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  1. Tecnología de la experiencia. Trata de personas.Francisco Barrón - 2019 - Estudios Del Discurso 5 (2):40-65.
    This article is an attempt to approach what is currently called human trafficking among legal circles and journalistic discourses, from an aesthetic-technological perspective, as a technology that seeks to produce an experience of the obliteration of bodies. Firstly, we make a characterization of the way these discourses operate, as well as of their effects in order to indicate just how incapable of pondering aesthetic-technological functioning they are, as far as the technology experience postulated herein. In the final part the article, (...)
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  2. The Life of Imagination: Revealing and Making the World.Jennifer Anna Gosetti-Ferencei - 2018 - New York, NY, USA: Columbia University Press.
    Imagination allows us to step out of the ordinary but also to transform it through our sense of wonder and play, artistic inspiration and innovation, or the eureka moment of a scientific breakthrough. In this book, Jennifer Anna Gosetti-Ferencei offers a groundbreaking new understanding of its place in everyday experience as well as the heights of creative achievement. -/- The Life of Imagination delivers a new conception of imagination that places it at the heart of our engagement with the world—thinking, (...)
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  3. Games and the Art of Agency.C. Thi Nguyen - forthcoming - Philosophical Review.
    Games may seem like a waste of time, where we struggle under artificial rules for arbitrary goals. I suggest that the rules and goals of games are not arbitrary at all. They are a way of specifying particular modes of agency. This is what make games a distinctive art form. Game designers designate goals and abilities for the player; they shape the agential skeleton which the player will inhabit during the game. Game designers work in the medium of agency. Game-playing, (...)
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  4. The Garden as Art: A New Space for the Garden in Contemporary Aesthetics.John Francis Powell - 2017 - Dissertation,
    Western art gardens have enjoyed a chequered relationship with philosophical aesthetics. At different times, they have been both lauded and rejected as exemplars of art, and, for most of the last 150 or so years, they have been largely ignored. However, during the last 25 years, there has been a welcome resurgence of philosophical interest in such gardens. This study situates the work stemming from this revival of interest in its historical context and assesses its adequacy in accounting for gardens (...)
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  5. Merleau-Ponty’s Aesthetic Interworld.Anya Daly - 2018 - Philosophy Today 62 (3):847-867.
    The overall aim of this paper is to defend the value of the arts as uniquely instructive regarding philosophical questions. Specifically, I aim to achieve two things: firstly, to show that through the phenomenological challenge to dualist and monist ontologies the key debate in aesthetics regarding subjective response and objective judgment is reconfigured and resolved. I argue that Merleau-Ponty’s analyses complement and complete Kant’s project. Secondly, I propose that through Merleau-Ponty’s phenomenological interrogations of the creative process the broader issue of (...)
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  6. Andrea Mecacci, "Kitsch y Neokitsch" - Traducción de Facundo Bey.Facundo Bey & Andrea Mecacci - 2018 - Boletín de Estética 44:7-32.
    El kitsch no es solo una categoría que ha definido una de las posibles gramáticas estéticas de la modernidad, sino también una dimensión antropológica que ha tenido diferentes configuraciones en el curso de los procesos históricos. El ensayo ofrece una mirada histórico-crítica sobre las transformaciones que condujeron desde el kitsch de principios del siglo XX hasta el neokitsch contemporáneo: desde la génesis del kitsch hasta su afirmación como una de las manifestaciones más tangibles de la cultura de masas. Integrándose con (...)
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  7. D'une graphie qui ne dit rien. Les ambiguïtés de la notation chorégraphique.Frédéric Pouillaude - 2004 - Poetique 1 (137):99-123.
  8. Games and the Moral Transformation of Violence.C. Thi Nguyen - 2018 - In Jon Robson & Grant Tavinor (eds.), The Aesthetics of Videogames. Routledge. pp. 181-197.
