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Walter Benjamin

Edited by Chad Kautzer (University of Colorado at Denver)
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  1. Florencia Abadi (2013). Doctrine and Tradition in the Early Thought of W. Benjamin: A Neglected Chapter in the Study of Benjamin's Reception of I. Kant. Ideas Y Valores 62 (152):159-181.
    The article examines the meaning of the concepts of "doctrine" and "tradition" in Walter Benjamin's 1917 reflections, concepts that are closely linked to his reception of Kant. Given the scarce analysis of this appropriation, the paper seeks to show that these concepts express an interest in Kant's idea of the systematic unity of knowledge and that Benjamin reinterprets such unity in Messianic terms, that is, not as a necessary assumption, but as a demand for redemption. Finally, it shows how these (...)
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  2. Florencia Abadi (2013). Walter Benjamin y el proyecto (no realizado) de una tesis doctoral sobre el concepto de "tarea infinita" en la filosofía de la historia de Kant. Dianoia 58 (70):89-111.
    En este trabajo se investigan cuáles fueron las razones de Benjamin para proyectar su tesis doctoral sobre el concepto de "tarea infinita" en la filosofía de la historia de Kant, así como los motivos por los que abandonó ese plan. Se destaca la influencia decisiva de Hermann Cohen en este intento, así como las diferencias entre sus concepciones del mesianismo, y se muestra que en los esbozos de aquel proyecto doctoral frustrado se encuentra en germen la aspiración benjaminiana de fundamentar (...)
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  3. Nicholas Adams (1998). Walter Benjamin on Liturgical Embodiment. Telos: Critical Theory of the Contemporary 1998 (113):113-134.
    An unusual aspect of Walter Benjamin's work is the provocative way he uses theology in tackling “theoretical” questions. While it is difficult to write about Benjamin without dealing with his relation to the Jewish tradition, in studies of his work surprisingly little attention is paid to theological questions. This is not to ignore the many accounts of Benjamin's interest in the Kabbala, his “theological” writings on language, or his messianic imagery. However, whereas for Benjamin theological concerns are central, this is (...)
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  4. Theodore W. Adorno & Walter Benjamin (1994). Bd. 1. Briefwechsel, 1928-1940. In Theodor W. Adorno (ed.), Briefe Und Briefwechsel. Suhrkamp.
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  5. Amir Ahmadi, Benjamin's Niobe.
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  6. Amir Ahmadi & Alison Ross (2012). Jim Jarmusch's Dead Man. Angelaki 17 (4):179 - 192.
    Jim Jarmusch's Dead Man is a modern myth. Like many ancient myths it seems to have the structure of a rite of passage analysed by van Gennep into three stages: separation, marginal existence and reintegration. Separation is precipitated by a traumatic event and the marginal state is characterized by extraordinary experiences and feats. However, Jarmusch's tale does not quite fit the ancient initiation pattern since the last stage, reintegration, is at least prima facie missing. This already undermines the social function (...)
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  7. Abraham Akkerman (2012). Gender Myth and the Mind-City Composite: From Plato’s Atlantis to Walter Benjamin’s Philosophical Urbanism. GeoJournal (in Press; Online Version Published) 78.
    In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection can be (...)
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  8. Emmanuel Alloa (2012). The Inorganic Community. Hypotheses on Literary Communism in Novalis, Benjamin and Blanchot. Boundary2. An International Journal of Literature and Culture 39 (3):75-95.
    If literary avant-garde journals and their communities have been, in the twentieth century, a space for creating, if not sustaining, major political utopias, it should help explain why this “literary communism,” as Jean-Luc Nancy called it, is not a weakened or substitutional form of politics. No myth without narration, no implementation without an instrumentation, no organic unity without a political organ voicing its claim, in short: no organicity without an organon. But can there be a (literary) community that does not (...)
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  9. Ian Almond (2002). Different Fragments, Different Vases: A Neoplatonic Commentary on Benjamin's 'the Task of the Translator'. Heythrop Journal 43 (2):185–198.
    This article re‐examines a familiar essay of Benjamin’s, ‘The Task of the Translator’, from a Neoplatonic point of view. Beginning with a brief survey of various other Neoplatonic moments in Benjamin’s work , ‘The Task of the Translator’ is considered as a collection of metaphors on the act of translation – the translation as the ghost of the original, or its blossom, or its mantle. Drawing on varied examples from a diverse canon of Neoplatonists – Plotinus, Pseudo‐Dionysius, Eckhart, Nicholas of (...)
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  10. Brunella Antomarini (2009). Walter Benjamin : The Afterlife of an Artwork as Cognitive Heterocracy. In Stefano Giacchetti Ludovisi & G. Agostini Saavedra (eds.), Nostalgia for a Redeemed Future: Critical Theory. University of Delaware.
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  11. Anatole Anton (2013). Marx to Benjamin. Radical Philosophy Review 16 (3):781-788.
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  12. Hannah Arendt (2008). Walter Benjamin 1892-1940. Kronos 4 (4):340-340.
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  13. Siah Armajani (2002). The Glass Front Porch for Walter Benjamin. Critical Inquiry 28 (2):366-368.
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  14. Lluís Ballester Brage & Antoni J. Colom Cañellas (2013). Hermenéutica Del Discurso Fragmentario En Walter Benjamin. Revista de filosofía (Chile) 38 (2).
