Yijing (The Book of Change)

This book is a translation of a key commentary on the Book of Changes, or Yijing, perhaps the most broadly influential text of classical China. The Yijing first appeared as a divination text in Zhou-dynasty China and later became a work of cosmology, philosophy, and political theory as commentators supplied it with new meanings. While many English translations of the Yijing itself exist, none are paired with a historical commentary as thorough and methodical as that written by the Confucian scholar (...) Cheng Yi, who turned the original text into a coherent work of political theory. (shrink)

This text explores the interfacing of philosophy and poetry as encounter with alterity—language engaging theme and rupture.

I argue that it is through an integrative dialogue based on the Ijing model of cooperative and cyclical change rather, than a Marxist or neo-Marxist dialectical model of change based upon the Hegelian model of conflict and replacement, that promises the greatest possibility of peaceful coexistence. As a case study of a dialogue between civilizations, I utilize both a mythical and an historical encounter between Martin Buber, representing the West, and Zhuangzi, representing the East. I show that despite the vast (...) temporal, historic, linguistic and cultural differences, that the dialogue between Zhuangzi and Buber is complementary and not adversarial. (shrink)

The concept of yinyang lies at the heart of Chinese thought and culture. The relationship between these two opposing, yet mutually dependent, forces is symbolized in the familiar black and white symbol that has become an icon in popular culture across the world. The real significance of yinyang is, however, more complex and subtle. This brilliant and comprehensive analysis by one of the leading authorities in the field captures the richness and multiplicity of the meanings and applications of yinyang, including (...) its visual presentations. Through a vast range of historical and textual sources, the book examines the scope and role of yinyang, the philosophical significance of its various layers of meanings and its relation to numerous schools and traditions within Chinese philosophy. By putting yinyang on a secure and clear philosophical footing, the book roots the concept in the original Chinese idiom, distancing it from Western assumptions, frameworks and terms, yet also seeking to connect its analysis to shared cross-cultural philosophical concerns. (shrink)

Indian philosophy of Yoni-Linga may be examined as a parallel to the Chinese philosophy of “Yin-Yang.” This essay will compare the similarities and distinctions between the two kinds of dichotomies through a theoretical formulation: certain conceptual, analytical and cross-cultural perspectives. The study will be focused on semiologieal, aesthetical, ontological and theological comparisons between these two of the most famous pairs of conceptual antonyms which have been developed by later Sino-Hindu philosophies and theologies as human worldviews widened and deepened with Eastern (...) civilization. (shrink)

The aim of the inquiry is to interpret the Yijing consistently in terms of time and creativity. In the course of analysis of cosmology, changes and constancy, the self and community in the Yijing, this inquiry suggests that time and creativity play a significant role to understand the whole text. ;In the Yijing, change and time are the ultimate facts of the world. As there is no external agency, every being is in the middle of self-realizing process. It is an (...) one-world view in the sense that myriad things generate and produce in the same field. They are unique and self-determining in that they have freedom to make a decision to construct themselves in their own way. ;There are various kinds of term for change and constancy in the Yijing. While bian tends to be employed as discontinuous breakthrough from one to another, tong refers to continuity. The compound biantong, a dynamic concept of concord of the opposites, seems to signify effective change under the changing environment and "to hit the mark timely." ;Constancy in the Yijing is full blossom of realization and unbounded movement of dao. ;In the Yijing, instead of defining general quality of human being, human being is characterized as temporally self-creative. Image and word play a reinforcing role in the creative process of person-making. Images and words point out the experience of perceiver to orient oneself to the goal of maximizing one's potency. This process suggests a magnifying process of the person. ;Time and creativity play a primary role in making many kinds of interpersonal relationships. Interweaving interpersonal relationship is serial and continuous. At the same time, relationships are discontinuous in that they do not repeat and duplicate what the initiators achieved. The process formulates seamless network of persons. (shrink)

This essay explores the cultural translation of the Chinese classic, the Book of Changes or Yijing through a reflection on my own attempts to adapt, use and misuse the text in literary form. My own engagement with the Yijing began when I set out to write a novel- of sorts based on the Chinese classic. The process of writing this novel, Sixty-Four Chance Pieces: A Book of Changes, has required not only that I culturally translate the Yijing, but that I (...) allow myself to be culturally translated in turn by this text. By combining theoretical approaches from China and the West, and by crossing between theoretical reflection and storytelling, this essay explores the complexity of this double cultural translation of readers and texts by asking what it might mean to understand, misunderstand or fail to understand a text as it is transmitted between often divergent contexts. (shrink)

