Dharmarāja Adhvarin’s Vedānta Paribhāṣā is a well-known introduction to Advaita Vedānta, targeted to beginners who are already trained in Navya Nyāya. According to Dasgupta, the VP is so heavily indebted to Rāmādvaya’s Vedānta Kaumudī, which was composed in the middle of the 14th century and is today almost forgotten, that the VP’s “claim to originality vanishes”. The VK was, however, only edited in 1955 and then again in 1973. In the light of this improved textual basis, what is our judgement (...) about Dasgupta’s hypercritical statement? Did actually the VP ever claim to be original? Was this originality somehow superimposed on the VP later? Is the VP really so much indebted to the VK? This paper aims at comparatively analysing the textual background of these questions. I will start from the analysis of one Advaita’s epistemological tenet, namely the valid knowledge, in the VK and then compare it to the corresponding parts in the VP. (shrink)

This is an enquiry based on the Vivekacūḍāmaṇi, the primary focus of which is to present viveka along with its three catalysts, namely, śruti, tarka, and anubhava as the unique pramāṇa of Ultimate Knowledge. This paper discusses the significance of the six popular pramāṇas of Advaita Vedānta and reiterates that as far as AV is concerned epistemologically those pramāṇas have merely a provisional value. In accordance with the purport of VC this paper argues that śruti and tarka, culminating in anubhava (...) are blind in themselves and are enthusiastically carried forward by viveka for the attainment of the final realisation. This paper concludes that viveka, along with its three catalysts namely, śruti, tarka, and anubhava is the sole pramāṇa of the trans-empirical experiential knowledge of Brahman. (shrink)