Voltaire

The history of Christianity was a prevalent subject among 18th century philosophers. This article presents a historical perspective of the relationship between Christianity and power based on a comparative analysis of the ideas of Voltaire and Rousseau. Bibliographic research was undertaken using a philosophical approach to their works. This study examines Voltaire’s inquiry into Jesus Christ as a historical figure and a“genealogy” of Christianity in three of his works: Tumbeau du fanatisme(1736), Traité sur la tolérance(1763), and Catéchisme de l'honnête homme (...) (1763). Regarding Rousseau, this study interprets his historical approach to the connections between Christianity and politics based on the following works: Sur la Réponse qui a été faite à son Discours(1751), the chapter entitled “Civil Religion” in Du Contract social(1762), and Lettres écrites de la montagne(1764). Not only do the findings of this inquiry reveal the similarities and differences between the thoughts of Voltaire and Rousseau and the historical tensions between Christianity and power, the findings also point toward a fundamental defense of a secular state. (shrink)

O presente texto procura entender as razões que levaram o filósofo e crítico escocês Hugh Blair a tomar Voltaire como um modelo para o historiador moderno. Inicia-se o estudo com uma breve exposição de alguns elementos da concepção de história no pensamento voltairiano e então se passa à consideração que o autor britânico faz deles. The present text aims to understand the reasons that took the Scottish philosopher and critic Hugh Blair to take Voltaire as a model to the modern (...) historian. This study begins with a brief description of some elements of history conception according to Voltaire´s thinking and then the consideration that the British author makes of it. (shrink)

There is a fundamental flaw in the Eurocentric epistemological foundation. Counter to the overwhelming ethos of the Enlightenment this epistemological bedrock shockingly does not seem to be an epistemology of the human being, but only of the white human being. I, as Western scholar, have to relativize my epistemological heritage, because it does not take into account the diversity of the human being. I will briefly explore the racist views of Voltaire, Hume and Kant and I will argue that Western (...) philosophy needs to (re)analyze its epistemological tradition with regards to the way the racist views of its protagonists corrupted their philosophical work. I suggest contextualization of the philosophical tradition and its desuperiorisation in order to foster ethical philosophical dialogue amongst global scholars. (shrink)

The aim of the article is to demonstrate that the contact between European philosophy and Chinese culture in the 17 th and 18 th centuries had an influence on the emergence and development of secularism, which became a distinctive feature of the Western Enlightenment. In the first part, I examine in what way knowledge of the history of China and the Confucian ethics contested the Biblical chronology and undermined faith as a prerequisite for morality. Subsequently, I analyze the attempts to (...) refute these allegations, reinterpreting Confucianism as crypto-monotheism. In the third part, I will show how the debate on Chinese culture has contributed to the birth of the secular philosophy of history, which put an end to the Enlightenment Sinophilia. In conclusion, I will present the main limitations of the thesis about the influence of Chinese thought on the birth of secularism. (shrink)

Voltaire has presented in his Letters on the English different themes, from religious ethics, literacy, politics, to dramas and science. The letters present us a comparison between England and France. In this parallel we shall present how Voltaire was concerned in evaluate a high standard of taste and refinements. This paper will review some of the last letters of those, which testify about this criterion of taste as a modern point of view. We shall present in Voltaire the eminence of (...) modernity in taste, refinements and on liberty of enjoying the ecstasies of a cosmopolitan life fulfilled with entertainments and luxury. We shall present how Voltaire fought against barbarism in benefit of civilization and some how against religiosity in benefit of an ethic hedonism. (shrink)

At present the basic intellectual aim of academic inquiry is to improve knowledge. Much of the structure, the whole character, of academic inquiry, in universities all over the world, is shaped by the adoption of this as the basic intellectual aim. But, judged from the standpoint of making a contribution to human welfare, academic inquiry of this type is damagingly irrational. Three of four of the most elementary rules of rational problem-solving are violated. A revolution in the aims and methods (...) of academic in-quiry is needed so that the basic aim becomes to promote wisdom, conceived of as the capacity to realize what is of value, for oneself and others, thus including knowledge and technological know-how, but much else besides. This urgently needed revolution would affect every branch and aspect of the academic enterprise. (shrink)

In his descriptions of this “world going round”, Voltaire touches upon the problem of evil, using mimesis and his trademark irony as tools. Scream, anxiety, and confusion over this “scandal for philosophers” are refl ected in his polemics with Leibniz. Th e spectacle of evil presents itself in Voltaire’s symbolic caricature of marionettes – in order to confront the ontological onus of evil with philosophical speculation. Th e mechanical descriptions, deformed characters, and grotesque juxtaposition of lucky and unlucky situations found (...) in his “obsessive metaphors” make up his “aesthetics of ugliness”, whose attractive quality seems to unravel some of Voltaire’s myth. His “obsessive metaphors” of evil and his style negating the reality, world, and man create a theatre of nihilism and hopelessness in which Voltaire co-suff ers with his actors. Th e tragic and the comic are wed in the oxymoron of irony – the mood of the spirit – under the mask of which Voltaire hides the secrets of his imagination. (shrink)

