This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories
Siblings:

17 found
Order:
  1. Contesting Difference : A Critique of Africanist Ethnomusicology.K. Agawu - 2003 - In Martin Clayton, Trevor Herbert & Richard Middleton (eds.), The Cultural Study of Music: A Critical Introduction. Routledge. pp. 227.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  2. Musical Time" and Music as an "Art of Time.Philip Alperson - 1980 - Journal of Aesthetics and Art Criticism 38 (4):407-417.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  3. Music, Mind, and Morality: Arousing the Body Politic.Philip Alperson & Noël Carroll - 2008 - Journal of Aesthetic Education 42 (1):1-15.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  4. The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam.Philip Alperson, B. E. N. Chí & To Ngoc Thanh - 2007 - Journal of Aesthetics and Art Criticism 65 (1):11–20.
    Remove from this list   Direct download (8 more)  
     
    Export citation  
     
    My bibliography  
  5. Sound Matters: Essays on the Acoustics of Modern German Culture.Nora M. Alter & Lutz P. Koepnick (eds.) - 2004 - Berghahn Books.
    ... composed by Herms Niel as a Durchhaltefanfare, a fanfare of perseverance, for the German troops that had been surrounded on the Crimea peninsula by ...
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  6. Island Songs: A Global Repertoire.Godfrey Baldacchino (ed.) - 2011 - Scarecrow Press.
    "Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration , ...
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  7. Reflections on Music Writing : Coming to Terms with Gain and Loss in Early Medieval Latin Song.Sam Barrett - 2008 - In Andreas Haug & Andreas Dorschel (eds.), Vom Preis des Fortschritts: Gewinn Und Verlust in der Musikgeschichte. Universal Edition.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  8. Nada Brahma: The World is Sound: Music and the Landscape of Consciousness.Joachim Ernst Berendt - 1987 - Harper & Row.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  9. Music as Speech: An Ethnomusicolinguistic Study of India.Anoop Chandola - 1988 - Navrang.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  10. North Indian Classical Music and its Links with Consciousness: The Case of Dhrupad.David Clarke & Tara Kini - 2011 - In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  11. The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control.Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.) - 2013 - Oxford University Press.
    How can an abstract sequence of sounds so intensely express emotional states? In the past ten years, research into the topic of music and emotion has flourished. This book explores the relationship between music and emotion, bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers .
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  12. The Routledge Companion to Philosophy and Music.Theodore Gracyk & Andrew Kania (eds.) - 2011 - Routledge.
    _The Routledge Companion to Philosophy and Music_ is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Over fifty entries by an international team of contributors are organised into six clear sections: general issues emotion history figures kinds of music music, philosophy and related disciplines _The Routledge Companion to Philosophy and Music_ is essential reading for anyone interested in philosophy, music and musicology.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  13. Music Culture.Eldonna L. May & Dustin Garlitz - 2014 - In William Forde Thompson (ed.), Music in the Social and Behavioral Sciences: An Encyclopedia. Sage Publications.
  14. The Varieties of Musical Experience.Brandon Polite - 2014 - Pragmatism Today 5 (2):93-100.
    Many philosophers of music, especially within the analytic tradition, are essentialists with respect to musical experience. That is, they view their goal as that of isolating the essential set of features constitutive of the experience of music, qua music. Toward this end, they eliminate every element that would appear to be unnecessary for one to experience music as such. In doing so, they limit their analysis to the experience of a silent, motionless individual who listens with rapt attention to the (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  15. Sonic Art and the Nature of Sonic Events.David Roden - 2010 - Review of Philosophy and Psychology 1 (1):141-156.
    Musicians and theorists such as the radiophonic pioneer Pierre Schaeffer, view the products of new audio technologies as devices whereby the experience of sound can be displaced from its causal origins and achieve new musical or poetic resonances. Accordingly, the listening experience associated with sonic art within this perspective is ‘acousmatic’; the process of sound generation playing no role in the description or understanding of the experience as such. In this paper I shall articulate and defend a position according to (...)
    Remove from this list   Direct download (8 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  16. Cover to Cover.Achille C. Varzi - 2013 - Current Musicology 95:177–191.
    Paul Goguen once said that art is either plagiarism or revolution. That is certainly true of music. From pop to jazz to classical music, there’s a long history of borrowing, lifting, and stealing from other composers, along with other ways of building on their artistic contributions. Here I try to put some order in the complex picture that emerges from such a history, with an eye to the criteria—if any—that underlie the complex ways in which we compare, identify, and categorize (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  17. Applying Critical Realism : Re-Conceptualising the Emergent Early Music Performer Labour Market.Nicholas Wilson - 2007 - In Clive Lawson, John Latsis & Nuno Martins (eds.), Contributions to Social Ontology. Routledge. pp. 15--304.