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  1. The Garden as Art: A New Space for the Garden in Contemporary Aesthetics.John Francis Powell - 2017 - Dissertation,
    Western art gardens have enjoyed a chequered relationship with philosophical aesthetics. At different times, they have been both lauded and rejected as exemplars of art, and, for most of the last 150 or so years, they have been largely ignored. However, during the last 25 years, there has been a welcome resurgence of philosophical interest in such gardens. This study situates the work stemming from this revival of interest in its historical context and assesses its adequacy in accounting for gardens (...)
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  2. Merleau-Ponty’s Aesthetic Interworld.Anya Daly - 2018 - Philosophy Today 62 (3):847-867.
    The overall aim of this paper is to defend the value of the arts as uniquely instructive regarding philosophical questions. Specifically, I aim to achieve two things: firstly, to show that through the phenomenological challenge to dualist and monist ontologies the key debate in aesthetics regarding subjective response and objective judgment is reconfigured and resolved. I argue that Merleau-Ponty’s analyses complement and complete Kant’s project. Secondly, I propose that through Merleau-Ponty’s phenomenological interrogations of the creative process the broader issue of (...)
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  3. Andrea Mecacci, "Kitsch y Neokitsch" - Traducción de Facundo Bey.Facundo Bey & Andrea Mecacci - 2018 - Boletín de Estética 44:7-32.
    El kitsch no es solo una categoría que ha definido una de las posibles gramáticas estéticas de la modernidad, sino también una dimensión antropológica que ha tenido diferentes configuraciones en el curso de los procesos históricos. El ensayo ofrece una mirada histórico-crítica sobre las transformaciones que condujeron desde el kitsch de principios del siglo XX hasta el neokitsch contemporáneo: desde la génesis del kitsch hasta su afirmación como una de las manifestaciones más tangibles de la cultura de masas. Integrándose con (...)
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  4. D'une graphie qui ne dit rien. Les ambiguïtés de la notation chorégraphique.Frédéric Pouillaude - 2004 - Poetique 1 (137):99-123.
  5. Games and the Moral Transformation of Violence.C. Thi Nguyen - 2018 - In Jon Robson & Grant Tavinor (eds.), The Aesthetics of Videogames. Routledge. pp. 181-197.
  6. Conversations on Art and Aesthetics.Hans Maes - 2017 - Oxford, UK: Oxford University Press.
    What is art? What counts as an aesthetic experience? Does art have to beautiful? Can one reasonably dispute about taste? What is the relation between aesthetic and moral evaluations? How to interpret a work of art? Can we learn anything from literature, film or opera? What is sentimentality? What is irony? How to think philosophically about architecture, dance, or sculpture? What makes something a great portrait? Is music representational or abstract? Why do we feel terrified when we watch a horror (...)
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  7. Appreciating Natural Beauty as Natural.Ronald Moore - 1999 - Journal of Aesthetic Education 33 (3):42.
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  8. On Aesthetic Appreciation.Edward Winters - 1998 - Journal of Aesthetic Education 32 (2):1.
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  9. Sensibility and Recreational Appreciation.Timothy M. B. O'Callaghan - 1988 - Journal of Aesthetic Education 22 (3):25.
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  10. Expectations for Sentence Appreciation.Timothy M. B. O'Callaghan - 1985 - Journal of Aesthetic Education 19 (4):51.
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  11. Životaschopnosť Jedného Prístupu. Poznámky Ku Kantovskej Línii Interpretácie Kategórie Vznešeného.Adrián Kvokačka - 2012 - ESPES 1 (1):17-23.
    This paper pursues transformation of Kant's definition of the category sublime in post-Kantian aesthetic reflexion. Finding this line of thinking allows not only present relevant approaches to the whole history of the aesthetic category, but also to show the platform for new thinking not only in aesthetic discourse, but wherever the sublime enter today at the core of interest.
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  12. PHIL4230 Photocopy Packet Surrealism (Edited by V.I. Burke).Victoria I. Burke (ed.) - 2011 - Guelph: University of Guelph.
    This out-of-print, two-volume, photocopy packet, in the area of "Surrealism and the Politics of the Particular" includes readings on language, meaning, and surrealism from Adorno, Benjamin, McCumber, Breton, Heidegger, Freud, Kristeva, Ricouer, and Bataille.
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  13. Friedrich Schiller.Lydia L. Moland - 2017 - Stanford Encyclopedia of Philosophy.
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  14. Philosophy of Games.C. Thi Nguyen - 2017 - Philosophy Compass 12 (8):e12426.
    What is a game? What are we doing when we play a game? What is the value of playing games? Several different philosophical subdisciplines have attempted to answer these questions using very distinctive frameworks. Some have approached games as something like a text, deploying theoretical frameworks from the study of narrative, fiction, and rhetoric to interrogate games for their representational content. Others have approached games as artworks and asked questions about the authorship of games, about the ontology of the work (...)
