In Aristotle’s On the Soul he considers and refutes two versions of the harmonia theory of the soul’s relation to the body. According to the harmonia theory, the soul is to the body what the tuning of a musical instrument is to its material parts. Though he believes himself to have entirely dismissed the view, he has not. I argue that Aristotle’s hylomorphic account is, in fact, an instance of the harmonia theory.

In one of the unpublished parts of his manuscript titled the Spicilegia, Arthur Schopenhauer presents an uncharacteristically sympathetic reading of an Aristotelian text. The text in question, De anima III. 5, happens to include the only occurrence of arguably the most controversial idea in Aristotle, namely the distinction between active and passive nous. Schopenhauer interprets these two notions as corresponding to his own notions of the ?will? and the ?intellect? or ?subject of knowledge?, respectively. The result is a unique interpretation, (...) according to which Aristotle's active nous is in fact non-intellectual: it is devoid of any interaction with intelligible objects, and hence lacks any intellectual activity. I show that this interpretation, though counterintuitive, is tenable, and that it may contribute to our understanding of Aristotle even if we do not adopt Schopenhauer's metaphysics. (shrink)

In De Anima 1.4, Aristotle asks whether the soul can be moved by its own affections. His conclusion—that to say the soul grows angry is like saying that it weaves and builds—has traditionally been read on the assumption that it is false to credit the soul with weaving and building; I argue that Aristotle’s analysis of psychological motions implies his belief that the soul does in fact weave and build.

Aristotle’s Naïve Somatism is a re-interpretation of Aristotle’s cognitive psychology in light of certain presuppositions he holds about the living animal body. The living animal body is presumed to be sensitive, and Aristotle grounds his account of cognition in a rudimentary proprioceptive awareness one has of her body. With that presupposed metaphysics under our belts, we are in a position to see that Aristotle in de Anima (cognition chapters at least) has a di erent explanatory aim in view than that (...) which the literature generally imputes to him. He is not explicating what we would call the “mental”—the private, inner realm which some take to be of a di erent kind than the physical—as most take him to be. His explanandum is content acquisition; the explanans is showing how the body becomes like various aspects of objects. Although he famously describes the mind (nous) as unmixed with the body, he is guided by functional constrains—nous cannot be limited or qualified if it is to potentially think all things. Thus, his inquiry into cognition is philosophically limited from a contemporary perspective. Aristotle is not doing philosophy of mind, for he doesn’t seem to find the “mental” philosophically perplexing. (shrink)

This project is guided and motivated by the question concerning the nature of the phantasm as that which mediates between sensation and intellection in John Duns Scotus' account of cognition. Scotus embraces Aristotle's claim that the intellect cannot think without the phantasm. The phantasm is in a corporeal organ, yet the immaterial intellect must act with it to produce an intelligible species. In this project I examine the critical elements of Scotus' cognitive theory in order to understand the nature of (...) the phantasm. In the first chapter I discuss key elements of Aristotle's metaphysics and give a close, textual reading of De Anima guided by his claim that the relationship of the body and soul is highly specific. I then focus on his claim in De Anima 2.12 that sensation involves the reception of the sensible form without the matter. In the second chapter, I discuss Scotus' key theological notions that guide and inform his cognitive project. The beatific vision requires the presence of the divine essence in its own existence to the intellect. As the highest cognitive experience, the beatific vision is definitive of all cognitive experience making the presence of the object to the cognitive faculty of central importance. The discussion of the incarnation shows that the world is sacralized and thus, is a worthy object of cognitive attention in itself. In the third chapter, I discuss Scotus' understanding of the body-soul relationship focusing on his notion of person to both secure the unity of the human being and to ground the mediation between sensation and intellection. In the fourth chapter, I first discuss Aquinas' claim that sensation requires a spiritual change. While Scotus's account is in many respects the same as Aquinas', Scotus does not maintain that sensation is primarily passive and is thus, able to account for cognitive attention by way of his understanding of the unity of the sense organ, immanent actions, and sensation as intuitive cognition. What emerges in this discussion is Scotus' particular understanding of an intentio by which the nature of the phantasm can be understood. (shrink)

This dissertation explores Aristotle’s use of teleology as a principle of explanation, especially as it is used in the natural treatises. Its main purposes are, first, to determine the function, structure, and explanatory power of teleological explanations in four of Aristotle’s natural treatises, that is, in Physica (book II), De Anima, De Partibus Animalium (including the practice in books II-IV), and De Caelo (book II). Its second purpose is to confront these findings about Aristotle’s practice in the natural treatises with (...) the theoretical picture of the structure of teleological explanations gained from Aristotle’s theory of scientific demonstration. For this purpose a new interpretation of Analytica Posteriora II.11 is presented. This study thereby contributes to recent scholarship on the relation between Aristotle’s philosophy of science and his philosophy of nature, while at the same time adding to our knowledge of Aristotle’s notion of teleology in terms of its explanatory merits and limits. (shrink)