological mechanism of decision-making has traditionally been modeled with the help of belief-desire psychology: the agent has some desires (or other pro-attitudes) and some background beliefs and deciding between two possible actions is a matter of comparing the probability of the satisfaction of these desires given the background beliefs in the case of the performance of each action. There is a wealth of recent empirical findings about how we actually make decisions that seems to be in conflict with this (...)
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  40. Imagination and Belief.Neil Sinhababu - 2016 - In Amy Kind (ed.), The Routledge Handbook of Philosophy of Imagination. pp. 111-123.
    This chapter considers the nature of imagination and belief, exploring how deeply these two states of mind differ. It first addresses a range of cognitive and motivational differences between imagination and belief which suggest that they're fundamentally different states of mind. Then it addresses imaginative immersion, delusions, and the different norms we apply to the two mental states, which some theorists regard as providing support for a more unified picture of imagination and belief.
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  41. Simulation Theory.Shannon Spaulding - 2016 - In Amy Kind (ed.), Handbook of Imagination. Routledge Press. pp. 262-273.
    This is a penultimate draft of a paper that will appear in Handbook of Imagination, Amy Kind (ed.). Routledge Press. Please cite only the final printed version.
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  42. Knowledge Through Imagination. [REVIEW]Margot Strohminger - 2016 - Notre Dame Philosophical Reviews 12.
  43. Art and Imagination.Nick Wiltsher & Aaron Meskin - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. London: Routledge. pp. 179–191.
    It is intuitively plausible that art and imagination are intimately connected. This chapter explores attempts to explain that connection. We focus on three areas in which art and imagination might be linked: production, ontology, and appreciation. We examine views which treat imagination as a fundamental human faculty, and aim for comprehensive accounts of art and artistic practice: for example, those of Kant and Collingwood. We also discuss philosophers who argue that a specific kind of imagining may explain some particular element (...)
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  44. Focused Daydreaming and Mind-Wandering.Fabian Dorsch - 2015 - Review of Philosophy and Psychology 6 (4):791-813.
    In this paper, I describe and discuss two mental phenomena which are somewhat neglected in the philosophy of mind: focused daydreaming and mind-wandering. My aim is to show that their natures are rather distinct, despite the fact that we tend to classify both as instances of daydreaming. The first difference between the two, I argue, is that, while focused daydreaming is an instance of imaginative mental agency, mind-wandering is not—though this does not mean that mind-wandering cannot involve mental agency at (...)
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  45. Souveränität und Subversion: Figurationen des Politisch-Imaginären.Dominik Finkelde & Rebekka A. Klein (eds.) - 2015 - Freiburg/München: Alber.
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  46. Perception and Imagination.Uriah Kriegel - 2015 - In S. Miguens, G. Preyer & C. Bravo Morando (eds.), Prereflective Consciousness: Sartre and Contemporary Philosophy of Mind. Routledge. pp. 245-276.
    According to a traditional view, there is no categorical difference between the phenomenology of perception and the phenomenology of imagination; the only difference is in degree (of intensity, resolution, etc.) and/or in accompanying beliefs. There is no categorical difference between what it is like to perceive a dog and what it is like to imagine a dog; the former is simply more vivid and/or is accompanied by the belief that a dog is really there. A sustained argument against this traditional (...)
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  47. Imaginative Attitudes.Peter Langland-Hassan - 2015 - Philosophy and Phenomenological Research 90 (3):664-686.
    The point of this paper is to reveal a dogma in the ordinary conception of sensory imagination, and to suggest another way forward. The dogma springs from two main sources: a too close comparison of mental imagery to perceptual experience, and a too strong division between mental imagery and the traditional propositional attitudes (such as belief and desire). The result is an unworkable conception of the correctness conditions of sensory imaginings—one lacking any link between the conditions under which an imagining (...)
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  48. Imagination, Desire, and Rationality.Shannon Spaulding - 2015 - Journal of Philosophy 112 (9):457-476.
    We often have affective responses to fictional events. We feel afraid for Desdemona when Othello approaches her in a murderous rage. We feel disgust toward Iago for orchestrating this tragic event. What mental architecture could explain these affective responses? In this paper I consider the claim that the best explanation of our affective responses to fiction involves imaginative desires. Some theorists argue that accounts that do not invoke imaginative desires imply that consumers of fiction have irrational desires. I argue that (...)
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  49. Imaginative and Fictionality Failure: A Normative Approach.Nils-Hennes Stear - 2015 - Philosophers' Imprint 15.
    If a work of literary fiction prescribes us to imagine that the Devil made a bet with God and transformed into a poodle, then that claim is true in the fiction and we imagine accordingly. Generally, we cooperate imaginatively with literary fictions, however bizarre, and the things authors write into their stories become true in the fiction. But for some claims, such as moral falsehoods, this seems not to be straightforwardly the case, which raises the question: Why not? The puzzles (...)
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  50. Phantasia. Aristoteles' Theorie der Sichtbarmachung.Emmanuel Alloa - 2014 - In Gottfried Boehm, Emmanuel Alloa, Orlando Budelacci & Gerald Wildgruber (eds.), Imagination. Suchen und Finden. W. Fink. pp. 91--111.
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