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  1. Walter Benjamin and Reproducible Art.Zahra Kamali & Majid Akbari - forthcoming - Philosophical Investigations.
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  2. Beatrice Hanssen and Andrew Benjamin, Eds, Walter Benjamin and Romanticism; Helga Geyer-Ryan Et Al., Eds, Benjamin Studies, Volume 1: Perception and Experience in Modernity; Michael Lowy and Robert Sayre, Romanticism Against the Tide of Modernity; Walter Benjamin, Selected Writings, Volume 3: 1935-1938. [REVIEW]N. Lambrianou - forthcoming - Radical Philosophy.
  3. La Alegoría En El Origen Del Drama Barroco Alemán de Walter Benjamín y En Las Flores Del Mal de Charles Baudelaire.Lucía Olivan Santaliestra - forthcoming - A Parte Rei.
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  4. Walter Benjamin.Peter Osborne - forthcoming - Stanford Encyclopedia of Philosophy.
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  5. Lutz Koepnick, Walter Benjamin and the Aesthetics of Power Esther Leslie, Walter Benjamin: Overpowering Conformism.G. Peaker - forthcoming - Radical Philosophy.
  6. Benjamin's Aspect.Darko Strajn - forthcoming - Filozofski Vestnik.
  7. Jeffrey Mehlman, Walter Benjamin for Children: An Essay on His Radio Years.A. Wilding - forthcoming - Radical Philosophy.
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  8. „Das Staunen darüber, daß die Dinge, die wir erleben, […] ‚noch‘ möglich sind, ist kein philosophisches.“ Anna Seghers, Georg Lukács und Ernst Bloch angesichts von Nazismus und Holocaust in den Diskussionen um Humanismus, Expressionismus und Realismus.Konstantin Baehrens - 2019 - Argonautenschiff 27:77-89.
  9. "Die Problemgeschichte wird tatsächlich zur Geschichte der Probleme." 'Geschichtliche Totalität' und 'Augenblick' bei Walter Benjamin und Georg Lukács.Konstantin Baehrens & Frank Voigt - 2019 - In Frank Voigt, Nicos Tzanakis Papadakis, Jan Loheit & Konstantin Baehrens (eds.), Material und Begriff. Arbeitsverfahren und theoretische Beziehungen Walter Benjamins. Hamburg, Deutschland: pp. 193-242.
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  10. The Mimetic Faculty and the Art of Everyday Life.Milan Kroulík - 2019 - Kritike 13 (1):144-160.
    : In this paper I attempt to rethink the relationship between art and life by formulating it based on the rereading of the Benjaminian mimetic faculty by the anthropologist Michael Taussig. Taking this position within history as non-teleological change and based on human activity, to uphold a distinction between original and representation metaphysically becomes impossible. This is important in so far as any notion of primacy becomes obsolete, while at the same time one can work with the historical existence, both (...)
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  11. Adorno's Arcades Orthodoxy.Luis A. Recoder - 2019 - Berlin Journal of Critical Theory 3 (2):49-60.
    Theodor W. Adorno’s letter correspondence with Walter Benjamin throughout the decade of the 1930’s entertains the central question concerning the possibility of philosophy in their intellectual milieu. The fate of this possibility for Adorno hinges on Benjamin’s work-in-progress Das Passagen-Werk—a fate that is catastrophically blocked by an uncritical tendency convicted repeatedly by the former as “undialectical.” And yet Adorno obstinately persists in clinging to the canon of a philosophically overdetermined demand he endearingly calls “my Arcades orthodoxy.” The threatening destruction of (...)
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  12. Revolution and History in Walter Benjamin: A Conceptual Analysis.Alison F. Ross - 2019 - New York, NY, USA: Routledge.
    This book places Benjamin’s writing on revolution in the context of his conception of historical knowledge. The fundamental problem that faces any analysis of Benjamin’s approach to revolution is that he deploys notions that belong to the domain of individual experience. His theory of modernity with its emphasis on the disintegration of collective experience further aggravates the problem. Benjamin himself understood the problem of revolution to be primarily that of the conceptualization of collective experience (its possibility and sites) under the (...)
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  13. Rorty and (the Politics of) Love.Martin Shuster - 2019 - Graduate Faculty Philosophy Journal 40 (1):65-78.
    This essay argues that Rorty's reliance on love evinces a residual bit of dogmatism on his part (with some guest appearances by Hannah Arendt, Walter Benjamin, and Theodor W. Adorno).
