I consider the geometrical structure of the apparent visual field. Although the optics of vision is well understood, the nature of visual awareness remains largely in the dark. A famous attempt at a formal description of the apparent visual field was by Helmholtz, in the late nineteenth century. It purportedly explains the phenomenon of the subjective curvatures often reported when viewing objectively straight lines of great extent. I consider the general problem, and suggest an alternative formal account. On phenomenological grounds (...) the very existence of a coherent geometry may be doubted. Yet, although seemingly an academic question, the issue has very real consequences. The two models I consider here may approximately apply to certain visual modes. The nature of such visual modes is discussed. (shrink)

Besides presenting a phenomenological-experimental analysis of consciousness, Meinong challenged one of the major indisputable axioms of current scientific research, i.e. that perception in awareness has to be veridical on the stimulus. Meinong’s analysis of consciousness, which he conducted through a kind of dissection of its structures from a systematic and an experimental viewpoint, offers relevant insights to contemporary consciousness studies.

The apparent dichotomy between qualitative versus quantitative dimensions in science intersects with the domain of several disciplines, as well as different research fields within one and the same discipline. The perception of qualitative as “poor quantitative,” however, is methodologically unsustainable, because there are perfectly rigorous ways to conduct qualitative research. A somehow different question is whether a science of qualities per se is possible: that is, whether a science of appearances can be devised, what its observables are, and its methodological (...) implications. The article deals with this last issue, and especially from the point of view of experimental phenomenology. The weakness of the current approach to perception is discussed, and an alternative view that goes beyond veridicalism is presented. The analysis tackles crucial issues such as color and spatial appearances, the qualitative dimension of perceived depth, and the role of visual meaningful gestalten as information tools for the survival of living beings in the environment. If developed, a science of the qualitative dimensions of appearances may contribute to revising the ecological theory of perception by making its natural semantics more explicit. (shrink)