From the time of the publication of Henry More's first work, the collection of poems, ΨγΧΩΔΙΑ Platonica , Platonism provided the dominant theme in his philosophy. At Cambridge, More, his colleague, Ralph Cudworth, and their disciples, were responsible for a considerable revival of English Platonism, which became an important factor in late seventeenth-century natural philosophy. This movement is noted for its active and influential opposition to the mechanical world view, characterized in the writings of Hobbes and Descartes.

It has long been recognized that unnecessary cruelty to animals was held to be morally wrong by many classical moralists and medieval scholastics, and was echoed repeatedly in the early-modern period, though not necessarily reflecting any particular concern for animals, but rather to indicate the supposed brutalizing effects on the human character. The prevalence of the more radical view that cruelty to animals was wrong regardless of human consequences has only been dealt with comparatively recently, in the pioneering work of (...) Keith Thomas with regard to early-modern England. Thomas suggested that a remarkably constant and coherent argument underpinned the bulk of pamphleteering and preaching against animal cruelty in the period; man was entitled to domesticate animals and kill them for food and clothing but not to cause them unnecessary suffering. While wild animals could be killed for food or in self-defence, and game and vermin could be hunted, it was deemed wrong to kill only for pleasure. While this position could be found among Protestants of many different persuasions, the particular focus of successive campaigners changed over time. Preceding the Civil War the attack was concentrated on cock-fighting, bear-baiting and the ill-treatment of domestic animals; in the later seventeenth century it broadened out to include the caging of wild birds, brutal methods of slaughter, hare-hunting and vivisection. (shrink)

Animals – both tame and wild, as metaphors and as real presences – populate many of More’s works. In this essay, I show that, from the early Psychodia Platonica to the Divine Dialogues, animals are at the core of key metaphysical issues that reverberate on the levels of psychology and ethics. In particular I discuss three main aspects: the role of animals in More’s critique of atheism, both as safeguard for the body–soul interaction and as proofs of divine providence in (...) nature; the problem of evil in the universe, and how to justify the existence of ‘evil’ animals in particular; the differentiation between animals and humans, especially on the basis of their respective possibility of attaining happiness. In all three cases, I argue that More attempts to ‘tame’ the nature of animals, and yet that he is aware that ‘animality’ remains partly untamed. (shrink)

Francis Bacon's concept of the ‘vexations of art’ entailed experimentation as an intervention into nature for the purpose of extracting its secrets. Although the standard edition of Bacon's works by Spedding, Ellis and Heath and the new Oxford edition by Graham Rees translate the phrase vexationes artium as the ‘vexations of art’, a significant number of scholars, translators and editors from the seventeenth century to the present have read Bacon's Latin as the ‘torment’ or ‘tortures of art’. Here I discuss (...) these latter interpretations and speculate on the reasons for their association of the term with experimentation. While it may not be possible to say with certainty what Bacon meant by ‘vexation’, the context of his thought, the rich set of metaphors on which he drew and the interpretations of dozens of scholars over four centuries would seem to favour assigning a robust, interventionist meaning to vexare. (shrink)