This essay maps the changing contours of Yijing 《易經》 exegesis, focusing in particular on certain specialized terms that deal with the related problems of “knowing fate” and “establishing fate” . Among the concepts to be discussed are hui 悔, ji 吉, jiu 咎, li 利, li 厲, lin 吝, wang 亡, heng 亨, wujiu 旡咎, xiong 凶, yong 用, yuan 元, and zhen 貞.

Both Kant's architectonic and the Yijing can be structured as four perspectival levels: 0 + 4 + 12 + = 64. The first, unknowable level is unrepresentable. The geometry of logic provides well‐structured maps for levels two to four. Level two consists of four basic gua , corresponding to Kant's category‐headings . Level three's twelve gua, derived logically from the initial four, correspond to Kant's twelve categories. Level four correlates the remaining 48 gua to Kant's theory of the four university (...) faculties , and to four categorially organized domains comprising his philosophical system. (shrink)

Western philosophy has been defined through the exclusion of non-Western forms of thought as non-philo-sophical. In this paper, I place the notion of what is “properly” philosophy into question by contrasting the essence/appearance paradigm governing Western metaphysics and its deconstructive critics with the more fluid, dynamic, and participatory forms of encountering and performatively enacting the world that are articulated in Chinese thinking and made apparent in Chinese painting. In this hermeneutical contrast, Western and Chinese thinking themselves are interpeted as co-relational (...) rather than as discrete, mutually indifferent or ethnocentrically nativist traditions. (shrink)

The Yijing/Binary System Episode involved Leibniz' discovery of a de facto representation of the binary number system in the sixty-four-hexagram Fu Xi "Yijing." Scholars have left the match unexplained, since they have found no evidence of a forgotten binary number system in ancient China. The interesting similarities and differences are discussed between the thought of Leibniz and that of Shao Yong, both of whom, it is argued, understood and recognized the importance of the double geometric progression in the diagram.

The "I Ching" had an important influence on Tokugawa Shinto. First, it played a crucial role in the discussion of Confucian-Shinto relations; many Tokugawa Confucians and Shintoists used it to uphold the doctrine of the unity of Confucianism and Shinto, and Shintoists and scholars of National Learning (kokugaku) used it for its metaphysical and divinational value. Second, scholars of National Learning transformed it from a Confucian classic into a Shinto text, claiming that it was the handiwork of a Japanese deity.

This volume, an assemblage of essays previously published in the Journal of Chinese Philosophy, conveniently and strategically brings together some of the trenchant interpretations and analyses of the salient, structural aspects of the philosophy of the Yijing. They reveal how the ancient Classic offers a graphically vivid and conceptually dynamic dramaturgy of the ways in which the natural world works in conjunction with the human one. Its cosmological architectonics and philosophical worldview continue to have enormous purchase on our current imagination, (...) even though readerly imperatives and responses have rendered this classic into a text of multiple significances, catering to pluralistic readerships and clienteles. Nonetheless, the essays in this volume lay bare some of the original authorly visions and insights of the Yijing, clearly showing that their apparent truthfulness to our cosmic and human conditions inspire philosophical and even theological questions. The Yijing's authorial designs of the eight trigrams and hexagrams, which encapsulate the primordial state of homo-cosmic phenomena and situations, together with the yin-yang forces and the dao, are taken for granted as integers in a grand universal equation, factored out to represent a ceaselessly changing cosmos in which heaven, earth and humanity commingle, such that the whole and unity can be found in the individual and the opposite, and vice versa. (shrink)

