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  1. The Piano.Carolyn Wagner - 2017 - Phenomenology and Practice 11 (2):51-54.
    A pianist experiences the thingness of the piano as an extension of the body. Although contact occurs only through the player’s extremities, the piano invites the use of the whole body to transmit emotion, transport the player into the body and mind of a composer, and transform the pianist’s ability to hear.
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  • The Phenomenology of the Pipe Organ.Michael R. Kearney - 2020 - Phenomenology and Practice 15 (2):24-38.
    An extended illustration from Merleau-Ponty’s Phenomenology of Perception describes the interplay of habit, sedimentation, and intersubjectivity in the practice and performance of a skilled organist. This paper takes up Merleau-Ponty’s example in order to describe some of the phenomenological characteristics of embodied musical performance. These characteristics point toward an intersubjective event of “consecration,” as Merleau-Ponty describes it, in which the musician adopts the role of rhetor, inviting the audience into a shared dwelling place.
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  • Skills, procedural knowledge, and knowledge-how.Benoît Gaultier - 2017 - Synthese 194 (12):4959-4981.
    My main intention in this article is to settle the question whether having the ability to \ is, as Ryleans think, necessary for knowing how to \, and to determine the kind of role played by procedural knowledge in knowing how to \ and in acquiring and possessing the ability to \. I shall argue, in a seemingly anti-Rylean fashion, that when it comes to know-hows that are ordinarily categorised as physical skills, or—to be, for the moment, philosophically neutral—as enabling (...)
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  • Knowledge-how, Understanding-why and Epistemic Luck: an Experimental Study.J. Adam Carter, Duncan Pritchard & Joshua Shepherd - 2019 - Review of Philosophy and Psychology 10 (4):701-734.
    Reductive intellectualists about knowledge-how hold, contra Ryle, that knowing how to do something is just a kind of propositional knowledge. In a similar vein, traditional reductivists about understanding-why insist, in accordance with a tradition beginning with Aristotle, that the epistemic standing one attains when one understands why something is so is itself just a kind of propositional knowledge—viz., propositional knowledge of causes. A point that has been granted on both sides of these debates is that if these reductive proposals are (...)
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