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Beethoven: The Philosophy of Music

[author unknown]
Journal of Aesthetics and Art Criticism 61 (1):90-91 (2003)

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  1. Species Trouble: Judith Butler, Mourning, and the Precarious Lives of Animals.James Stanescu - 2012 - Hypatia 27 (3):567-582.
    This article utilizes the work of Judith Butler in order to chart a queer and feminist animal studies, an animal studies that celebrates our shared embodied finitude. Butler's commentary on other animals remains dispersed and fragmented throughout books, lectures, and interviews over the course of the last several years. This work is critically synthesized in conjunction with her work on mourning and precarious lives. By developing an anti-anthropocentric understanding of mourning and precarious lives, this article hopes to create ontological, ethical, (...)
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  • Hegel, Danto, Adorno, and the end and after of art.Owen Hulatt - 2016 - British Journal for the History of Philosophy 24 (4):742-763.
    ABSTRACTIn this paper, I consider Adorno's claim that art is at, or is coming to, an ‘end’. I consider Adorno's account in relation to the work of Arthur Danto and G. W. F. Hegel. I employ Danto's account, together with two distinct interpretive glosses of Hegel's account, as heuristic devices in order to clarify both Adorno's own arguments, and the context within which they are being advanced. I argue that while Danto and Hegel see art as coming to an end (...)
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  • The Artwork and the Promesse du Bonheur in Adorno.James Gordon Finlayson - 2012 - European Journal of Philosophy 23 (3):392-419.
    Adorno's saying that ‘art is the promise of happiness’ radiates into every corner of his work from his aesthetic theory to his critical theory of society. However, it is much misunderstood. This can be seen from the standard answer to the question: in virtue of what formal features do art works, according to Adorno, promise happiness? The standard answer to this question suggests that the aesthetic harmony occasioned by the organic wholeness of the form realized in the artwork contrasts with (...)
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  • A summons to the consuming animal.John Desmond - 2010 - Business Ethics, the Environment and Responsibility 19 (3):238-252.
    This paper considers Derrida's principal works on the animal as comprising a summons to the consuming animal, the human subject. It summarizes, firstly, Derrida's accusation that the entire Western philosophic tradition is guilty of a particularly pernicious disavowal of its repudiation of the animal. This disavowal underpins what he calls the 'carnophallogocentric order' that privileges the virile male adult as a transcendental subject. The paper shows how he calls this line of argument into question by challenging the purity of the (...)
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  • A summons to the consuming animal.John Desmond - 2010 - Business Ethics 19 (3):238-252.
    This paper considers Derrida's principal works on the animal as comprising a summons to the consuming animal, the human subject. It summarizes, firstly, Derrida's accusation that the entire Western philosophic tradition is guilty of a particularly pernicious disavowal of its repudiation of the animal. This disavowal underpins what he calls the ‘carnophallogocentric order’ that privileges the virile male adult as a transcendental subject. The paper shows how he calls this line of argument into question by challenging the purity of the (...)
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