This paper tries to meet the three basic constraints in the metaphysics of perception—that, following Schellenberg, I call here the particularity constraint, the indistinguishable constraint, and the phenomenological constraint—by putting forward a new combination of the two well-known contradictory views in this field: the relational view and the content view. Following other compatibilists, I do think that it is possible to reconcile the two views, recognizing that experience has both a relational and a representational dimension. However, in opposition to the (...) current ways of combining these two views, I reject the idea of gappy contents. Instead, my proposal is builds on Lewis’s famous semantic, according to which the content of sentences is best modeled as complex functions from context-index pairs to truth-values. In conformity with the content view, I want to suggest that perceptual experiences do represent complex properties or complex functions that are either veridical or falsidical of particulars in contexts and indexes. In this relativist framework, I can also accommodate the relational claim that our experience of particulars must be understood as a fundamental cognitive relation rather than as a representation. In this way, particulars also play a key role in individuating perceptual experiences. Two token experiences, e and e′, are different when one of the following conditions is met: first, if two different particulars, a and a′, are causally responsible for the token experiences e and e′, respectively, regardless of the time and location in which the perceptual experiences take place; second, if the same particular a, which is causally responsible for both e and e′, is either located in a different place or is in the same location but at a different time. (shrink)

Much of recent philosophy of perception is oriented towards accounting for the phenomenal character of perception—what it is like to perceive—in a non-mentalistic way—that is, without appealing to mental objects or mental qualities. In opposition to such views, I claim that the phenomenal character of perception of a red round object cannot be explained by or reduced to direct awareness of the object, its redness and roundness—or representation of such objects and qualities. Qualities of perception that are not captured by (...) what one is directly aware of or by representational content are instances of what Gilbert Harman has called “mental paint” (Block, 1990; Harman, 1990). The claim of this paper is that empirical facts about attention point in the direction of mental paint. The argument starts with the claim (later modified) that when one moves one's attention around a scene while keeping one's eyes fixed, the phenomenology of perception can change in ways that do not reflect which qualities of objects one is directly aware of or the way the world is represented to be. These changes in the phenomenology of perception cannot be accounted for in terms of awareness of or representation of the focus of attention because they manifest themselves in experience as differences in apparent contrast, apparent color saturation, apparent size, apparent speed, apparent time of occurrence and other appearances. There is a way of coping with these phenomena in terms of vague contents, but vague contents cannot save direct realism or representationism because the kind of vagueness required clashes wth the phenomenology itself. (shrink)