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  15. TAYLOR, PAUL C. Black Is Beautiful: A Philosophy of Black Aesthetics. Malden, MA: John Wiley & Sons, 2016, Xv + 188 Pp., 7 B&W Illus., $89.95 Cloth, $29.95 Paper. [REVIEW]Monique Roelofs - 2017 - Journal of Aesthetics and Art Criticism 75 (3):299-302.
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  16. The Aesthetics of Rock Climbing.C. Thi Nguyen - 2017 - The Philosophers' Magazine 78:37-43.
  17. Can Wine Be Beautiful?Christopher Grau & Douglas Maclean - 2007 - The World of Fine Wine 17:120-125.
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  18. WHAT IS ART (Classificatory Disputes, Aesthetic Judgements, Contemporary Art.Ulrich De Balbian - 2017 - Philosophy and Art.
    WHAT is art? Classificatory disputes.. Classificatory disputes about what is art SEE this link for the images embeded in the text!! https://ulrichdebalbian.wordpress.com/2015/05/09/classificatory-disputes-about-what-is-art/ -/- Art historians and philosophers of art have long had classificatory disputes about art regarding whether a particular cultural form or piece of work should be classified as art. Disputes about what does and does not count as art continue to occur today -/- Defining art is difficult if not impossible. Aestheticians and art philosophers often engage in disputes (...)
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  19. Review of On Images. Their Structure and Content. [REVIEW]Hans Maes - 2007 - Tijdschrift Voor Filosofie 69 (4):780-781.
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  20. Review Article: Theatre and Philosophy. [REVIEW]Tom Stern - 2013 - European Journal of Philosophy 21 (1):158-167.
  21. Philosophy & Architecture.Tomás N. Castro & Maribel Mendes Sobreira (eds.) - 2016 - Centro de Filosofia da Universidade de Lisboa.
    Philosophy & Architecture special number of philosophy@LISBON (International eJournal) 5 | 2016 edited by Tomás N. Castro with Maribel Mendes Sobreira Centro de Filosofia da Universidade de Lisboa ISSN 2182-4371.
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  22. -Scape: Constructing Nature.Fiona Crisp, Hamish Fulton & Laure Prouvost - unknown
    There is a common expectation that as the landscape contains nature, then it is a natural thing. Yet, it is difficult to find a time when this has really been the case. It is frequently co-opted as part of the imagination of what landscape could, and ideally should, be. It can be a difficult thing to ‘read’. The three artists in –scape explore some of the diversions, delusions – as well as the delights - of the constructed landscape. In doing (...)
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  23. The Philosophy of Theatre, Drama and Acting.Tom Stern - 2017 - Rowman & Littlefield International.
    A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.
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  24. Notes on Aristotle’s Concept of Improvisation.Andrew Haas - 2015 - Journal of Aesthetics and Phenomenology 2 (1):113-121.
    Improvisation is the origin of art and science, tragedy and comedy, acting and doing, of the self as improvising and improvised. But clearly we cannot use improvisation to explain improvisation. We cannot be satisfied with an argument that improvisation is, well, improvisational--nor simply free-play. Rather, improvisation as αὐτο-σχεδιάζεῖν, means self-schematization.
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  25. Philosophy and Art: Changing Landscapes for Aesthetics.Curtis Carter - 2012 - Diogenes 59 (1-2):84-100.
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  26. An Essay on Critical Appreciation.I. E. & R. W. Church - 1939 - Journal of Philosophy 36 (15):416.
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  27. The Other Wordly Landscapes of E.A. Poe and Rene Magritte.Renee Riese Hubert - 1978 - Substance 6 (21):68.
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  28. Appreciation.Robert Ombres & Mark Edney - 2001 - New Blackfriars 82 (968):410-412.
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  29. Time, Music, and Gardens.John Powell - 2012 - Philosophy and Music Conference.
    This conference paper contests the validity of some traditional concepts of gardens. It introduces the possibility of considering the passage of time in gardens as a musical, rhythmic phenomonen.
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  30. Analytic Aesthetics and the Dilemma of Timelessness.Derek Allan - manuscript
    Explores the failure of analytic aesthetics to examine the question of the capacity of art to transcend time, and its own commitment – seldom explicitly acknowledged – to the assumption that this capacity functions through the traditional, but no longer viable, notion of timelessness inherited from Enlightenment aesthetics.
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  31. Seeing the Impossible.Andreas Elpidorou - 2016 - Journal of Aesthetics and Art Criticism 74 (1):11-21.
    I defend the view that it is not impossible to see the impossible. I provide two examples in which one sees the impossible and defend these examples from potential objections. Theories of depiction should make room for impossible depictions.
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  32. The Europe of Minorities. Cultural Landscapes and Ethnic Boundaries.Nicole Dołowy-Rybińska - 2013 - Art Inquiry. Recherches Sur les Arts 15:125-138.