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  14. Dark Play: Aesthetic Resistance in Lukács, Benjamin and Adorno.Surti Singh - 2019 - Philosophy and Social Criticism 46 (10):1182-1202.
    This article examines the turn to the aesthetic dimension in early 20th century critical theory, particularly in the work of Lukács, Benjamin and Adorno. It focuses on the concept of play, which garnered particular attention as a possible form of aesthetic resistance to the reification of reason in modern society. The article traces the concept of play from the work of Lukács, who engaged with Schiller’s notion of the play-drive but ultimately viewed it to be an inadequate form of aesthetic (...)
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  15. Material und Begriff. Arbeitsverfahren und theoretische Beziehungen Walter Benjamins.Frank Voigt, Nicos Tzanakis Papadakis, Jan Loheit & Konstantin Baehrens - 2019 - Hamburg, Deutschland: Argument.
    Die Rezeption von Walter Benjamins Arbeiten ist von einer Paradoxie durchzogen: Obwohl Konsens darüber besteht, dass er seine Begriffe in ›enger Fühlung‹ mit dem jeweiligen Material entwickelt, werden seine Schriften häufig ohne ein eigenständiges Studium seiner Quellen gelesen, losgelöst vom jeweiligen Problem- und Debattenzusammenhang. Das verstärkt den Eindruck einer Esoterik seiner Texte und kann zu der Annahme verleiten, Benjamin entnehme Motive willkürlich aus seinem Material- und Quellenstudium und nutze sie als Vehikel eines an sich schwer in eine Tradition einzuordnenden Denkens. (...)
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  16. La cultura del blues en la época de su reproductibilidad técnica. El caso de Junior Kimbrough y Robert Palmer.Mario Edmundo Chávez Tortolero - 2018 - In Historia del arte y estética, nudos y tramas: XXXIX Coloquio Internacional de Historia del Arte del Instituto de Investigaciones Estéticas de la UNAM.
    En este texto se ofrece una interpretación del blues a la luz de la teoría del arte de Walter Benjamin y la teoría de la cultura de Bolívar Echeverría. El texto hace consideraciones sobre el blues, la música, la cultura y la reproducción social en general, a partir de lo cual se realiza un estudio de caso sobre la relación entre Junior Kimbrough y Robert Palmer y se sacan conclusiones respecto a la cultura del blues como fenómeno social.
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  17. Gesture and Expression: Interrupting Lament's Repetition: Walter Benjamin and Sophocles' Electra.Andrew Benjamin - 2017 - In .
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  18. The World of Striving : Walter Benjamin’s 'Notes to a Study on the Category of Justice'.Andrew Benjamin - 2017 - Anthropology and Materialism 1.
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  19. Doing Justice to the Past: Critical Theory and the Problems of Historicism.Jean-Philippe Deranty & Andrew Dunstall - 2017 - Philosophy and Social Criticism 43 (8):812-836.
    In this article, we argue that the usual restriction of critical theory to ‘modern’ norms is subject to problems of coherence, historical accuracy and moral obligation. First, we illustrate how critical theory opposes itself to societies designated as pre-modern, through a summary of Honneth’s recognition theory. We then show how an over-emphasis on modernity’s normative novelty obscures counter-currents in ethical life that threaten the unity of the modern era. Those two steps prepare the main analysis: that the ‘exceptionalist’ modernism of (...)
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  20. Walter Benjamin and the Post-Kantian Tradition.Phillip Homburg - 2017 - Rowman & Littlefield International.
    Walter Benjamin and the Post-Kantian Tradition engages with Benjamin as a theorist of a historical and philosophical problematic, and demonstrates how Benjamin moves from an aspiring idealist philosopher to a politically engaged Marxist critic without abandoning the theoretical project he develops early on.
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  21. Now, Hamacher.Julia Ng - 2017 - Philosophy Today 61 (4):1013-1022.
    Death is ironic; as the archi-semiotician and first historian, death fixes object and meaning in a semiotic complex, separates non-sensuous meaning from bare physical existence, but thereby exposes meaning to the capriciousness of interpretation and tradition. The pause, however, conserves that which does not happen in repose, yet does not interrupt history, and lets history emerge in a movement in which all determination of meaning is suspended. This essay is written in memory of Werner Hamacher, whose life in writing shaped (...)
