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Environmental aesthetics

Stanford Encyclopedia of Philosophy (2008)

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  1. Philosophy of Animal-Made Art | فلسفه‌ی هنرِ جانور-ساخت.Pouya Lotfi Yazdi - manuscript
    This work was presented at the Research Center for Philosophy of Science of the Ferdowsi University of Mashhad (Iran) – in Aug 2020. --- Briefly, in the first section of this Persian book, first of all, I (Hereafter: the writer) have presented an interpretation of aesthetic universality (Hereafter: φ) and it is argued that each definition of art has to admit φ and this is a Kantian, minimalist, and subjective perspective view (some others would incline objective interpretation of φ, but (...)
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  • Odkrývanie estetického charakteru mesta ako krajiny: Mestský enviroment v pokantovskej estetike 21. storočia.Adrián Kvokačka - 2013 - Espes 2 (2):17-22.
    The contribution have several aims. In addition to the discussion that follows variability of the concept of landscape and its relationship to the category of environment the contibution focuses on the specific problem of the current aesthetics: transformation of aesthetic reflection of the city as a whole, which is realized by the contemporary aesthetics and philosophy through the Kantian aesthetics in Critique of Aesthetics Judgement. Elaboration of opinions of Marie Rubene and Miroslav Marcelli leads us not only to summarize the (...)
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  • ‘It Was a Pleasing Reflection to See the World so Prettily Chequer’D’: Aesthetics of Urban Experience in the Spectator”.Eduard Ghita - 2017 - University of Bucharest Review 6 (Special issue on Cultural Repres):149-157.
    Joseph Addison’s 1712 collection of papers on the Pleasures of the Imagination has been read extensively as a founding statement of modern aesthetics. The great majority of studies take Addison’s essays on the Pleasures of the Imagination to be a self-contained document which prevents their authors from turning their attention to The Spectator at large. As I turn my attention to the periodical at large, my aim in this paper is to show how the urban experience of Mr. Spectator was (...)
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  • When Aesthetics Does Not Lead to an Act of Environmental Conservation.Atoosa Afshari & Mahdi Behniafar - 2021 - Philosophical Investigations 15 (36):189-198.
    This paper examines the relationship between the environmental aesthetics approach backed by knowledge and the possibility of doing an action in favor of environmental conservation. It seems that even having such an approach towards the environment fails to sufficiently motivate people to protect the environment and nature, since there is a tension between the course of daily life and scientifically supported environmental aesthetics. In order to explain such tension, we tend to examine and critique ecological aesthetics from the viewpoint of (...)
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  • Preserving Destruction: Philosophical Issues of Urban Geosites.Remei Capdevila-Werning - 2020 - Open Philosophy 3 (1):550-565.
    This article examines the philosophical issues that arise when preserving urban geological sites or urban geosites. These are preserved not only because of their geological value but also because of aesthetic, cultural, and economic reasons. To do so, it examines the geosite constituted by Olot and its surroundings, a city in Spain that extends amid four dormant volcanoes. It explores the metaphysical paradox that these geosites have become what they are due to the preservation of destruction: human-caused interventions, mostly extraction (...)
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  • The Cartographic Network: Re-Imagining University Learning Environments Through the Methodology of Immersive Cartography.David Rousell - unknown
    This paper presents a discussion of the methodology, theory and key findings from an arts-based inquiry into academic learning environments entitled Cubic Reflections. The Cubic Reflections project involved a series of twelve site-specific cubes that were installed within the outdoor environments of a university campus in regional Australia. The cubes were designed to form a network of objects that reflected the aesthetic and ecological dimensions of the university’s learning environments. Students and staff were invited to both activate and build on (...)
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  • Znovuzrození přírodní krásy: Ronald W. Hepburn.Ondřej Dadejík - 2007 - Estetika 44 (1-4):2-27.
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  • The Aesthetic Turn in Green Marketing: Environmental Consumer Ethics of Natural Personal Care Products.Anne Marie Todd - 2004 - Ethics and the Environment 9 (2):86-102.
    : Green consumerism is on the rise in America, but its environmental effects are contested. Does green marketing contribute to the greening of American consciousness, or does it encourage corporate greenwashing? This tenuous ethical position means that eco-marketers must carefully frame their environmental products in a way that appeals to consumers with environmental ethics and buyers who consider natural products as well as conventional items. Thus, eco-marketing constructs a complicated ethical identity for the green consumer. Environmentally aware individuals are already (...)
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  • Designer's Approach for Scene Selection in Tests of Preference and Restoration Along a Continuum of Natural to Manmade Environments.MaryCarol R. Hunter & Ali Askarinejad - 2015 - Frontiers in Psychology 6.
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  • The Aesthetic Turn in Green Marketing:Environmental Consumer Ethics of Natural Personal Care Products.Anne Marie Todd - 2004 - Ethics and the Environment 9 (2):86-102.
    Green consumerism is on the rise in America, but its environmental effects are contested. Does green marketing contribute to the greening of American consciousness, or does it encourage corporate green washing? This tenuous ethical position means that eco-marketers must carefully frame their environmental products in a way that appeals to consumers with environmental ethics and buyers who consider natural products as well as conventional items. Thus, eco-marketing constructs a complicated ethical identity for the green consumer. Environmentally aware individuals are already (...)
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  • A Phenomenological “Aesthetics of Isolation” as Environmental Aesthetics for an Era of Ubiquitous Art.Matthew E. Gladden - 2018 - Polish Journal of Aesthetics (49):11-25.
    Here the concept of the human being as a “relatively isolated system” developed in Ingarden’s later phenomenology is adapted into an “aesthetics of isolation” that complements conventional environmental aesthetics. Such an aesthetics of isolation is especially relevant, given the growing “aesthetic overload” brought about by ubiquitous computing and new forms of art and aesthetic experience such as those involving virtual reality, interactive online performance art, and artificial creativity.
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  • Editor’s Introduction.Jonathan Maskit - 2016 - Journal of Aesthetics and Phenomenology 3 (2):81-92.
    Although cities have been philosophically important since ancient times, the development of phenomenology and, to a lesser degree environmental and everyday aesthetics, made possible the aesthetic consideration of urban life. Unlike much of Western philosophy, phenomenology takes seriously that human beings inhabit a lifeworld, in which they live as embodied beings together with others. These three emphases—world, embodiment and intersubjectivity—together make possible the aesthetic investigation of urban life. I provide a brief survey of current work in urban aesthetics before introducing (...)
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