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  1. Is Western Marxism Western? The Cases of Gramsci and Tosaka.Takahiro Chino - 2017 - Journal of World Philosophies 2 (1).
    This paper aims to show that two eminent Marxists in the 1930s, the Italian Antonio Gramsci and the Japanese Tosaka Jun, shared three important characteristics of so-called Western Marxism: the methodological development of Marxism, the focus on the superstructure, and the pessimism about the impossibility of immediate revolution. Showing that Gramsci and Tosaka shared these characteristics enables us to revisit the framework of “Western Marxism,” which confusingly consists of both theoretical characteristics and geographical criteria. Looking at Gramsci and Tosaka on (...)
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  2. Tosaka Jun, Ideologie, Medien, Alltag: Eine Auswahl ideologiekritischer, kulturund medientheoretischer und geschictsphilosophischer Schriften.Harry Harootunian - 2012 - Radical Philosophy 173:49.
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  3. Review of Sourcebook for Modern Japanese Philosophy: Selected Documents by David A. Dilworth; Valdo H. Viglielmo; Agustin Jacinto Zavala. [REVIEW]Steven Heine - 2001 - Philosophy East and West 51 (2):311-312.
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  4. Japanese Philosophy: A Sourcebook.James W. Heisig, Thomas P. Kasulis & John Maraldo - 2011 - University of Hawaiʻi Press.
  5. Vocation théorique du concept de « caractère » : À propos d'un programme.Tosaka Jun - 2008 - Laval Théologique et Philosophique 64 (2):359-376.
    Le concept de caractère se distingue de ceux d’individu ou d’essence en ce qu’il ne fonctionne pas à partir du principe d’individuation permettant de déterminer la limite et l’extension d’un objet en tant qu’unité insécable ou catégorie scientifique. Le caractère d’un objet est sa propriété la plus représentative définie par la méthode pratique et les projets quotidiens. Le critère en est le mouvement de la totalité de l’histoire en relation avec l’activité des hommes en société. Il développe une théorie alternative (...)
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  6. Frontiers of Japanese Philosophy 4: Facing the 21st Century.John Maraldo - 2009 - Nanzan Institute for Religion & Culture.
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  7. Nishida Miki Tosaka No Tetsugaku.Toru Miyakawa - 1967 - Kodansha.
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  8. Filosofía y pensamiento contemporáneo: Sincretismo japonés.Montserrat Crespin Perales - forthcoming - In Julian Fernandez (ed.), Japón, el archipiélago de la cultura, Volumen I: Reino de Wa: Un intento de aproximación. Barcelona, España:
    1. Introducción. -/- 2. Modernización, tradicionalismo y sincretismo en el pensamiento japonés contemporáneo. -/- 3. Liberalismo, conservatismo y primeras corrientes socialistas y feministas (1868-1912): La modernidad filosófica en el Japón Meiji. El debate en torno al término «filosofía». Imperialismo e ilustración. Contexto del liberal-conservatismo. Los reformistas de Meirokusha: liberalismo, gradualismo y evolucionismo social. Conservadurismo: reacción a los peligros de la occidentalización y a la pérdida de identidad. Los prematuros movimientos socialistas, anarquistas y feministas. -/- 4. Subjetividad e ideología (1912-1945): Kitaro (...)
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  9. The Ambivalent Relationship of Japan's Soft Power Diplomacy and Princess Mononoke : Tosaka Jun's Philosophy of Culture as Moral Reflection.Kosuke Shimizu - 2014 - Japanese Journal of Political Science 15 (4):683-698.
    Culture is a demanding word, particularly when it is used in the context of the contemporary academic discipline of international relations . It is often employed in order to distinguish one identity from another, allegedly illuminating idiosyncrasies embedded in a particular society or group of people. The essentialized understanding of culture is also detectable in the case of the current debate on the non-Western international relations theories . Non-Western politicians and scholars often employ the term culture in order to distinguish (...)
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  10. Translation of Tosaka Jun's "The Philosophy of the Kyoto School".Kenn Nakata Steffensen - 2016 - Comparative and Continental Philosophy 8 (1):53-71.
    This translation of Tosaka Jun's “The Philosophy of the Kyoto School” is as unembellished as possible. As far as is known, this is the original statement of the philosophical nature and scope of the Kyoto School. Making it available in English serves the purpose of documenting how the Kyoto School was conceived, not only in terms of philosophical themes and approaches, but also in terms of who was included. Returning to the first written source reveals that Tosaka's views on both (...)
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  11. Ideorogī to Rojikku: Tosaka Jun Ideorogī-Ron Shūsei.Jun Tosaka - 2007 - Shoshi Shinsui.
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  12. Nihon-Teki Tetsugaku to Iu Ma: Tosaka Jun Kyōto Gakuha Hihan Ronshū.Jun Tosaka - 2007 - Shoshi Shinsui.
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  13. Tosaka Jun Zenshu.Jun Tosaka - 1966 - Keiso Shobo.
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  14. Tosaka Jun to "Shōwa Ideorogī": "Nishida Gakuha" No Kenkyū.Masao Tsuda - 2009 - Dōjidaisha.
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  15. "Kyōto Gakuha" No Tetsugaku: Nishida, Miki, Tosaka o Chūshin Ni.Masatoshi Yoshida - 2011 - Ōtsuki Shoten.
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