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  22. Acts of Time: Cohen and Benjamin on Mathematics and History.Julia Ng - 2017 - Paradigmi. Rivista di Critica Filosofica 2017 (1):41-60.
    This paper argues that the principle of continuity that underlies Benjamin’s understanding of what makes the reality of a thing thinkable, which in the Kantian context implies a process of “filling time” with an anticipatory structure oriented to the subject, is of a different order than that of infinitesimal calculus—and that a “discontinuity” constitutive of the continuity of experience and (merely) counterposed to the image of actuality as an infinite gradation of ultimately thetic acts cannot be the principle on which (...)
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  23. Presentation as Indirection, Indirection as Schooling: The Two Aspects of Benjamin’s Scholastic Method.Ori Rotlevy - 2017 - Continental Philosophy Review 50 (4):493-516.
    Why does Walter Benjamin claim “indirection” to be the proper method for philosophical contemplation and writing? Why is this method—embodied, according to Benjamin, in the convoluted form of scholastic treatises and in their use of citations—fundamental for understanding his Origin of German Trauerspiel as suggesting an alternative to most strands of modern philosophy? The explicit and well-studied function of this method is for the presentation of what cannot be represented in language, of what cannot be intended or approached in thinking. (...)
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  24. Solon’s Ekstatic Strategy: Stasis and the Subject/ Citizen.Dimitris Vardoulakis - 2017 - Cultural Critique 96:71-100.
    The articles considers how the "death of the subject" influences ways in which we understand the aestheticization of the political." It explores how Walter Benjamin's "The Work of Art in the Age of Technological Reproducibility" can contribute to a conception of the political implications of thinking the subject. It also turns to Solon's conception of subjectivity as a way of mediating the current discussion on the subject.
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  25. Benjamin's Natural Theology.Howard Caygill - 2016 - In .
    An analysis of Walter Benjamin's response to contemporary cosmology focusing on his reading of Eddington.
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  26. Intermittency: The Differential of Time and the Integral of Space. The Intensive Spatiality of the Monad, the Apokatastasis and the Messianic World in Benjamin's Latest Thinking.Fabrizio Desideri - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):177-187.
    The main topic of my paper concerns the theological-philosophical nexus between the intensive and qualitative spatiality of the Monad and the Origenian idea of Apokatastasis as a nexus that can clarify Benjamin's latest idea of the Messianic World. The first step will be, therefore, to explain Benjamin's use of the Origenian notion of Apokatastasis in his Essay on Leskov and in the Passagenwerk. Secondly, I will discuss how and to what extent such use is relevant for Benjamin's idea of Messianism. (...)
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  27. Benjamin, Einstein, Nietzsche.Peter Fenves - 2016 - Philosophy Today 60 (2):537-543.
    The brief paper discusses the final sections of Miguel Vatter’s with particular attention to its use of popular science. Taking its point of departure from Vatter’s contention that Benjamin’s image of two counteracting forces in the so-called “Theological-Political Fragment” refers to Einstein’s inclusion of a cosmological constant in the equations of general relativity, the paper shows that this suggestion, while intriguing, is improbable. By contrasting Benjamin’s and Nietzsche’s use of popular science with Vatter’s, the paper concludes by asking whether the (...)
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  28. Howard Eiland and Michael W. Jennings. Walter Benjamin: A Critical Life. Cambridge, Mass.: Harvard University Press, 2014. 768 Pp. [REVIEW]David Ferris - 2016 - Critical Inquiry 42 (3):716-717.
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  29. On Breaking Up Time, or, Perennialism as Philosophy of History.Bennett Gilbert - 2016 - Joirnal of the Philosophy of History 12 (1):5-26.
    Current and recent philosophy of history contemplates a deep change in fundamental notions of the presence of the past. This is called breaking up time. The chief value for this change is enhancing the moral reach of historical research and writing. However, the materialist view of reality that most historians hold cannot support this approach. The origin of the notion in the thought of Walter Benjamin is suggested. I propose a neo-idealist approach called perennialism, centered on recurrent moral dilemmas and (...)
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  30. "I Watched Jane Die:" Theorizing Breaking Bad's Aesthetic of Brutality.Ian K. Jensen - 2016 - In Breaking Down "Breaking Bad:" Critical Perspectives. Albuquerque: University of New Mexico Press. pp. 111-138.
