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  1. History of the Ontology of Art.Paisley Nathan Livingston - 2011 - Stanford Encyclopedia of Philosophy.
    First critical survey devoted to the history of philosophical contributions to this topic. Brings to light neglected contributions prior to the second half of the 20th century including works in Danish, German, and French. Provides a division of issues and clarifies key ambiguities related to modality.
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  • Cycling as Reading a Cityscape: A Phenomenological Approach to Interface-Shaped Perception.Janez Strehovec - 2010 - Indo-Pacific Journal of Phenomenology 10 (2):1-11.
    This essay attempts to assess whether the perceptual issues posed by the contemporary interface culture, and the constant attitude shift demanded by the new media between the “natural” and the “as if” modes, might be considered a significant challenge for phenomenological aesthetics as understood in terms of Merleau-Ponty’s phenomenology of perception. To demonstrate how the use of a particular interface profoundly shapes the form and structure of an activity as well as enabling perception of a particular kind, the author does (...)
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  • U.S. Phenomenology of Music: A Critical Survey. [REVIEW]Roberto Miraglia - 1998 - Axiomathes 9 (1-2):235-251.