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  1. The Dynamic and Recursive Interplay of Embodiment and Narrative Identity.Roy Dings - 2018 - Philosophical Psychology 32 (2):186-210.
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  • Dramatizing The SUBJECT's Identity.Mercedes Rivero-Obra - 2019 - Philosophia 47 (4):1227-1245.
    One of major branches of philosophical research is the self, which, in particular, tries to find out how a subject creates her identity. In this work, I will just focus on two kinds of identity approaches: the narrative self-concept and the dramatic self-concept. I will argue that, although the Narrative identity approach especially helpful for the subject being able to give continuity to her actions, the Dramatic identity is which achieves to give meaning to the subject’s actions as soon as (...)
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  • Personal History, Beyond Narrative: An Embodied Perspective.Allan Køster - 2017 - Journal of Phenomenological Psychology 48 (2):163-187.
    Narrative theories currently dominate our understanding of how selfhood is constituted and concretely individuated throughout personal history. Despite this success, the narrative perspective has recently been exposed to a range of critiques. Whilst these critiques have been effective in pointing out the shortcomings of narrative theories of selfhood, they have been less willing and able to suggest alternative ways of understanding personal history. In this article, I assess the criticisms and argue that an adequate phenomenology of personal history must also (...)
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  • Narrative and Embodiment – a Scalar Approach.Allan Køster - 2017 - Phenomenology and the Cognitive Sciences 16 (5):893-908.
    Recent work on the relation between narrative and selfhood has emphasized embodiment as an indispensable foundation for selfhood. This has occasioned an interesting debate on the relation between embodiment and narrative. In this paper, I attempt to mediate the range of conflicting intuitions within the debate by proposing a scalar approach to narrative and an accompanying concept of a split-self. Drawing on theoretical developments from contemporary narratology, I argue that we need to move away from a binary understanding of narrative (...)
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