  31. Privatizing Walter Benjamin: Agape, Nietzsche, and Academic Neoliberalism.Ralph Leck - 2016 - The European Legacy 21 (7):728-739.
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  32. Walter Benjamin and the Media. [REVIEW]Terri Murray - 2016 - Philosophy Now 113:50-51.
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  33. Gerhard Richter, Inheriting Walter Benjamin. Reviewed By.Vladimir Rizov - 2016 - Philosophy in Review 36 (5):220-222.
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  34. Egalitarian Moments: From Descartes to Rancière.Devin Zane Shaw - 2016 - New York, NY, USA: Bloomsbury.
    Jacques Rancière's work has challenged many of the assumptions of contemporary continental philosophy by placing equality at the forefront of emancipatory political thought and aesthetics. Drawing on the claim that egalitarian politics persistently appropriates elements from political philosophy to engage new forms of dissensus, Devin Zane Shaw argues that Rancière's work also provides an opportunity to reconsider modern philosophy and aesthetics in light of the question of equality. In Part I, Shaw examines Rancière's philosophical debts to the 'good sense' of (...)
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  35. Zwischen Jugendbewegung und literarischer Avantgarde. Das Leben von Christoph Friedrich Heinle 1894−1914.Johannes Steizinger - 2016 - In Christoph Friedrich Heinle: Lyrik und Prosa. Berlin, Germany: Kulturverlag Kadmos. pp. 149-183.
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  36. The Denkbild (‘Thought-Image’) in the Age of Digital Reproduction.Monique Tschofen - 2016 - Theory, Culture and Society 33 (5):139-157.
    This article examines an experimental genre of philosophical writing known as the Denkbild (‘thought-image’) practiced by members of the Frankfurt School to show how it is resurrected in the Augmented Reality installation of the artist-scholar Caitlin Fisher. It argues that Circle (2012) renews the Frankfurt School’s project of reaching to art to find a way for critical theory to bring about ‘a transformation of consciousness that could become a transformation of reality’. However, as a material and virtual artifact that produces (...)
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  37. Sparks Will Fly: Benjamin and Heidegger.Andrew Benjamin & Dimitris Vardoulakis (eds.) - 2015 - State University of New York Press.
    Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger. Despite being contemporaries, Walter Benjamin and Martin Heidegger never directly engaged with one another. Yet, Hannah Arendt, who knew both men, pointed out common ground between the two. Both were concerned with the destruction of metaphysics, the development of a new way of reading and understanding literature and art, and the formulation of radical theories about time and history. On the other hand, their life trajectories and (...)
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  38. Menke’s Reconstruction of Benjamin’s Law, His Tragic Aporia and Recognition.Gonzalo Bustamante Kuschel - 2015 - Philosophy and Social Criticism 41 (6):577-591.
    Benjamin’s Critique of Violence has been a relevant source of legal and political philosophy about the nature of law, from Derrida to Menke. In this article, we rebuild the reading of Benjamin’s Critique proposed by Menke and consider the appropriateness of violence in the law not as a tragic tension, but as a condition for its reproduction. Finally, we will consider its paradoxical nature as a confirmation of the difference between the force of law and social-normative elements such as recognition (...)
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  39. The Production of the Subject in Late Benjamin.M. Calla - 2015 - Télos 2015 (171):153-173.
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  40. Messianica Ratio. Affinities and Differences in Cohen’s and Benjamin's Messianic Rationalism.Fabrizio Desideri - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (2):133-145.
    In my paper, I intend firmly to criticize Taubes' interpretation of Benjamin's Theology as a modern form of Gnosticism. In a positive way, I sustain rather the thesis that Benjamin's Messianism is in close connection with his conception of reason and, in particularly, with the paradoxical unity of Mysticism and Enlightenment, which, according to the famous definition of Adorno, distinguishes his thought. As a radically anti-magical and anti-mythical conception of the historical time, Benjamin's Messianism has to be considered as an (...)
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  41. Response to Working With Walter Benjamin, by Andrew Benjamin.Owen Glyn-Williams - 2015 - Philosophy Today 59 (1):127-132.
    In this response to Andrew Benjamin, I examine the manner in which Working With Walter Benjamin interweaves destruction and inauguration to account for the ‘othering’ of the social order. The question of where to locate the normative index of a radically altered social and political world is particularly at issue. While Professor Benjamin argues that the ontological fabric of human relationality bears a ‘counter-measure’ to State sovereignty and capitalism, I insist on the power of concrete historical struggles against oppression to (...)
