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  1. The Aesthetics of Wine.Douglas Burnham & Ole Martin Skilleas - 2012 - Wiley-Blackwell.
    This book represents the first full-length study of the aesthetics of the appreciation of wine. It introduces and argues for the validity and significance of several new concepts: competency, project, and aesthetic practices. Using these concepts -- together with analyses borrowed from cognitive science, sensory science, Husserlian phenomenology and hermeneutics -- the case is made that wine can be a proper and indeed significant object of aesthetic attention. The implications of this are pursued in three ways: First, within the culture (...)
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  2. You'll Never Drink Alone: Wine Tasting and Aesthetic Practice.Douglas Burnham & Ole Martin Skilleås - 2008 - In Fritz Allhoff (ed.), Wine and Philosophy. Blackwell.
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  3. Fermented Thoughts.Ophelia Deroy - 2010 - The Philosophers' Magazine 48 (48):104-105.
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  4. Questions of Taste: The Philosophy of Wine.C. Korsmeyer - 2008 - British Journal of Aesthetics 48 (2):233-235.
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  5. Wineworld. New Essays on Wine, Taste, Philosophy and Aesthetics.Nicola Perullo - 2012 - Rivista di Estetica 51:3-48.
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  6. Wineworld: Tasting, Making, Drinking, Being.Nicola Perullo - 2012 - Rivista di Estetica 51:3-48.
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  7. I Drink Therefore I Am: A Philosopher's Guide to Wine.Roger Scruton - 2009 - Continuum.
    This good-humoured book offers an antidote to the pretentious clap-trap that is written about wine today and a profound apology for the drink on which..
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  8. Categories and Appreciation – A Reply to Sackris.Ole Martin Skilleås & Douglas Burnham - 2014 - Journal of Value Inquiry 48 (3):551-557.
    In his article “Category Independent Aesthetic Experience: The Case of Wine” in this journal, David Sackris presents arguments against Kendall Walton’s view in the famous article “Categories of Art.”David Sackris, “Category Independent Aesthetic Experience: The Case of Wine,” The Journal of Value Inquiry, 47 (2013), pp. 111–120; Kendall Walton, “Categories of Art,” in Steven M. Cahn and Aaron Meskin (Eds) Aesthetics: A Comprehensive Anthology. (Oxford: Blackwell, 2007), pp. 521–537. [First published in The Philosophical Review, 79 (1970), pp. 334–367.] He claims, (...)
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  9. Questions of Taste: The Philosophy of Wine.Barry C. Smith (ed.) - 2007 - Oxford University Press.
    Is the taste of a wine in our minds or in the glass? Can knowledge make a difference to the pleasure a wine gives us? Do the elaborate descriptions of wines in terms of fruits or spices, their "suppleness" or "brawniness," really mean anything? Questions of Taste is the first book to examine the philosophical issues surrounding our experience and enjoyment of wine. Featuring lucid essays from philosophers, a linguist, a biochemist, a wine producer and a wine critic, these leading (...)
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  10. Expression and Objectivity in the Case of Wine: Defending the Aesthetic Terroir of Tastes and Smells.Cain Todd - 2012 - Rivista di Estetica 51:95-115.
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  11. Percevoir L’Expression Émotionnelle Dans les Objets Inanimés : L’Exemple du Vin: Dialogue.Cain Todd - 2012 - Dialogue 51 (1):129-139.
    ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow (...)
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  12. The Philosophy of Wine: A Case of Truth, Beauty, and Intoxication.Cain Todd - 2010 - Routledge.
    Does this Bonnes-Mares really have notes of chocolate, truffle, violets, and merde de cheval? Can wines really be feminine, profound, pretentious, or cheeky? Can they express emotion or terroir? Do the judgements of 'experts' have any objective validity? Is a great wine a work of art? Questions like these will have been entertained by anyone who has ever puzzled over the tasting notes of a wine writer, or been baffled by the response of a sommelier to an innocent question. Only (...)
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