Citations of work:

J. M. Bernstein (1992). The Fate of Art: Aesthetic Alienation From Kant to Derrida and Adorno.

6 found
Order:
Are we missing citations?

PhilPapers citations & references are currently in beta testing. We expect to add many more in the future.

Meanwhile, you can use our bibliography tool to import references for this or another work.

Or you can directly add citations for the above work:

Search for work by author name and title
Add directly by record ID

  1.  17
    Inheritance, Originality and the Will: Bergson and Heidegger on Creation.Mark Sinclair - 2014 - International Journal of Philosophical Studies 22 (5):655-675.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  2.  42
    The Exemplarities of Artworks: Heidegger, Shoes , and Pixar. [REVIEW]Julie Kuhlken - 2007 - Continental Philosophy Review 40 (1):17-30.
    Heidegger’s essays “The Origin of the Work of Art” and “The Question Concerning Technology” provide a revealing insight into the importance of exemplarity to artworks. Originally the notion that exemplarity is essential to art is Kantian: As Kant puts it, since originality can produce “original nonsense, [beautiful art’s] products must be models, i.e. exemplary.” However, what Heidegger recognizes is that even if exemplarity allows us to take art seriously in spite of its excesses, it exposes the artwork to new dangers: (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  3.  38
    Historical Undecidability: The Kantian Background to Derrida’s Politics.Alison Ross - 2004 - International Journal of Philosophical Studies 12 (4):375 – 393.
    This paper deals with Derrida's analysis of Kant's Critique of Judgment in his essay 'Economimesis'. I argue that Derrida's analysis of Kant's aesthetics can be used to describe the aporia within Kantian politics between rebellion and progressive revolutionary acts. The focus of my argument falls on examining how the recent debate over Derrida's ethics can be usefully considered from the background of this treatment of Kant. In particular, the analysis Derrida gives of Kant's aesthetics commits him to a series of (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  4.  24
    Derrida and the Holocaust: A Commentary on the Philosophy of Cinders.Robert Eaglestone - 2002 - Angelaki 7 (2):27 – 38.
  5.  22
    Nietzsche and the “Self‐Mockery of Reason”.Samir Gandesha - 1998 - The European Legacy 3 (4):96-108.
  6.  17
    Art, Politics and Knowledge: Feminism, Modernity, and the Separation of Spheres.Amy Mullin - 1996 - Metaphilosophy 27 (1-2):118-145.