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Visual Narrative Structure

Cognitive Science 37 (3):413-452 (2013)

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  1. The Architecture of Visual Narrative Comprehension: The Interaction of Narrative Structure and Page Layout in Understanding Comics.Neil Cohn - 2014 - Frontiers in Psychology 5.
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  • The Scene Perception & Event Comprehension Theory (SPECT) Applied to Visual Narratives.Lester C. Loschky, Adam M. Larson, Tim J. Smith & Joseph P. Magliano - 2020 - Topics in Cognitive Science 12 (1):311-351.
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  • Computational Approaches to Comics Analysis.Jochen Laubrock & Alexander Dunst - 2020 - Topics in Cognitive Science 12 (1):274-310.
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  • Editors’ Introduction and Review: Visual Narrative Research: An Emerging Field in Cognitive Science.Neil Cohn & Joseph P. Magliano - 2020 - Topics in Cognitive Science 12 (1):197-223.
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  • Your Brain on Comics: A Cognitive Model of Visual Narrative Comprehension.Neil Cohn - 2020 - Topics in Cognitive Science 12 (1):352-386.
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  • Dismantling the “Visual Ease Assumption:" A Review of Visual Narrative Processing in Clinical Populations. [REVIEW]Emily L. Coderre - 2020 - Topics in Cognitive Science 12 (1):224-255.
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  • Understanding Moment‐to‐Moment Processing of Visual Narratives.John P. Hutson, Joseph P. Magliano & Lester C. Loschky - 2018 - Cognitive Science 42 (8):2999-3033.
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  • You 'Re a Good Structure, Charlie Brown: The Distribution of Narrative Categories in Comic Strips'.Neil Cohn - 2014 - Cognitive Science 38 (7):1317-1359.
    Cohn's (2013) theory of “Visual Narrative Grammar” argues that sequential images take on categorical roles in a narrative structure, which organizes them into hierarchic constituents analogous to the organization of syntactic categories in sentences. This theory proposes that narrative categories, like syntactic categories, can be identified through diagnostic tests that reveal tendencies for their distribution throughout a sequence. This paper describes four experiments testing these diagnostics to provide support for the validity of these narrative categories. In Experiment 1, participants reconstructed (...)
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  • A Multimodal Parallel Architecture: A Cognitive Framework for Multimodal Interactions.Neil Cohn - 2016 - Cognition 146:304-323.
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  • Visual Narrative: Cultural Diversity – Cognitive Unity? New Tools and Perspectives for Narratology and Picture Science.Klaus Speidel - 2017 - Diegesis. Interdisciplinary E-Journal for Narrative Research / Interdisziplinäres E-Journal Für Er-Zählforschung 6 (1):122--129.
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  • The Multimodal Construction of Acceptability: Marvel's Civil War Comic Books and the PATRIOT Act.Francisco Veloso & John Bateman - 2013 - Critical Discourse Studies 10 (4):427-443.
    The 9/11 attacks in the USA had profound political consequences at both domestic and international levels. Specific and controversial policy developments were pursued requiring substantial legitimation to find acceptance. A prime example was the USA PATRIOT Act, which was passed in the immediate aftermath of 9/11 and subsequently received considerable critique due to the sweeping nature of its redefinition of what was acceptable in the cause of ‘fighting terror’. The media, and their construal of events and policies, played a significant (...)
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