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  1. Is the City a Cultural Landscape? An Attempt to Analyze the City From the Perspective of Landscape Aesthetics.Beata Frydryczak - 2015 - Argument: Biannual Philosophical Journal 5 (2):359-372.
    This paper sets out to interpret the phrase ‘the city landscape’. Beginning with landscape aesthetics based on two categories — the picturesque and the sublime — the author attempts todemonstrate that a city can be interpreted in terms of a cultural landscape. This necessitates a re‑interpretation of the category of the sublime, whereby, through references to Edmund Burke, Theodor W. Adorno and Arnold Berleant, the sublime assumes the nature of a category which determines the existential situation of a person in (...)
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  • Engagement and Resonance: Two Ways Out From Disinterestedness and Alienation.Mădălina Diaconu - 2017 - ESPES 6 (2):40-49.
    Arnold Berleant’s enlargement of the scope of aesthetics to environments and social relationships opens the way for associations with approaches from other human and social sciences. One possible term of comparison is Hartmut Rosa’s theory of modernity, which applies the concept of resonance to various fields, including nature and art. At the beginning, their aims appear to be different and their alternatives slightly different: engagement stresses the continuity between the embodied self and the world, whereas resonance is primarily based upon (...)
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  • Introduction to Arnold Berleant’s Perspective.Aleksandra Lukaszewicz Alcaraz - 2017 - ESPES 6 (2):1-8.
    The selection of papers in the 6th Volume of the ESPES journal focusus on the development, analyses and critique of Arnold Berleant’s ideas on aesthetic engagement, social aesthetics, negative aesthetics, and environmental aesthetics. These issues are aproached by researchers from various continents showing the inspirational potential of Berleant’s perspective, inviting metaphors, opening paths for individual developmet in the field of art philosophy and aesthetics.
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  • Scenic National Landscapes: Common Themes in Japan and the United States.Yuriko Saito - 2002 - Essays in Philosophy 3 (1):5.
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  • Beyond the Call of Beauty: Everyday Aesthetic Demands Under Patriarchy.Alfred Archer & Lauren Ware - 2018 - The Monist (1):114-127.
    This paper defends two claims. First, we will argue for the existence of aesthetic demands in the realm of everyday aesthetics, and that these demands are not reducible to moral demands. Second, we will argue that we must recognise the limits of these demands in order to combat a widespread form of gendered oppression. The concept of aesthetic supererogation offers a new structural framework to understand both the pernicious nature of this oppression and what may be done to mitigate it.
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  • Aesthetic Appreciation of Nature and Environmentalism.Allen Carlson - 2011 - Royal Institute of Philosophy Supplement 69:137-155.
    This article is a response to yuriko saito's "is there a correct aesthetic appreciation of nature?" (jae 18:4) which challenges the position on the aesthetic appreciation of nature that i develop in a series of recent articles. i here consider saito's arguments, concluding that they neither establish the correctness of a wide range of kinds of aesthetic appreciations of nature nor undercut the grounds for the prominence i grant to scientific considerations in such appreciation.
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  • Environmental Aesthetics and Public Environmental Philosophy.Katherine W. Robinson & Kevin C. Elliott - 2011 - Ethics, Policy and Environment 14 (2):175 - 191.
    We argue that environmental aesthetics, and specifically the concept of aesthetic integrity, should play a central role in a public environmental philosophy designed to communicate about environmental problems in an effective manner. After developing the concept of the ?aesthetic integrity? of the environment, we appeal to empirical research to show that it contributes significantly to people?s sense of place, which is, in turn, central to their well-being and motivational state. As a result, appealing to aesthetic integrity in policy contexts is (...)
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  • The Aesthetics of Agricultural Landscapes and the Relationship Between Humans and Nature.Emily Brady - 2006 - Ethics, Place and Environment 9 (1):1 – 19.
    The continuum between nature and artefact is occupied by objects and environments that embody a relationship between natural processes and human activity. In this paper, I explore the relationship that emerges through human interaction with the land in the generation and aesthetic appreciation of industrial farming in contrast to more traditional agricultural practices. I consider the concept of a dialectical relationship and develop it in order to characterise the distinctive synthesising activity of humans and nature which underlies cultivated environments. I (...)
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  • Engaging Berleant: A Critical Look at Aesthetics and Environment: Variations on a Theme.Renee Conroy - 2007 - Ethics, Place and Environment 10 (2):217 – 244.
  • Beyond the Visible : Prolegomenon to an Aesthetics of Designed Landscapes.Rudi Etteger - unknown
    In this thesis the appropriate aesthetic evaluation of designed landscapes is explored. The overarching research question for this thesis is: What is an appropriate appreciation of a designed landscape as a designed landscape? This overarching research question is split into sub-questions. The first sub-question is: What is the current theoretical basis for the aesthetic evaluation of designed landscapes and does it provide appropriate arguments for aesthetic evaluations? Two important points about the aesthetic evaluation of designed landscapes were found in the (...)
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  • The Aesthetics Of Dwelling.Anne-Mari Forss - 2014 - Journal of Aesthetics and Phenomenology 1 (2):169-190.
    ABSTRACTTheories of aesthetics have traditionally represented the aesthetic object as a framed, distanced and contemplated individual piece to be appreciated. As such the aesthetic object has mainly been a work of art. This view has been challenged especially by environmental and everyday aesthetics, approaches which bring everyday environments and matters into consideration as possible objects of aesthetic appreciation. In this article I explore recent theories of everyday aesthetics focusing on how they treat the questions concerning ordinarity and attachment with regard (...)
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  • On Aesthetically Appreciating Human Environments.Allen Carlson - 2001 - Philosophy and Geography 4 (1):9 – 24.
    In this essay I attempt to move the aesthetics of human environments away from what I call the designer landscape approach. This approach to appreciating human environments involves a cluster of ideas and assumptions such as: that human environments are usefully construed as being in general ''deliberately designed'' and worthy of aesthetic consideration only in so far as they are so designed, that human environments are in this way importantly similar to works of art, and that the aesthetics of human (...)
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  • Environmental Aesthetics, Ethics, and Ecoaesthetics.Allen Carlson - 2018 - Journal of Aesthetics and Art Criticism 76 (4):399-410.
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