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  42. Walter Benjamin Y Georges Sorel: Entre El Mito de la Huelga General Y Una Política de Medios Puros.Carlos Pérez López - 2015 - Trans/Form/Ação 38 (1):213-238.
    En su ensayo Para una crítica de la violencia, Walter Benjamin reivindica el fenómeno social de la huelga general revolucionaria teorizada por Georges Sorel en su obra Reflexiones sobre la violencia, como una figura ejemplar de lo que sería un “medio puro de la política”, al margen de cualquier forma legitimada de poder. En este marco, pocos comentadores contemporáneos advierten una discordancia conceptual entre ambos filósofos: para Sorel, la huelga revolucionaria es un mito social, mientras que el mito, categoría esencialmente (...)
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  43. Agamben's Critique of Sacrificial Violence.Colin McQuillan - 2015 - In Brendan Moran & Carlo Salzani (eds.), Towards the Critique of Violence: Walter Benjamin and Giorgio Agamben. New York: Bloomsbury.
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  44. On the Suspension of Law and the Total Transformation of Labour: Reflections on the Philosophy of History in Walter Benjamin’s ‘Critique of Violence’.Duy Lap Nguyen - 2015 - Thesis Eleven 130 (1):96-116.
    This paper argues for the contemporary significance of the ‘Critique of Violence’ by proposing a Benjaminian reading of two important analyses of the relationship between history, politics and the Rights of Man: Hegel’s account of the French Revolution and the concept of dissensus proposed by Jacques Rancière. For both Hegel and Rancière, the gap between right and reality – between the ideal of equality, for example, and the existence of concrete inequality – does not warrant a rejection of the Rights (...)
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  45. Walter Benjamin's Critique of the Category of Aesthetic Form: 'The Work of Art in the Age of its Technological Reproducibility' From the Perspective of Benjamin's Early Writing.Alison Ross - 2015 - In Nathan Ross (ed.), The Aesthetic Ground of Critical Theory : New Readings of Benjamin and Adorno. London: Roman and Littlefield. pp. 83-97.
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  46. Walter Benjamin on the Concept of Criticism and the Critique of Capitalism.Nathan Ross - 2015 - Epoché: A Journal for the History of Philosophy 20 (1):233-253.
    This essay examines the concept of criticism in the early works of Walter Benjamin. Critique is for Benjamin an attitude toward objectivity that treats it as a medium of reflection, and embodies a politics of ‘sobriety.’ This critical posture provides the early Benjamin with an original method of critiquing capitalism as a form of religion. Capitalist religion is characterized by the proliferation of ‘debt’ that robs the subject of the capacity for critical experience. Art critique and the critique of capitalism (...)
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  47. Walter Benjamin: An Introduction to His Work and Thought.Carlo Salzani - 2015 - The European Legacy 20 (8):862-863.
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  48. The Image of Crisis: Walter Benjamin and the Interpretation of 'Crisis' in Modernity.Willem Schinkel - 2015 - Thesis Eleven 127 (1):36-51.
    Crisis jargon has become endemic in modernity. Whether in radical or in affirmative versions, the idea that ‘crisis’ offers ‘opportunity’, in accordance with the meaning of crisis as ‘decision’, is widespread. This paper questions the relationship between modernity and crisis, first by highlighting the ways in which modernity itself has been cast as ‘crisis’: first as crisis of tradition, then as crisis of modernity itself. The main part of this paper then consists of a reading of modernity-as-crisis inspired by Walter (...)
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  49. A Matter of Immediacy: The Artwork and the Political in Walter Benjamin and Martin Heidegger.Dimitris Vardoulakis - 2015 - In Andrew Benjamin & Dimitris Vardoulakis (eds.), Sparks will Fly: Benjamin and Heidegger. Albany, NY, USA: pp. 237-257.
    Vardoulakis examines the connection between the political and aesthetic commitments of the philosophies of Martin Heidegger and Walter Benjamin. He compares "The Origin of the Work of Art" to "The Work of Art in the Age of Technological Reproducibility.".
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  50. The Flash of Knowledge and the Temporality of Images: Walter Benjamin’s Image-Based Epistemology and Its Preconditions in Visual Arts and Media History.Sigrid Weigel - 2015 - Critical Inquiry 41 (2):344-366.
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