: Most discussions of Yamaga Soko's philosophical development as a Confucian scholar in Tokugawa Japan suggest that in his later years he moved away from Confucianism and toward a religio-philosophical celebration of Japan's supposed uniqueness. It is shown here, however, that Soko's nativism, set forth in his Chucho jijitsu, was later eclipsed by his final philosophical work, the Gengen hakki, wherein he articulated a kind of naturalistic numerology, based vaguely on the Yijing. This shift in Soko's thought can be viewed (...) as a return to Neo-Confucianism, the earliest philosophical paradigm that he had embraced. Moreover, the successive shifts in his thinking can be understood in terms of the vicissitudes of his life, first in his exile to the Kansai area, near the ancient imperial capital of Kyoto, and then later in his pardon and return to Edo, the shogun's capital. Perhaps most importantly, this final shift in Soko's thought reveals that this prominent early modern thinker did reach his philosophical climax not in defiant opposition to Neo-Confucianism, nor in a sustained celebration of Japan's political traditions and their superlative nature, but instead in a return to modes of metaphysics akin to those typically deployed by Neo- Confucians themselves in their attempts to understand the changing nature of the cosmos and their political place within its flux. (shrink)

The debate on the yan-yi relation was carried out by Chinese philosophers collectively, and the principles and methods in the debate still belong to a living tradition of Chinese philosophy. From Yijing (Book of Changes), Lunyu (Analects), Laozi and Zhuangzi to Wang Bi, "yi" which cannot be expressed fully by yan (language), is not only "idea" or "meaning" in the human mind, but is also some kind of ontological existence, which is beyond yan and emblematic symbols, and unspeakable. Thus, the (...) debate on the yan-yi relation refers firstly to metaphysics, secondly to moral philosophy, and then to epistemology and philosophy of language. Guided by this view, this paper recalls the source of the debate on the yan-yi relation to Yijing and Lunyu, distinguishes four meanings of "yi" in Chinese philosophy, and reconstructs three arguments. These arguments are the "yan cannot express yi fully" argument, "forget yan once you get yi" argument, and "yan can express yi fully" argument. Finally, this paper exposes and comments on those principles, methods and the general tendency shown in the debate from the following five aspects: starting point, value-preference, methodology, texts (papers and books), and influences. (shrink)

In this paper I construct Confucian moral realism as a metaethical theory that is compatible with, or even derivable from, traditional Confucianism. The paper is at once interpretative and constructive. In my analysis, Confucians can establish the realist's claims on moral properties because they embrace the view of a moralistic universe. Moral properties in Confucian ethics not only are presented as objective, naturalistic properties, but also are seen as 'causally efficacious'. There are several theses commonly endorsed by contemporary moral realists. (...) I will explain how many of the remarks by Confucius, Mencius, in Yijing, The Great Learning and The Doctrine of the Mean can be understood as implicit endorsements of these theses. I will also analyze the theses specific to Confucian moral realism. The paper will end with a brief defense of this form of realism. (shrink)

This article reflects on important terms and concepts that constitute the cosmology of the Yijing: ji, tian, yin-yang , and the correlative aspects of temporality. These are familiar terms from the Yijing as well as other philosophical texts from ancient China. It begins with a comparative inquiry into Chinese and Greek attitudes toward time and then explores the related philosophical consequences. Although the ancient Chinese view of the world as temporal, processual, and relational may be found to be in contrast (...) with Greek substance-oriented philosophy, it is argued here that we should revise some commonly accepted interpretations of Chinese terms. Without adequate reflection on temporality and process, many important terms may be misconstrued as atemporal and substance-oriented, which would be alien to the sensibilities of East Asian traditions. Thus, it is attempted here to gauge the adequacy of the prominent existing interpretations of these terms and ideas while giving an account of how such interpretations may be revised to better recognize the role of temporality and process. Specifically, it is proposed that the interpretations given here accord best with a conception of time as a spiral trajectory, as opposed to either the cyclic or linear conceptions of time usually considered dominant in the Yijing and ancient Chinese philosophy. (shrink)

By examining the propositions “waiting for the proper time to act”, “keeping up with the time”, “accommodating oneself to timeliness”, and “the meaning of a timely mean”, this paper examines the relationship between the idea of time conceived of in Yizhuan 易传 (Commentaries to the Book of Changes ), Zuozhuan 左传 (Annals of Spring and Autumn with Zuo Qiuming’s Commentaries) and Guoyu 国语 (Comments on State Affairs) as well as the related thoughts of Confucianism, Daoism and the Yin-Yang School. It (...) holds that on the foundation established by its predecessors, Yizhuan elevated time to its own category and made the first steps in establishing a theoretical system for time, making an important contribution to the enrichment and deepening of philosophical thought in the pre-Qin period. (shrink)