  9. Conversations on Art and Aesthetics.Hans Maes - 2017 - Oxford, UK: Oxford University Press.
    What is art? What counts as an aesthetic experience? Does art have to beautiful? Can one reasonably dispute about taste? What is the relation between aesthetic and moral evaluations? How to interpret a work of art? Can we learn anything from literature, film or opera? What is sentimentality? What is irony? How to think philosophically about architecture, dance, or sculpture? What makes something a great portrait? Is music representational or abstract? Why do we feel terrified when we watch a horror (...)
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  10. The Languages of LandscapeLandscape and PowerToil and Plenty: Images of the Agricultural Landscape in England 1780-1890The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth CenturyArt and Science in German Landscape Painting 1770-1840The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France. [REVIEW]Stephanie Ross, Mark Roskill, W. J. T. Mitchell, Christiana Payne, Kay Dian Kriz, Timothy F. Mitchell & Nicholas Green - 2000 - Journal of Aesthetics and Art Criticism 58 (4):407.
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  11. The New Landscape in Art and ScienceThe Anatomy of Nature.John Alford, Gyorgy Kepes & Andreas Feininger - 1958 - Journal of Aesthetics and Art Criticism 17 (1):126.
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  12. Appreciating Natural Beauty as Natural.Ronald Moore - 1999 - Journal of Aesthetic Education 33 (3):42.
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  13. On Aesthetic Appreciation.Edward Winters - 1998 - Journal of Aesthetic Education 32 (2):1.
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  14. Sensibility and Recreational Appreciation.Timothy M. B. O'Callaghan - 1988 - Journal of Aesthetic Education 22 (3):25.
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  15. Expectations for Sentence Appreciation.Timothy M. B. O'Callaghan - 1985 - Journal of Aesthetic Education 19 (4):51.
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  16. Životaschopnosť Jedného Prístupu. Poznámky Ku Kantovskej Línii Interpretácie Kategórie Vznešeného.Adrián Kvokačka - 2012 - ESPES 1 (1):17-23.
    This paper pursues transformation of Kant's definition of the category sublime in post-Kantian aesthetic reflexion. Finding this line of thinking allows not only present relevant approaches to the whole history of the aesthetic category, but also to show the platform for new thinking not only in aesthetic discourse, but wherever the sublime enter today at the core of interest.
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  17. PHIL4230 Photocopy Packet Surrealism (Edited by V.I. Burke).Victoria I. Burke (ed.) - 2011 - Guelph: University of Guelph.
    This out-of-print, two-volume, photocopy packet, in the area of "Surrealism and the Politics of the Particular" includes readings on language, meaning, and surrealism from Adorno, Benjamin, McCumber, Breton, Heidegger, Freud, Kristeva, Ricouer, and Bataille.
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  18. Friedrich Schiller.Lydia L. Moland - 2017 - Stanford Encyclopedia of Philosophy.
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  19. Philosophy of Games.C. Thi Nguyen - 2017 - Philosophy Compass 12 (8):e12426.
    What is a game? What are we doing when we play a game? What is the value of playing games? Several different philosophical subdisciplines have attempted to answer these questions using very distinctive frameworks. Some have approached games as something like a text, deploying theoretical frameworks from the study of narrative, fiction, and rhetoric to interrogate games for their representational content. Others have approached games as artworks and asked questions about the authorship of games, about the ontology of the work (...)
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  20. TAYLOR, PAUL C. Black Is Beautiful: A Philosophy of Black Aesthetics. Malden, MA: John Wiley & Sons, 2016, Xv + 188 Pp., 7 B&W Illus., $89.95 Cloth, $29.95 Paper. [REVIEW]Monique Roelofs - 2017 - Journal of Aesthetics and Art Criticism 75 (3):299-302.
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  21. The Aesthetics of Rock Climbing.C. Thi Nguyen - 2017 - The Philosophers' Magazine 78:37-43.
  22. Can Wine Be Beautiful?Christopher Grau & Douglas Maclean - 2007 - The World of Fine Wine 17:120-125.
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  23. WHAT IS ART (Classificatory Disputes, Aesthetic Judgements, Contemporary Art.Ulrich De Balbian - 2017 - Philosophy and Art.
