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  1. Art and Emotion.Filippo Contesi - 2018 - Oxford Bibliographies in Philosophy.
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  • La Φαντασία du Poète Et de L’Orateur Dans le Traité Περὶ Ὕψους de Pseudo-Longin : Dénouement D’Un Débat ancienThe Phantasia of the Poet and of the Orator in the Pseudo-Longinus’s On the Sublime: The Last Act of an Ancient Debate.Alexis Richard & Vanessa Molina - 2019 - Methodos 19.
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  • Stimmung: From Mood to Atmosphere.Angelika Krebs - 2017 - Philosophia 45 (4):1419-1436.
    Unlike human beings, landscapes, cities and buildings cannot feel anything in the literal sense. They do not have nervous systems. Nevertheless, we attribute “Stimmungen” such as peacefulness and melancholy to them. On what basis? With what right? And why does it matter anyway? This paper attempts an answer to this bunch of questions. The first section clarifies the concept of “Stimmung,” by distinguishing its three major meanings, namely harmony, mood and atmosphere. Section two discusses various models of how “Stimmung” is (...)
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  • Acquaintance and the Sublime: An Alternative Account of Theistic Sublime Experience.Thomas Atkinson - 2017 - International Journal for Philosophy of Religion 82 (2):175-193.
    In this paper I argue that when one has an epiphany of the form ‘God is F’ upon having a sublime experience one can be accurately described as being acquainted with the fact that God is F as opposed to inferring that God is F from the experience at hand. To argue for this, I will, first, outline what a sublime experience is, in general, before outlining what a theistic sublime experience is in particular. Second, I will outline two ways (...)
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