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  1. Human, Nature, Dynamism: The Effects of Content and Movement Perception on Brain Activations During the Aesthetic Judgment of Representational Paintings.Cinzia Di Dio, Martina Ardizzi, Davide Massaro, Giuseppe Di Cesare, Gabriella Gilli, Antonella Marchetti & Vittorio Gallese - 2015 - Frontiers in Human Neuroscience 9.
  • Neurocognitive Poetics: Methods and Models for Investigating the Neuronal and Cognitive-Affective Bases of Literature Reception.Arthur M. Jacobs - 2015 - Frontiers in Human Neuroscience 9.
  • Your Brain on Art: Emergent Cortical Dynamics During Aesthetic Experiences.Kimberly L. Kontson, Murad Megjhani, Justin A. Brantley, Jesus G. Cruz-Garza, Sho Nakagome, Dario Robleto, Michelle White, Eugene Civillico & Jose L. Contreras-Vidal - 2015 - Frontiers in Human Neuroscience 9.
  • Towards a Sensorimotor Aesthetics of Performing Art.B. Calvo-Merino, C. Jola, D. E. Glaser & P. Haggard - 2008 - Consciousness and Cognition 17 (3):911-922.
    The field of neuroaesthetics attempts to identify the brain processes underlying aesthetic experience, including but not limited to beauty. Previous neuroaesthetic studies have focussed largely on paintings and music, while performing arts such as dance have been less studied. Nevertheless, increasing knowledge of the neural mechanisms that represent the bodies and actions of others, and which contribute to empathy, make a neuroaesthetics of dance timely. Here, we present the first neuroscientific study of aesthetic perception in the context of the performing (...)
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  • It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons.Elvira Brattico, Brigitte Bogert, Vinoo Alluri, Mari Tervaniemi, Tuomas Eerola & Thomas Jacobsen - 2015 - Frontiers in Human Neuroscience 9.
  • Acknowledging the Diversity of Aesthetic Experiences: Effects of Style, Meaning, and Context.Helmut Leder - 2013 - Behavioral and Brain Sciences 36 (2):149-150.
    Art can be experienced in numerous ways, ranging from sensory pleasure to elaborated ways of finding meaning (Leder et al. 2004). However, rather ignored by Bullot & Reber (B&R), in empirical aesthetics several lines of research have studied how knowledge of artistic style, descriptive and elaborate information, expertise, and context all affect aesthetic experiences from art. Limiting aesthetics to rather rare experiences unnecessarily narrows the scope of a science of art.
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  • What Makes an Art Expert? Emotion and Evaluation in Art Appreciation.Helmut Leder, Gernot Gerger, David Brieber & Norbert Schwarz - 2014 - Cognition and Emotion 28 (6):1137-1147.