    WHAT is art? Classificatory disputes.. Classificatory disputes about what is art SEE this link for the images embeded in the text!! https://ulrichdebalbian.wordpress.com/2015/05/09/classificatory-disputes-about-what-is-art/ -/- Art historians and philosophers of art have long had classificatory disputes about art regarding whether a particular cultural form or piece of work should be classified as art. Disputes about what does and does not count as art continue to occur today -/- Defining art is difficult if not impossible. Aestheticians and art philosophers often engage in disputes (...)
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  24. Review of On Images. Their Structure and Content. [REVIEW]Hans Maes - 2007 - Tijdschrift Voor Filosofie 69 (4):780-781.
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  25. Encountering Nature: Toward an Environmental Culture: Book Reviews. [REVIEW]Ronald Hepburn - 2008 - British Journal of Aesthetics 48 (3):352-354.
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  26. Ecology Without Nature: Rethinking Environmental Aesthetics: Book Reviews. [REVIEW]Ross Wilson - 2008 - British Journal of Aesthetics 48 (2):239-240.
  27. Reading Notes on the Aesthetics of Zhuang Zi.Li Zehou - 1988 - Chinese Studies in Philosophy 20 (1):3.
    If we say that the school of Confucianism—Confucius, Mencius, and Xun Zi—focused on the nurturing and forming of the psychological temperament of man, that it emphasized humanizing the innate nature so that the natural physiological desires and the sensory needs of man—that "which is unavoidable in man's nature and feelings"—are nurtured in a societal way and attain societal functions, and that for this reason the state and results of its appreciation of beauty are often related to pleasing the ear, the (...)
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  28. Museum Skepticism: A History of the Display of Art in Public Galleries by Carrier, David.Jeffrey Wilson - 2007 - Journal of Aesthetics and Art Criticism 65 (3):338-339.
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  29. Review Article: Theatre and Philosophy. [REVIEW]Tom Stern - 2013 - European Journal of Philosophy 21 (1):158-167.
  30. The Appreciation Connection: Evidentialism and Indirect Justification.Jack S. Crumley - 1989 - Southwest Philosophy Review 5 (1):97-105.
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  31. Natural Theology and Aesthetics: An Approach to the Existence of God From the Beautiful?Richard Viladesau - 1988 - Philosophy and Theology 3 (2):145-159.
    FoIlowing an historical oveview of problems which have affected an aesthetic account of God, I examine several contemporary approaches, and conclude with a cautious defense or the use or aesthetic judgement as a means or approaching the existence of God.
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  32. Allen Carlson’s Environmental Aesthetics and the Protection of the Environment.Ned Hettinger - 2005 - Environmental Ethics 27 (1):57-76.
    Evaluation of the contribution that Allen Carlson’s environmental aesthetics can make to environmental protection shows that Carlson’s positive aesthetics, his focus on the functionality of human environments for their proper aesthetic appreciation, and his integration of ethical concern with aesthetic appreciation all provide fruitful, though not unproblematic, avenues for an aesthetic defense of theenvironment.
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  33. Nature, Aesthetics, and Environmentalism: From Beauty to Duty. [REVIEW]Nicolas de Warren - 2009 - Environmental Philosophy 6 (1):116-120.
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  34. Philosophy & Architecture.Tomás N. Castro & Maribel Mendes Sobreira (eds.) - 2016 - Centro de Filosofia da Universidade de Lisboa.
    Philosophy & Architecture special number of philosophy@LISBON (International eJournal) 5 | 2016 edited by Tomás N. Castro with Maribel Mendes Sobreira Centro de Filosofia da Universidade de Lisboa ISSN 2182-4371.
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  35. -Scape: Constructing Nature.Fiona Crisp, Hamish Fulton & Laure Prouvost - unknown
    There is a common expectation that as the landscape contains nature, then it is a natural thing. Yet, it is difficult to find a time when this has really been the case. It is frequently co-opted as part of the imagination of what landscape could, and ideally should, be. It can be a difficult thing to ‘read’. The three artists in –scape explore some of the diversions, delusions – as well as the delights - of the constructed landscape. In doing (...)
