This article offers a sonic reading of Gilles Deleuze’s political philosophy. It argues that Deleuze adopts a sonic-musical vocabulary to account for the affective and corporeal dimensions of politics or the ways that bodies and nonconscious forces shape political and epistemological experience. Suggesting that sonic expressions operate on both the musical and the linguistic register and inflect bodies before being consciously recognized, the article thus explores how the sound flows involved in political assemblages also find entrance into philosophical concepts. To (...) make this argument, the article traces several sonic figures – most prominently refrain, rhythm, and resonance – throughout Deleuze’s _oeuvre_ and puts those into conversation with sound studies scholarship. With this, the article makes two wider contributions. First, it traces connections between Deleuze’s early philosophical works and his later more overtly political collaborations with Guattari by way of sound to establish a notion of the political as an aesthetic-ecological field composed with and beyond human activity. Second, the article outlines parameters of a sonic political philosophy centered on affective involvement, embodied listening, and experimental thinking, thus also articulating the relevance of sound studies scholarship for political theory and Deleuzian philosophy. (shrink)

The study of world politics in theoretical and empirical terms has recently witnessed an upsurge of interest in the question of complexity, drawing upon complexity theory; particularly, renewed interest in emergent properties and the aleatory nature of the political. This article seeks to demonstrate, primarily via an exploration of the work of Gilles Deleuze and Manuel DeLanda, the possibilities for a type of thinking about the ‘international’ that utilises the notion of social complexity as its primary mode of enframing the (...) major dimensions to world politics. As such it argues for a theoretical reconceptualisation of the system of states, markets and societies as individual and overlapping scale-entities, each possessing causal agency, with overlapping and enmeshed boundaries, situated in their historical and concrete manifestations. The reified concepts of polity, economy and society are re-cast in the language of assemblage theory as ordering, exchanging and cohering, thus highlighting process in world politics and providing a theoretical base better equipped to cope with complex social processes and practices. And this I conclude clears the way to re-situate international space theoretically as a complex adaptive system. (shrink)