This article reminds the reader of the views of Voltaire, one of the most prominent and influential philosophers of the Age of Enlightenment. Voltaire’s radicalism manifested itself mainly in anticlericalism which was consistent, uncompromising and voiced without mincing words. A general aim of this article is to demonstrate to his contemporary imitators, who can be found in different countries including Poland, that they are in fact more or less accurate copies of him and they are not always aware of whom (...) they imitate and what value this imitation has. Perhaps this article can make them, if not more restrained in their statements and practical actions, at least more self-critical and taking into account what is expressed in public discourse. (shrink)

A book of writings, by practicing historians of the past two hundred years, on the writing of history. The selections, mostly whole essays or lectures, are divided into two groups: the first surveys modern historiographic movements as exemplified in individual historians; the second shows historians' attitudes to certain persistent problems of their craft. It is hard to discern the book's organizing principles; the variety, too, of the selections is a bit bewildering, though many of the pieces are individually absorbing. The (...) volume is a paperback original edition.--V. C. C. (shrink)

ETUDES DE PHILOLOGIE ET D'HISTOIRE Bertram Eugene Schwarzbach Voltaire's Old Testament Criticism 1971 - LIBRAIRIE DROZ- GENEVE ...

The 3rd batch of 6 books in this series on the Greatest Philosophrs by acclaimed specialists writing for the General reader. From Aristotle to Wittgenstein, from Democritus to Derrida, this series provides a lucid and concise survey of philosophers ancient and modern. Each volime is by an acknowledged expert briefed to address the adventurous non-specialist reader.

These brief selections could use explanatory footnotes for frequently obscure passages. --E. S. C.

The lively and colorful story of the important role played by a curioously neglected French journalist in the First Vatican Council (December 1869–July 1870).

The world of Voltaire -- A life of wit and drama -- The wandering exile -- Voltaire's drama and poetry -- Interpreting history, understanding science -- The crusading philosopher -- The impact of Voltaire's work.

Voltaire is widely known as the author of a literary masterpiece, Candide, while his reputation as a thinker rests largely on his Philosophical Letters and Philosophical Dictionary. He is equally renowned as a critic of the forces of superstition and fanaticism, and a champion of freedom of thought and belief. The works presented here, in a new English translation, are among the most important and characteristic texts of the Enlightenment, and bring together all three aspects of Voltaire: the writer, the (...) doer and the philosophe. Originating in Voltaire's campaign to exonerate Jean Calas, they are works of polemical brilliance, informed by his deism and humanism and by Enlightenment values and ideals more generally. The issues which they raise, concerning questions of tolerance and human dignity, are still highly relevant to our own times. This volume presents them together with an introduction by Simon Harvey and useful notes on further reading. (shrink)

A richly detailed history of French secular thought in the seventeenth and early eighteenth centuries. A wealth of material is introduced from unpublished manuscripts. Spink's stress on the clandestine spread of the enlightenment, in spite of official suppression, is interesting and sobering.--J. M. W.

Jonathan I. Israel claims that Christian ‘controversialists’ endeavoured first to obscure or efface Spinozism, materialism, and non-authoritarian free thought, and then, in the early eighteenth century, to fight these openly, and desperately. Israel appears to have adopted the view of enlightenment as a battle against what Voltaire has called ‘l’infâme’, and David Hume has labelled ‘stupidity, Christianity, and ignorance’. These authors’ barbs were launched later in the century, however, in the period of the high Enlightenment, following polarizing controversies of mid-century. (...) This chapter argues that many Enlightenment figures, including Hume and Voltaire, were far more involved within a culture in the second quarter of the century that was less divided against Christian interlocutors, less rigid, and more complex than these two wished to suggest, in retrospect, after mid-century. A Christian literary and scientific circle was productive and prominent in French Enlightenment culture, particularly in the personages of François Prévost, Pierre Desfontaines, Samuel Formey and Noël Pluche, and in the pages of ubiquitous journals and occasional publications. Many of the Catholics among these lumières held the education and retained the status of ‘abbé’, a title with prophylactic properties that legitimated expansive inquiry – into topics such as libertinism and atheism – and facilitated in-print exchanges with Voltaire and other less orthodox figures. This wing of the Enlightenment developed a culture that reflected, and sometimes promoted, Christian theology – especially in the tradition of natural theology – and displayed broadly Christian and politically conservative values. The latter aspect served in part to motivate concerted efforts toward their marginalization by others, but the French Enlightenment of the eighteenth century’s second quarter was actually very mixed, and not so very radical; rather, it became polarized at mid-century, and in retrospect, the Christians of this wing were written out of the history by the likes of Voltaire and Hume. (shrink)