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  36. The Philosophy of Theatre, Drama and Acting.Tom Stern - 2017 - Rowman & Littlefield International.
    A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.
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  37. Notes on Aristotle’s Concept of Improvisation.Andrew Haas - 2015 - Journal of Aesthetics and Phenomenology 2 (1):113-121.
    Improvisation is the origin of art and science, tragedy and comedy, acting and doing, of the self as improvising and improvised. But clearly we cannot use improvisation to explain improvisation. We cannot be satisfied with an argument that improvisation is, well, improvisational--nor simply free-play. Rather, improvisation as αὐτο-σχεδιάζεῖν, means self-schematization.
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  38. Philosophy and Art: Changing Landscapes for Aesthetics.Curtis Carter - 2012 - Diogenes 59 (1-2):84-100.
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  39. The Beauty of Environment a General Model for Environmental Aesthetics.Yrjö Sepänmaa - 1986
    This book is a "systematic outlining of the field of environmental aesthetics beginning from the basis of analytical philosophy" (p. ix). The author discusses ecological and anthropological aesthetics, environmental ethics, the relation of art to nature, and environmental education and legislation. The index begins on page 188.
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  40. The Beauty of Environment a General Model for Environmental Aesthetics.Yrjö Sepänmaa - 1986
    This book is a "systematic outlining of the field of environmental aesthetics beginning from the basis of analytical philosophy" (p. ix). The author discusses ecological and anthropological aesthetics, environmental ethics, the relation of art to nature, and environmental education and legislation. The index begins on page 188.
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  41. An Essay on Critical Appreciation.I. E. & R. W. Church - 1939 - Journal of Philosophy 36 (15):416.
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  42. “Kudrun”: A Critical Appreciation.Franz Bäuml - 1979 - Speculum 54 (4):787-789.
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  43. The Other Wordly Landscapes of E.A. Poe and Rene Magritte.Renee Riese Hubert - 1978 - Substance 6 (21):68.
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  44. Appreciation.Robert Ombres & Mark Edney - 2001 - New Blackfriars 82 (968):410-412.
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  45. Time, Music, and Gardens.John Powell - 2012 - Philosophy and Music Conference.
    This conference paper contests the validity of some traditional concepts of gardens. It introduces the possibility of considering the passage of time in gardens as a musical, rhythmic phenomonen.
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  46. Analytic Aesthetics and the Dilemma of Timelessness.Derek Allan - manuscript
    Explores the failure of analytic aesthetics to examine the question of the capacity of art to transcend time, and its own commitment – seldom explicitly acknowledged – to the assumption that this capacity functions through the traditional, but no longer viable, notion of timelessness inherited from Enlightenment aesthetics.
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  47. Seeing the Impossible.Andreas Elpidorou - 2016 - Journal of Aesthetics and Art Criticism 74 (1):11-21.
    I defend the view that it is not impossible to see the impossible. I provide two examples in which one sees the impossible and defend these examples from potential objections. Theories of depiction should make room for impossible depictions.
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  48. The Europe of Minorities. Cultural Landscapes and Ethnic Boundaries.Nicole Dołowy-Rybińska - 2013 - Art Inquiry. Recherches Sur les Arts 15:125-138.
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  49. Sviluppi Teorici E Tematiche di Indagine Negli Studi di Geografia Umanistica: I Paesaggi Letterari E Quelli Cinematografici.Flavio Lucchesi - 2012 - Annali Della Facoltà di Lettere E Filosofia 65 (2):193-220.
    the so-called cultural landscape, obtained by crossing objective and subjective variables, occupies a more and more considerable area in the complex and articulate debate on the meaning of the concept of landscape. it follows that many natural, anthropic and metaphysical factors must be taken into account and trans and meta- disciplinary methods of analysis should be used to conduct an extensive review of such an issue. hence the usefulness of analysing the role of landscape by extending the scope of investigation (...)
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  50. Narrative, Emotion, and Insight.Noël Carroll & John Gibson (eds.) - 2011 - Pennsylvania State University Press.
    While narrative has been one of the liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? _Narrative, Emotion, and Insight _explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The (...)
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