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  33. Sviluppi Teorici E Tematiche di Indagine Negli Studi di Geografia Umanistica: I Paesaggi Letterari E Quelli Cinematografici.Flavio Lucchesi - 2012 - Annali Della Facoltà di Lettere E Filosofia 65 (2):193-220.
    the so-called cultural landscape, obtained by crossing objective and subjective variables, occupies a more and more considerable area in the complex and articulate debate on the meaning of the concept of landscape. it follows that many natural, anthropic and metaphysical factors must be taken into account and trans and meta- disciplinary methods of analysis should be used to conduct an extensive review of such an issue. hence the usefulness of analysing the role of landscape by extending the scope of investigation (...)
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  34. Narrative, Emotion, and Insight.Noël Carroll & John Gibson (eds.) - 2011 - Pennsylvania State University Press.
    While narrative has been one of the liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? _Narrative, Emotion, and Insight _explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The (...)
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  35. Stephen Davies, The Artful Species: Aesthetics, Art, and Evolution (2013).John Powell - 2013 - Literature & Aesthetics 23 (2):1-1.
    This review article critiques Stephen Davies' The Artful Species: Aesthetics, Art, and Evolution.
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  36. Du Sensible À L’Oeuvre : Esthétiques de Merleau-Ponty.Emmanuel Alloa & Adnen Jdey - 2012 - La lettre volée.
    Plusieurs générations de chercheurs internationaux interrogent l’esthétique de Merleau-Ponty suivant deux axes : d’une part, le dialogue constant et passionné avec des arts (peinture, littérature, cinéma) et ses protagonistes (Cézanne, Proust, Claude Simon) qui est à l’origine de l’esthétique de Merleau-Ponty, et dans d’autre part, l’impact de la pensée merleau-pontienne sur les arts, depuis le Minimal Art américain en passant par le Body Art et la danse contemporaine. Tandis que certaines contributions s’intéressent, en s’appuyant sur les inédits, au rapport jusqu’ici (...)
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  37. The Routledge Companion to Aesthetics.Berys Nigel Gaut & Dominic Lopes (eds.) - 2000 - Routledge.
    The third edition of the acclaimed _Routledge Companion to Aesthetics_ contains over sixty chapters written by leading international scholars covering all aspects of aesthetics. This companion opens with an historical overview of aesthetics including entries on Plato, Aristotle, Kant, Nietzsche, Heidegger, Adorno, Benjamin, Foucault, Goodman, and Wollheim. The second part covers the central concepts and theories of aesthetics, including the definitions of art, taste, the value of art, beauty, imagination, fiction, narrative, metaphor and pictorial representation. Part three is devoted to (...)
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  38. The Acrobatics of the Figure: Piranesi and Magnificence.Lars Spuybroek - 2015 - In Dr J. G. Wallis de Vries (ed.), ARCHESCAPE: The Piranesi Flights. 1001 Publishers. pp. 5-11.
    An essay, which I wrote for the catalog to the exhibition “ARCHESCAPE: the Piranesi Flights,” organized by the Dutch Piranesi scholar Gijs Wallis de Vries. The text, which is necessarily kept short, uses notions of the magnificent and the tragic that I discovered in Hartshorne’s Aesthetic Diagram as discussed in “The Ages of Beauty.”.
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  39. Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics.Michalle Gal - 2015 - Peter Lang.
    This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19<SUP>th</SUP> century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20<SUP>th</SUP> century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic (...)
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  40. Ästhetische Kategorien - Kunstwissenschaft und Philosophie im Diskurs (Linzer Beiträge zur Kunstwissenschaft und Philosophie).Max Gottschlich, Monika Leisch-Kiesl & Susanne Winder (eds.) - forthcoming - transcript.
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  41. Appreciation.Thomas Padiyath - 2014 - In The Metaphysics of Becoming: On the Relationship Between Creativity and God in Whitehead and Supermind and Sachchidananda in Aurobindo. De Gruyter.
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  42. Art & the Garden Travels in the Contemporary Mindscape.Anne De Charmant - 1997
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  43. L'art Et la Nature Essai Et Textes.Michel Ribon - 1988
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  44. Exploring Art.Laurie Adams - 2002
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  45. Ecology, Community and Delight Sources of Values in Landscape Architecture.Ian H. Thompson - 2000
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  46. The Cultured Landscape Designing the Environment in the 21st Century.Sheila Harvey & Ken Fieldhouse - 2005
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  47. Landscape, Nature, and the Body Politic From Britain's Renaissance to America's New World.Kenneth Olwig - 2002
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  48. Looking at Pictures an Introduction to the Appreciation of Art.John Armstrong - 1996
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  49. Unnatural Horizons Paradox and Contradiction in Landscape Architecture.Allen S. Weiss - 1998
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  50. Nature and Art as Needs of the Mind.E. H. Gombrich - 1981
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