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Tim Crane (1998). Intentionality as the Mark of the Mental.

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  1.  9
    Much Ado About Nothing: Toward a Structural Realist Theory of Intentionality.Majid Davoody Beni - 2018 - Axiomathes 28 (3):293-308.
    Building upon Brentano’s Psychology from an empirical standpoint. Routledge, London, [1874] Brentano 1995) reintroduction of the concept of intentionality to the contemporary philosophy, Tim Crane has famously presented the intentionality as the mark of the mental. Accordingly, the problem of “intentional existence” has resurfaced in Crane’s revival of the Brentanoian theme. Here, I revise Crane’s construal of Brentano’s notion of intentional inexistence and reinterpret it in terms of a moderate version of relationalism. My relationalist theory of intentionality is inspired by (...)
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    Husserl, Impure Intentionalism, and Sensory Awareness.Corijn Van Mazijk - 2018 - Phenomenology and the Cognitive Sciences:1-19.
    Recent philosophy of mind has seen an increase of interest in theories of intentionality in offering a functional account of mental states. The standard intentionalist view holds that mental states can be exhaustively accounted for in terms of their representational contents. An alternative view proposed by Tim Crane, called impure intentionalism, specifies mental states in terms of intentional content, mode, and object. This view is also suggested to hold for states of sensory awareness. This paper primarily develops an alternative to (...)
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    Some Reflections on Husserlian Intentionality, Intentionalism, and Non-Propositional Contents.Corijn van Mazijk - 2017 - Canadian Journal of Philosophy 47 (4):499-517.
    This paper discusses Husserl’s theory of intentionality and compares it to contemporary debates about intentionalism. I first show to what extent such a comparison could be meaningful. I then outline the structure of intentionality as found in Ideas I. My main claims are that – in contrast with intentionalism – intentionality for Husserl covers just a region of conscious contents; that it is essentially a relation between act-processes and presented content; and that the side of act-processes contains non-representational contents. In (...)
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