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  15. Alice Barale (2009). La Malinconia Dell'immagine: Rappresentazione E Significato in Walter Benjamin E Aby Warburg. Firenze University Press.
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  16. Gisela Bechen (2000). Astrid Deuber-Mankowsky: Der Frühe Walter Benjamin Und Herrmann Cohen. Jüdische Werte, Kritische Philosophie, Vergängliche Erfahrung. Die Philosophin 11 (22):127-131.
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  17. Ronald Beiner (1984). Walter Benjamin's Philosophy of History. Political Theory 12 (3):423-434.
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  18. Benjamin Andrew, The World of Striving : Walter Benjamin’s Notes to a Study on the Category of Justice.
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  19. Andrew Benjamin (2017). Gesture and Expression : Interrupting Lament's Repetition Walter Benjamin and Sophocles’ Electra. In .
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  20. Andrew Benjamin, Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.
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  21. Andrew Benjamin (2013). Architecture and Technology: A Discontinuous Relation. [REVIEW] Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides the basis (...)
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  22. Andrew Benjamin (2012). Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World. Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  23. Andrew Benjamin (2010). Porosity at the Edge : Working Through Walter Benjamin's "Naples". In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.
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  24. Andrew Benjamin (1997). Present Hope: Philosophy, Architecture, Judaism. Routledge.
    An understanding of what we mean by the present is one of the key issues in literature, philosophy, and culture today, but also one of the most neglected and misunderstood. _Present Hope_ develops a fascinating philosophical understanding of the present, approaching this question via discussions of the nature of historical time, the philosophy of history, memory, and the role of tragedy. Andrew Benjamin shows how we misleadingly view the present as simply a product of chronological time, ignoring the role of (...)
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  25. Andrew E. Benjamin (ed.) (1991). The Problems of Modernity: Adorno and Benjamin. Routledge.
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  26. Andrew E. Benjamin & Peter Osborne (eds.) (2000). Walter Benjamin's Philosophy: Destruction and Experience. Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
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  27. Andrew E. Benjamin & Charles Rice (eds.) (2009). Walter Benjamin and the Architecture of Modernity. Re.Press.
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
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  28. Andrew Benjamin & Peter Osborne (eds.) (2013). Walter Benjamin's Philosophy: Destruction and Experience. Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
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  29. Andrew Benjamin & Peter Osborne (eds.) (1993). Walter Benjamin's Philosophy: Destruction and Experience. Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
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  30. Andrew Benjamin & Dimitris Vardoulakis (eds.) (2015). Sparks Will Fly: Benjamin and Heidegger. State University of New York Press.
    _Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger._.
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  31. Harold Raymond Wayne Benjamin (1968). Wakan; the Spirit of Harold Benjamin. Minneapolis, Burgess Pub. Co..
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  32. Walter Benjamin (2011). Źródło niemieckiego widowiska żałosnego. Kronos 3 (3).
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  33. Walter Benjamin (2010). A Small History of Photography. In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
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  34. Walter Benjamin (2010). Über den Begriff der Geschichte. Suhrkamp.
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  35. Walter Benjamin (2009). Refleksja. Kronos 4 (4).
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  36. Walter Benjamin (2009). Los i charakter. Kronos 4 (4).
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  37. Walter Benjamin (2009). Wczesnoromantyczna teoria sztuki a Goethe. Kronos 4 (4).
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  38. Walter Benjamin (2009). , Przyczynek do krytyki przemocy. Kronos 4 (4).
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  39. Walter Benjamin (2008). The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media. Belknap Press of Harvard University Press.
    In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.
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  40. Walter Benjamin (2007). Fragment teologiczno- polityczny. Kronos 1 (1):34-35.
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  41. Walter Benjamin (1986). Reflections: Essays, Aphorisms, Autobiographical Writings. Schocken.
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  42. Walter Benjamin (1969). Illuminations: Essays and Reflections. Schocken.
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  43. Walter Benjamin (1920). Der Begriff der Kunstkritik in der Deutschen Romantik. Suhrkamp.
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  44. Walter Benjamin & Gevork Hartoonian (eds.) (2010). Walter Benjamin and Architecture. Routledge.
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  45. J. A. Bennett (1987). Benjamin Martin: Author, Instrument-Maker and "Country Showman": SupplementJohn R. MillburnRetailer of the Sciences: Benjamin Martin's Scientific Instrument Catalogues, 1756-1782John R. Millburn. [REVIEW] Isis 78 (4):637-638.
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  46. Adam Berg (2009). Equivocating Aura : On Benjamin's Conception of Mechanical Reproduction. In Stefano Giacchetti Ludovisi & G. Agostini Saavedra (eds.), Nostalgia for a Redeemed Future: Critical Theory. University of Delaware.
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  47. J. M. Bernstein (1999). Walter Benjamin's Passages. International Studies in Philosophy 31 (4):118-119.
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  48. Jay M. Bernstein (1994). The Frankfurt School: Critical Assessments. Routledge.
  49. Agata Bielik–Robson (2009). Skok przez śmierć. Walter Benjamin jako krytyk i apologeta witalizmu. Kronos 4 (4).
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  50. Beth Bjorklund (1981). Walter Benjamin's Theory of the Magic of Language. Philosophy and History 14 (2):148-150.
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1 — 50 / 291